About

Posts by :

Over 100 Spectacular Artworks Line an Australian Beach for the Annual ‘Sculpture by the Sea’

Over 100 Spectacular Artworks Line an Australian Beach for the Annual ‘Sculpture by the Sea’

The Glue Society, “Hot with A Chance of a Late Storm” (2006). Photo by Louise Beaumont. All images courtesy of Sculpture by the Sea, shared with permission

From a beefy seated gorilla to a sleek shell with human legs, a spectacular collection of public artworks currently populates the walk from Bondi to Tanarama beaches on Australia’s southwest coast. Celebrating its 25th year in this location, the annual Sculpture by the Sea festival showcases more than 100 pieces in various mediums, styles, and sizes, all bordering the Pacific Ocean. Through early November, visitors to the two-kilometer stretch will encounter Gleb Dusavitskiy’s enormous pair of wings that soar into the sky, geometric shapes of translucent color by Emryn Ingram-Shute, and The Glue Society’s gloopy, melting ice cream truck, which debuted in the event’s 2006 edition.

Although temporary, Sculpture by the Sea is one of the largest outdoor sculpture parks in the world and on view through November 6. See more from the 2023 edition on Instagram.

 

two massive wire wing sculptures soar above a beach

Gleb Dusavitskiy, “I Believe I Can Fly.” Photo by Tyr Liang

an adult and a child run across the beach populated by colorful geometric shapes

Emryn Ingram-Shute, “No Colour in War.” Photo by Tyr Liang

Four times from top left, a seated silver gorilla, a rusty pipe drips pink fluid, a statue of a man in tattered garments stands near the sea, a geometric ram head rests on grass

Top left: Eiji Hayakawa, “Giant in the Forest.” Photo by Charlotte Curd. Top right: Markus Hofer, “Serum.” Photo by Henri Fanti. Bottom left: Laurence Edwards, “Man of Stones” (2022). Photo by Charlotte Curd. Bottom right: Osamu Ohnishi and Masako Ohnishi, “HITSUJI Hideout.” Photo by Henri Fanti

a tall plinth like sculpture with two sections of water-like material

Tsukasa Nakahara, “Water Blocks 19-11” (2021). Photo by Charlotte Curd

a metallic sculpture of a shell atop human legs

“Keep Walking.” Photo by Charlotte Curd

a melted ice cream truck on a beach

The Glue Society and James Dive, “Hot With the Chance Of A Late Storm” (2006-2022). Photo by Charlotte Curd

an oversized rusted can with peeled open top

Juan Pablo Pinto and Cristian Rojas, “The Hermitage.” Photo by Charlotte Curd

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Over 100 Spectacular Artworks Line an Australian Beach for the Annual ‘Sculpture by the Sea’ appeared first on Colossal.

Indigenous Artist Samantha TwoCrow: Beads of Life

Indigenous Artist Samantha TwoCrow: Beads of Life

An Indigenous Northern Michigan artist in the modern world.

This article first appeared in Traverse Northern Michigan. Find this story and more when you explore our digital issue library. Want Traverse delivered to your door or inbox monthly? View our print subscription and digital subscription options.

As a member of Peshawbestown’s Grand Traverse Band of Odawa and Ojibwe Indians, Samantha TwoCrow grew up surrounded by artists. Her mother, an Indian boarding school survivor, taught beadwork. Her father was a painter, as was her grandfather, who lived on Beaver Island and taught her how to traditionally harvest black ash, birch bark, deer hides, copper and porcupine quills for basket making and beading.

“My creativity is deeply rooted as an Indigenous woman,” TwoCrow says. “We lived so intelligently in our cultural traditions, using sustainable, Indigenous materials and leaving Mother Earth intact.”

beaded moccasins, Samantha TwoCrow

Photo by Dave Weidner

placemats Samantha TwoCrow

Photo by Dave Weidner

beadwork necklace Samantha TwoCrow

Photo by Dave Weidner

TwoCrow was always passionate about her art, but never believed she could make a living with it, so she began a career in accounting with the tribe. The job put food on the table, but it didn’t feed her soul, so she later quit and enrolled at Northwestern Michigan College to study fine arts.

The 37-year-old wife and mom of four (who is also the director of Indigenous education at Suttons Bay Schools) is currently working on two pieces to be unveiled at the prestigious 2023 Santa Fe Indian Market—her second year as an invited solo artist. Her work has previously won awards at the Santa Fe show and her beadwork is also held by the Smithsonian National Museum of the American Indian. Follow her work on Instagram @sam2crow.

bead work of Samantha TwoCrow

Photo by Dave Weidner

Elton John’s photography collection going on exhibit at London’s V&A Museum in 2024

Elton John’s photography collection going on exhibit at London’s V&A Museum in 2024
Simone Joyner/Getty Images

Elton John fans know that he loves collecting things, especially fine art photography. His photography collection rivals that of most museums, but now, it’s coming to a museum.

London’s Victoria & Albert Museum has announced that an exhibit called Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection will open May 18.

According to the Evening Standard, the photos will be organized across eight themes, including fashion, celebrity, the male body, American photography and historical images documenting the Civil Rights Movement, the AIDS activism of the 1980s and the 9/11 terror attacks.

Legendary photographers like Robert Mapplethorpe, Cindy Sherman, Diane Arbus are all represented, and there are celebrity portraits of icons like Marilyn Monroe and Miles Davis, among others.

Fragile Beauty takes our collaboration to really exciting new heights, showcasing some of the most beloved photographers and iconic images,” Elton said in a statement, per the Evening Standard.

This isn’t the first time Elton has had items from his collection displayed in a museum. In 2016 and 2017, London’s Tate Museum featured an exhibit called The Radical Eye: Modernist Photography from the Sir Elton John Collection.

Copyright © 2023, ABC Audio. All rights reserved.

‘Very intentional’: Photography business allows local entrepreneur to pursue dreams, catch husband’s games on NFL field

‘Very intentional’: Photography business allows local entrepreneur to pursue dreams, catch husband’s games on NFL field

For Courtney Shea Smith, launching her own photography business made sense for several reasons.

In addition to her passion for capturing beautiful and precious moments with the click of a shutter, she knew it would be an enterprise she could continue on the move. Shea Smith loves to travel for location shoots, but as the wife of Indianapolis Colts offensive lineman Braden Smith, she knew her husband’s NFL career could lead to frequent relocations.

The couple met as students at Auburn University and knew early in their relationship they wanted to spend their lives together, Shea Smith said, wherever that took them.

“I pretty much knew that I wasn’t going to be in Alabama, and I wanted to have a business that I could take with me if we were to move through multiple cities, and I’ve always wanted to travel,” Shea Smith said. “That was a huge part of why I wanted to pursue photography professionally.”

Shea Smith, 27, formed Ninety Three Creative, named after the number she wore on her jersey as a catcher for the Auburn softball team, while still living in Alabama. She specializes in weddings shot on film and said she is “very intentional” in how many events she shoots so she can attend Colts games and spend time with her husband during the offseason.

More recently, Shea Smith launched Courtney S. Studios, the branding she uses for her studio-based portrait work. At her Carmel studio, she specializes in maternity shoots.

Smith isn’t officially part of the photography business, but Shea Smith said he has been crucial to its success, from giving her the confidence and space to pursue her dreams to more tangible efforts, like helping set up and tear down equipment when she needs a hand.

“Braden is incredible. I cannot say enough about him,” Shea Smith said. “He has supported me from before day one.”

Smith said his wife “takes a lot of pride in her work.”

“She spends countless hours on her craft,” he said. “It’s important to her, and she can deliver a quality product. She doesn’t take any shortcuts.”

Many of Shea Smith’s shoots are destination weddings, and she has done recurring portrait sessions for several families of Colts players.

“It’s really fun to get to watch their families grow,” Shea Smith said. “To be a part of that is really, really special.”

The Smith family is growing, too, as the couple is expecting their first child in January 2024. Shea Smith knows parenthood, like her husband’s career, will likely place limits on her photography business – for a time. But someday, she expects to devote more time and energy to Ninety Three Creative.

“When he’s retired (from the NFL), I’m excited to see how my business changes,” Shea Smith said. “I’ve had to put a little bit on the backburner for life, and that’s something that I would choose to do every single day. I wouldn’t do this any other way, but I’m excited to see what it looks like post-football.”

Learn more about Shea Smith’s photography work at CreativeNinetyThree.com and CourtneySStudios.com.

Courtney Shea Smith and her husband, Braden Smith, with their dogs. (Photo by Molly Carr Photography)

‘Exactly what I needed’

The Indianapolis Colts are recognizing National Women’s Small Business Month throughout October by highlighting local female entrepreneurs with close ties to the team.

Isabella Therien launched Zionsville-based I.T. Home Improvement after relocating to Central Indiana in 2021 with her boyfriend, Colts offensive lineman Will Fries. The finance major and basketball player at Loyola University Maryland started the company after spending a year working at a wealth management firm on the east coast – and realizing it wasn’t a good fit.

“I realized it was just not what I wanted to do with the rest of my life,” said Therien, 24. “I just knew in my heart that I needed to find something with a little bit more flexibility, something that makes me happy at the end of the day. That’s what led me to I.T. Home Improvement.”

I.T. Home Improvement has completed commercial and residential projects, Therien said, but going forward she plans to focus her efforts on home remodeling. Therien said she and her business partner, general contractor Emerzon Perez, aim to offer a “one-stop shop” for clients in north Indianapolis and surrounding areas.

In addition to finding the work fulfilling, Therien enjoys being able to set her own schedule.

“I love going to (Fries’) games. That’s something I look forward to every Sunday,” she said. “I don’t have any family (in Indiana), so I get to go home sometimes if I’m a little bit homesick and Will is on the road. I think it’s exactly what I needed.”

Learn more at therienizzy.wixsite.com/website.

Kingdom’s art market fighting off Covid-19 pandemic blues

Kingdom’s art market fighting off Covid-19 pandemic blues

Slowly but surely emerging from the ravages of the devastating Coronavirus pandemic and its resultant crippling impact on the global economy, Cambodia’s art scene is still finding its feet.

Stumbling unsteadily like a man stepping out in the blinding sun from a dark cave, the art industry has suffered a huge blow along with the economy.

“Our audience is largely local residents and Cambodians. So tourism doesn’t usually affect us directly. However, I can say that the downward turn of economy in general is particularly hard on the arts in Cambodia as we rely so much on the private sector for support. Without support from venues and audiences then artists will continue to struggle as they did since covid. Which is true for the art space as well,” said Dana Langlois, founder and artistic director, Java Creative Café.

“The art market in Cambodia is stagnant for now and the resurgence of tourism has still not been able to create any positive impact,” said Soeng Eoun, founder and proprietor of Can’ Art. She feels that in general, artists are not getting a good deal from the galleries.

“The art market is slowly growing, however there are many non-Khmer artists dominating the space. Very few galleries are owned and run by Khmers. But there are amazing exceptions such as Chan Dina, Din Art Gallery and SaSa Projects,” said Liz Heeley, former employee of Pi-Pet-Pi Gallery282.

Heeley, who used to run her own gallery, feels the pain of economic challenges. “The expense of running a gallery is large and many artists are problematic as they do not understand their commitment and the cost to the gallery. Many artists are represented by a manager that will take a commission as large as the commission required by the gallery,” she said.

As to whether the revival of tourism is having a simultaneous resurgent effect on the art market, Heeley remains sceptical. “Tourism only benefits tourist art generally like the mass-produced pictures of an Apsara or Angkor Wat. The tour companies and hotels send tourists to the same old places such as Toul Sleng, Royal Palace, Killing Fields and if they are lucky the National Museum in Phnom Penh. Even in the art city of Battambang, major tour companies will forget the art scene in preference for a bike ride or the bat caves, she said.

She also rues the step-motherly treatment by the government to the art market in the Kingdom. “The department of tourism or the department of Arts and Culture don’t seem very interested in the contemporary art scene either. Anything after the Khmer Rouge does not seem to reach the ears of tourists. It is the wonderful local people; both Khmer and expats that have supported my gallery and others throughout covid and after. Khmer artists are looking towards foreign markets as grants are far more available,” she said with a tinge of bitterness.

Related Posts

A Modernist Pavilion-Style House on a Secluded Lake

A Modernist Pavilion-Style House on a Secluded Lake

When graphic designer, Bart Crosby, longed for a serene fishing escape outside of the city on a secluded lake in Northern Wisconsin, Wheeler Kearns Architects delivered just that. The Clearwater Lake Retreat marries a single-story modernist structure with its rustic environment in a flat clearing surrounded by 2.5 acres of woods.

The pavilion-style house is oriented on the land to maximize views out of its two sides made of black-framed windows. The floor-to-ceiling glass walls are flanked by two heavy stone walls that anchor the rectangular structure.

exterior shot of a one-story rectangular stone house surrounded by forest

closeup exterior shot of a one-story rectangular stone house surrounded by forest with green chairs surrounding fire pit

angled exterior shot of a one-story rectangular stone house surrounded by forest

angled exterior shot of a one-story rectangular stone house surrounded by forest

The Clearwater Lake Retreat is crowned with a butterfly-shaped roof that seems to hover over the structure. This roof not only adds a contemporary element above the mix of stones but also extends to create a covered porch on each side, offering the perfect spots for outdoor relaxation.

end exterior shot of a one-story rectangular stone house surrounded by forest

closeup end exterior shot of a one-story rectangular stone house surrounded by forest

closeup corner shot of stone and glass lake house in woods

exterior shot from a distance of stone and glass lake house

interior shot of modern living room with stone walls, industrial kitchen, and orange leather seating

The interior of this fishing retreat features an open-plan living space, that’s ideal for cooking, entertaining, and relaxation. The two private bedrooms offer private escapes, while a central core volume houses essential functional spaces, including a mechanical room, two bathrooms, and ample storage.

angled interior shot of modern living room with stone walls, industrial kitchen, and orange leather seating

The cabin not only provides a visual connection with nature but also ensures a sustainable connection with the environment. Heating is achieved through hydronic floor heat, radiant tubing within the three-foot thick stone walls, and a wood-burning fireplace that adds a cozy touch to the living area. In the warmer months, the retreat relies on natural ventilation and shade from the surrounding trees to keep things cool and comfortable.

interior shot of modern living room with stone walls, industrial kitchen, and orange leather seating

The material palette of neutral colors and earthy textures mirrors the natural surroundings. The exterior features sleek black metal-framed windows set against horizontally stacked stone walls in shades of gray. These same stone walls make an appearance inside with their colors complementing the concrete floors.

interior shot of modern house perimeter of windows looking down hallway

looking into modern bedroom with gray stone wall and glass windows

partial interior shot of modern bedroom with stone and glass walls

angled exterior night time shot of modern glass and stone lake house

Photography by Steve Hall.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Snoqualmie Valley Artist Spotlight: North Bend’s Scott Rinckenberger Photography & Gallery

Snoqualmie Valley Artist Spotlight: North Bend’s Scott Rinckenberger Photography & Gallery

In our picturesque city of North Bend, Washington, with Mt. Si standing tall in the background, celebrated mountain photographer and adventurer Scott Rinckenberger has introduced his latest endeavor: The Scott Rinckenberger Gallery.

Opening its doors on July 15th, this new space aims to serve as a cultural nexus in the mountain town, offering a rotating display of Rinckenberger’s inspiring works.

Granite Volume 1, the inaugural collection, presented a visual journey through the granite landscapes of Washington and California. From the grandeur of the iconic peaks to the intricate beauty of climbing routes, this collection pays homage to the stone that has withstood the tests of time and erosion. It resonates as a tribute and “a love letter to granite.”

Sharing his thoughts on this monumental step, Scott remarked, “Building a space that introduces the local community, tourists, and fine art collectors alike to the beauty of the mountains is the fulfillment of a dream.” 

He envisions the gallery as more than just a showcase of his artistry. It’s a hub where the community can converge, learn, and collaborate. “Beyond presenting my work to a broader audience, I truly hope that the gallery will act as a gathering space for local community-building where we can teach, learn and give back to one another.”

Rinckenberger’s photographic journey transcends this gallery. His unique approach to capturing wild places has garnered international attention and accolades. Notable collaborations with renowned brands, such as Apple, REI, and Patagonia, stand as testaments to his prowess in the field.

However, for Scott, photography is not just about capturing breathtaking vistas; it’s a medium to emphasize the importance of preserving these pristine landscapes. He’s an ardent supporter of environmental sustainability, pledging 1% of his annual gross revenue to environmental causes through the 1% For The Planet network. He has committed to donating from his business to environmental non-profits and consistently reviews his business practices to find ways to decrease the carbon footprint of his endeavors, choosing human power over fossil fuels in as many instances as possible. 

The gallery’s current exhibit, “Harvest Color,” paints the ephemeral beauty of the Pacific Northwest’s autumn. From the serene Snoqualmie Valley with its misty mornings to the golden hues of alpine meadows, the collection is a heartfelt reminder of the fleeting nature of beauty. It’s an invitation to soak in the present, to marvel at nature’s wonders, and to be grateful for the moments we’re granted.

Rinckenberger’s ties to Washington are deeply personal. Says Scott, “I grew up in the woods on a gravel road between Woodinville and Duvall, so I’ve got the mossy forests of the Snoqualmie Valley in my bones. After spending my college and early career in Seattle, as soon as my son Cedar was born, I knew it was time to return to my roots. My family and I were fortunate to find a wonderful home in the trees in Fall City about eight years ago, and I’ve been working from an office in downtown North Bend. Since coming back to the area, we’ve enjoyed a deep connection with the outdoor community and all the amazing access to nature here in the Snoqualmie Valley.”

Scott and his wife Lucia and children Cedar (8) and Mica (5) are right at home in the forests and mountains and enjoy foraging for berries and mushrooms, mountain biking, rock climbing and skiing the wildest runs on the mountain.

image

Tracing his trajectory in photography, Rinckenberger’s journey began during his days as a professional skier. The experiences, coupled with the guidance of famed photographer Chase Jarvis, molded him into the artist he is today. His athletic background and photographic expertise enable him to capture nature in its rawest forms, producing works that resonate with authenticity.

Says Rinckenberger, “The fusion of my athletic background and photography experience has allowed me to create work that feels deeply immersive and shows fluency and comfort in extreme environments. To this day, I approach my mountain endeavors with the commitment of a professional athlete and have continued to execute difficult objectives, such as being first to summit and ski the five volcanoes of Washington in five days.

Scott has enjoyed a wonderful office and studio space in the Sunset Garage building since 2016. It’s been a perfect setting for enjoying mountain views and putting in long hours editing, printing, framing, and shipping his artwork. While his commercial advertising photography and fine art print sales have been robust all the while, it’s always been his dream to create a gallery space where his work can be shared in a setting that is carefully crafted to encourage a deeper connection to the art, serves as a gathering place for the community, and inspires viewers to connect with nature in a meaningful and sustainable way.

For years, he kept a close eye on the commercial real estate market in downtown North Bend.

Says Scott, “When the Healing Garden space became available, I knew it was the perfect fit for my gallery, and I am grateful that the building owner, David Cook and his wife Lisa shared my vision and invited me in.”

The artwork will be rotated roughly quarterly to be in rhythm with the seasons. The work will be built around seasonal themes, specific locations, particular elements of nature, and other surprises they have on deck to keep things fresh.

The gallery, located at 106 W North Bend Way, welcomes visitors Thurs-Sat 12-6, Sun 12-5. Scott, along with his dedicated staff, Jane Mauser and Nicole Tastad, ensure a personal touch to every visitor’s experience.

With this gallery, North Bend gains more than just an art space. It receives a beacon of community spirit, environmental consciousness, and a testament to the timeless beauty of nature.

[Visit the gallery page to see examples of Scott’s work]
image

San Antonio artist Andy Benavides wins open call for 50-foot Spurs mural

San Antonio artist Andy Benavides wins open call for 50-foot Spurs mural

Visual artist and educator Andy Benavides has won an open call to create a 50-foot mural downtown celebrating the San Antonio Spurs — and the Alamo City native will collect a $100,000 honorarium as part of the deal.

Benavides, who’s also known for consulting on projects including San Pedro Creek Culture Park, secured the project through an open call released last month by Centro San Antonio, a local nonprofit that promotes living and working downtown. Issued through Centro’s Art Everywhere initiative, the honorarium will pay Benavides for the supplies, time and labor needed to execute the massive creation.

The Spurs-themed mural on the side of the Houston Street Garage, 111 College Street, will stand 50 feet high and 15 feet wide, making it one of the center city’s largest and most prominent pieces of public art. It’s intended to commemorate the city’s 50-year love affair with its NBA franchise.

“Notification of winning this decision was beyond words, and the emotions were off the chart!” Benavides said in a statement. “As it is now and forever will be, the San Antonio Spurs are our team ‘por vida.’”

The project — whose open call drew national attention — is part of Centro’s Art Everywhere Project, which has installed more than 140 creative works since its 2020 launch. The initiative commissions local artists to add their creative flourishes to empty urban windows and wall spaces.

Benavides was one of three semifinalists on the project and his initial design is now undergoing review by the Spurs and other stakeholders, according to Centro officials. He’s expected to start work on the mural Nov. 1 and wrap it up by Dec. 1.

Centro officials wouldn’t discuss specifics of Benavides’ design but say they expect to hold a public unveiling before the mural begins to take shape.

“The response we received was truly overwhelming and reaffirms the deep support and admiration that our city and community hold for our Spurs,” Centro San Antonio CEO Trish DeBerry said in a statement. “The Art Everywhere initiative has consistently offered opportunities for local artists, and I’m absolutely thrilled with the collaborative effort between our team and the Spurs in selecting the winning muralist.”

Subscribe to SA Current newsletters.

Follow us: Apple News | Google News | NewsBreak | Reddit | Instagram | Facebook | Twitter| Or sign up for our RSS Feed

Submissions accepted for Holiday Art Market in Abbotsford

Submissions accepted for Holiday Art Market in Abbotsford

The Abbotsford Arts Council and the Kariton Art Gallery are accepting proposals for handmade artisan products to be featured in the 2023 Holiday Art Market.

The annual market takes place from Dec. 2 to 22 and includes a range of price points and a variety of work.

Preference among similar items will be given to Abbotsford residents, but residents of other municipalities are welcome to apply.

Examples of products being sought include art prints and cards; stationery and stickers; mugs; jewelry; handmade bath and body products; fibre art products, including knits, quilts and handmade toys; and pottery.

Participants may set their own prices, with 30 per cent commission going to the Abbotsford Arts Council.

Artisans are not required to be on site for the holiday market. Accepted items will be displayed in the Kariton Art Gallery (2387 Ware St.) throughout the market, with pickup of unsold products arranged in January.

All products must be original creations of artisans’ own designs. No third-party or resold products are permitted.

The deadline to apply is Nov. 6. Application forms are available at abbotsfordartscouncil.com (click on “opportunities).

RELATED: Biennial exhibit in Abbotsford features works by Fraser Valley artists