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Local photographers’ work on display at the Sikeston Depot

Local photographers’ work on display at the Sikeston Depot

Local photographer Larry Braun of Benton, Missouri, looks at his collection on display at the Sikeston Depot Museum.

Submitted photo

SIKESTON – Local photographers Larry Braun and Clay Guthrie collaborated to create a cooperative photography display with a fall theme at the Sikeston Depot Museum.

Sikeston Depot Museum Administrator Shelia Bohannon said the exhibit, which is open through Nov. 1, is centered on rural and fall/autumn photography and features a large number of local shots.

Braun resides in Benton, Missouri, and works as a streetscape and landscape photographer. According to Bohannon, Braun focuses his work on the outdoors in historic districts, state parks and small towns in Missouri, Illinois, Arkansas and Kentucky. Braun’s photographs have been highly successful; they are shown in the Southeast and St. Francis hospitals, and one of them was even chosen to be featured on a U.S. postage stamp.

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Local photographer Clay Guthrie of East Prairie, Missouri, straightens one of his photos on display at the Sikeston Depot Museum.

Submitted photo

Guthrie is a photographer and an East Prairie, Missouri, native. Although landscapes are the main subject of his photography, he also frequently includes wildlife, cityscapes and even extreme weather. Bohannon said Guthrie’s photos have appeared in magazines and are displayed on the walls of homes and businesses. 

This is their first joint solo exhibition, and according to Bohannon, Guthrie has greatly benefited from Braun.

Braun said he has known Guthrie for a long time and has helped Guthrie in his photographic ventures over the years. 

Braun said Bohannon got in touch with him and expressed her desire for an autumn scene display. Braun said he then gathered about 30 of his own pictures, framed them, and put them on display at the Depot. 

According to Braun, the majority of his photographs are from local areas in Southeast Missouri. 

“I have some of Sikeston, Charleston, Benton, a lot of Scott County, and Cape Girardeau County,” Braun said. “It’s a nice collection of autumn scenes from our community.”

Photos of Tywappity Lake near Chaffee, Missouri; streets in Benton; the Mississippi River; the Castor River shut-ins; and many other locations may also be found in Braun’s display. 

According to Guthrie, he has about eight pieces in the exhibit, and all of them have a fall theme. The majority of his work is set in rural and countryside settings. 

Guthrie said he met Braun in a local photography group when he first started getting into nature photography a few years ago.

“We were both at the time members of the River Region Photography Association, which is a camera club in Cape Girardeau,” Guthrie said. “I saw a lot of his work, asked questions and talked to him quite a bit about stuff. He’s been definitely an inspiration with a lot of his work and a very big help.”

Guthrie and Braun both said they have received excellent comments from people who have visited the photography exhibit, and they encourage the community to go and see the exhibit.

The Sikeston Depot Museum is open from 10 a.m. to 4 pm. Monday through Saturday.

Graduate dancers and photographers on Kenyan streets: Time-waster or job creation?

Graduate dancers and photographers on Kenyan streets: Time-waster or job creation?

On Sunday mid-morning in Nairobi’s Central Business District, tens of young men and women, mostly graduates, hold tightly to their very expensive phones with enviable megapixels. 

Some place them on small tripods or selfie sticks, others just by hand. Tiny Bluetooth-enabled speakers project loud music. Then there is another group with professional cameras.

In this era where Gen Zs want jobs as influencers and build their dreams on social media, hundreds are flocking to the CBD to create content.

While their parents are busy in churches for job opportunities for their children, these young workers are toiling at becoming business owners — just not in the way their parents might envision.

But is it just a craze that translates to them earning money or a waste of time?

As I am walking through the CBD, I meet a dance group that is doing choreography.

Content creators

Photo credit: Lucy Wanjiru | Nation Media Group

Kevin Wekesa is the Nairobi Street Vibe group leader. He says for months now, it has been customary that every Sunday from 12.30 pm he will be at the CBD, dancing.

They started the dance group early this year when CBD was a quiet place, especially on Sundays when many businesses are closed. CBD is also a central location since his group members come from different parts of Nairobi.

“It’s like a dance academy but no charges. Many young Kenyans are talented dancers but they cannot afford to pay for dance classes,” he says.

“Then using social media, we market the dancers’ skills. Artists approach us and hire the dancers. This makes us add value to the youth, some can even put food on the table with dancing,” he says.

Agnes Nafula is another dancer on the streets. She is a procurement university graduate but has not gotten a formal job yet. She dances on the streets, records and uploads on her 90,300 TikTok fanbase. The 1.2 million likes on her dancer posts also matter to her.

“I am a dancer and I come to CBD almost every Sunday to learn and also meet other dancers as we shoot either TikTok or YouTube content,” Ms Nafula, known as Miss Nafula on her social media handles says.

“This is my source of income so I need to bring new and interesting energy for people to like what I do. My following has many 90,300 followers with 1.2 million likes. I’m not a celebrity but at CBD we get to interact with many TikTokers here on the streets,” says the 23-year-old.

Nairobi Street vibe

Nairobi Street vibe show off their dance moves on the streets Nairobi of on September 24, 2023. 

Photo credit: Lucy Wanjiru | Nation Media Group

The drive to turn social media posts into sustainable income is highest among the youngest generation. Content creation is now the new buzzword. From cooking on three stones to depict the unchanged role of young women in society to twerking inside iron-sheet dwellings in slums to recording humour while sitting on scorched grass in a village, young Kenya fascinated by quick money, some idle and jobless are seeing, this as an elixir of hope.

More than 50,000 students graduate every year, but few get formal jobs. The high unemployment has led to tryouts’ in new careers such as dance and singing content creation. They hope that they will make money by creating content that will attract paying brands.

However, TikTok subSahara Africa director Fortune Mgwili-Sibanda, said in a past interview with Nation Lifestyle that singing and dancing content no longer attracts as many viewers.

“We have seen an evolving consumption. It’s no longer singing and dancing. We are seeing a lot of food, fitness, and business talk. In Africa, sports, especially football, is huge. Stand-up comedy is also popular as is lifestyle, “ he said.

The desire to have Nairobi’s tall buildings as a background in photos and videos has also sparked a thriving photography business. Nowadays, CBD photo shoots are now longer for newbies in the town. On Sunday, models, and those celebrating birthdays take photos at CBD. 

Content creators

Content creators show off their dance moves along Kenyatta Avenue in Nairobi on September 24, 2023.

Photo credit: Lucy Wanjiru | Nation Media Group

“The Instagram reels taken amid these tall beautiful buildings is mind-blowing. CBD delivered an authentic background,” says Nancy, a model and content creator who wore 90s-themed attire for the one-hour Sh4,500 photoshoot.

Don Ndambuki is also a beneficiary of professional street photography.

“I would be lying if I said this was a planned photo session, I’m actually from a friend’s place after a night out,” he says.

“CBD gives a unique background touch you don’t need to struggle with colour change because everything is outstanding on its own. Imagine for only Sh100 I get a photo of my choice, this is good business for the photographer and an advantage to us who like photos.”

For photographers who now frequent the CBD, they say this is a new strategy called ‘photography hawking’ where they take instant random shots and charge Ksh 100 which makes it very affordable. 

“I love street photography and CBD has given us the chance to explore and earn money. It has amazing, different sites and backgrounds to choose from,’’ says Swaleh Lawless, a 28-year-old photographer.

Mr Swaleh is a civil engineer graduate from Kenyatta University. 

“I gave up a year ago in my job hunting after every office I walked into wanted someone who had five years experience. So I had to create an income stream for my survival,” he says.

Lawless Swaleh

Lawless Swaleh, a street photographer, takes pictures of his friends along Kenyatta Avenue, Nairobi on September 24, 2023.

Photo credit: Lucy Wanjiru | Nation Media Group

He had started photography while at the university as a hobby and better still advanced his skills after buying a Canon 90D with a lens 85mm and a strobe 600 pro AD.

“CBD imekuwa form [loosely translated to CBD is the new trend] we pay nothing yet we go back home with good money,’’ he says.

Job Omanga is another graduate. He graduated with a Bachelor of Science degree from the University of Nairobi.

“Sometimes we do not get good guidance on the courses to choose after high school. I have a Bachelor’s degree in Science but I did it for the sake of because I have never had a chance to venture in any career related to the field of study,” he says. 

Mr Omanga says he has been doing photography for six years now. 

“I have no regrets,” he says, “CBD gives you a wide range of options and there is an opportunity to get quick money unlike in studios where you wait for bookings. Every Sunday is a chance to earn an extra coin from the street, I get about 40 percent extra compared to what I earn in the studio.”

He says photography has evolved, hence turning into a money-spinner.

“I have to keep advancing my camera. Currently, I’m using the Canon 250D. It allows images to communicate the mood and have life. I even take photos of Nairobi matatus ‘nganya’ as they speed out of town to beat traffic,” he says.

Have some of history’s most famous photographs been lying all along?

Have some of history’s most famous photographs been lying all along?

A new NGV exhibition shows that long before we’d heard of fake news, the truth was being tampered with.

By Ray Edgar

October 10, 2023

Robert Capa’s Death of a soldier, Spain, 1936 (detail), left, and Joe Rosenthal’s Raising the flag on Iwo Jima, 1945. 

Robert Capa’s Death of a soldier, Spain, 1936 (detail), left, and Joe Rosenthal’s Raising the flag on Iwo Jima, 1945. Credit: NGV

Loyalist Militiaman at the Moment of Death, Cerro Muriano, September 5, 1936. The title is so specific, the image so authentically grainy, the soldier’s fall so sudden and ungainly. You can almost hear the crack of the sniper’s bullet echo through the desolate landscape.

Capturing decisive moments doesn’t get much more definitive than Robert Capa’s famous image from the Spanish Civil War (later retitled Death of a Soldier, Spain). But was it sniper or machine-gun fire? Was it Cerro Muriano or Espejo, 50 kilometres away? Was it even Capa who took it, or was it his partner Gerda Taro? Was it staged? These questions and more arose some 40 years after the shot was taken.

The dictum goes that the first casualty of war is truth. We might add that naivety dies alongside it. While the jury is out on whether the photograph was simply miscaptioned, Capa’s possible betrayal hits hard. Perhaps it’s because in this age of loose truths – accusations of fake news, legal and political obfuscation and plausible deniability – we expect old-fashioned integrity and truth from photojournalism, particularly its patron saint Capa, martyred covering the Indochina war in 1954.

Susan van Wyk, the NGV’s senior curator of photography, says it’s not the only image in an upcoming exhibition whose authenticity was later thrown into question. She was shocked to learn that Joe Rosenthal’s famous World War II image of soldiers raising the stars and stripes on Japan’s Mount Suribachi was restaged. Louis Lowery took the original image. But the military brass, seeing a propaganda opportunity, called for a bigger flag and a reshoot. Joe Rosenthal’s recreation became the image we remember.

“It did make me question, why did I just assume Joe Rosenthal was at the front of the battle at that exact moment?” says van Wyk. “Maybe he was, maybe he wasn’t. And some of that’s got to do with the iconic status of that image. Images sometimes take on other lives and do become the tool of propaganda, or [in Lowery’s case] do disappear from history.”

Photographer Henri Cartier-Bresson in Juvisy, France, in 1938.

Photographer Henri Cartier-Bresson in Juvisy, France, in 1938.Credit: Nicholas Umek/ NGV

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Photography: Real and Imagined is the first retrospective in 20 years of the NGV’s massive collection. Van Wyk calls the show “an open invitation to inquiry. We should question everything”. The exhibition includes more than 270 images (selected from 15,000 in the collection) and is packed with masterpieces from a who’s who of photography: Julia Margaret Cameron, Man Ray, Henri Cartier-Bresson, Horst P. Horst, Dora Maar, Lee Friedlander, Cindy Sherman, Hiroshi Sugimoto, the Starn twins, Max Dupain and Tracey Moffatt, to name a few. Across 21 themes – including narrative, consumption, work, play, conflict and death – the works range from conceptual to documentary, vernacular to fashion and advertising.

From the outset, photography carried the expectation of representing the truth, says van Wyk. But, pondering the collection, she admits: “I don’t know that there’s anything there that you could say categorically hands down this tells you the entire truth of this moment, this event, this person. One of the questions you have to ask straight up is, ‘well, whose truth?’ The subject’s truth? The photographer’s truth? The viewer’s truth? How do you represent truth? It’s incredibly nuanced.”

Compare the way photographers documented the impact of industrialisation. Lewis Hine’s images of children working in factories changed US labor laws. Others are less clear-cut. Kusakabe Kimbei’s interior of a carpet factory in Meiji-era Japan is presented next to Viv Méhes’ Melbourne textile factory workers. They look almost identical but were made 100 years apart. “One celebrates industrialisation, and the other reflects poor working conditions for largely migrant women,” says van Wyk.

From left, Wolfgang Sievers’ Shift change at Kelly & Lewis Engineering Works, Springvale, Melbourne 1949; Kusakabe Kimbei, Weaving carpets, 1880s-1910s; Viv Méhes, A Melbourne textile factory, 1981.

From left, Wolfgang Sievers’ Shift change at Kelly & Lewis Engineering Works, Springvale, Melbourne 1949; Kusakabe Kimbei, Weaving carpets, 1880s-1910s; Viv Méhes, A Melbourne textile factory, 1981.Credit: NGV

Contrast that with Wolfgang Sievers’ 1949 image of workers entering a Springvale engineering factory. Sievers came from a Bauhaus tradition that valued modernisation. He didn’t see factory work as soul-destroying. “His photography reflects a deeply held conviction in the dignity of workers and he depicts workers with upturned smiling faces waiting to enter the factory,” she says.

Ironically, by the 1970s, when photography was being recognised as a collectible commodity, writer and critic Susan Sontag was lamenting the medium’s bankruptcy. Through oversaturation “the vast photographic catalogue of misery and injustice” was losing its power.

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“In the last decades, concerned photography has done at least as much to deaden conscience as to arouse it,” she writes in On Photography. The age of Instagram and 24-hour news has done little to enliven our numbed conscience.

To revivify the documentary image and compel us to feel, conceptual artist Hank Willis Thomas almost adopts the tactic of the selfie. Thomas appropriates an image of a pivotal moment in the US Civil Rights movement, known as Black Sunday. On March 7, 1965, police beat civil rights activists as they marched on Alabama’s state capital. Press photographer Spider Martin captured civil rights leader Amelia Boynton at the moment she collapsed from a police assault. In Amelia Falling (2014) Thomas removes the background and places the activists on a mirror.

Hank Willis Thomas’ Amelia Falling, 2014 places the original photograph on a mirror.

Hank Willis Thomas’ Amelia Falling, 2014 places the original photograph on a mirror.Credit: Christian Markel/ NGV

“The image becomes empowered again because we’re confronted with the extraordinary reality of it,” says van Wyk. “You can’t be indifferent to the scene in front of you because suddenly Thomas has made you part of it. You’re with Amelia as she falls to the ground. It’s like us all becoming part of history.”

Where Thomas literally reframes history, Indigenous artist Maree Clarke reclaims it by subverting formalist photography. Traditionally a thumbprint on an image would indicate a mistake or rough handling. In Clarke’s case her thumbprint on a landscape image reclaims Country.

Maree Clarke, On the banks of the Murrumbidgee River II (Army tent and suitcase) 2019.

Maree Clarke, On the banks of the Murrumbidgee River II (Army tent and suitcase) 2019.Credit: Maree Clarke

If photographers have always been drawn to documenting the truth, they are also aware of the fun in staging a scene and messing with reality. Van Wyk cites Hippolyte Bayard’s 1840 Self-Portrait as a Drowned Man. “Of course, he wasn’t a drowned man, but there he was creating this image and putting forward the proposition that maybe he was. But right from the outset, the medium had that capacity to be used to tell stories and to present ideas and information as the photographer wished.”

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That artifice continues with artists such as Cindy Sherman, whose highly composed self-portraits emulate movie stills and media constructs. Alex Prager goes a step further. In Crowd #11 (Cedar and Broad Street), shot in 2013, she captures the chaos of reality. Shooting inside film studios, she builds elaborate sets and employs actors.

“If you look at the details of the costuming and the make-up and the hair, the characters have a certain familiarity because they suggest television or film or something we might have seen before,” says van Wyk. “But it’s entirely a world of her imagination.”

Alex Prager, Crowd #11 (Cedar and Broad Street) 2013 inkjet print, NGV.

Alex Prager, Crowd #11 (Cedar and Broad Street) 2013 inkjet print, NGV.Credit: Alex Prager/Lehmann Maupin

These images become less fun as reality becomes harder to distinguish.

“That space between what’s real and what’s not has recently become even more blurry,” says van Wyk. “Fake news and imagery constructed using artificial intelligence takes it to a whole new level. [Yet] somehow photography still carries the weight of being the unimpeachable witness. We believe photographs tell us the truth.” Until they don’t.

Photography: Real and Imagined is at The Ian Potter Centre: NGV Australia, from October 13.

The Booklist is a weekly newsletter for book lovers from books editor Jason Steger. Get it delivered every Friday.

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Former Los Alamos Resident Doug Coombs’s Photography Featured Through Nov. 13 In Village Arts Exhibit

Former Los Alamos Resident Doug Coombs’s Photography Featured Through Nov. 13 In Village Arts Exhibit

An exhibit of photography by Doug Coombs is now on display at Village Arts at 216 DP Road in Los Alamos. Courtesy photo

Some of the landscape photos by Doug Coombs that are currently exhibited at Village Arts. Courtesy photo

VILLAGE ARTS NEWS RELEASE

Naturescapes by Doug Coombs is a solo photography exhibition that invites the viewer to glimpse stunning landscapes and unique animal encounters.  On display at Village Arts through Nov. 13, Doug’s work promises to take you across the country, and around the globe, and with his emphasis on the big skies of the west and his Milky Way photography, there’s a chance that he’ll even transport you across the universe!

Doug’s own journey with photography as a medium began as a teen with film based photography. In the early eighties he photographed sports at the University of Arizona, where he worked as a darkroom tech and photographer. Later when his kids played soccer for Los Alamos High School he avidly photographed their matches.

Doug is a retired software engineer/developer from Los Alamos National Laboratory and has been doing digital photography for over 20 years. He lived in Los Alamos for 35 years where he  co-chaired and chaired the Los Alamos Photography Club and the Los Alamos Adobe Users Group.  Doug currently resides in Pagosa Springs where he is an active member of the Pagosa Springs Photography Club, but continues to actively show his work in Los Alamos.  Doug and his wife Miyuki travel to destinations nationally and internationally on a regular basis to pursue photographic opportunities. Destinations include Africa, Brazil, Alaska, Yellowstone National Park, Teton National Park, Bisti Badlands, Arches National Park, Bosque del Apache NM, New Mexico, Colorado and more.

Village Arts is open 9-4 Monday through Friday and 10-4 Saturday and is located at 216 DP Road.  For more information on Doug’s work and to see more of his photography, find him on Facebook and Instagram and at his website https://www.dougsview.com/.  Doug also has a broad selection of framed and matted work available at the Fuller Lodge Art Center.

Doug Coombs/Courtesy photo

Indigenous people remember the reason they celebrate Native American Day

Indigenous people remember the reason they celebrate Native American Day

RAPID CITY, S.D. (KEVN) – In 1990, South Dakota became the first state to establish Native American Day.

Today, 17 states recognize Indigenous Peoples’ Day as a day used to remember Native American heritage.

In 1937, President Franklin D. Roosevelt established Columbus Day as a national holiday. However, in 1990, South Dakota Governor George S. Mickelson made the decision to rename the holiday Native American Day, as a way to honor native culture and seek reconciliation between indigenous and white people after having historically bad relations. Monday, NDN hosted a march to honor the Native American Culture

“It’s important because, I think a lot of people might not understand what being indigenous is, what that means to us, it’s how we exist, it’s how we live our lives. Our lives are rooted in culture and language and it’s just neat to be able to share that and hopefully educate others in the community about that so they have an understanding, or begin to get an understanding about what that means,” said Murray Lee, director of community engagement for NDN Collective.

To some, being able to celebrate this day is a way to reclaim their cultural identities, as well as keep their history alive.

“I think that for a long time that because of colonization and genocide, we were forced on to a culture that was not of our own. This is us, abundantly who we are and celebrating our attire, our activism, our culture, our foods, our songs. I think it’s incredibly important, it’s about the re-identification and reclamation of our cultural identities,” said Kim Tilsen-Brave Heart.

Rebekah Jarvey, a Native American fashion designer, was one of only seven designers to participate in the Cannes Indigenous Fashion Festival in France. She says her designs are a way for people to connect and preserve their way of life.

“Its very important. It became a very contemporary way to do self preservation through our clothes and the stories. Its a very contemporary way like I said, but it is a new way, and its a way that our youth could connect and identify with and still preserve our culture and our way of life,” continued Jarvey.

The NDN march and activities lasted throughout the day. Attendees were able to enjoy Teepee demonstrations and traditional Native American dances and music. The gathering also featured Indigenous artists selling artwork and jewelry.

Long Exposure Photography in Havana

Long Exposure Photography in Havana

Photo Feature by Ernesto Gonzalez Diaz

HAVANA TIMES – Photography is about managing light to capture a piece of reality. Long Exposure photography is a technique that allows moving objects to leave a luminous trail, achieving a very visually attractive effect.

To do this, it is necessary to look for shutter speeds between 1/10 and ¼ seconds, that is, the lens diaphragm is open between 10 and 25 tenths of a second, the time in which an object or subject moves, leaving a visible trail of light. which can sometimes seem somewhat surreal or ghostly. It is also advisable to use an exposure level that is as neutral as possible and an ISO of 100.

However, note that in each image there is something perfectly focused and sharp, which may well be a static element of the scene or a moving element as long as the photographer has achieved a minimum movement of the camera that synchronizes with the movement of the element of the scene, which can be a vehicle, a cyclist or a person walking.

See more photo galleries here on Havana Times

Eiteljorg Museum celebrates Indigenous Peoples’ Day

Eiteljorg Museum celebrates Indigenous Peoples’ Day

Over the weekend, the Eiteljorg had cultural presentations, art demonstrations and different activities to celebrate the holiday.

INDIANAPOLIS — When going through the Expressions of Life: Native Art in North America at Eiteljorg Museum, people get the opportunity to see the artwork from many Native American tribes. But one Indianapolis resident got to show her work through the Indigenous Peoples’ Day celebrations.

“Once you really kind of peak or you’re realizing your goals is when you have your pieces of your art acquired,” Monica Raphael said.

Raphael was a 2022 Artist in Residence at the museum and is the Curator of Great Lakes Native Cultures and Community Engagement. She also has some of her artwork displayed in the exhibit. Recently, her grandson was able to share his work as well.

“Most museums somebody else tells your story, but here at Eiteljorg, they’ve really worked hard for us to tell that story,” she said. 

Over the weekend, the Eiteljorg Museum had cultural presentations, art demonstrations and different activities to celebrate the holiday. Monday was free admission day and visitors were able to see the artwork of Kandi McGilton and David Boxley. This let people immerse themselves into the cultures and see some things history textbooks don’t cover.

“What’s really the most important is that they understand that there are different cultures,” Annita Corburn, a mother at the exhibit said. “People perceive the world differently, they hear the world differently.”

Raphael hopes that when people left the exhibit and after Indigenous Peoples’ Day is over,  they remember what the holiday is about and continue to share these cultures. 

“We have a lot of things wrong in the world, and whenever we can share our knowledge, no matter what color person you are, share what knowledge you have,” Raphael said.

The Expressions of Life: Native Art in North America will still be open after Monday and on October 21, when the Day of the Dead celebrations kick off.

RELATED: Here’s how you can celebrate Indigenous Peoples’ Day in Indianapolis

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How photography and reading helped me cope with mental illness

How photography and reading helped me cope with mental illness

Countries that celebrate Mental Health Awareness Month do so at different times of the year – it’s May in the USA, for example, while Australia does so in October. But there’s one mental health-related event that the world celebrates on the same day – October 10 has been designated as World Mental Health Day, an initiative that began in 1992 and continues today to help raise awareness of mental health issues.

Whether we acknowledge it or not, most of us would have come in contact with mental health illnesses – either by suffering directly, or by indirectly watching and possibly supporting a loved one going through tough times. Many of us – like me – don’t even realize we have a problem, but sometimes talking to someone else about what might be triggering an emotional response to something specific can be prudent.

For those of us who aren’t comfortable with asking for help, know that you’re not alone and there are things that you can do to get through the turbulent times. For example, one of my colleagues used ChatGPT to overcome his grief, while another uses cameras and photography to focus his creativity.

Photography has also been my mental support for a very long time. I’m happiest with a camera in my hand and I’m lucky to be in a job where I get to indulge my passion.

I’m also a voracious reader and spend any spare waking minute I have with my nose buried in a good book. Well, ‘book’ isn’t quite right – I went digital years ago and now use an ereader to not just read, but also jot down notes and todo lists.

But the technology isn’t really what’s important; it’s about how it helped me get through some tough times – and could possibly help you as well.

Reading to escape

The Kobo Elipsa 2E with stylus on a table beside some books

(Image credit: TechRadar / Sharmishta Sarkar)

Escapism is a slightly complex concept when it comes to dealing with mental health issues, but when used correctly, it can be a positive force. I’ve been reading since I was five years old and, as an only child, books were my constant companion. In hindsight, I suppose it’s fair to say I was using Enid Blyton’s characters to combat loneliness. 

Reading, for me, is a habit, not a hobby. I have to read every single day, even if it’s just for a few minutes. While I’ve read all kinds of genres through the years, I now have a strong preference for books that help me escape – fantasy and cyberpunk for the most part. I also devour books on ancient and medieval history because those worlds, that life, is foreign to me and I need to use my imagination to build that ‘fantasy’ land.

I haven’t read a printed book in a while, having bought my first ereader – the Kobo Glo – in 2014. It broke a year later after falling off a shelf, and I then got my first Kindle. Now, thanks to being a reviewer, I have a stack of these e-paper tablets and am always excited when I get to test some of the best ereaders on the market today. 

You can argue that there’s no better experience than reading a real book, but I’ll counter that by saying the feel of the paper or the sound of the page turning is superfluous – if you’re engrossed in the book, these are extraneous and you won’t even register them. If the ‘feeling’ of the physical book is what you’re focusing on, you’re probably not reading the right book.

Reading the right book can also help you cope with stress, anxiety and depression. In fact, there’s a little-known branch of psychotherapy called bibliotherapy that focuses on how books can support mental health.

Book recommendations to help combat mental illness

A woman lying on a couch and reading

(Image credit: Getty Images)

A bibliotherapist is someone who uses books along with traditional therapy techniques to improve your mental wellbeing. Some libraries around the world offer ‘lite’ bibliotherapy sessions, but these are of a different kind – you get book recommendations based on significant life events you’re dealing with to help you cope. 

I recently had a session like this. Organized by Kobo, I was first asked to fill in a short questionnaire that included questions like ‘who is your favorite author’, ‘what are your favorite books’ and ‘are you experiencing or will experience a significant life event’. Examples for that last one were things like marriage, childbirth, milestone birthdays, a breakup, divorce and more.

Based on my answers, the bibliotherapist – Lucy Pearson from The Literary Edit – came armed with some book recommendations for me. While I had read most of the titles she recommended, I liked the fact that I wasn’t steered towards reading a genre that didn’t appeal to me. 

A bibliotherapist can recommend titles that could resonate with your experiences. For example, if you’ve lost a loved one and need help coping with your grief, they can suggest a book (or books) where the main character is going through a similar experience and it might make you feel less alone. Book recommendations can be fiction or nonfiction, and it can help kids as well. And it doesn’t matter if you prefer reading a printed book or use an ereader.

Channeling creativity

Cameras, lenses and a portable SSD on a table

(Image credit: Sharmishta Sarkar / TechRadar)

While reading is a habit for me, photography is my hobby. As I’ve already said, I’m happiest with a camera in my hand. I took up photography in my mid thirties – it wasn’t until my late twenties that I got my first camera, a Canon point-and-shoot whose model number I can no longer remember. 

A couple of years later, I graduated to a Panasonic point-and-shoot with an 18x optical zoom and a manual mode, using the latter to teach myself how to adjust settings for the best shot. It was at this time that I began to realize I like taking pictures. It didn’t matter that the photos weren’t professional grade, I seemed to enjoy the experience.

It was around time that began to feel like things were falling apart. I won’t go into the gory details but by 2010, I was at my lowest point because of massive upheavals in my life. It was the most terrifying time I’ve been through, filled with uncertainties. And, as expected, the stress and anxiety of that time took its toll not just mentally, but manifested physically as well. My hormones went haywire and, consequently, I needed to undergo surgery.

It was taking photos that kept me distracted from it all. In 2012, I bought my first DSLR, the Canon EOS 600D, along with a Sigma 18-300mm zoom lens. For a few years, I could hardly leave my apartment because of the health effects of depression, and I’d take photos of the sunsets from my balcony (which were really quite nice), or drying autumn leaves on the plane trees outside the building. 

Two friends sitting on a wooden jetty on the edge of a lake

(Image credit: Sharmishta Sarkar / TechRadar)

I found that focusing on honing my photography skills kept my mind occupied with other, more constructive thoughts, rather than on myself – things like framing the shot, figuring out the best settings, and so on.

I haven’t stopped taking pictures. Experimentation over the years has made me a better photographer – I am entirely self-taught and am decidedly not a professional. What I got out of it, other than feeling better mentally, is a good understanding of the tech that goes into cameras and lenses. This put me in a position to be able to write about photography and I was offered a job that helped me indulge myself with my passion.

I think photography has made me a better person, teaching me patience and empathy. It’s also helped me own up to the fact that I have a mental health issue, and no longer feel the need to hide in the shadows. And that makes me one of the lucky few.

Being able to share what we’re going through helps – although it takes tremendous courage to do so – and telling that story through photography or film can be a wonderful creative outlet. If you are creatively inclined, there are photo competitions like Out From The Mist that accept entries each year on the theme of mental health. It’s also a great and safe space for photographers and content creators to tell their stories.

A woman in a white frill dress lying on a chaise lounge

(Image credit: Sharmishta Sarkar / TechRadar)

Harnessing the power of fitness and other hobbies

Reading and photography are my personal mental supports, but they’re not the only ones you can try. Going for a run or a walk, joining a gym, meditation and yoga… these are great options that not only keep your mind healthy, but your body too. There are plenty of mental health apps that you can use to get started.

Not into fitness? You can take up knitting or crocheting maybe, or start a scrapbook. If you like making arts and crafts, perhaps consider buying a machine like the Cricut Joy and you could be selling your wares on a platform like Etsy and making some extra cash.

Almost every single one of us has some form of stress or anxiety, whether we admit to it or not – it’s up to us as individuals to seek help or find something that sparks joy in our lives and, perhaps most critically, stick with it.

If you’d like to know more about mental health, or are keen to seek help, visit the Mental Health Foundation website in the UK, Mental Health America in the US or SANE and Beyond Blue if you’re in Australia.