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Indigenous group wants Buffy Sainte-Marie to lose 2018 Juno over ancestry doubts

Indigenous group wants Buffy Sainte-Marie to lose 2018 Juno over ancestry doubts

A group of Indigenous women is calling for Buffy Sainte-Marie to lose her Juno Award for Indigenous album of the year, after a CBC story raised doubts about the singer’s ancestry.

“We invite the Juno Awards Committee to revisit this 2018 category and explore ways of righting a past wrong. All Indigenous artists in this 2018 category … should be reconsidered for this rightful honour,” the Indigenous Women’s Collective said in a statement late Sunday. 

The Indigenous Women’s Collective, which describes itself as a group of mothers, grandmothers, academics and activists advocating to stop colonial violence against Indigenous women, said it reviewed CBC’s story and watched “The Fifth Estate” piece, released on Friday. It said it believes Sainte-Marie deceived the public about her origin as an “Indigenous Scoop survivor.”

It said the deception allowed her to benefit from a false narrative that misled thousands of Indigenous people.

“We acknowledge that Buffy Sainte-Marie was traditionally adopted into the Piapot family 60 years ago under the sacred Cree laws of Wahkotowin. We respect the privacy of her family, friends, colleagues and fans, and their decision to remain supportive and loving toward her,” the collective said in the statement. 

“We understand that traditional adoption comes with great responsibilities, it does not provide anyone permission to falsely claim Indigenous origin identity. Being adopted into an Indigenous family and community does not authorize anyone to speak on behalf of our all of our people.”

CBC obtained Sainte-Marie’s birth certificate, which says she was born in 1941 in Stoneham, Mass., to Albert and Winifred Sainte-Marie. The document lists the baby and parents as white and includes a signature of an attending physician. 

CBC said Sainte-Marie’s marriage certificate, a life insurance policy and the United States census corroborate the information on the birth certificate.

Family members in the U.S., including Sainte-Marie’s younger sister, also told CBC that the musician was not adopted and does not have Indigenous ancestry.

Sainte-Marie, 82, said in a statement the day before CBC’s story that she doesn’t know who her birth parents are or where she’s from, but called herself “a proud member of the Native community with deep roots in Canada.”

The singer also provided an affidavit from a former lawyer tasked with looking into her Indigenous heritage. It says oral history from Saskatchewan explained Sainte-Marie was born north of Piapot First Nation to a single woman “who could not care for her.”

Sainte-Marie has long and intimate ties with what she says is her home community of Piapot, northeast of Regina. Members from the community have said Sainte-Marie is family and dismissed CBC’s presentation of the singer’s U.S. birth certificate as “colonial record-keeping.”

The Junos did not respond to a request for comment Monday but said last week that it had not seen “The Fifth Estate” show and had “nothing to provide.”

Sainte-Marie has also received many other notable awards, including the Order of Canada in 1997 and a Gemini, now known as the Canadian Screen Awards.

The Office of the Secretary to the Governor General said in a statement that it’s aware of the report about Sainte-Marie’s ancestry but does not comment on the possibility of honours being revoked. 

“The Order of Canada advisory council reviews nominations and makes appointment recommendations to the Governor General. This same council can also make a recommendation to terminate an appointment.”

The Canadian Screen Awards did not provide an immediate response. 

— With files from Kelly Geraldine Malone in Saskatoon

This report by The Canadian Press was first published Oct. 30, 2023.

Brittany Hobson, The Canadian Press

Wedding Photography Survival Guide: Difficult Situations and How to Handle Them

Wedding Photography Survival Guide: Difficult Situations and How to Handle Them

Wedding photography is a fast-paced high-stakes environment, kind of like football or poker, except without all the hitting or sunglasses and hats. It’s actually really hard to shoot with sunglasses on and tackling would damage our gear so try to avoid that too. Luckily, after over a decade of photographing weddings, I’ve picked up a few survival tips that might just help you get through your first wedding season unscathed.

You get one chance to shoot any particular couple’s wedding, and you have to nail it rain or shine despite any gear mishaps or family drama. Sometimes it’s all about proper preparation. Other things require you to practice certain skills and develop systems.

Possibly the hardest situations that might happen on a wedding day are best fixed by a mindset shift. There are simply some things that you as the wedding photographer can’t control. Therefore, change what you can even if in some situations it’s just your approach.

Terrible Light

Terrible light is a major problem that can turn your vision of portfolio-worthy wedding images into a blown-out sweaty mess. If you learn about how to deal with terrible light, you’ll be less stressed when it inevitably happens. You still may not like it when you’re stuck with terrible lighting on a wedding day but at least you’ll be able to handle it.

First, it’s imperative that you learn how to see light and how to photograph it in a variety of conditions. And then, you’ll want to learn how to create light when necessary. Don’t try to master a million lighting techniques at once.

Instead, focus on studying the specific venue and timeline that you’re working with and finding a simple and attainable solution. At the next wedding, you might be able to use the same technique you practiced and you might add another one to your repertoire. Gradually you’ll build a variety of skills that allow you to deal with terrible lighting situations.

Being Creative All Day

Depending on your wedding photography packages you might be working 6, 8, 10, 12, or even more hours on a wedding day. Let me tell you, it’s exhausting. You’re on your feet all day and when you’re not standing you’re squatting in some terrible pose or climbing over things.

Not to mention, you also have to be creative. All day. Therefore it helps to come up with a plan where you won’t run out of steam.

You’ll have to make your own strategy but for me, it helps to take care of my body ahead of time by stretching, working out, and eating in the morning when possible. Then, I also try to pay attention to my body mechanics on the day of as well as making sure I’m hydrated and have enough calories throughout the day. It helps to have a system for packing all of the camera gear (including snacks) ahead of time so that I’m not rushing around.

Beyond that, I try to have a creative goal I’m working towards and let other things roll off my back. Sometimes we listen to some good music before we start and it helps me to be early too. The rest of the tips will also help you have more capacity for creativity.

Things Not Going to Plan (Like the Wedding Timeline)

Wedding days, even the most overplanned and overscheduled ones, will not always go to plan. Someone forgets the forks or gets in a mountain bike accident or it’s raining and you literally have no backup plan for your outdoor wedding. These are all real things that have happened at weddings I’ve been the photographer for.

The trick is to know that things won’t go to plan and have a plan for that. If, correction, when the wedding timeline gets behind you’ll want to already have some buffer time planned in there and strategies for how to make up time. It’s important to stay cool because your vibe can make or break the couple’s vibe.

Sometimes, if you act like something isn’t a big deal your couple will believe you. And even if you’ve got everyone running around in the background to fix it, your couple’s perspective is what matters at the end of the day. Sometimes I walk away thinking the day was complete chaos but my couple is happy and loves their photos, that’s a win.

Gear Mishaps

Gear mishaps might happen too so again, the key is to be prepared. Have backups or alternatives to everything essential. Maybe you can’t afford a complete backup camera kit but you need to budget for some sort of backup camera that can substitute in a pinch.

Have spare batteries and bring a charger too. Shoot on a camera with dual card slots or if your camera doesn’t have dual card slots then change out cards periodically so that if a card fails you don’t lose all of your images. Also, try not to drop your gear.

For me, when something starts functioning improperly, if I start to panic I can’t solve the problem. Stay calm, pivot, wait for a pause in things if you need to, and then think the problem through. Sometimes the problems are easy to solve but you can’t solve them if you can’t see the solution.

Bride, Groom, and Mom-zillas: Unrealistic Expectations

Forget Bridezillas. What about Groomzillas, Maid-of-Honor-zillas, and Mother-of-the-Bridezillas? There’s a good chance that at some of your weddings, you’ll run into some personality that really hinders your ability to do your job. Often it all comes down to unrealistic expectations.

I know you can’t go back and time so it won’t work at the moment, but if you do a good job of setting expectations with your clients prior to the wedding day you can prevent a lot of this type of thing. The more you attract clients who are a good fit for both your personality and your photography, the more likely you’ll end up with awesome clients. We actually very rarely have any Bridezillas, our Brides are awesome, and I think that’s because we’re on the same page,

But sometimes even a fully vetted couple that you thought would be the best couple on the wedding day can pull a Frankenstein. The stress of a wedding can bring out the best and the worst in people and if you find yourself in those situations all you can do is focus on getting the shot. Remind yourself that it’s only one day and remind yourself of your other awesome couples, and then smile and do your job like a professional.

Unavoidable Family Dynamics

The key word here is unavoidable. Accepting that family dynamics are unavoidable is the first step in admitting that you’re going to have to deal with this on a wedding day. I still get really uncomfortable in awkward situations even though I’ve seen a lot of family issues up close. One of the best things to do is get information on what you’re walking into and then walk into it with a plan.

We straight up ask our couples if there are any family dynamics we need to be aware of. Then, we’re able to put together a family picture list that avoids as much as possible and gets the awkward parts over as efficiently as possible. Essentially, we have a standard efficient, and effective family picture list and then we adapt our standard family picture list to accommodate various issues.

There are simple things like keeping in mind that elderly grandparents or small children should go first when possible because waiting or walking might be hard for them. Then, there are more challenging things like divorced parents that don’t get along. If you plan ahead then maybe you can avoid being in a situation where you’re trying to take a picture that nobody would ever want anyway.

There you have it: a selection of challenging situations you may come across in the course of doing wedding photography and some pointers on how you can survive as a photographer.


About the author: Brenda Bergreen is a Colorado wedding photographer, videographer, yoga teacher, and writer who works alongside her husband at Bergreen Photography. With their mission and mantra “love. adventurously.” they are dedicated to telling adventurous stories in beautiful places.

Rehoboth Beach resident wins top prize in Prime Hook photography contest

Rehoboth Beach resident wins top prize in Prime Hook photography contest

MILTON, Del. – Rehoboth Beach resident Sharon Denny has won Best in Show in the 19th annual Friends of Prime Hook Wildlife Refuge Nature Photography Contest.

Her entry, titled “Breakfast to Go,” depicts a snowy egret in flight. The story began when a neighbor urged her to take pictures of a flock of birds at the nearby pond in a feeding frenzy. Instead of wading in the water, the birds were swooping down over the water to pluck fish from it. Funny enough, Denny, a retired journalist, almost didn’t take the photo.

“I needed more pictures of white birds like a hole in the head,” she said.

Judges comments said it was well composed and well lit, and they praised the color and sense of movement. This winning entry and many other awards were announced at the contest reception on Oct. 15.

Over 200 photographs were submitted in six different categories by 38 photographers. Though many submissions were local, photographers from as far away as Alabama and Georgia were entered, though the contest is limited to photos taken on Delmarva.

“Aside from the technical aspects of composition, focus and exposure, I think a good photograph is one that is able to evoke an emotional response from the viewer. A photograph that makes you feel something is one that has succeeded,” said Robert Brown, who won in the native birds category with his detailed photo of an eastern bluebird caught in a rainstorm. “A photograph tells a story without a single word and every photo can be interpreted differently by anyone who looks at it… It is a relaxing and creative outlet for me and changes the way I see things.”

“For me, photography comes from the heart,” said Matthew Trucks, whose photo of an incoming storm won in the Beauty of Prime Hook category. “The task to compose a scene or capture the right angle just flows. It enables the ability to share my experience with others. The composition is alive and brings the emotional feeling of actually being there at that place and that time.”

Photos from the contest will be on display at the Prime Hook Wildlife Refuge Auditorium through Dec. 9. Admission is free and those who view the exhibit can vote for the people’s choice award, which will go to the most popular photo.

Bob Minkin Launches Kickstarter in Support of New Photography Book ‘Just Phil’

Bob Minkin Launches Kickstarter in Support of New Photography Book ‘Just Phil’
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Bob Minkin Launches Kickstarter in Support of New Photography Book ‘Just Phil’

Former Senior Photographer for Relix magazine and Chief Package Designer for Grateful Dead Productions Bob Minkin has launched a Kickstarter Campaign for his latest hardcover large format coffee table book, Just Phil. The collection marks Minkin’s fifth coffee table book and third that focuses on an individual member of the Grateful Dead following Just Jerry (2019) and Just Bobby (2022).

Just Phil contains over 200 pages and hundreds of images–many previously unpublished–of bassist Phil Lesh. According to the Kickstarter’s mission statement, Minkin explored every photograph he ever took of Lesh, captured over five decades, for only the collection. The photos see Lesh during his time with the Grateful Dead, Furthur, Phil Lesh & Friends, the Terrapin Crossroads years and more.

The images include peak moments from performances at iconic venues, including Red Rocks Amphitheatre, The Capitol Theatre, Radio City Music Hall, Madison Square Garden, Sweetwater Music Hall and more. Just Phil will also feature intimate behind-the-scenes photos and anecdotes by people close to Lesh and his music.

“This project is borne out of love for Phil and The Dead, respect for the passion and creativity of the music, and for the significance that the Grateful Dead has brought to our lives,” Minkin wrote. “Created by a Dead Head for Dead Heads, it’s my desire to have our community be a part of this book’s creation.”

Just Phil will be available in two editions: a signature edition and a deluxe collector’s edition, which will be signed and numbered. The deluxe collector’s edition will only see 150 copies and will include a signed and numbered 8.5″ x 11″ of “Phil at Oakland Coliseum—
1992” printed on Hahnemuhle Fine Art Paper. 

Learn more and give support in the form of an advance purchase of the book here.

A Polish Apartment Designed Around Functionality and the Sunset

A Polish Apartment Designed Around Functionality and the Sunset

On the 18th floor of the tallest residential building in Poznan, Poland, the 18TH Apartment, with just under 700 square feet, has been reimagined by wiercinski-studio. With an emphasis on functionality and views of the city, this apartment blends minimalism, a natural color palette, and custom details for a unique, yet cozy interior.

A subdued, light background serves as the canvas for natural oak and black grids of ceramic tiles. The elements adorn the walls and baseboards by the floor, creating a visually striking contrast that elevates the space’s aesthetic.

closeup partial view of modern kitchen interior with black tiles and cabinets, and heavily veined black and brown marble backsplash

closeup partial view of modern kitchen interior with black tiles and cabinets, and heavily veined black and brown marble backsplash at twilight

The 18TH Apartment faces Poznan’s western horizon, giving residents full views of the sunset, which casts warm orange light throughout the interior.

closeup partial view of modern kitchen interior with black tiles and cabinets, and heavily veined black and brown marble backsplash at twilight

The kitchen takes center stage, with dramatic light changes as the sun sets. The patterned granite changes in appearance with the shifting daylight, acting as a dynamic, ever-evolving piece of art within the apartment. Its format and colors interact with the surroundings, turning the space into a living canvas.

partial view of modern kitchen interior with wood and black table shot at twilight

partial view of modern kitchen interior with wood and black table shot at twilight

interior shot of modern living room in an apartment with sectional sofa and wall of windows overlooking city

The main focus behind the project was to enhance functionality while maximizing the use of the glass facade that spans the entire width of the apartment. The clever use of sliding panels creates flex spaces, transforming the apartment from open and communal to private and intimate at will.

partial angled view of modern living room corner with black chair and black console

partial view of modern living room interior facing wall between two doors with black console low to ground

To complete the interior, custom furniture and details crafted by Adam Wiercinski round out the design. These unique pieces, created in collaboration with local artisans, infuse the apartment with a distinctive character that sets it apart from the ordinary. Steel, stone, natural oak, and glass combine to deliver a seamless and elegant finish that appeals to the discerning resident.

partial view of modern living room interior facing wall between two doors with black console low to ground

interior view into open door looking into bedroom with unique mirror on wall

partial angled view of modern living space with black tiled cabinet by bedroom door

side view of modern minimalist bedroom with wood wall and simple bedding

partial side view of modern bedroom with unique mirror on wall

angled view looking through doorway into minimalist modern bedroom with black headboard and simple bedding

partial angled view of modern bathroom with black tiled wall and cabinets with grainy marble countertops

down angled shot of partial view of modern low table with marble surfaces

angled black and white sketch of apartment layout

Photography by ONI Studio.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Michigan winners in first state photography contest by The Nature Conservancy

Michigan winners in first state photography contest by The Nature Conservancy

For the first time, The Nature Conservancy (TNC) in Michigan held a statewide photo contest. Michigan was one of just three states to hold a statewide contest, the others being Ohio and Kansas.

“We received hundreds of images taken all across our great state, from closeups of wildlife and birds to idyllic images of our natural world and stunning photos of people and nature, and they all remind us just how beautiful and special our state truly is,” said Helen Taylor, state director of TNC in Michigan in a news release.

Contest judges called the Grand Prize winner, “A Foggy Cloud Lake,” by Chong Q Wu (see photo at top of story) “…filled with interest, beautiful light and colors and it’s very inviting.”

See the other contest categories and comments below.

Leslie Marr

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The Nature Conservancy in Michigan

The winner for Flora and Fauna is “The Hitchhiker” by Leslie Marr of Decatur, Michigan. The judges commented, “This picture feels so delicate with the ant being lifted away on the hummingbird in motion. This image is a snapshot to the gentle relationships in nature.”

Steven Jessmore

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The Nature Conservancy in Michigan

The winner for the People and Nature category was Steven Jessmore of Grand Rapids with his photo titled “No Wake.” Jessmore is a well known wildlife photographer and winner a national contests for his bird photography. The judges noted the photo shows how “people enjoying nature and conservation can joyfully coexist.”

Karen Farrell

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The Nature Conservancy in Michigan

Winner of the Landscape category was Karen Farrell of Traverse City. The judges described the photo “Middle Hungarian Falls” as a “quintessential fall Michigan picture.”

Brooks Angell

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The Nature Conservancy in Michigan

Brooks Angell’s photo of a bald eagle flying above a winter scene was the winner of the Water category. The judges said of the entry “A Winter’s Hunt on a Frozen Shore,” was chosen because of the “…sharp contrast of the shore and the icy water, and the eagle at full wingspan makes this image so captivating.”

The judges for the Michigan contest included Jason Whalen, Fauna Creative, Jocelyn Coley, The Allen Lewis Agency, Gretchen Valade, Carhartt, and Autumn McGowan, a conservation fellow at TNC in Michigan.

Missoula Art Museum to host meet and greet with exhibiting artist

Missoula Art Museum to host meet and greet with exhibiting artist

Missoula Art Museum invites the public to meet exhibiting artist Molly Murphy Adams on Thursday, Friday and Saturday.

Thursday there will be a gallery talk at the museum, Friday will be a First Friday celebration with live music and a bar from 5 p.m. to 8 p.m. and Saturday will be a Free Family Workshop on moccasin design.

Murphy Adams was born in Great Falls and now resides in Tulsa, Oklahoma. She specializes in contemporary sculptural beadwork and her scholarly research reflects personhood for Native artists and women.

The Missoula Art Museum released the following information:

Missoula Art Museum invites the public to meet exhibiting artist Molly Murphy Adams at a Nov. 2 gallery talk and at the museum’s Nov. 3 First Friday celebration, which features live music and a no-host bar from 5 to 8 PM. On Saturday, Nov. 4, Murphy Adams (descendant, Oglala/Lakota) leads a Saturday Free Family Workshop on moccasin design; after a brief tour participants will view the artist’s family moccasins before she leads the class in creative moccasin design.

In the current exhibition, The Space Between, Murphy Adams explores Indigenous beadwork historically, philosophically, and visually. Recently, the artist worked as a consultant and contributed beadwork design to the Martin Scorsese film Flowers of the Killer Moon. She also makes work with a sense of humor and was one of the artists commissioned to make irreverent beaded medallions for the hit Indigenous television series, Reservation Dogs, created by Sterlin Harjo and Taika Waititi for FX Productions.

Murphy Adams learned beadwork at a very early age. The artist was born in Great Falls, raised in western Montana, and now resides in Tulsa, Oklahoma. As an exhibiting artist, scholar, and community-maker and advocate, Murphy Adams specializes in contemporary sculptural beadwork. Her scholarly research reclaims personhood for Native artists, especially women.

MAM presented Murphy Adam’s first solo exhibition in 2008 and collaborated on her MATRIX Press residency in 2017, including the resulting prints in the 2018 group exhibition, The Shape of Things: John Hitchcock, Molly Murphy Adams, Sara Siestreem, Duane Slick. Murphy Adams has exhibited and has work collected in museums and galleries in many states across the U.S. and has received multiple awards and commissions.

More Than 300 Photographs From Elton John’s Legendary Art Collection Are Going on View at the V&A Museum

More Than 300 Photographs From Elton John’s Legendary Art Collection Are Going on View at the V&A Museum

The story goes that while sitting beside Cindy Sherman at a New York fundraiser, Sir Elton John complained that her work never came up for auction. Sherman promptly sold him six artist prints from her breakthrough series “Untitled Film Stills.” Her motive? She was in need of a new house.

The anecdote is indicative of how fame, connections, and no little money, has made John a preeminent collector of photography. He lists it as his second passion, after music, and together with his husband David Furnish, the couple has purchased more than 7,000 photographs that present many of the great photographers, events, and celebrities of the 20th century.

A selection of more than 300 photographs from this sprawling collection is set to be shown at London’s Victoria and Albert Museum from May 18, 2024, to January 5, 2025. It will be the largest photography show the museum has staged to date.

Malcolm X photo

Malcolm X during his visit to enterprises owned by Black Muslims. Chicago, Illinois, USA, 1962, by Eve Arnold. Photo: courtesy Eve Arnold, Magnum Photos.

The exhibition, “Fragile Beauty,” spans the 1950s to the present and features the work of 140 photographers spread across eight thematic sections. It explores celebrity in images of Marilyn Monroe and Miles Davis, reportage in stills from the Civil Rights movement, AIDS activism in the 1980s, and the attacks of September 11 (for which John and Furnish hold the world’s largest collection), and the male body through photographs from the likes of Robert Mapplethorpe and Tyler Mitchell.

“’Fragile Beauty’ will be a truly epic journey across the recent history of photography,” the show’s curator Duncan Forbes said. “Whether through the elegance of fashion photography, the creativity of musicians and performers, the exploration of desire, or the passage of history as captured by photojournalism, photography reveals something important about the world.”

John has been collecting photography since getting sober in 1991. In effect, “Fragile Beauty” is the second half of a photographic tour that began in 2016 with “The Radical Eye” in which the Tate Modern staged 150 of John’s photographs from 1920 to 1950 including rare work from Man Ray, André Kertész, and Edward Steichen.

At the V&A, John and Furnish further a relationship that began with a loan of Horst P. Horst photographs in 2014. In 2019, a significant donation from the couple to the museum’s new photography center saw a gallery named in their honor.

“Working alongside the V&A again has been a truly memorable experience,” the pair said in a statement. “We look forward to sharing this exhibition with the public.”

Preview more images from the exhibition below.

Tyler Mitchell

Tyler Mitchell, Simply Fragile (2022). Photo: courtesy of the artist and Jack Shainman Gallery, New York.

Chet Baker, New York City, 1956 by Herman Leonard. © Herman Leonard Photography, LLC

Herman Leonard, Chet Baker, New York City, 1956. Photo: Herman Leonard Photography, LLC.

Dakota Hair, 2004, by Ryan McGinley. © Ryan McGinley Studios

Ryan McGinley, Dakota Hair (2004). Photo: courtesy Ryan McGinley Studios.

Versace

Herb Ritts, Versace Dress (Back View), El Mirage (1990). Image: Herb Ritts Foundation, Courtesy of Fahey Klein Gallery, Los Angeles.

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