About

Posts by :

Masconomet Regional School District to Host Temporary Photography Exhibit “Evidence and Artifact: Documenting the Holocaust Through Images

Masconomet Regional School District to Host Temporary Photography Exhibit “Evidence and Artifact: Documenting the Holocaust Through Images

For immediate release

BOXFORD – Superintendent Michael Harvey and Social Studies Department Head Eva Urban Hughes would like to share that Masconomet Regional School District is hosting a temporary photography exhibit titled “Evidence and Artifact: Documenting the Holocaust Through Images” by artist Richard Wiesel.  

MRSD, in collaboration with the Salem State Center for Holocaust and Genocide Studies, will be holding the exhibit at Masconomet Regional High School, 20 Endicott Rd., through the month of December and is open to students, staff and the community. 

The exhibit will display 10 objects that were recovered after the liberation of the women’s concentration camps in Germany, Ravensbrück and Sachsenhausen. The objects tell the various stories of the atrocity and horror of the camps, but also highlight the resilience and humanity of those who were imprisoned there. Each object is carefully contextualized, allowing the viewer to contemplate and reflect on the Holocaust, while building upon the historical perspective on the issues of genocide.  

Salem State will also be conducting workshops around the images for junior high school students who are studying World War II and the Holocaust, and for those taking World War II electives.  

The artist Richard Wiesel is from Australia and is a distant relative of Elie Wiesel, the renowned author of the memoir “Night,” which depicts his own experiences at concentration camps during the Holocaust. However, the two have never met.  

Richard Wiesel has an extensive background in marketing and the film industry, and has recently been exploring the use of images in storytelling. 

For more information about Wiesel and his work click here

This exhibit and experience are funded by the Massachusetts Department of Elementary and Secondary Education Genocide Grant, awarded to the Masconomet Social Studies Department last year.  

“I would like to thank Richard Wiesel for helping us put together this exhibit for our community to learn about and remember those affected by the Holocaust,” said Superintendent Harvey. “I would also like to thank Salem State for collaborating with us on this project, as well as DESE for grant funding which allowed us to host and open this exhibit. A special thank you to thank Eva Urban Hughes, for bringing the exhibit and the genocide education grant to Masconomet. This exhibit is a reminder of those who sacrificed so much and the determination of the men and women who were there.” 

### 

The Cavernous Bat Trang Pottery Museum Swells Upward Like a Hand-Thrown Ceramic Vessel

The Cavernous Bat Trang Pottery Museum Swells Upward Like a Hand-Thrown Ceramic Vessel

All images © 1+1>2

The historic village of Bat Trang in northern Vietnam has been a hub for ceramic production since the 11th century. Home to vast reserves of white clay, the town’s economy is still deeply rooted in creating and selling various functional and decorative objects, while becoming increasingly popular for tourism.

In homage to the village’s enduring traditions, the architects of 1+1>2 studio designed the Bat Trang Pottery Museum, a spacious, four-story venue devoted to sharing the history of the region and offering a space where local artisans can showcase their works. Constructed with fiber-reinforced concrete, the building swells upward in tiers to evoke the shape of vessels thrown on a potter’s wheel, while the terracotta color references the earthen material and bricks used in kilns.

Comprised of seven segments, the museum is a multi-use space. Exhibitions, festivals, and studios occupy much of the building with a restaurant and auditorium on the fourth floor. Lush with potted plants, the rooftop features a workshop, play area, and space for people to gather in the open air.

Find more about the project on the studio’s website. (via designboom)

 

a terracotta building with tiers and rooftop garden

a rooftop garden

a cavernous building with a skylight and tiered ceiling

a rooftop garden

left: a tiered cavernous building. right: a rooftop garden

an aerial view of a curvy rooftop garden in the middle of buildings

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article The Cavernous Bat Trang Pottery Museum Swells Upward Like a Hand-Thrown Ceramic Vessel appeared first on Colossal.

Call for entries: National Geographic Traveller (UK) Photography Competition 2024 is now open

Call for entries: National Geographic Traveller (UK) Photography Competition 2024 is now open
Photo Competition 2024

natgeotv.com/uk/competitions

LONDON (8 December 2023) — National Geographic Traveller (UK)’s Photography Competition 2024 is now open for entries.

Highlighting the best in travel photography, this highly regarded annual competition, celebrating its 12th year, is open to entrants from across the UK and Ireland. Photographers of all levels are invited to submit travel images taken during the past year in any of the six categories.

Pat Riddell, editor of National Geographic Traveller (UK), said: “From spectacular landscape shots taken high above from a drone to close-ups of some of nature’s most intriguing wildlife, the National Geographic Traveller (UK) Photography Competition has amazed us every year with the quality and creativity of the winning entries.

“This year, I’m sure, will be no different as thousands of photographers compete for the chance to be published in National Geographic Traveller (UK) and demonstrate to the judges that they’ve got that all-important attention to detail, curiosity about the world around us and technical ability to get the shot that nobody else can.”

One grand prize winner and all six category winners will receive a year-long subscription to National Geographic Traveller (UK) and tickets to a full suite of Masterclasses travel photography panel discussions in 2024. Selected entrants will also be included as part of a national press and media campaign and featured on nationalgeographic.com

Entrants can submit travel imagery in any of six categories: Food & travel, Urban environments, People, Landscape, Wildlife and Portfolio. Full descriptions of the categories and detailed entry criteria is available online, along with a digital platform through which entries can be submitted.

Entries should be submitted before midnight on 25 February 2024. The winners will be announced in early June 2024 and will be published in the Jul/Aug 2024 issue of National Geographic Traveller (UK).

The judging panel, featuring high-profile photographers, brand ambassadors and photography editors, will be announced in September.

Enter here: natgeotv.com/uk/competitions

————–

The closing date is 25 February 2024 at 23.59 GMT.

National Geographic Traveller (UK) has a cover price of £5.25, is available via subscription and on newsstands and is published 10 times a year. Visit nationalgeographic.com/travel for more information.

Current subscription offer: Get three issues of National Geographic Traveller (UK) and one issue of Food by National Geographic Traveller (UK) for just £10: subscriptions.natgeotraveller.co.uk

Website: News, features and more.
nationalgeographic.com/travel

Find us on Facebook: facebook.com/NatGeoTravelUK

X (Twitter): twitter.com/NatGeoTravelUK

Instagram: instagram.com/NatGeoTravelUK

The National Geographic Traveller (UK) digital edition is available for Apple, Android and Kindle devices: ngtr.uk/NGTdigital

###

Notes

National Geographic Traveller (UK) is published under licence by APL Media Limited, from National Geographic Partners LLC in Washington, DC. The travel and lifestyle magazine launched in December 2010, and is packed full of you-are-there photography, authentic travel experiences and inspiring narratives. nationalgeographic.com/travel

Nat Geo Media is a worldwide digital, social and print publisher, operating in more than 170 countries, with several print and digital products and more than half a billion followers on social media. Our mission is to inspire curious fans of all ages through bold and innovative storytelling about people, places and projects that shape our world, and enable our fans to connect, explore, engage with and care about the world.

For more information, visit nationalgeographic.com, find us on the National Geographic app or visit us on Facebook, X (Twitter), Instagram, YouTube, LinkedIn, Pinterest and TikTok

CONTACT:

For editorial enquiries:
Tel: +44 (0) 20 7253 9906
editorial@natgeotraveller.co.uk

Pat Riddell, editor
Tel: +44 (0) 20 7253 9906
pat.riddell@natgeotraveller.co.uk

Maria Pieri, editorial director
Tel: +44 (0) 20 7253 9906
maria.pieri@natgeotraveller.co.uk

Matthew Jackson, managing director
Tel: +44 (0) 20 7253 9909
matthew.jackson@natgeotraveller.co.uk

Anthony Leyens, CEO
Tel: +44 (0) 20 7253 9909
anthony.leyens@natgeotraveller.co.uk

F5: Anand Sheth Shares a Thoughtful Gathering Structure, Asian Embroidery + More

F5: Anand Sheth Shares a Thoughtful Gathering Structure, Asian Embroidery + More

Anand Sheth is the man creating a sense of discovery through the design process at Studio Anand Sheth, which opened its doors in 2021. The San Francisco-based architecture and interiors firm practices holistic design that’s strong in concept and artful in point of view. From arts-driven hospitality spaces to gathering-focused residences to localized workplace environments, Anand’s work is resourceful and inventive, reframing our perspective by focusing on changemaking. The result is that each project adds energy to – and shifts the dynamics of – our every day.

“The architectural process has been a part of my entire life. My dad is a construction manager, and a former engineer, and I was surrounded by dozens of copies of old school blueprints at home,” Anand shared. “One of the tasks that folks in the industry will know well is “clouding changes” on multiple copies of drawings – and that’s something I helped him do when I was a kid. Not sure if that was my “hobby,” but I definitely enjoyed spending time doing it.”

He continued: “Design, as opposed to the process of architecture, came to me in waves afterward. I recall sketching floor plans of homes for my childhood friends based on their personalities – indoor pools for the athletes, an entire floor of guest rooms for the social ones, etc. As a teenager, I observed the diverse built environment between South LA and the beach cities. And my career in design formally began after I graduated high school and moved to San Francisco to study architecture.”

Anand Sheth Photo: Steph Pann

Anand’s process is cohesive and very communicative, beginning with hand sketches, architectural drawings, and diagrammatic design representations. These phases work together to establish the intent of each project and fuel it to the finish line. It’s through a clarified aesthetic vision and what his clients value individually that allows the individual narratives to emerge.

That narrative is hugely important to Anand, and leads to what he might do professionally in a parallel life. “I would be a writer. I like to see my architectural work as narrative-rich, and I’m often searching for the “story” behind the spaces and objects I encounter. But there’s something very satisfying about literal storytelling. It’s hard work, and I hope I get there one day, to achieve a direct connection with the reader.”

Anand has created numerous hospitality spaces, including Bar Part Time, Hi Felicia, Sluts the Wine Bar, and Popi’s Oysterette, and several private residences in the Bay Area and Los Angeles. Throughout his career, Anand has strived to balance architecture with service, having served as the Design Lead for GROUND, the non-profit urban platform for activating formerly vacant lots and buildings to restore Black use, an artist-in-residence with Ruth Asawa School of the Arts, and a mentor through CCA and NOMA’s Project Pipeline.

We’re happy to have Anand Sheth join us for today’s Friday Five!

geometric architectural sculpture

Photo courtesy Jose Castellar

1. “La Folie” by Tarek Shamma

I’m uncharacteristically satisfied, and mildly obsessed, with “La Folie,” a gathering structure designed by Tarek Shamma in Melides, Portugal, for his client Christian Louboutin. It’s inspired by dozens of art and cultural themes including James Turrell, Rajasthani stepwells, the Jantar Mantar observatory in Jaipur, Carlo Scarpa, and more. Perhaps my favorite aspect is the radically honest name, La Folie, or The Folly, “because it’s just for fun.”

side-by-side images of two people posing for a photo

Photo courtesy Karu Research

2. Contemporary South Asian Embroidery

Emily Bode popularized eastern embroideries in contemporary western menswear, and deserves credit for that, but it’s abundantly clear that she’s tapped into a craft that is centuries old, sacred, and not coincidentally ancestral to her Indian-American spouse. I’m thrilled to see how many South Asian fashion companies are coming online in recent years, focusing on intricate narrative-rich embroidery that transcends boundaries. Fashion brands like Karu Research, Adish, Aomi, Harago, Two Point Studio, Rastah, Darwaza, Wunderhaus, and Johargram. I’m lucky to own some pieces from this emerging movement of designers and they are some of my favorite things to wear.

six images of people and everyday objects

Photos courtesy Miguel Adrover’s Instagram

3. Miguel Adrover’s Instagram

I have no idea how or when I stumbled upon the Instagram page for fashion designer Miguel Adrover, but it hasn’t disappointed. The artist’s compelling and confronting self-portraits amaze me – his proportions, age, and fearless costuming are superb. He’s been ahead of his time since he rose to fame in the aughts. Adrover has an urgency to his aesthetic that is impossible to unsee.

neutral toned tile sculptre resembling a fireplace and mantle

Photo courtesy Jeff Martin

4. “Sarcophagus” Ceramic Sculptures by Jeff Martin

Jeff Martin Joinery has recently produced a series of ceramic sculptures featuring an evocative dimensional tile that appears almost soft, like extruded dough. He’s calling everything “sarcophagus“ (table, console, etc.) and I’m impressed by the volumes and colors that seem to pull together architecture, textiles, ceramics, and viennoiserie.

four depictions of children experiencing difference emotions

Photo courtesy Mooni

5. Ángela Leyva’s Portraits

I first discovered Ángela Leyva’s portraits this spring at Salon Acme, the art fair in Mexico City. Their work scares me, honestly. I’m frightened to see beyond the familiar lines and curves of the human face and into the abject psyche, but not necessarily the psyche of the subject – it’s reflecting onto me as if I’m the only one with this visual perspective. I find myself considering what’s hidden in plain sight. It’s a smash hit and I purchased a piece for my San Francisco flat this year.

Work by Anand Sheth:

Bar Part Time is a visionary wine bar in the Mission District of San Francisco. Three friends and wine nerds ganged together to create something special – a vinyl-driven community dance hall, natural wine dive bar with an eclectic aesthetic honoring all the places and people they love. Together, we took over an abandoned dive bar where we all spent our early 20’s; strategically repairing what worked and replacing what didn’t.

Studio Anand Sheth assembled a team of favorites, including millworker extraordinaire Brandt Hewitt (Medium Small) and go-to hospitality contractor Cookline Construction. We sourced vintage light fixtures from eBay and Stuff (a vintage store around the corner), power-clashed patterns in the flooring and restrooms, and enlisted Meryl Pataky to create the perfectly nostalgic neon pieces above the bar and in the window.

outdoor space with light wood dining table and bench

Photo: Michael Irwin

Studio Anand Sheth teamed up with Bay Area-based landscape architect Dune Hai to create a resourceful and color-driven garden as an extension of this Los Angeles couple’s first home. The result is an outdoor living room concept that came to life as if it always existed within the tranquil hills of Eagle Rock.

Inspired by the forms of the Burle Max rooftops in Brazil, they carved curves into linear cedar elements to allow earth and plantings to take up more space. Now, living greens – from Fan Palms to Monkey Flower to Silver Feather Grass – thrive between the outdoor “rooms” for living, dining, warming, and (eventually) soaking.

front of a commercial space with cement planters, seating, and two coffee tables

Photo: Nicholas Ruiz

The firm’s design of Retool’s Mission District headquarters encourages observation, personal connection, and reflection. Consideration of the potential internal happenings inspired the space’s design foundation: a new perspective of “the workplace,” company culture, and – most importantly – its people.

We transformed 72,000 square feet of commercial office space across four floors of a historic industrial building. Careful design decisions tie the four-floor design program together with purpose and ease — art from architectural artists like Rowan Bouroullec, Natascha Madeiski, Sohan Murthy and Tauba Aerbach fill the walls. All conference rooms feature a painted wainscot application using Farrow and Ball colors that coordinate with Maharam Fabrics upholstery. We added accessories like accent pillows, rugs, coasters, planters, and Japanese toolboxes to complete the space.

interior office space reusing unexpected materials

Photo: Joseph Kramm

The New York iteration of Retool’s workplace design features a palette of wall finishes from repeat vendors and Abnormal Anonymous, smartly reused furniture, and strategic lighting upgrades throughout. The firm broke the typical formal office reception in favor of welcoming guests and employees into a working lounge, outfitted with a second custom neon sign by NY-based Ali Feeney over brand-reminiscent wallpaper. The lunchroom and meeting rooms adopted a unique painted wainscot approach, a favorite for accenting spaces with exposed ceilings, and acoustic materials integrated into ceilings, walls, lighting, and custom curtains.

commercial space with black and white patterned countertops and azure blue tiled sides

Photo: Nicholas Ruiz

Stepping inside Popi’s Oysterette evokes a family dinner setting that’s right on the Northern California coastline – think crashing waves, shimmering reflected daylight, twilight, and sandy boulders traversed in dress shoes. Founders of the popular Tacolicious restaurants spun off to create a jewel-box seafood restaurant for Top Chef alum and local “Seafood Queen” Melissa Perfit (Bar Crudo, Sister) – the buzzy corner spot slings the best oysters, seafood, and crisp wines the region has to offer.

Studio Anand Sheth developed a deep and strategic palette of seaside-inspired elements. A custom blue terrazzo by Concrete Collaborative clads dining counters providing a vibrant backdrop to the Oysterette’s offerings, while stacked azure zellige tiles create a grid of natural texture. Sconce lighting from Cedar and Moss are the pearls, too on-the-nose? The restroom is wrapped in Douglas fir panels that reference the exposed ceiling structure and new furnishings, and ceramic tiles from Zia and fluid wallpaper depicting swimmers. Hand-painted signage by Manny Fabregas adorns the exterior and hearkens back to the historic fish markets of the Marina District. The resulting experience is playful, direct, and memorable.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

Snag Your Own 4K Photography Drone for $120 Off and Take Some Seriously Fantastic Footage

Snag Your Own 4K Photography Drone for $120 Off and Take Some Seriously Fantastic Footage

The Ninja Dragons Blade X 4K Dual-Camera Drone is simple to use for all ages and skill levels.

Ever wish you had a photography drone to take great images with high above the ground? It’s true that some can be prohibitively expensive. But they aren’t all unaffordable. The Ninja Dragons Blade X 4K Dual-Camera Drone is an affordable option that lets you watch images in real time as you take to the skies and use its remote control to snap photos with 120-150m control distance. It has a 360-degree flight angle to get a great view of your surroundings for fanastic photos. And best of all, it’s just $80 right now at StackSocial. That’s a savings of 60% and $120 off its normal price of $200.

Ninja Dragons Blade X 4K Dual-Camera Drone | $80 | StackSocial

That’s a small price to pay for this remote controlled drone that uses one-click take-off and landing tech so you get foolproof photos every time. It also uses an electronic stabilization system so it can level out on its own and you can get some seriously great footage and images, no matter how good of a flyer you are. If this all sounds great to you, you’re going to want to lock in your drone ASAP, because there’s no way this deal will last long.

Advertisement

GALLERY: Piebald deer spotted in Gallatin

GALLERY: Piebald deer spotted in Gallatin

A Midstate photographer captured stunning photos of a piebald deer this week.

After weeks of searching for the animal, Harvey Photography snagged the images in Gallatin on Wednesday.

Piebald deer are some of the rarest of the white tail species, affecting less than 2% of their population. Piebaldism is genetic mutation that can manifest in various amounts of white. They are not to be confused with albino deer, which are totally void of pigment. Instead, piebald deer may have small patches of white, or may be almost pure white with small patches of normal brown hair.

Read the post from Harvey Photography below.

“I got a tip a few weeks ago about a Piebald deer here in Gallatin, TN. I have driven to and passed this spot with my camera several times over the past few weeks. Watching, learning, seeing which way they go at what time and where the sun is located.” -Harvey Photography

Today I went and took a few photos of my albino deer and on the way home I decided to try my luck and drive by and hope that my day kept getting better. I made a turn on an old country road and there in a field it was…. I parked in someone’s yard, sorry about that whoever you are, and took off on foot. I adjusted my camera….and fired off these shots….

I still can’t believe I found it!????

Submit your Tennessee wildlife content to us here.

Your pictures of Scotland: Photographs from around the country

Your pictures of Scotland: Photographs from around the country

Copyright 2023 BBC. All rights reserved.  The BBC is not responsible for the content of external sites. Read about our approach to external linking.

Beta Terms By using the Beta Site, you agree that such use is at your own risk and you know that the Beta Site may include known or unknown bugs or errors, that we have no obligation to make this Beta Site available with or without charge for any period of time, nor to make it available at all, and that nothing in these Beta Terms or your use of the Beta Site creates any employment relationship between you and us. The Beta Site is provided on an “as is” and “as available” basis and we make no warranty to you of any kind, express or implied.

In case of conflict between these Beta Terms and the BBC Terms of Use these Beta Terms shall prevail.

Toppenish craft business closes after 52 years of supplying Indigenous artists

Toppenish craft business closes after 52 years of supplying Indigenous artists

TOPPENISH — Though the shelves at Hope Chest Crafts were almost empty, Jeannette York still found some good deals during a recent visit. She also enjoyed seeing the owners, Denice and Merlin Peterson.

“My mom’s been coming here for about 30 years. … It’s a really friendly place. My mom’s a big fabric buyer,” York said of Juanita York. Even after her mother was in an accident and had to use a walker, she kept going to Hope Chest Crafts when she could.

The Petersons asked about her mother, and Jeannette went to get her. Mother and daughter talked with the Petersons before hugs and well-wishes for their future as they retire and close the store on Dec. 15 after 52 years as a family-owned business.

“I’m going to miss it,” but “they’ve got to go have their fun, too,” Jeannette said.

A store-closing sale has drawn increasing numbers of customers to the craft store at 508 W. Second Ave. But many recent visitors, like Jeannette, also came to see the Petersons and tell them how much they’ve appreciated them over the years. 

“We love you guys,” Amy Blodgett told them after she and Rena McGeshick found their own deals and hugged the Petersons.

“We’re here all the time. It’s just a sad moment,” Amy said. “It was our candy store.”



Hope Chest Crafts

Hope Chest Crafts owners Denice Peterson, center, and Merlin Peterson, right, ring up customer Betty Carl during their store closing sale Tuesday, Dec. 5, 2023, in Toppenish, Wash.



Generations of artists

Hope Chest Crafts has been the “go-to place” of Indigenous people on the Yakama Reservation and in the region for fabrics and ribbon for wing dresses, ribbon shirts and other traditional attire, regalia and accessories. Generations of Indigenous artists have gone there for glass and plastic beads and other beading materials and tools, yarn and craft cord for wa’paas baskets and other items such as fringe, feathers and buckskin.

“We’ve listened over the years for what they need,” Denice said. Along with learning from their customers and stocking their store with what they sought along with all kinds of arts and crafts supplies and party decorations, greeting cards, books and more, the Petersons tried to keep prices low and quality high.



Hope Chest Crafts

The front of Hope Chest Crafts is pictured Tuesday, Dec. 5, 2023, in Toppenish, Wash.



They’re ready to leave the demands of running a small business, which has changed in recent years with supply chain frustrations and decreasing quality, Denice said. But they’ll miss the rich social life their cozy store has provided.

Sometimes people would come in seeking prayer — the Petersons’ faith is an important part of their lives — or offering prayer. One man who visited the same day as the Yorks stood with the Petersons and prayed for them and their future. All became emotional.

“We’re going to miss everybody, too. We’ve known generations,” Denice said.

Though they’re retiring, the Petersons aren’t moving. They will stay in their massive historic home, known as the Bolin mansion because it was built by Maud and Charles Bolin in 1911. The craft store has been attached to it since 1976.

Denice’s mother, Jeanne Winterfeld, is 94 and lives next to the mansion. Jeanne and Bob Winterfeld bought the craft store’s predecessor, Hope Chest Variety Store in Toppenish, in 1971. They had been married 69 years when he died in November 2020.

The Winterfelds married in Medina, Ohio. How did they end up in Toppenish?

“He just was adventurous,” Denice said of her dad.



Hope Chest Crafts

Hope Chest Crafts customer Betty Carl walks around the store during their closing sale Tuesday, Dec. 5, 2023, in Toppenish, Wash.



Midwestern transplants

Adventurous indeed. For those who grow up east of the Mississippi River, the western half of the United States can seem like another country, vast and obscured by mythology. Bob Winterfeld was born in Ohio, graduated from high school there and left to serve in the U.S. Army during the Korean War. After coming home he worked for several years as a technical writer in engineering for General Motors in Cleveland, writing manuals for military vehicles.

As he and Jeanne’s family grew to include six children, Bob kept adding on to their house, which he constructed. He was “an avid do-it-yourselfer,” according to his obituary, and was fondly known as “build-it Bob,” his daughter said.

His expertise with a skill saw came in handy after he and Jeanne and their kids fit as many carefully chosen belongings as they could into a big panel truck and headed from Valley City, which is near Cleveland, to Toppenish in the summer of 1971.

They needed a big house and build-it Bob saw opportunities in the Bolin mansion. His obituary describes it as “the ultimate fixer-upper,” and some may have called that an understatement. While grand in size and silhouette, the massive house made of molded concrete blocks had sat empty for several years and had suffered vandalism, broken pipes, ruined plaster and other structural and architectural indignities.

“‘Pioneer’ family roughs it in Toppenish’s Bolin mansion,” headlined a story about their “giant renovating project” in a September 1971 Toppenish Review. It’s among many newspaper clippings, photos and other ephemera about the Bolin mansion filling a large scrapbook.

The Winterfelds worked to make the mansion their home as they began running the Hope Chest Variety Store. Bob had learned from a national real estate firm that Gil Burns was selling it. The information made it sound like the buyer would get the variety store business and its building, Denice said. It sounded like a great deal.



Hope Chest Crafts

An advertisement for Hope Chest Crafts grand opening in 1976 sits in a scrapbook in the store Tuesday, Dec. 5, 2023, in Toppenish, Wash.



Turned out that the Winterfelds bought only the business. But they liked Toppenish and settled into that business with friendly enthusiasm. It began with “get-acquainted specials” on inflatable pools (While They Last!) with a 40-by-8-inch pool costing 99 cents and a 60-by-12-inch pool available for $1.99, according to a July 1971 newspaper advertisement saved with many others in another scrapbook.

“A Variety Store For A Variety of People. Everything For Babies And So Much More!!” a December 1971 newspaper ad declared. “Arts & Crafts — A Special Section! Baby Furniture — Largest Selection In The Lower Valley. Miscellaneous — A Lot Of Many Things!!”

Bob and Jeanne decided in the mid-1970s to split Hope Chest Variety Store into the variety store and an arts and crafts store. He built an addition to the back of the Bolin mansion to house Hope Chest Crafts, using molded concrete blocks similar to those used for the house and installing a small parking lot.

Hope Chest Crafts opened in 1976.

“The craft part of the business was really growing. It was macrame and decoupage — I did lots of classes in macrame,” Denice said. There was also tole painting, chenille and fake fur animals and cool cross-stitching, among other groovy popular crafts of the 1970s.

The variety store stayed in its downtown location, but not for long. It closed in late 1977 after the building sold.

‘Good luck you guys’

Hope Chest Crafts became a community destination. Jeanne wrote a “Crafty Corner” column for the Toppenish Review, the store offered lessons galore and the Winterfelds sent newsletters with information about classes, demonstrations and other special events.

“We wish to thank all who participated and also appreciated the nice comments many had about our store,” the January 1979 newsletter said, naming winners of the store’s second anniversary drawing. “We will continue to try our best to supply your craft needs with quality merchandise at the lowest possible price.”

One memorable evening, Hope Chest Crafts hosted two large craft groups simultaneously in a “midnight madness” event. People didn’t leave until about 2 a.m., Merlin said. 

Merlin joined the Peterson family when he and Denice married on Dec. 17, 1983. They raised their two daughters in the Bolin mansion. Both served in the military. Beaded medallions with their branches of service hang on Christmas trees inside the house, along with other beadwork given to them by friends.

There are so many friends. Over and over, they offered well-wishes and hugs. Good luck you guys, they said. God bless you.

“We enjoyed all of you,” Merlin said. “Thank you for coming all these years,” Denice added.

The Petersons aren’t sure what they will do with the craft store space. As for retirement adventures, no cruises for them. “We’re just more into the hiking. Washington is beautiful,” she said.