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Photographer’s Experiment Sees 78K Photos Downloaded, Zero Donations

Photographer’s Experiment Sees 78K Photos Downloaded, Zero Donations
Photographer
Stock photo.

A stock photographer has revealed the results of his experiment that saw him upload 100 images to free stock photo websites.

Alex Rotenberg wanted to see how much revenue he could make after fellow stock photographer James Wheeler revealed that his highest-paying stock websites in 2022 were Pexels and Pixabay.

This may come as a surprise since Pexels and Pixabay are both free websites. But as Wheeler explains, there is a “Donate” button that appears when someone downloads a photo for free on these sites. And while the majority of people don’t give any money, some do.

“A lot of people do give donations,” explains Wheeler. “[I made] almost $600 worth of donations that I got in 2022. I made more money giving away my photos for free than I did selling them on Shutterstock or Adobe Stock.”

The Experiment

Rotenberg wanted to see if he could emulate Wheeler’s success, but he could not. Despite his photos being downloaded over 78,000 times since the beginning of 2023, the photographer got zero donations.

Writing on his blog, Brutally Honest Microstock, Rotenberg doesn’t hold back in expressing his disappointment.

“Even though my initial images were pretty poor, I tried to improve the offerings with images that have actually sold regularly on [other microstock websites],” he writes.

“Nevertheless, the fact that I received ZERO in donations is depressing considering the 78,000+ downloads. I could have waited for the full year or 10 years but I don’t think I’d ever get donations and not gonna risk it by uploading more content than the original number”

Rotenberg adds that there is “apparently zero benefit” uploading to free sites and emphasises that he is “completely against giving away images for free.”

To add insult to injury, Rotenberg found that his images had been downloaded for free and used in a professional setting — including on a book cover.

How Can You Make Money From Free Stock Photo Websites?

Wheeler explains that to make any money from free photo websites, the photographer needs a lot of downloads to make a small number of donations.

“To give you an idea, I went and checked, I’m getting about 100,000 downloads every month,” he says.

“That was only on Pexels but I get most of my donations on Pexels. So, every month 100,000 people download and I maybe get five to 10 different donations so it is a very small percentage.”

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Wheeler also adds that he was a very early contributor to Pexels and is the “44th all-time” viewed profile on the website.

“Because I started early I got my photos up there earlier, I’m kind of high on the list,” he adds.

Wheeler also says that there isn’t the same level of competition that there is on Shutterstock and Adobe Stock but stresses that he doesn’t believe having his photos available for free on Pexels affects his sales on paid websites — despite having the same photos on both platforms.

“Pexels and Shutterstock have very different markets and people who go to Pexels aren’t typically going to Shutterstock,” says Wheeler.

“If they’re looking for free photos, they might give a donation, a small donation. If they have a subscription to Shutterstock, they go to Shutterstock.

“I don’t think there’s a lot of people out there going, ‘Oh, I see this photo on Shutterstock, I wonder if it’s on Pexels.’ People just don’t have that amount of time, so I don’t think it really hurts my other sales.”

It underlines how the business of photography works differently for different photographers.


Image credits: Header photo licensed via Depositphotos.

How to Start a Photography Business

How to Start a Photography Business

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Starting a photography business presents a compelling opportunity for a creative entrepreneur. It offers a unique blend of artistic expression and financial potential, allowing you to turn a passion into a profitable venture. The demand for high-quality photography services is growing steadily in a world increasingly driven by visual content. This guide will walk you through how to start a photography business so you can make the most of this exciting opportunity.

Why Start a Photography Business?

how to start a photography business

The allure of a photography business lies not only in its artistic potential but also in its financial prospects.

According to the U.S. Bureau of Labor Statistics, the median annual wage for photographers was approximately $40,170 in 2022. Beyond the numbers, a photography business allows for the freedom to capture life’s moments in a way that resonates with personal artistic vision.

Renowned photographers like Annie Leibovitz and Dorothea Lange have shown that photography can be both a fulfilling and lucrative career.

Landscape of Professional Photographers Today

how to start a photography business

The professional photography industry today is markedly different from what it was just a decade ago, largely due to rapid technological advancements.

High-quality cameras, once the exclusive domain of professionals have become increasingly accessible to amateurs and enthusiasts alike. Editing software, likewise, has evolved to become more user-friendly, democratizing the art of photography and allowing more people to produce high-quality images.

Moreover, the industry has seen a surge in demand for specialized photography services that go beyond traditional portraits and event photography. Drone photography, for example, has gained significant traction, especially in sectors like real estate and environmental studies.

Meanwhile, 360-degree virtual tours are becoming indispensable in multiple industries, from hospitality to retail, offering photographers new avenues for professional growth and specialization.

These developments have expanded the scope of services that photographers can offer and raised the bar for what clients expect. There are still plenty of opportunities for those looking to learn how to make money with photography.

Different Niches in Photography Business

how to start a photography business

The possibilities for photography specialization are vast, allowing for a wide range of services that cater to diverse consumer needs.

From capturing life’s significant moments to documenting commercial products, the field offers multiple creative and financial fulfillment avenues.

Portrait Photography

Portrait photography focuses on capturing the essence of individuals or groups. Portrait photographers often work in studios but can also offer on-location services for events like graduations or corporate gatherings.

Wedding Photography

Specializing in capturing one of life’s most significant moments, a wedding photographer is often in high demand. A wedding photography business can be particularly lucrative, with some photographers charging thousands of dollars for a single event.

Commercial Photography

Photographers work closely with businesses in the commercial photography niche to create images for advertising, branding, and product catalogs. The scope can range from product shots to architectural photography.

Nature and Travel Photography

For those who love the outdoors, nature and travel photography offer the chance to capture the beauty of various landscapes and cultures. The niche often involves travel and can be a good fit for photographers who enjoy adventure.

Food Photography

Food photography has gained significant attention with the rise of social media and food blogs. The niche involves capturing enticing images of food and beverages, often for restaurants, food brands, or publications.

How Much Does it Cost to Start a Photography Business?

how to start a photography business

Starting a photography business can be exhilarating, but it’s crucial to be aware of the financial aspects. From essential photography supplies to marketing and legalities, the costs can accumulate. Before starting a photography business, be sure to consider the following key startup costs:

  • Camera Equipment: High-quality cameras and lenses are indispensable. Prices for professional cameras can range from as little as $500 to $5,000 or more. Additional accessories, like the best studio lights for photography, may also be necessary.
  • Editing Software: Post-production work requires reliable software. Adobe Photoshop or Lightroom subscriptions can cost between $20 and $60 per month.
  • Studio Space: If your business model necessitates a studio, be prepared for rental costs. These can vary greatly depending on location and size.
  • Marketing and Branding: A professional website, business cards, and social media advertising are essential for attracting clients. If you want to pay a professional web designer to build your website, budget at least $3,000, if not more. Or you can use any of a plethora of website builders for $50 a month or less.
  • Business Licenses and Insurance: Operating legally requires business licenses and insurance, which can add to your initial costs. The costs to register and license a photography business generally range from $150 to $700. Meanwhile, the cost of basic business insurance ranges from $200 to $500 annually.

Steps to Starting Your Own Photography Business

how to start a photography business

Embarking on the entrepreneurial journey of establishing a photography business involves meticulous planning and execution. The following steps provide a comprehensive guide to help you navigate this exciting venture.

Steps to Starting Your Own Photography Business What It Entails Why It’s Important

Writing a Photography Business Plan A well-crafted business plan outlines your business goals, target market, competition analysis, financial projections, and marketing strategies. A robust plan guides your business and becomes crucial when seeking financing or partnerships.

Look into Getting a Business License Securing a business license is a legal requirement. The process varies by jurisdiction but generally involves submitting an application, paying a fee, and sometimes undergoing an inspection. Adhering to legal requirements ensures that you operate within the bounds of the law, avoiding potential fines or legal issues.

Open a Business Bank Account Opening a separate account for business transactions is essential for effective accounting and tax preparation. A business bank account centralizes all business transactions, making financial management more straightforward.

Crafting a Portfolio A portfolio showcases your skills and is often the first point of contact between you and potential clients. Include a variety of work to demonstrate your range and expertise. A well-curated portfolio can impress potential clients and serve as a powerful tool for securing business.

Business Structure and Legal Requirements Choosing the right business structure, such as a sole proprietorship, partnership, or LLC, impacts your taxes, liability, and other legal aspects. Consulting a legal advisor to determine the most suitable structure can save you from potential legal complications down the line.

Setting Your Pricing Determining pricing involves considering various factors such as the cost of equipment, your time, skill level, and market rates. Transparent pricing structures can help build trust with clients and ensure that you are compensated fairly for your work.

Networking and Industry Partnerships Building relationships within the industry can provide valuable opportunities and referrals. Attend industry events, join photography organizations, and collaborate with related businesses. Networking can expand your client base, provide learning opportunities, and even lead to partnerships that can help grow your business.

Write a Photography Business Plan

A well-crafted business plan serves as the blueprint for your photography business. It outlines your business goals, target market, competition analysis, financial projections, and marketing strategies.

A robust plan guides your business and becomes crucial when seeking financing or partnerships.

Get a Business License

Securing a business license is a legal requirement for operating a photography business.

The process varies by jurisdiction but generally involves submitting an application, paying a fee, and sometimes undergoing an inspection. Ensure you adhere to all local, state, and federal regulations. There may also be regulations for choosing and registering photography business names in your area.

Open a Business Bank Account

Separating personal and business finances is essential for effective accounting and tax preparation.

Opening a business bank account provides a centralized place for all business transactions, making financial management more straightforward.

Craft a Portfolio

A portfolio showcases your skills and is often the first point of contact between you and potential clients.

Include a variety of work to demonstrate your range and expertise. Digital portfolios have become increasingly popular, but having a physical portfolio can also be beneficial.

Determine Business Structure and Legal Requirements

Choosing the right business structure, such as a sole proprietorship, partnership, or LLC, impacts your taxes, liability, and other legal aspects. Consult a legal advisor to determine the most suitable structure for your business.

Set Your Pricing

Determining pricing can be a complex task. Consider factors such as equipment cost, time, skill level, and market rates. Transparent pricing structures can help build trust with clients.

Network and Forge Industry Partnerships

Building relationships within the industry can provide valuable opportunities and referrals. Attend industry events, join photography organizations, and collaborate with related businesses to expand your network.

The Importance of Online Presence for Photographers

how to start a photography business

An online presence is more than just a luxury; it’s a necessity for photographers aiming to succeed in a competitive market.

A well-designed website, active social media profiles, and other digital assets enhance your visibility and serve as platforms where you can showcase your skills and interact with potential clients.

The importance of a strong online presence can be broken down into several key points:

  • Portfolio Display: A personal website offers a centralized place to showcase your best work, making it easier for clients to view your portfolio and gauge your skills.
  • Client Engagement: Social media platforms like Instagram and Facebook allow you to engage with your audience, respond to inquiries, and even showcase behind-the-scenes content that can humanize your brand.
  • SEO Benefits: A well-optimized website can rank higher in search engine results, making it easier for potential clients to find your services when they search for photographers in your area.
  • Online Booking: Integrating an online booking system into your website can streamline the appointment process, making it convenient for clients to schedule sessions without back-and-forth communication.
  • Testimonials and Reviews: Digital platforms provide a space for satisfied clients to leave reviews and testimonials, which can serve as powerful word-of-mouth marketing for your business

Essential Equipment for a Professional Photographer

how to start a photography business

For aspiring photographers, investing in the right equipment is not just a preliminary step; it’s a commitment to quality and professionalism.

The equipment you choose will depend on your specific niche, but certain tools are universally beneficial for anyone serious about photography.

DSLRs and Mirrorless Cameras

When it comes time to choose DSLRs vs mirrorless cameras, which is better for professional photography? Both Digital Single-Lens Reflex and mirrorless cameras come with their own sets of advantages and disadvantages.

DSLRs generally offer a broader range of lens options and longer battery life. In contrast, mirrorless cameras are more compact and excel in video quality. The choice between the two camera types will hinge on your specific needs and the type of photography you intend to pursue.

Variety of Lenses

The lens you choose can dramatically affect the outcome of your photos. Different lenses serve different purposes: A prime lens is ideal for portrait photography, while a zoom lens offers greater flexibility for capturing varying distances.

A wide-angle lens can be invaluable for landscape photography. Investing in a variety of lenses will diversify your capabilities and improve the quality of your work.

Photo Editing Software

The role of post-production in photography cannot be overstated.

Software for a photography business like Adobe Lightroom or Capture One provides a comprehensive suite of editing tools that allow you to enhance colors, correct exposures, and fine-tune details, making them industry standards for professional photography.

Tripods and Stabilizers

For certain types of photography, such as long-exposure shots or time-lapses, a sturdy tripod or stabilizer is essential. Such tools help in eliminating camera shake, ensuring that your photos are sharp and clear.

External Flashes and Lighting Equipment

Natural light is not always sufficient or ideal for capturing the perfect shot.

External flashes and other lighting equipment like softboxes or LED panels can provide the additional illumination needed to achieve the desired lighting conditions.

Memory Cards and Storage

High-resolution photography generates large files that require ample storage space. High-speed memory cards and reliable external hard drives are essential for safely storing and transferring your work.

Camera Bags and Protective Cases

Protecting your investment is crucial. High-quality camera bags and protective cases make it easier to carry your equipment and provide much-needed protection against physical damage and the elements.

By investing in these essential pieces of equipment, you equip yourself with the tools needed to produce work of professional quality, thereby setting the stage for a successful career in photography.

Marketing Strategies for a Successful Photography Business

how to start a photography business

Effective marketing is the cornerstone of any successful business.

For photographers, both online and offline strategies can be employed to reach potential clients.

Below are some proven marketing approaches that can help you expand your client base and enhance your brand’s visibility.

Social Media Marketing

Platforms like Instagram and Pinterest offer a visually rich environment that is particularly effective for photographers. By posting regularly and engaging with your audience, you can build a following and, in turn, attract new clients.

Photography Contests

Entering photography contests can be an excellent avenue for gaining exposure and enhancing credibility. Whether you win or participate, the experience can be a valuable addition to your portfolio.

Client Referral Programs

Word-of-mouth marketing remains a potent tool in the photography business. Creating a client referral program that offers incentives for existing clients to refer new ones can be an effective way to generate new business.

Email Marketing

Email marketing offers a direct line of communication to your audience. Regular newsletters featuring your latest work, photography tips, or special promotions can keep your audience engaged and remind them of your services.

Local Partnerships

Forming partnerships with local businesses can be a mutually beneficial arrangement. For instance, a partnership with a local event venue could involve them recommending your photography services to their clients, while you could offer their venue as a suggestion to your clients looking for event spaces.

How to Attract Prospective Clients

how to start a photography business

Securing your initial clients often proves to be a formidable challenge when starting a photography business.

However, a strategic approach that combines both online and offline methods can significantly ease this process.

Below are some effective steps, each described in detail, to help you attract your first clients and build a strong foundation for your business.

Offer Free Sessions

Offering complimentary sessions can serve as an excellent strategy for building your portfolio.

These free sessions provide you with valuable experience and offer potential clients a risk-free way to gauge your skills.

Leverage Social Media

Social media platforms, particularly visual-centric ones like Instagram, offer a powerful medium to showcase your work.

Regular posting and engagement can help you build a following, which in turn can attract potential clients.

Engage in Networking

Networking remains a cornerstone of business development.

Attend industry-specific events, workshops, and seminars to meet potential clients. Joining photography groups and associations can also provide networking opportunities.

Obtain Client Testimonials

Positive feedback from satisfied clients can be a potent tool for building trust among prospective customers.

Promise these testimonials on your website and social media platforms to enhance your credibility.

Collaborate with Other Businesses

Forming partnerships with related businesses, such as event planners or bridal shops, can provide a steady stream of referrals.

Ensure that the collaboration is mutually beneficial to maintain a long-term relationship.

Offer Limited-Time Promotions

Limited-time offers or discounts can create a sense of urgency among potential clients.

Such promotions can be particularly effective during off-peak seasons to attract business.

Utilize Local Advertising

Don’t underestimate the power of local advertising channels like community bulletin boards, local newspapers, and even community events.

These platforms can help you reach an audience that prefers local service providers.

By implementing these strategies, you can increase your chances of attracting your first clients and laying the groundwork for a successful photography business.

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FAQs: How to Start a Photography Business

How do you price photography services?

Pricing in the photography business is a nuanced task that involves a careful analysis of various factors, including the cost of photography equipment, operational expenses, your level of expertise, and the prevailing market rates for similar services.

It’s advisable to research what competitors are charging and to consider your target market’s budget constraints. Offering package deals or tiered pricing can also make your services appealing to a broader clientele.

What are common challenges faced by photography businesses?

Photography businesses often grapple with a range of challenges that extend beyond the artistic aspect of the job. Such challenges include intense market competition, the rapid pace of technological advancements, and the complexities of running a business.

To navigate these challenges successfully, photographers must equip themselves with a diverse skill set that combines artistic talent with business acumen.

Can a photography career be sustainable in the long term?

Sustainability in a photography career is achievable but requires a proactive approach. The industry is ever-evolving, with new technologies and trends emerging regularly.

Photographers must stay updated and be willing to adapt to these changes. Diversifying services, such as by offering specialized types of photography or teaching workshops, can also provide additional revenue streams. Continuous learning and a willingness to adapt are crucial for long-term sustainability.

Is it possible to build a photography portfolio with no experience?

Building a portfolio without prior experience is undoubtedly a challenging endeavor, but it is an important element of learning how to start a business in photography. Aspiring photographers can start by offering free or discounted services to friends, family, or local businesses to gain practical experience.

This not only helps in building a portfolio but also offers an opportunity to receive constructive feedback. A photography business course or online tutorials can further enhance skills and contribute to a more robust portfolio.

Is wedding photography a profitable niche?

The wedding photography niche is often cited as one of the more profitable areas within the photography industry. By learning how to become a wedding photographer, you can charge premium rates, sometimes amounting to thousands of dollars for a single event.

However, this niche also demands a high level of skill, reliability, and the ability to perform under the pressure of capturing once-in-a-lifetime moments. Therefore, while profitable, it requires a significant commitment to excellence.

Qualify for discounts, special offers and more with a Business Prime account from Amazon. You can create a FREE account to get started today.

Image: Envato Elements


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A Toronto Home That Epitomizes the Philosophy of Minimalism

A Toronto Home That Epitomizes the Philosophy of Minimalism

Forest Hill Residence is a minimal house located in Toronto, Canada, designed by Burdifilek. The home is carefully tailored to meet the preferences of a textile designer who sought refuge from the vibrant hues that pervade their professional life. The home epitomizes the philosophy of minimalism, with Burdifilek steering the design towards a notable absence of commonly found elements such as baseboards, moldings, and door handles.

Burdifilek’s approach introduces an “interior skin” that delicately contours each room, treating transitions in surfaces as opportunities to redefine traditional fixtures. A standout feature includes the innovative treatment of wall footers, metamorphosed into built-in furniture accentuated with bronze cladding, providing a seamless yet chic finish.

Embracing a nuanced palette, the home is a canvas where crisp white marble meets textured neutral wallcoverings, juxtaposed against the rich contrast of leathered Canadian black granite and European white oak elements. The great room, serving as the epicenter of the dwelling, houses bespoke oak cabinets that meld seamlessly with the space, concealing an array of amenities behind its beveled facades.

The upper level unveils a series of rooms that balance between coherence and calmness. The principal bedroom resides in its secluded niche, shielded by double pocket doors. Further exploration reveals a network of interconnected rooms, each maintaining a quiet dialogue with the adjacent spaces, featuring pale oak built-ins and pristine marble surfaces.

A living room area showcasing a custom coffee table crafted from a poured glass slab

A living room area showcasing a custom coffee table crafted from a poured glass slab

A living room area showcasing a custom coffee table crafted from a poured glass slab

A formal dining room adorned with a polished black stone table, detailed with nickel edging

A formal dining room adorned with a polished black stone table, detailed with nickel edging

A formal dining room adorned with a polished black stone table, detailed with nickel edging

A formal dining room adorned with a polished black stone table, detailed with nickel edging

A lounge chair with oak walls and glass side table

A lounge chair with oak walls and glass side table

Georgian staircase with abundant sky light above

Georgian staircase with abundant sky light above

The upper landing featuring a remarkable three-dimensional artwork by Dennis Lin

The principal bedroom secluded behind double pocket doors

The principal bedroom secluded behind double pocket doors

The principal bedroom secluded behind double pocket doors

A spacious all-white marble bathroom featuring a sink vanity

Photography by Doublespace.

Leo Lei translates his passion for minimalism into his daily-updated blog Leibal. In addition, you can find uniquely designed minimalist objects and furniture at the Leibal Store.

Fungi, Feathers, and Insects Spring from Carol Long’s Art Nouveau Vessels

Fungi, Feathers, and Insects Spring from Carol Long’s Art Nouveau Vessels

All images © Carol Long, shared with permission

Midwestern flora and fauna are the foundation for Carol Long’s lavishly adorned sculptures, which elegantly meld Art Nouveau embellishments with natural motifs. The Kansas-based artist (previously) continues her process of pushing and pulling the sides of a thrown vessel to achieve exaggerated proportions. Bublous bases, thin, curvy handles, and wobbly openings are characteristic of her ceramic sculptures, which she garnishes with slip-trail textures evoking fungi gills or bushy bunny tails.

Long has pieces in several shows, including at the Salina Art Center through October 15, 2023, and Fuller Craft Museum through January 28, 2024. She’s currently experimenting with adding molds and casts to her process and preparing to send a few sculptures to the National Council on Education for the Ceramic Arts conference this spring with In Tandem Gallery. Explore an archive of her works on Instagram.

 

gilled purple forms evocative of mushrooms cloak a vessel with spindly handles

pink lilies and koi fish cover the front of a vessel with spindly handles

a red and white polka dotted base holds a greenish vessel with three mushrooms poking from the top

a vessel embellished lik ea peacock feather with spindly, curvy handles

a dragonfly adorns a ceramic vessel with curly handles

a brown rabbit leaps over a lavishly embellished vessel

a dragonfly with mosaic wings adorns a ceramic box-like work with green leaves at the top

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Fungi, Feathers, and Insects Spring from Carol Long’s Art Nouveau Vessels appeared first on Colossal.

I Started A Dog Photography Series Named “Tongues Out” Where I Take Wholesome Canine Photos (12 Pics)

I Started A Dog Photography Series Named “Tongues Out” Where I Take Wholesome Canine Photos (12 Pics)

Tongues Out – Series 1 (an original 12-picture series)

From a single Labrador to a pair of Red Wheaton Basset Fauve de Bretagne dogs, I celebrate dogs having fun through my photography.

I’m Chris Miller, and I’m a leading UK dog photographer with a passion for capturing the true personality of every dog I photograph. Using only natural light in the dog’s familiar surroundings, I often end up with a few outtakes. Every session results in these funny and whimsical moments, which I absolutely love to capture and share. I feel incredibly privileged to photograph dogs, and I strongly believe that each dog deserves to have their story told through photography.

More info: millersimage.com | twitter.com | Instagram

Frieze reveals highlights, from £15mn Freud to stone-age axes

Frieze reveals highlights, from £15mn Freud to stone-age axes

Dickinson will bring a late Lucian Freud portrait of billionaire property developer Pat Doherty to Frieze Masters, where it will be offered for about £15mn. “Profile Donegal Man” (2008) was on loan to the Irish Museum of Modern Art from 2016 to 2021, and was then shown at the recent Lucian Freud: New Perspectives exhibition, which started in London’s National Gallery before travelling to Madrid’s Museo Nacional Thyssen-Bornemisza.

Doherty sat for about 300 hours over 85 sessions for the unflinching portrait, according to Milo Dickinson, managing director of the gallery. The work will be the highlight of Dickinson’s booth dedicated to “artists in Soho”, which will also include work by Thomas Lawrence, Edward Burne-Jones and Frank Auerbach. Doherty, who is selling the work through Dickinson, is known to have another portrait by Freud in his collection.

This week, Frieze announced some highlights of its London and Masters fairs, which take place in Regent’s Park between October 11 and 15. Some of these coincide with exhibitions in the city: Julianknxx, who is on view at the Barbican Centre, will be at Edel Assanti’s booth at Frieze London; El Anatsui, who opens in Tate Modern’s Turbine Hall on October 10, will have a solo booth at Jack Shainman Gallery in Frieze Masters. Stretching back much earlier is a collection of 73 stone-age axes, brought by ArtAncient and priced from £500 to £250,000.


An iron, painted black, with row of 13 nails, heads glued to its underside
Man Ray’s ‘Cadeau’ (a 1958 replica of a 1921 original) © ©Scala/Dig. Image: MoMA, New York
A black metronome with a black-and-white image of an eye on its pendulum
Man Ray’s ‘Objet indestructible’ (1965) © Man Ray Trust; Artists Rights Society, New York; ADAGP, Paris

In New York, Luxembourg + Co gallery has opened an exhibition dedicated to works that don’t exist. Man Ray’s “Objects” were conceived by the artist between the 1910s and 1930s, but possibly never made. Instead he later made replicas of the “originals”, which he adjusted each time he made them. “Everyone understands Duchamp’s big revolution with his ready-mades. But Man Ray also made a radical gesture, to question our obsession with the original,” says Alma Luxembourg, partner at the gallery. “In the digital age, when we are constantly taking photos, such questions are even more relevant.”

Man Ray’s variations evolved over 50 years, Luxembourg notes. For example, the so-called “Cadeau” — a ready-made iron with a row of sharp nails, conceived in 1921 — developed alongside haberdashery technology. A photographed eye fixed to the needle of a metronome, now known as “Objet indestructible” (though this title also evolved), changed with the artist’s romantic affiliations.

The exhibition aims to chart such evolutions based on five objects and through about 25 works. A small number of pieces are for sale, priced between €80,000-€800,000 (until December 2).


Art Basel has beefed up its management with the hires of Hayley Romer as chief growth officer — a new role and a job title you don’t hear every day — and of Craig Hepburn as chief digital officer. Romer, who joins this month, was previously publisher and chief revenue officer of The Atlantic magazine, while Hepburn joins next month from European football body Uefa, where he was most recently head of digital.

Noah Horowitz, who became chief executive of Art Basel last year, explains that Romer’s role will be to focus on the growth of its brand outside of the fairs — such as through partnerships and marketing — while Vincenzo de Bellis, director of fairs and exhibition platforms and also appointed in 2022, will focus on the events themselves. Horowitz says Romer and Hepburn’s experience from outside of the art world is part of an exercise to “elevate all our competences with really talented individuals”.

Meanwhile, Marc Spiegler, previously global director of Art Basel, has joined the board of Superblue, a platform for immersive, experiential art. Spiegler, who is also advising the audio business Kef on its arts strategy and is a visiting professor at Milan’s Bocconi University, says he is “building a portfolio of projects”.


Anyone interested in the nuances of the art industry may wish to seek out Commercial Galleries: Bricks, Clicks and the Digital Future, the latest book in the Lund Humphries and Sotheby’s Institute of Art’s Hot Topics in the Art World series. (Disclosure: I have written a book in this series.) Written by Henry Little, an art adviser at the Fine Art Group and co-founder of the Breese Little gallery (now closed), the book gives insights into a sector that manages to be both rapidly changing and stubbornly still.

Digital advances during the pandemic have given artists and the industry around them a newfound popularity (plus plenty of data on current and potential buyers). Despite such progress, Little concludes that “expensive, complicated or intellectually rarefied art will always resist easy digital consumption . . . Without being wilfully conservative, we can safely assume that the commercial gallery model as it exists today, with all its digital intransigence, will endure.”

There are some memorable turns of phrase, not least likening the biggest few galleries to “swollen truffle pigs” when scouring for new artists, while I concur with Little that “we may even see a gallery on the Moon if the ultra-rich visit frequently enough.”


A skeleton of a dinosaur against a black background
‘Barry’ a five-metre-long iguanodon from 150mn years ago, is up for auction at €800,000-€1.2mn © Vincent Girier DuFournier

And finally, dinosaurs are back — at least on the art market. The craze paused for a while last year when a T-Rex, nicknamed Shen and estimated at $15mn-$25mn, was withdrawn from auction at Christie’s in Hong Kong, reportedly because concerns were raised that not enough of its bones were original.

Now we have Barry, a five-metre-long Jurassic iguanodon dated from about 150mn years ago, unearthed in Wyoming in 2000. It is up for sale at Giquello & Associés at Drouot, Paris, with a €800,000-€1.2mn estimate, on October 20. The auction house specialists emphasise that their specimen consists of a high percentage of original bone (more than 80 per cent), including more than 90 per cent of its skull.

In 2020, Christie’s made a record for a dinosaur skeleton when it sold Stan, a 12-metre-long T-Rex, for $31.8mn (with fees) to the Natural History Museum Abu Dhabi, due to be completed by the end of 2025.

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“Women’s Cry” photography exhibition lands in New York

“Women’s Cry” photography exhibition lands in New York

The courage of women committed to the promotion of human rights and the protection of Creation is the protagonist at the Perelman Performing Arts Center in New York, on the occasion of the United Nations General Assembly. The photographic exhibition, curated by Lia Beltrami in collaboration with the Holy See’s Dicastery for Communication, had already been hosted – last May – in the Colonnade of St. Peter’s Square

Vatican News

From St. Peter’s Square to Ground Zero to reaffirm a message of peace, reconciliation and hope for a better humanity. On the occasion of the 78th session of the General Assembly of the United Nations, the presentation of the photographic exhibition “Emotions to Generate Change – Women’s Cry” was held – on Wednesday, September 20, in New York. The exhibit had previously been displayed to the public for the first time in May in a unique context: the Bernini Colonnade in St. Peter’s Square. Once again on this occasion, the exhibition conceived by Lia Beltrami brings together 26 shots by eight great photographers from around the world and bears witness to women’s resilience in remote areas of the planet or in countries ravaged by war. Again it was hosted in an exceptional venue: the Perelman Arts Center, an arts and culture pavilion that has just been inaugurated in the area where the World Trade Center once stood before the terror attacks of 9/11.

Women's Cry in New York City

Women's Cry in New York City

Women’s Cry in New York City

The exhibition Women’s Cry was realized thanks to the synergy of several entities: the World Union of Catholic Women’s Organizations UMOFC-WUCWO, through its World Women’s Observatory, the Holy See’s Dicastery for Communication and the Handshake agency. After the introductory remarks from the artistic director of the Perelman Arts Center, Bill Rauch, the deputy editorial director of the Vatican media, Alessandro Gisotti, spoke underlining that this exhibition tells us “stories of fraternity, reconciliation, og the struggle against all discrimination, while supporting human dignity and integral human development. That is why each photo is accompanied by a phrase taken from Pope Francis’ Encyclical, Fratelli Tutti. From Togo to Ukraine, from the Amazon to Bangladesh, this exhibition not only shares the cry of women, as the title itself indicates, but wants to emphasize the hope that women give to their communities, their people, and the whole world”. He then recalled Marshall McLuhan’s definition of photography: writing with light. “In these photos,” Gisotti said, “we find so much light. The light that emanates from the courage of women, mothers, daughters, working women, women who overcome every possible obstacle to give a better future to the people they love. We are sure that those who see this exhibition will take home some of the light that these women radiate to make today’s world less dark.” For her part, Lia Beltrami emphasized hope, which “characterizes all the stories told through the images of the exhibition”. A hope – added the curator of the exhibition – that is nourished by the tenacity of women capable of overcoming the “toughest challenges” for the good of their families and their communities

Women also took center stage at the beginning of the day at the international office of Religions for Peace located right in front of the United Nations building with the screening of the docufilm Guardians of the Rainforest, a work by Lia and Marianna Beltrami. The work, supported by the Interfaith Rainforest Initiative shines the spotlight on indigenous women fighting in defence of the rainforests in Brazil, the Democratic Republic of Congo and Borneo. The screening was followed by a discussion on the role of indigenous peoples and particularly of women in protecting Creation. Underlining the importance of the theme and the docufilm, Gabriel Labbate, head of the Climate Mitigation Unit of UNEP, the UN Environment Program, also participated in the Religions for Peace event.

Lia Beltrami presents the exhibition

Lia Beltrami presents the exhibition

Lia Beltrami presents the exhibition

Photographer Defends $63k Salary After Senator Compares Job to Smartphone

Photographer Defends $63k Salary After Senator Compares Job to Smartphone
Photographer Beta Bajgart (left) has defended her $63k salary Fine Gael Senator Micheál Carrigy (right) compared the job to taking pictures on a smartphone.
Photographer Beta Bajgart (left) has defended her $63k salary after Fine Gael Senator Micheál Carrigy (right) compared her job to taking pictures on a smartphone in Ireland’s national parliament.

An Irish photographer has defended her $63,000 (€60,000) salary after a senator compared the job to taking photos on a smartphone.

Last week, Ireland’s public service broadcaster RTÉ began inviting applicants for a job as an on-set photographer on the popular television series Fair City.

The photographer was required to deliver a minimum of 16 approved photograph stills in both high and low resolution to Fair City for 50 weeks per year. They were also needed on the television show’s set or on location an average of 20 hours per week over three days.

RTÉ, which is partly financed by the television licence fee, said the on-set photographer would be paid a salary of $63,000 (€60,000) per year — which amounted to $255,600 (€240,000) over a four-year contract.

A National Scandal Over a Photographer’s $63,000 Salary

The $63k-per-year photographer’s salary caused a national scandal. RTÉ is currently facing a financial funding crisis and the photography job was condemned as another example of the public service broadcaster’s “overspending.”

At a hearing about RTÉ at Ireland’s national parliament Oireachtas last Wednesday, Fine Gael Senator Micheál Carrigy expressed his shock about the supposedly excessive salary.

At the hearing, Carrigy compared a professional photographer’s job to taking pictures on a smartphone. According to The Irish Times, Carrigy said that his assistant was able to take photos on his phone for free.

“I’ve asked my assistant to take a picture of me speaking here and I’ll show it to you in about two minutes’ time and it won’t cost anything to be able to do that,” Carrigy says.

Following the hearing, RTÉ stopped the search for the on-set photographer and suspended applications for the Fair City job.

‘Photography is Not Just a Matter of Pressing a Button’

Now, Beta Bajgart, the photographer who currently holds the on-set Fair City photographer contract, has spoken out and condemned Carrigy’s “insulting and derogatory” remarks about the profession.

In an open letter posted on Instagram, Bajgart says that a photographer’s work is “not just a matter of pressing a button on a smartphone”.

“Firstly, not that I should have to, but your ignorant comment of reducing a photographer’s work to such a level astounded me so much that perhaps I do need to explain,” Bajgart writes.

The photographer explained that the average time she spends on the set of Fair City is 30 hours per week, over three full days, in addition to time editing, postproduction enhancement, prepping packs as well as emails and meetings.

“The photographer on RTÉ’s Fair City is an independent contractor who does not receive any benefits that you and your colleague are more familiar with for example,” Bajgart says.

“There is no pension, no paid holidays, and no sick leave,” she says, adding that the photographer must buy and update their own equipment and have their own transport.

“The utter disregard that the photography profession received in the press in the past week, compounded by your derogatory remarks, feeds into the damaging stereotype that art and creative professions don’t deserve the same respect and financial benefits as any other profession.”

Bajgart demanded that Carrigy apologize for his remarks which insulted not only photographers, but also the entire creative industry.


Image credits: Header photos via Instagram/@beta.bajgart and finegael.ie