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Swiss photographer’s photo exhibit sparks community discussion in New Bern

Swiss photographer’s photo exhibit sparks community discussion in New Bern

NEW BERN, Craven County — A life sized photo album on five points down Broad st. in New Bern sparks discussions.

Swiss photographer, Michael Von Graffenried, has been snapping photos of people in New Bern for the past 17 years.

Von Graffenried and the Craven Arts Council & Gallery presented the documentary-style photography exhibit ‘Our Town’ on October 7 at Five Points and October 13 at the Bank of the Arts.

A community member said Von Graffenried hasn’t done enough research on the area to make a documentary photo style exhibit out of it.

However, Von Graffenried’s ties to the town extend further back than people know. His ancestors founded the city of New Bern in 1710.

After traveling the world with his camera, he made his way back to New Bern, but this time as an observer of a diversifying community.

He said he’s just documenting the moment, but critics feel his motivations were to show the community in a bad light.

Von Graffenried said he captures realities people may not like, but it’s important to accept them for what they are.

However, New Bern business owner Kurtis Stewart said, “There should have been a little more research. I think there’s better representation of our culture than some of the pictures I see out here. But I also do understand the gentleman who took the pictures may not be from the area or perhaps a different country. But maybe the people he was working with could have given him a different light of what our community is actually made up of than some of the pictures I see here.”

While only 24 photos were presented at the Five Points, Von Graffenried created a book filled with 140 photos documenting the daily life of people in New Bern

Von Graffenried stays away from creating captions for the photos, wanting the pieces to speak for themselves.

He wanted to capture natural photos showing the current culture of the city, including the success and struggles.

“I’m sure that a picture said more about the one who is looking at it than the one who has taken it,” said Von Graffenried.

Stewart said the photos of black men smoking cigars, gambling, and a black pregnant woman photographed with a red solo cup in her hand may lead people to form negative opinions about the black community and the people who live there.

“Coming into a community that already has some division, the light that has been painted doesn’t seem like a positive one,” he said.

Von Graffenried has done these projects all over the world, attracting praise and criticism. He said the reason he showcased mainly black people in his photographs were to show parts of the community that may go unnoticed.

“I think I wanted to show that New Bern is not a white town. There is more. I started in the white society. I felt after five years that I missed something. I said how can I change that?”

From there, he went to a black church to build relationships with the community. He was invited into the homes, churches, and the lives of the people New Bern.

This Thursday, the Craven Arts Council will host an Art Talk and Q&A session with Von Graffenried where he will discuss his intentions with his art and answer questions the community has for him.

The Art Talk will be at 6pm at the Bank of the Arts on Thursday, Oct. 19, 2023.

Experience Larry Yazzie Native Storyteller and Dancer Oct. 18

Experience Larry Yazzie Native Storyteller and Dancer Oct. 18

The University of Scranton Programming Board (USPB) Mission Committee and the Multicultural Center invite all to experience a presentation by native storyteller and dancer, Larry Yazzie on Wednesday, Oct. 18 at 7 p.m. at the DeNaples Center Ballroom, Room 407. 

“Larry Yazzie NATIVE | STORYTELLER | DANCER” is presented by the actor, a two-time World Champion Fancy Dancer and Eagle Dancer from the Meskwaki Nation in Tama, Iowa. Yazzie is the founder and artistic director for Native Pride Productions, Inc. based in St. Paul, Minnesota.

Yazzie’s repertoire includes performances worldwide, including at the Olympics, The Kennedy Center and the Smithsonian Institution. 

The international lecturer, dancer and educator is considered one of the nation’s leading experts on Native American dance. In May 2010, he and his son, Jessup, were the sole U.S. performers invited for presentations and workshops throughout northern France.

Yazzie founded Native Pride Productions to give back to his community and to the world. His goal: to share cultural traditions through artist-in-residency workshops, performances, lectures, classroom instruction and theatrical performances that enhance access to diverse, multicultural artists for people of all ages and backgrounds. His warm, enthusiastic spirit reflects the beauty of Indigenous people. Following the tradition of his elders, he gives back and enriches the lives of all audiences.

For questions or information, contact Jose Sanchez at jose.sanchez@scranton.edu or Julie Chropowicki at julie.chropowicki@scranton.edu.

Basha family ‘feeds’ two museums

Basha family ‘feeds’ two museums

Before his death in 2013, Eddie Basha fed thousands of families, expanding from modest stores around Chandler into an Arizona supermarket empire.

But he also had an artistic view that saw far beyond utilitarian needs.

“Art is food for the soul,” Eddie Basha used to say. “Don’t leave the table hungry!”

Years after his death, the man called “an Arizona giant” by Gov. Katie Hobbs filled the tables of two museums.

On Oct. 9, the Basha family announced the gift of the Eddie Basha Collection of American Indian and Western American fine art to the Heard Museum and Western Spirit: Scottsdale’s Museum of the West.

Fitting in many ways, a ceremony was held at the Zelma Basha Salmeri Gallery of Western American and American Indian Art in Chandler – on the site of the first Bashas’ store.

The family sold the chain of more than 100 stores to Raley’s two years ago.

Though the Bashas’ Gallery – which opened in 1992 – will close Nov. 30, Eddie Basha’s collection will find homes in two nearby museums that gushed over the donation.

“My family and I are delighted to make this gift to the Heard Museum and Western Spirit: Scottsdale’s Museum of the West,” said Nadine Basha, Eddie’s widow.

“We are confident that these two world-class institutions will be excellent partners in fulfilling Eddie’s wish to continue to share the collection and have it remain in Arizona.”

Hobbs and Stephen Roe Lewis, governor of the Gila River Indian Community, spoke at the Basha Gallery in Chandler.

Both governors noted it was fitting for the Basha donation to take place on Indigenous Peoples’ Day.

The Bashas’ Gallery is on the site of the first Bashas’ store, built in 1932, Hobbs noted.

“The Pimas were some of the first Bashas’ customers,” she said.

Lewis added his community has “longtime ties to the Basha family.”

Eddie Basha, Lewis said, “understood our culture, our history …

He knew our language – and used to sing a couple of our songs.”

Chandler native Edward “Eddie” Najeeb Basha Jr., who died in 2013, was the chairman and CEO of Bashas’ Inc. After taking over Bashas’ when his father died, he whipped up an expansion of the small company to a chain of 160 stores.

But his family taught him to have as much love for art as cash registers. In 1971, under the encouragement and guidance of his aunt Zelma, Eddie began collecting art inspired by and reflecting the American West.

“At Western Spirit: Scottsdale’s Museum of the West, we believe in Eddie Basha Jr.’s vision that ‘art is meant to be shared’ and we are honored to be a custodian of that vision,” said Todd Bankofier, CEO of the Scottsdale museum.

Gold strike for Scottsdale

Last month, the Scottsdale City Council unanimously approved expanding Western Spirit: Scottsdale’s Museum of the West – funded via a $12 million donation from Louis “Buzz” Sands IV.

The spirit of a second Valley businessman-philanthropist doubled down with a move that may be almost as valuable as the Sands’ gift, as the Basha family is donating hundreds of rare pieces to Western Spirit.

At the Basha donation event, Bankofier praised Sands’ stunning gift – “the largest donation made to an art museum in Arizona history.”

In an extraordinary slice of serendipity, the new gallery funded by Sands will house the collection of Eddie Basha, a kindred spirit in both philanthropy and art.

Sands, according to Bankofier, “knew Eddie Basha well, and was often an art bidding rival at Cowboy Artists of America auctions.”

Jim Bruner, the founding chairman of Western Spirit, chuckled as he recalled starting a nonprofit group in 2007, which had a big idea but nothing tangible.

“We had no money,” Bruner said. “We had no art. We had no location. We just had an idea and a dream that we should somehow make a western museum a reality in Scottsdale.”

Eddie Basha was one of the first people Bruner called for help.

Western Spirit: Scottsdale’s Museum of the West opened in January 2015. The museum celebrates Western Heritage by showcasing art, culture and traditions of the West that reflect the greater American West region.

The Eddie Basha Collection is billed as “one of the largest, privately-owned art collections of its kind.”

The stunning gift to the Scottsdale and Phoenix museums includes 1,000 works of art that span three centuries, including paintings, sculpture, jewelry, pottery, katsina and basketry from the Akimel O’odham, Tohono O’odham, Yavapai, Apache, Hopi and Navajo tribes, members of the Cowboy Artists of America and many other artists.

“The collection reflects Eddie’s deep, lifelong passion for the American West, its vast lands, storied history, many cultures, and rich traditions,” Nadine Basha said.

“Eddie often said, ‘Iam of the American West,’ and that sentiment is richly embedded in this collection.”

While it will take weeks to move the entire collection, a few of Eddie Basha’s favorites are already installed at Western Spirit.

Bruner said it was hard to express in words what the Basha family’s donation of Eddie’s extraordinary pieces means to him.

“I just wish that he were here to see what’s happening,” Bruner said. “But hopefully he’s looking down on us.”

Golden Lens photography competition for seniors returns for 2024

Golden Lens photography competition for seniors returns for 2024
  • The 2024 Golden
    Lens photography competition for WA Seniors Card members is now open
  • The competition
    promotes ageing well by celebrating the photographic skills of older
    Western Australians
  • Selected photos
    will be featured in the next WA Seniors Card Discount Directory and there
    are prizes to be won

The Golden Lens
photography competition is back for 2024, showcasing the photography skills of
Western Australian seniors.

The competition
provides an opportunity for WA Seniors Card members to share photos which
reflect the lives of seniors across the State.

The competition
aims to promote ageing well by celebrating the skills of Western Australians
through the art of photography and to demonstrate that people can learn and
create at any age.

The 2024
competition has returned with four categories including Active Ageing, Cultural
Identity, Wander
out Yonder and Blast from the Past.

There will also
be a People’s Choice category in which the public can vote via the WA Seniors
Card Facebook page.

The winners will
be invited to a lunch at Parliament House hosted by Seniors and Ageing Minister
Don Punch. Selected photos will also be featured in the next edition of the WA Seniors
Card Discount Directory, which will be published in the 2024-25 financial
year. 

Prizes have been
donated by participating WA Seniors Card business partners for the winner and
runner-up of each category.

The competition
closes on 17 March 2024. Further information about entry requirements is
available at www.seniorscard.wa.gov.au/goldenlens.

Comments attributed to Seniors and
Ageing Minister Don Punch:

“The Golden Lens competition is a fantastic opportunity for
our WA Seniors Card members to share the stories of their lives and interests
through the power of image.

“Western
Australian seniors lead diverse and interesting lives and what better way to
share their stories than through photography.

“There
is a growing imperative for ‘whole of community’ commitment and action to
ensure older people remain active and participate in their community, and this
competition is a prime example of how the Cook Government demonstrates this
very commitment and action.”

In USU Eastern Exhibit, Ukrainian Artist Celebrates Love of Homeland, New Utah Home

In USU Eastern Exhibit, Ukrainian Artist Celebrates Love of Homeland, New Utah Home

PRICE, Utah — An exhibition of paintings by Ukrainian artist Volodymyr Bevziuk, entitled Let It Be, is on view at Gallery East from Oct. 9 through Nov. 3 on the campus of Utah State University Eastern.

In February 2022, when Russian troops invaded the eastern provinces of Ukraine, Bevziuk had no idea he’d end up exiled with his family in Ferron, Utah. But that’s exactly what happened to this native of Tashkent, the capital city of Uzbekistan. An old friend and longtime Ferron resident, Ben Wolford, and his wife, Sarah, gave Bevziuk’s family refuge from the war-torn country and a chance to find a new life away from the turbulence more than 5,700 miles away.

Born in 1969 to Ukrainian parents who were then working in Uzbekistan, the boy began exhibiting skills in drawing at age 3 and continued to excel in art as he progressed in elementary school after the family returned to Ukraine. Bevziuk’s parents and teachers soon noticed his abilities, giving him additional assignments to participate in drawing competitions.

Later, in middle school, he continued making mural art and attending extracurricular drawing classes in art school. During high school, he studied artistic design. He continued in art and design for two years in technical school and finished with high grades.

Later, Bevziuk served in the two-year mandatory Soviet army. After he married in his mid-20s, Volodymyr started a family, and built a career in construction, finishing apartments and houses. It wasn’t until about age 40 that he decided to go back to developing his drawing skills.

He started attending master classes, learning through videos on the internet, reading and putting his training to practice in his paintings. A few of his paintings were selected to be displayed in local exhibitions next to other artists.

After arriving in Utah more than a year ago, Bevziuk began painting the farmhouses, bookcliffs, mountains and fields dotted with horses in Emery County, his new (though temporary) home. His paintings indeed show a love of working from nature and painting landscapes. He continues to seek his unique style and develop his skills.

This is Bevziuk’s first-ever solo exhibition. It was organized thanks to longtime friends Benjamin and Sarah Wolford and their newly-made neighbors in Ferron. Bevziuk continues to paint from his home in West Jordan where he resides with his family.

Let It Be will be on view through Nov. 3. Volodymyr Bevziuk will be at Gallery East for a closing reception and gallery talk from 6-8 p.m. Friday, Nov. 3. Students, faculty, staff and the public are invited. The gallery is located in the Central Instruction Building.

The gallery is free and open to the public during the academic year. Gallery East’s Fall 2023 hours 9 a.m. to 5 p.m., Monday through Friday. Closed weekends and holidays.

For questions, contact Noel Carmack at 435-613-5241 or by email at noel.carmack@usu.edu.

Imua Discovery Garden to unveil outdoor sculpture exhibit

Imua Discovery Garden to unveil outdoor sculpture exhibit
WAILUKU — Imua Discovery Garden is thrilled to announce a spectacular outdoor sculpture exhibit, the largest of its kind in Maui County, aimed at raising crucial funds for the nonprofit organization while fostering a deeper appreciation for outdoor art and bolstering support for the Wailuku Arts District. This landmark event promises to be an enriching […]

Art gallery owner finds meaning in new career after leaving marketing field

Art gallery owner finds meaning in new career after leaving marketing field

For Andrea Miller, losing her job was the best thing to happen to her. 

At 55, she was ready for a change. 

“Probably the job loss was serendipitous,” Miller said of her pandemic layoff from the marketing field.

“It didn’t seem [so] at the time, but now looking back on it, I think that really pushed me to go and do something I really wanted to do.”

One day she walked into the former Botanicals Gift Shop in downtown Fredericton and asked the owner if he would ever consider selling the gallery space.

She had no formal background in art, but had grown up with a strong appreciation for local craft and artists.

A deal was soon struck. Miller was the proud new owner of what would soon become The Artisan District. 

“It’s much easier to do your job when you love what you do,” Miller said.

She agonized over every detail as she began to set up the store, but it started to come together.

“Each little bit, every time I took a little step, it felt like I was being pulled instead of pushed,” Miller said.

She intentionally retained all the artists who previously sold their work in the last shop, and added on more to curate a Maritime-only art gallery.

Miller includes an artist bio and description of their work next to each display area. She occasionally invites the artists into the shop to make art for a few hours for customers to watch.

Andrea Miller holds up a painted card and smiles in her shop
Miller is well-versed in the stories about the artists who sell in her store. She includes bios and explanations of each artist’s work process next to their displays. (Sam Farley/CBC News)

“Your store is your artists,” she said. “Without them, there’s just empty walls and shelves here.”

Before she knew it, opening day was upon her.

Two years later, she’s never looked back. Miller said she has a lot of late nights, but it’s worth it.

“It’s just a joyful place to work.”

Runs in the family

Miller credits her family’s support in opening her business, but perhaps her biggest influence is her late father.

He, too, changed careers later in life.

Ralph Miller grew up in Florenceville, N.B., and any breaks he had from the family farm were spent fishing on the St. John River.

Ralph Miller poses holding a fly hook
Ralph Miller, Andrea’s father, displays one of his fly hooks. He changed careers later in life to open his sporting goods store, which Andrea credits as one of her inspirations. (Andrea Miller)

He began collecting discarded fishing hooks found along the banks of the river, and taught himself to tie fly hooks. 

Before he knew it, local fishermen took note and started buying his fly hooks.

Despite this success, he went on to become a teacher.

But the craftsman’s life eventually called him back, and Ralph opened his sporting goods shop at age 42.

Andrea Miller said the shop was his true passion, and he soon amassed a strong customer base.

“People enjoyed going in and socializing with him. He exuded that love of what he did and people felt very welcome to go in and shoot the breeze with him,” Miller said. 

“I think he showed me that if you love what you do, you will be successful at it. You will be able to do it. That stayed with me certainly for a long time.”

Her first artist

One of the first shelves a customer sees when entering the shop holds the pottery of Maria Guevara.

Colourful, detailed mugs depicting Fredericton’s skyline sit among larger plates and dishes.

Guevara had sold her work in the old gallery. When Miller wanted to start asking artists to join her new shop, Guevara was the first call.

“Oh my god, I said, of course, that will be great!” Guevara said.

Maria Guevara holds up some of her work inside the gallery
Pottery artist Maria Guevara was the first artist Miller asked to join her new store. (Sam Farley/CBC News)

Guevara said Miller is a great representative of her artists and that she cares to understand the process they each put into their art.

“She’s always asking me, ‘How did you do this?’ or ‘Tell me the process, step by step.’ I feel like she’s understanding my craft,” Guevara said.

Guevara described some relationships between an artist and their gallery as simply dropping off art to sell and that’s it.

But that’s not the case with Miller.

“If you understand how the work is made … it is easier to explain to clients how it was made. And that gives more meaning to the object or the art,” Guevara said.

Similar to Miller, Guevara got into her love of art later in life.

She immigrated from Mexico with her family 15 years ago and decided to attend craft college for pottery.

In Miller, she finds not only a business partner, but a friend.

“Probably we understand each other in that way, and that helps to have this good relationship,” Guevara said.