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Eye Of The Century: What’s Made The Cameras Of Leica So Iconic

Eye Of The Century: What’s Made The Cameras Of Leica So Iconic

Children of tenacious families

Fatima was the first to choose to emigrate. It was she who opened that path that took the Nasraoui clan from Tangier to Madrid and then to Catalonia.

We are all Lamine Yamal, but we are also his mother Sheila and his father Mounir. We are his grandmother Fatima. And we are the shining determination of their dreams.

These are families who grit their teeth

Yamal is just one symbol of the so-called second generation (an obsolete term that should be changed because it tends to exclude many), the faces of an expanding diaspora empowering itself from near and far. We also see ourselves in his teammate Nico Williams, whose parents walked across the Sahara to give their son a chance.

These are families who grit their teeth and push through to achieve in a Europe that often considers non-white or non-national bodies to be too much, a hindrance, a danger even. Families who, despite those attitudes, continue to try their best. The reality is far more nuanced than what the mainstream tells us.

u200bJasmine Paolini waves to the spectators after defeating Donna Vekic

Jasmine Paolini waves to the spectators after defeating Donna Vekic

John Patrick Fletcher/Action Plus Sports/ZUMA

Not a fairy tale

Take also, for example, emerging Italian tennis star Jasmine Paolini — Polish mother (who came to Italy to work) and Italian father. But also Polish grandmother and Ghanaian grandfather.

Sports shows us endless stories. Paola Egonu in volleyball or Yeman Crippa and Marcell Jacobs in athletics.

At first glance, their stories could look like the ending of a fairy tale: they all lived happily ever after. But they didn’t. There is unfortunately a symbolic and bureaucratic resistance to this plural Europe from a part of our continent. There are still too many hostile words — and hostile laws.

In Spain, for example, a word, “Mena,” is used to refer to nonwhite, working-class suburban youth. The word is short for unaccompanied foreign minors, but usage has turned it into a racist, demeaning, criminalizing slur for young people.

In Italy, on the other hand, we know that a citizenship law for the children of migrants born and/or raised in the country has been missing for too long. People who are part of this country, but because of the shortsightedness of politics are considered foreigners in their own nation.

The risk of being swept away is high.

In Italy, a talent like Lamine Yamal would not even have been summoned to the national team. Not only because of the lack of legislation that would grant him citizenship, making him a foreigner for life, but also because of the color line that demarcates a national-popular-colonial space like soccer.

Unaccesible realms

And not all fields are created equal. We still swim within white, very classist, inaccessible worlds. Think of radio, television, newspaper editorial offices, universities, schools, cinema, theater, politics, science, our intellectual class. These are environments that people with migrant backgrounds rarely enter. And when they do get in, it also comes with healthy doses of compromises and suffering. The risk of being swept away is high.

Think of the story of Dacia Valent, Europe’s first Black member of the European Parliament, whose brother Giacomo was killed with 63 stab wounds in Udine in 1985. She became an MEP in 1989 only to be wiped out by the system. In fact, if one examines her story, one sees that it was the violence of the structures, the nefarious circle of those who would not listen to her words, that ultimately destroyed her.

Now, as always, Italy, Spain, and all of Europe have a chance to change course. Yamal’s story — but also Nico Williams’s and Jasmine Paolini’s — instinctively speak to our hearts. No matter what our backgrounds. But how do we transform these stories into new policy, and new attitudes?

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These photos are a love letter to NYC’s elite nightlife

These photos are a love letter to NYC’s elite nightlife
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Partying with Suzy Clue and getting shot by the Cobrasnake. Scheming about the latest ghostwriting scandal while playing pool. Falling in love with the guy that cast you in the play and dressing up as a princess for both recreation and pay. These are just a few things that photographer Matthew Weinberger considers peak-NYC behaviour, taken from the flyers for his new exhibition NEW YORK IS, each closing with the line “(and I love it so much)”.

An avid member of New York’s eclectic club scene, its moments such as these that Weinberger celebrates in this exhibition. From intimate pre-party shots of the city’s socialites applying makeup in front of the mirror, right through to frantic blurs of movement and light on the dancefloor, NEW YORK IS is a love letter to the chic cultural milieu of the city that never sleeps.

What makes New York so special is all the people coming in from all over the world. We get this huge talent draw which is super exciting,” Weinberger told Dazed earlier this year. Born and bred in the Upper East Side, Weinberger spent time at university in Maddison, Wisconsin, before being drawn back to his home city by a desire to capture its flourishing art scene.

“I am a person who is at the party, who happens to be taking photos. If there’s a mosh happening, I’m getting in there”, Weinberger continues, “As I’m bumping into people, I’m flashing, having the best time ever. You have got to make the world you want to see, so I like to always bring the energy.” 

Indeed, Weinberger’s portraits arrive hard and fast, casting Julia Fox, Gabbriette and an anonymous baby in a onesie against the dark yet vibrant backgrounds of the club. Looks are diverse, as are the people, but the images are all rooted in Weinberger’s own experiences of New York’s febrile nightlife, providing viewers with an exhilarating tour through the city’s seediest underground parties and most exclusive gatherings. 

NEW YORK is at Sitting Room Gallery in Manhattan’s iconic Lower East Side runs until the July 16, 2024. Visit the gallery above for a closer look. 

Missoula’s Rocky Mountain School of Photography closing after 35 years

Missoula’s Rocky Mountain School of Photography closing after 35 years

MISSOULA — Rocky Mountain School of Photography (RMSP) in Missoula has announced it will be closing its doors after 35 years.

“We’re not as much an art school. We’re more of a trade school for artists,” shared Director Forest Chaput de Saintonge.

Rocky Mountain School of Photography has been offering courses for aspiring photographers.

“There’s so many people who have a better life, a life that they’ve wanted forever, a better career after attending,” said Chaput de Saintonge.

Chaput de Saintonge’s family started the school in 1989. His father studied with Ansel Adams and brought some of Adams’s technical expertise to RMSP.

“We are a technical school in the way that there’s a lot of lecture, but every lecture is usually accompanied with a field shoot or practice time where the students get their hands on their gear, they’re learning it with assistants and instructors standing by and then there’s critiques,” explained Chaput de Saintonge.

Chaput de Saintonge grew up as the school grew its programs.

“Most of my formative memories as a kid were in and around the school.” He continued, “I was probably five or six years old when I would draw out mazes on pieces of paper and then copy them on the copy machine and give them out to students. I started teaching when I was 17 and kind of just kept doing more and doing more.”

Forest Chaput de Saintonge

Emily Brown/MTN News
“I think the biggest thing is just reading the word life changing again and again and again,” Chaput de Saintonge said of reading comments on the school’s closing post on Instagram

The family announced on July 10 that they would be closing the school’s doors for good.

“Registrations are dropping because, just industry changes, I think online education has had a huge impact. We fought it for as long as we could and kind of made that our niche,” said Chaput de Saintonge.

Additionally, the cost of living is making it harder for people to attend the school in person.

“Missoula is expensive to live here. And for someone to think about, you know, coming to our professional program, which is nine months, paying the tuition, but also paying nine months of living also not being able to have a job for nine months because our programs are intense,” Chaput de Saintonge stated.

Staff are pouring all they have into their last summer intensive class and students are taking note.

“So, I sort of tried to go down the, like YouTube tutorial sort of self-teaching kind of route and I just found it was kind of slow and it just wasn’t really doing it,” shared student Kevin Doherty. “And this course just looked like it was going to tick all the right boxes and it definitely did,” he added.

Doherty came all the way to Missoula from the West coast of Ireland. He loves to film big wave surfing and thought RMSP would elevate his craft.

Kevin Doherty

Emily Brown/MTN News
Kevin Doherty’s aunt’s friend did a program at RMSP and inspired him to come to the states and try the summer intensive

“It’s made a huge impact even on my learning stuff I already thought I knew how to do. I’ve learned how to do the right way now. And just technical stuff and I think really just how I see photography as well,” Doherty said.

He’s feeling honored to be part of the last RMSP class.

“You know, it’s sort of the end, but I’m just delighted that I got to experience it and it’s really, it’s been amazing. I’d do it 10 times again if I could,” expressed Doherty.

More local news from KPAX

Weekly Rec: Hopper’s Plein Air Pop-Up Weekend with Flash Sketch Mob, Rockland Photography Club Exhibit, and Nyack Street Fair

Weekly Rec: Hopper’s Plein Air Pop-Up Weekend with Flash Sketch Mob, Rockland Photography Club Exhibit, and Nyack Street Fair

Flash Sketch Mob headlines Hopper Plein Air Pop-Up Weekend

NyackNewsAndView’s own Bill Batson organizes his first Flash Sketch Mob in Nyack in 9 years in collaboration with the Edward Hopper Museum and Studio Center this Saturday, July 13, from 12:30 – 3:30pm. The crowd-sourced landscape portrait project was born on the pages of Batson’s Nyack Sketch Log column. You can register for the Hopper Flash Sketch Mob here. Scholarships are available.

A lecture entitles “Painting In the Open Air” by Elizabeth Thompson Colleary will precede the Flash Sketch Mob and is the perfect precursor. Colleary will present numerous oils and watercolors, many rarely seen, that Jo Nivison and Edward Hopper painted in outdoor settings where they found inspiration. Get tickets here.

Entire sections of the village were captured by groups of 100 artists respectively in Flash Sketch Mobs in 2012 and 2015. Artists lined both sides of the street, arriving as individuals, couples and families all becoming one giant flash sketch mob that is creating a handmade google map street view of our one square mile village. 

Images are then scanned and shown as a collective representation of the village we all love. A village that inspired, Hopper and that has been subsequently shaped and defined by Hopper. Please join us Saturday from 12:30 to 3:30pm here at the hopper house.

The Flash sketch mob is open to artists of all ages and skill levels. After folks return from their designated assignments, we will scan their work for a screening on July 2Oth. The slideshow on that day will cap off a day that includes a Hopper Ride from the Whitney Museum in NYC to Nyack and a concert by Night Hawk.

Cyclists in the “Tour de Hopper,” will start their journey at registration early on Saturday, July 20 from 7–8:30am outside the Whitney Museum (99 Gansevoort Street, Manhattan) before heading north to the Edward Hopper House Museum & Study Center (82 North Broadway, Nyack).

Edward Hopper House is where Hopper was born and grew up in Nyack before moving to New York City. The Edward Hopper House will offer snacks, Hopper birthday activities, and tours of the artist’s home, including a look at his 1897 bicycle. At the end of the visit, riders will head back to the Whitney Museum which is located near the neighborhood where Hopper lived and worked for much of his life

The day ends with a Edward Hopper birthday concert by Night Hawk, a Hopper inspired indie band currently touring the northeast this summer.

The band’s name “Night Hawk” is an allusion to Edward Hopper’s painting Nighthawks (1942) and they sings the stories of Edward Hopper paintings and more.

Night Hawk is a Bowdoin-based outfit led by Colter Adams and Peyton Semjen, whose music often blurs the line between indie rock and performance art. Featuring a rotating cast of intrepid players from the New England underground, the project revolves around the question: what do Edward Hopper’s paintings sound like?

The band members (all recent graduates of Bowdoin College (Brunswick, Maine), are reprising a concert, presented this spring at the Bowdoin Museum of Art, on the Garden Stage of the Edward Hopper House Museum.

Night Hawk

Dozens of artists coming together to make art in public on the occasion of the 100th anniversary of the marriage of Joe and Ed two artists that shared that same art partnered art making experience.

The Flash Sketch Mob will continue to be a part of future Hopper Birthday weekend celebrations as a way of paying homage to Jo and Ed, two star-crossed creatives, painting side-by-side in the town where they lay side-by -side in eternal repose at Oak Hill Cemetery. Observational art making is a great way for visitors to experience our village, leaving behind a record of their perspective.

And for those of us who live here, what better way to reacquaint ourselves with a landscape animated by light reflected by a river that inspired America’s most renowned realist painter. The unexamined place is not worth inhabiting.

The more we learn about where we live, the more zealous we can be in her defense.

Join the Hopper Flash Sketch Mob and become better acquainted with our community.

Nyack Famous Street Fair

Hundreds of vendors and thousands of visitors will transform Main Street and Broadway in Nyack into an outdoor bazaar the size of a small city on Sunday, July 14.

Sunday’s fair is sponsored by ACADA, the Arts, Crafts and Antique Dealers Association. Proceeds from the street fair are used to support promotional initiatives like Visit Nyack.

All street fairs run from 10am – 5pm, rain or shine

FYI: Pets are forbidden by village ordinance.

Silent Film Screening with Live Music From Hervé and Skyler Alexandre

Comedy and Fantasy From the Silent Era With Live Musical Accompaniment by Hervé and Skyler Alexandre. Presented by Garner Arts Center and Rivertown Film Saturday, July 20, at 8:30pm. Outdoors at Garner Arts Center, 55 W Railroad Ave, Garnerville, NY

After a stunning performance accompanying silent classics last summer, Hervé and Skyler Alexandre return to Garner Arts Center to accompany classic comedy and fantasy from the early days of experimentation and discovery in filmmaking.

The Goat by Buster Keaton
Dream of a Rarebit Fiend by Edwin S. Porter
KoKo’s Earth Control by Dave Fleischer
AND MORE

Tickets on sale here. Rivertown Film members receive a discount.

Rockland Photography Club Members Exhibit

A reception with light refreshments will be held on Tuesday, July 16 from 6-7:30pm at the Hidden Treasures Gallery in Palisades Mall on the first floor by Macys.  The president of the Rockland Photography Club is our own Photo Editor, Andrea Swenson.

Brooklyn Demme screens Mountain Lion to Benefit Ashley Dawson

On Friday July 26, Rockland County filmmaker Brooklyn Demme will share his debut fictional feature film at the Cultural Arts Theatre of Rockland Community College. Mountain Lion: Healing Film of St. Francis is an intense drama about personal relationships, mental health, and family dynamics, that uses magical realism to express mindfulness in intimate relationships and seriousness in prayer. It was entirely shot in Rockland County.

The Sandhill Band of Lenape & Cherokee Indians, Rivertown Film, TurtleGang Edutainment, and Truth 2 Power, are offering a free screening to promote and benefit That Kid, the upcoming debut fictional film of Truth 2 Power co-founder and producer of Mountain Lion, Ashley Dawson.

Registration is required in order to secure seating, and any donations given at registration or at the screening will be directed to the production of That KidREGISTER HERE. If you do not receive a confirmation email, you have not successfully registered. Names of everyone who registers will be at the door. You do not need to bring a printout or show your receipt on your phone.

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Analog Photography: Award-Winning Images From The 2023 IPA

Analog Photography: Award-Winning Images From The 2023 IPA
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The 2023 International Photography Awards (IPA) showcased a stunning array of analog photography that captivated audiences globally. These remarkable winning images transport us into the enchanting realm of analog photography, with categories including fine art, landscape, and portrait.

Join us in celebrating the accomplishments of the world’s top photographers, uncovering new and emerging talent, and fostering a deeper appreciation for the art of photography.

Submit your work for the 2024 IPA edition and compete for the most prestigious photography award. Don’t miss this chance to shine on an international stage!

More info: photoawards.com | Instagram | x.com | Facebook

#1

3rd Place In Analog/Film/Landscape: “Sunkissed Hills” By Bernarda Nibera Conič

“Sunkissed Hills unveils a captivating analog film photograph by renowned European photographer Nibera, capturing the majestic beauty of the Slovenian Julian Alps. Bathed in the golden hues of a setting sun, a vibrant mountain range evokes a timeless and nostalgic sentiment. The image exudes serenity, harmony, and stillness, inviting viewers to immerse themselves in the tranquil scene. Through expertly composed visuals, Nibera’s artistry showcases the enduring power of analog photography, preserving fleeting moments while evoking profound emotions.”

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#2

Honorable Mention: “El Mar Y El Infinito” By David Flores

“The sea is a symbol of freedom and natural force, of calm and storm. From the shore, the sea is infinite, like thought and its mental drift. At a time when we are increasingly disconnected from wildlife, these photographs share the experience of feeling and loving the territory through contemplation, creating images that connect with the feeling of infinity and permanence. This series arises from the need to disseminate and promote values of respect, conservation, and sustainability of our seas and oceans through deep, contemplative, and emotional reflection of the territory.”

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#3

Honorable Mention: “Solitude” By Cristiano Xavier

“A lone tree at night, surrounded by the spinning stars.”

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#4

Honorable Mention: “Theory Of Relativity” By Lukasz Spychala

“Models: Weronika Waclawik & Kasia Markiewicz.”

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#5

3rd Place In Analog/Film/Portrait: “Bond” By Franklin Yeep

“I want to highlight the genuine beauty of relationships and connection through my portraiture.”

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#6

3rd Place In Analog/Film/Other: “Slide” By Chalet Chan

“A colorful children’s slide in the mist.”

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#7

2nd Place In Analog/Film/Portrait: “Sunset At The Supermarket” By Ousman Diallo

“Representations of the neighborhoods I was raised in have always been a constant source of tension for me. There are too few opportunities for people of diverse backgrounds to tell their own stories, so stereotypes, some based on truth, but many egregiously exaggerated are able to persist and proliferate. With this project, *Sunset At the Supermarket*, my aim was to re-examine narratives buried deep within the American culture. Sunset at the Supermarket is a collection of portraits intimately depicting the diverse youths of New York City.”

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#8

Honorable Mention: “Lucky Bird” By Lui Araki

“My best friend passed away in 2012. He was also a photographer. His mom asked me to take something usable from his room. I got some films from his room. After that. I went to Hong Kong. I put his film on my camera. This is a photo I took with my first roll. Hong Kong friend told me this is a very rare lucky bird. I got his power I think.”

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#9

Honorable Mention: “Golden Gate Barbie” By Lori Eanes

“From a Barbie series, I did where I tried to imagine Barbie more as a retro femme fatale in a noir story using moody lighting and simple backgrounds.”

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#10

1st Place In Analog/Film/Fine Art: “Tetrachromacy” By Mateusz Żurowski

“And you? What do you see? Happiness is just around the corner. Tetrachromacy (from Greek tetra, meaning “four” and chromo, meaning “color”) is the condition of possessing four independent channels for conveying color information or possessing four types of cone cells in the eye. Organisms with tetrachromacy are called tetrachromats.”

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#11

3rd Place In Analog/Film/Portrait: “Terrell Owens” By Jared Schlachet

“4×5 portrait of NFL Hall of Famer Terrell Owens.”

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#12

2nd Place In Analog/Film/Other: “Mapping Time” By Emily Hlavac Green

“The outside world has never been more alluring, calling from the windows, stretching its fingers of light inside and pulling my mind out with it. I talk to my plants, I watch the leaves unfurl. I buy myself flowers from the bodega just to watch them die because their decay maps time in a way that the days of the week no longer do. Plants become my language, a way to speak about human connection and contradiction. Rooting ourselves so deeply that we are stuck, having a desire for the unknown yet finding comfort in routine. We grow together to the point of coming apart. Hopeful, hopeless.”

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#13

3rd Place In Analog/Film/Other: “Der Dunkle Strom (Dark River)” By Michael Anker

“I came back to the landscape of my childhood three years ago. Also to look for traces in the topography of my family. After the end of the Second World War, my father’s and my mother’s paths crossed in this landscape along the Oder River. Between the fields, the river makes its way through the plain. He carries my family history with him. Calm and dark, it flows full of memories of itself and the people on its shores. Dark shoals remain hidden. I photographed this series exclusively analog in 6×6 format. To photograph this story digitally would be an anachronism.”

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#14

3rd Place In Analog/Film/Fine Art: “Musings Of Boscoe” By Kelly-Ann Bobb

“The editorial entitled “Musing of Boscoe” is influenced by the paintings of the contemporary Trinidadian painter Boscoe Holder. The Black Imagination and utilizing fashion as a vehicle to highlight our culture and to reference ourselves, has led to this collaboration.”

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#15

Honorable Mention: “The Last Yaqui” By Gaspar Marquez

“This project is a Visual Photographic Ode to La Danza del Venado (Dance of the Deer). Its objective is to be a cultural magnet among the following cultures; Native American Yaqui, Mestizo, and European, besides rebuilding artistic/cultural bridges between the US and Mexico. The Origins of The Danza del Venado are pre-colonization, it was first discovered during the expedition under command by Diego de Guzman near the Rio Yaqui in the XVI century( Mexico ), however, it is celebrated by other ethnic groups with a few variations in costume and/or style in the Sonora-Arizona.”

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#16

Honorable Mention: “Butterfly Angel (Blue)” By Fabian Kochendoerfer

“The butterfly is a deep and powerful representation of life. In many cultures, butterflies are symbolic and a metaphor representing spiritual transformation. Symbolic for rebirth, change, hope, and balance in life. The transformation from a caterpillar to a butterfly mirrors the process of spiritual transformation. The short life of the butterfly serves to remind us life is short. I took this photograph with a vintage Polaroid SX-70 camera from the 70ties. I used a limited edition film with blue and black tones only. I spend many weeks taking very many pictures to get this perfect shot.”

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#17

Honorable Mention: “The Sonoran Desert” By Gaspar Marquez

“These images belong to a series called The Sonoran Desert, shot in The Saguaro National Park in Tucson Az. My unique artistic style is an expression of creating images in an almost mathematical way, dissecting the subject aesthetics piece by piece, somehow creating an illusion of movement as a consequence of the 35 or more shots taken in the making of the “contact sheet”. Therefore, these images all together are seen as a whole and allow the viewer to witness an almost life-size 2D sculpture in a Neo-Cubism fashion.”

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#18

2nd Place In Analog/Film/Portrait: “Mr Tadeusz” By Szymon Skowyrski

“Mr. Tadeusz is a Polish baron who spent his life as a documentary film director. His attempt was to improve the world through the stories he showed. Picture made in wet plate collodion technique on 18x24cm glass plate.”

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#19

Analog/Film Photographer Of The Year: “Where Does The Tree End And The Rest Of The World Begin?” By Daniela Balestrin

“In the beginning, the intimate sphere. And then an inflated community of circles before the eyes. So much roundness formed a thread of beads, and the essay proceeded in lines where each photograph called upon met the choice of meaning to make meaning exist. By displacing the individuality of the photographs, and giving them to the opening, a story of reciprocal animation occurred, where the breath of one extends into another. Things are alive and dream of us. This essay seeks to imagine its dreams, to venture an invention.”

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#20

3rd Place In Fine Art/Nudes, 2nd Place In Analog/Film/Fine Art: “Book Of Light_portrait Of My Love Nita Curled Up_chine Colle Washi Paper With 24k Gold Flakes” By Mo Verlaan

“Book of Light comprises a series of (self-)portraits based on a handful of images that are only slightly different. However, they each have a different frequency and express a different piece of the greater narrative. Each portrait has gone through a series of individual manipulations. All were developed in the darkroom, and printed on unique old papers, some received additional layers while printing. These were digitized and used for photogravures, then printed on delicate washi papers. The portraits came to express different emotions, different moments, a search within the self and the now.”

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hsc.tv and Director of Photography Bryan TWZ Brousseau to Illuminate Wimbledon with Innovative Lighting and Set Design for ESPN’s Player Interviews

hsc.tv and Director of Photography Bryan TWZ Brousseau to Illuminate Wimbledon with Innovative Lighting and Set Design for ESPN’s Player Interviews

WIMBLEDON, England, July 12, 2024 /PRNewswire/ — Award-winning video production company, hsc.tv, is proud to announce its latest lighting and set design during the prestigious tennis championships at Wimbledon. Director of Photography, Bryan TWZ Brousseau, has enhanced the viewer experience with a unique lighting and set design for ESPN’s coverage of the event, specifically in the interview room where the stories of the players throughout the tournament are brought to life.

“Under the direction of the ESPN features unit: Cathi Cappas, Kathryn Davidson, Lauren Collins, and Tessa Diestel we wanted to change the look this year to reflect the next generation of great players. So, we went with a modern LED lighting and set design look that would look great across the color schemes of Wimbledon, US Open and the Australian Open,” said Bryan TWZ Brousseau, Director of Photography. “I looked at a lot of different lights and chose the new Aputure INFINIBARS as the primary lights, as I wanted lights that could also look great on camera and the NFINIBARS look great!”

Bryan TWZ Brousseau made this selection as their shape and CRI were exactly what he was looking for, and that they were mountable at every angle. The hsc.tv team performed many camera tests at various color temperatures against their backdrops and textures until they liked what they were viewing – a meticulous effort to say the least. The team additionally used every size from the PB12’s to the PB3’s and mostly in the 3D configuration to create depth in the set and for their key lights up close and personal with the players. The deep background was created by NYC artist Adam Mills and the wooden wallpaper was created by the company Arte in Belgium, discovered by ESPN Creative Producer Candace Jordan. hsc.tv rounded out the light package with Fotodiox Pro Flapjacks, Aputure Amarans150Cs, and LiteGear Litemats Plus4’s.

Gaffer Ricky Elders Jr., “I am impressed by the versatility of the NFINIBARS combined with the ease and control of the Sidus app, the ability to connect multiple units to create different shapes is a major plus which we took advantage of!”

Cinematographer on the on the interview set Danny Thorpe added, “The use of the new Aputure INFINIBARS lighting system has added a real touch of clarity, versatility and dynamism to our new interview set up. Along with the flattering light throw, the clean physical design means we’re able to use them in frame providing not only excellent light quality but added texture and unique composition to our scene.”

hsc.tv has been at the forefront of video production, delivering high-quality and impactful visual content. This year’s Wimbledon is yet another testament to hsc.tv’s dedication to elevating sports video production. The new lighting and set design in the interview room will not only enhance the visual appeal but also ensure that the players’ important storylines are captured at an aesthetically high level.

Pier de Sanctis, CEO of hsc.tv said, “Bryan’s work at Wimbledon exemplifies our commitment to excellence and innovation. His ability to integrate cutting-edge technology with creative design ensures that every viewer feels the thrill and prestige of Wimbledon, particularly through the personal stories of the players.”

About hsc.tv

hsc.tv is an award-winning video production company known for its innovative approach to production and content creation. With a team of industry experts and state-of-the-art technology, hsc.tv specializes in creating visually stunning and engaging video content for a variety of platforms and audiences. Driven by creativity and technology, hsc.tv aims to deliver unparalleled visual stories that resonate and inspire. For more information about hsc.tv and its services, or to arrange an interview with Bryan TWZ Brousseau or other representatives from hsc.tv, please contact [email protected] at 718 626 6226 or via email at [email protected].

Contact: Michele Smith
Tel: 917.340.1127
E-mail: [email protected]
www.mcommunicationsinc.com

SOURCE Bryan Brousseau

Away From The Urban Hustle With Tim Smith

Away From The Urban Hustle With Tim Smith

Documentary photographer Tim Smith‘s series In the World But Not of It will be presented during the third edition of Fotografia Calabria Festival, to be held in San Lucido (CS) from July 26 to August 25. This documentary work is the result of 15 years of dedication and relationships established with Hutterite communities in North America, offering an in-depth view of a culture that lives in balance between tradition and modernity. Kim Chang Gil described Smith’s work as «a fascination with landscapes and communities far removed from urban frenzy,» emphasizing how the photographer is the antithesis of the obsession with futuristic metropolises. But let’s find out how Smith’s adventure with the Hutterites began.

tim smithtim smith
July 12, 2013, Young women from Deerboine Colony socialize on a hill overlooking the Assiniboine River valley where their colony is situated as the light fades on a warm July evening. Colony life places importance on social activities over individual pursuits.

Who are the Hutterites?

Tim Smith’s encounter with the Hutterites began with a chance meeting that, over time, turned into a detailed chronicle of their daily life and evolution. The Hutterites, an Anabaptist sect with roots in 16th-century Austrian Tyrol, live in community colonies scattered across western Canada and the northwestern United States. With a population of about 50,000, these communities have thrived through a voluntary detachment from mainstream society and a self-sufficient economy. Despite a period of peace and prosperity, Hutterites face challenges related to their cultural identity and increasing contact with the outside world.

June 29, 2017 German school teacher Jonathan Hofer presides over prayer recited by one of his students after dinner in the essenschul (eating school) at Deerboine Colony. Kids between the ages of five and fifteen eat separately from the adults in the essenschul where they are taught to eat quickly and respectfully. At 15 they graduate to the adult dining area which is a celebrated right of passage for colony children.

A tension between tradition and modernity

Tim Smith captures the complexity of these dynamics through images that explore the tension between tradition and modernity. His work reveals how the colonies are coping with external pressures without losing sight of the core values of their faith. The photographs, many of them focused on Hutterite youth, show a world of rebellion, respect for tradition and strictly maintained gender roles. In one of his remarks, Paul S. Gross, a Hutterite author, wrote, «We cannot please the world and God at the same time…Either we take this world with all it offers, including problems, mental stress, pain and death at the end; or we choose a better way.» This tension between maintaining traditions and adapting to modern influences is one of the central themes of Smith’s work.

Courtesy Tim Smith, Fotografia Calabria Festival

The number one mistake most travel photographers make

The number one mistake most travel photographers make

We all have one or two dream destinations that inspire us to plan the ultimate adventure and take photos that immortalize it. However, as we also find out soon enough, not everything goes to plan when it comes to travel photography. Still, there are things you can do to make the experience a lot more enjoyable and productive despite the challenges, setbacks and unexpected detours along the way.

In the video above, UK-based adventure photographer and filmmaker Rick Bebbington shares his travel around Yellowstone and the Grand Teton National Parks. At the start of the video, he posed a question for all intrepid travel photographers out there. “Have you ever been somewhere that you’ve always dreamed of going but have just been a little bit disappointed with the images that you’ve got from there?” Having gone through this exact predicament, he knows how frustrating it can be, given all the planning and expense that goes through such trips.

So, if you’re now going through feelings of disappointment due to underwhelming photos — or want to be prepared for the possibility — Bebbington has an advice for you. Let go of any expectations you may have prior to the trip. Don’t expect everything to be the same as what you found from your research or travel videos you may have watched. There are many things that will be totally out of your control — the weather, for one.

“The sooner we can accept that, the better things you can do to improve your chances of getting good shots,” he reminds. Not having any expectations will free you from the limitations of any pre-conceived images you may have before your trip. He adds, “just roll with it and immerse yourself in the place you’re in and your photography.”

Did you ever have the same experiences that Bebbington described? Do you agree with any of the insights he shared about travel photography? Let’s talk about it in the comments!

Portland street photographer making waves on social media

Portland street photographer making waves on social media

PORTLAND, Ore. (KPTV) – A photographer is cultivating creativity and connection on the streets of Portland, and you may have seen his work.

“I do impromptu portraits, photography portraits of strangers,” said Ryan.

Capturing the many faces of Portland, creating interaction and art on the street with total strangers.

“I will approach, randomly, just people on the street and then do a mini photoshoot right there,” he said. “Sometimes it’s like a minute, sometimes it’s 10 minutes. I’ve had some go even longer, where we’re like completely vibing and having a fun time.”

“I create these reels for social media. It’s the video of me approaching, which is why I have the GoPro on. Then I interlace the portraits into the video, so it’s kind of a whole package experience for people,” Ryan continued.

FOX 12 was able to tag along with Ryan for one of his sessions.

So, what – or who – exactly is he looking for?

“I have a sensation, a pulling sensation when I cross someone, like, alright that’s who I want to do a portrait of,” he said. “It’s like impossible to describe because it’s a feeling.”

After about 15 minutes of walking, he found his first subject.

Ryan says it might look easy but approaching strangers takes guts.

“I think like, ‘wow, why am I doing this to myself, that is so painful,’” he said. “It’s like jumping into an ice bath. You just have to commit to it. Once you’re in, it’s shocking at first, then you calm down and you’re part of the experience.”

About 80% of the time, people are happy to spare a few minutes to create a new memory.

“I was a little caught off guard at first, but no, it was great,” Katie, one of the model’s, told FOX 12.

While FOX 12 tagged along, we noticed he kept getting recognized, and that may be because millions of people are watching his work, mostly on his Instagram page, Pale Blue Wave. It’s a metaphor for the ups and downs in his life, including hip surgery.

Hitting that low point is how Ryan discovered finding beauty in the mundane.

“Coming back from hip surgery, I had to do a lot of walking,” he said. “Throughout that walking, I realized I was neglecting a huge artistic part of my life.”

Now, he’s trying to do this full time: cultivating connection in a world of disconnect.

“One big theme, most people have big headphones on, or on their phones a lot,” he said. “But it’s nice to surprise someone out of that, bring them into the moment and create something together.”

So, lookout for Ryan if you’re walking around the city.

His work reaches 4 to 5 million people every month. Some of his videos have as many as 15 million views. He says 10% of his audience is from Portland, that’s nearly 20,000 people.

To see more of Ryan’s work, visit his Instagram page here.

Spotted at Les Rencontres D’Arles, festival of photography

Spotted at Les Rencontres D’Arles, festival of photography

Last week the World Photography Organisation team had a chance to spend a few days at Les Rencontres D’Arles, a festival of photography that’s been held in the city of Arles in the south of France since 1970.

It’s one of the biggest photography festivals in the world, taking over museums, churches, heritage sites, homes and other beautiful spaces in this sun-soaked city, from early in the morning to late at night. 

The diversity of venues in which exhibitions and other events are held is a welcome challenge to curators, which is reflected in the myriad of creative ways images are displayed, hung and projected. It’s a perfect opportunity to discover established and emerging lens-based artists from around the world, providing visitors a chance to immerse themselves in all things photography.

For a city that has inspired the likes of Vincent Van Gogh and Henri Cartier-Bresson, it’s no wonder photographers, artists, curators and culture enthusiasts flock to it every year to network, discover incredible art and to find inspiration for their next project. 

While we strolled from one exhibition to another, we couldn’t help but notice some familiar names. Discover below our Les Rencontres D’Arles highlights featuring past winners of the Sony World Photography Awards.

Cristina de Middel

In 2012, Cristina de Middel won 2nd Place in the Conceptual category in the Sony World Photography Awards Professional competition for her series ‘The Afronauts’ which tells the story of Zambia’s involvement in the 1960s space race. Her award-winning project had gone on to feature in the 2013 edition of Arles.

In the 2024 edition of Arles, visitors can explore Cristina de Middel’s new series ‘Journey to the Center.’ An image from this project was also chosen as the leading image on Les Rencontres D’Arles’ marketing material.

JOURNEY TO THE CENTER
ÉGLISE DES FRÈRES PRÊCHEURS
1 JULY – 25 AUGUST 2024

Journey to the Center is a series that borrows the atmosphere and structure of the Jules Verne book Journey to the Center of the Earth to present the Central America migration route across Mexico as a heroic and daring journey rather than a runaway.

In this version of the journey, the starting point is Tapachula, the Southern border of Mexico with Guatemala, and the journey ends in Felicity, a small town in California that is  officially the “Center of the World”. The absurdity of this landmark, from where you can see the border fence, just adds a layer of dystopic disappointment and becomes the perfect colophon for a contemporary version of a heroic jest, where the final destination is little less than a roadside touristic attraction.

With a language that combines straight documentary photography with constructed images and archival material, the narrative becomes multi-layered to complete the simplistic approach that media and official reports provide to the complex phenomenon that migration is.

Cristina de Middel