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DMTV Milkshake: Exploring All Things Tartan With the V&A Dundee Museum

DMTV Milkshake: Exploring All Things Tartan With the V&A Dundee Museum

Scottish tartan is known the world over – an indicator of clan, class, punk rock affinity, fashion preferences, and more. Its long and wild history is examined in a brilliant show at the V&A Dundee, simply titled Tartan. In it, tartan is examined from its inception – as seen in the Glen Affric tartan, believed to date from as early as 1500 – to its role in the punk rock revolution of the 1970s and 80s, its central appearance within Alexander McQueen’s high-fashion collections and present day (specifically, a 2022 tartan-covered Xbox Wireless Controller).



In this week’s Milkshake, we talk to the exposition’s co-curator, Kirsty Hassard – about her favorite pieces from the show, the Glen Affric tartan, and more. For the former, she chose a selection of tartans from Frances Farquharson, a Seattle society girl turned fashion editor turned Highlands muse. “She was an American fashion journalist who wrote for British Vogue, and the editor of Harper’s Bazaar in the 1940s and 1930s,” Hassard says. “She came to Scotland in the late 1940s, when she married the Laird of Invercalde, and she became Frances Farquharson.” While Frances Lovell Oldham, as she had been born, did not have a tartan, Frances Farquharson did. “Because her new surname has a clan tartan associated with it, she acquired a fabulous new wardrobe to associate herself with this. I was really drawn to her as a sort of fashion chameleon, I guess, but somebody who was able to adapt their personality basically through their fashion sense.”

mannequins wearing tartan in museum exhibition

For Hassard, the “most exciting discovery” in the show was the Glen Affric tartan, discovered in a peat bog 40 years ago but more recently found to have dated to the 16th century. (Earlier “tartans,” as Hassard says, were only printed check patterns, not true tartans.) “Through radiocarbon dating, we discovered, with help from the National Museum of Scotland and the Scottish Tartans Authority, that the Glen Affric tartan is the oldest tartan ever to be discovered in Scotland – or potentially in the world,” she says. “It dates from between 1500 and 1550, and as its name suggests, it was found in a bog in Glen Affric, which is between Skye and Inverness up in the Scottish Highlands. What’s so exciting about it is that it conforms to the idea of tartan as we know it, so it’s got the idea of color, pattern, and proportion, which conforms with any tartan you might see that’s designed today – whereas other textiles that have claimed to be tartans that might have been discovered earlier than this one are checked patterns – what we have here is a true tartan.”

For more, tune in!

tartan fragment

Scotland’s oldest-known true tartan, discovered by The Scottish Tartans Authority and on display for the first time at V&A Dundee’s Tartan exhibition

tartan game controller

mannequin wearing tartan in museum exhibition

mannequins wearing tartan in museum exhibition

tartan textiles

tartan exhibition in museum

Diana Ostrom, who has written for Wallpaper, Interior Design, ID, The Wall Street Journal, and other outlets, is also the author of Faraway Places, a newsletter about travel.

Milkshake, DMTV (Design Milk TV)’s first regular series, shakes up the traditional interview format by asking designers, creatives, educators and industry professionals to select interview questions at random from their favorite bowl or vessel. During their candid discussions, you’ll not only gain a peek into their personal homeware collections, but also valuable insights into their work, life and passions.

8 NFT Artists Building Their Own Crypto Communities

8 NFT Artists Building Their Own Crypto Communities

As artists surged into the crypto space in 2021, one piece of advice echoed above all: “Start building a community.” Many now-dead Discord channels were born. Combined with so many companies and builders in Web3 being guilty of community-washing (a business growth strategy when the idea of the community and the word itself are used purely for marketing purposes), crypto has now become somewhat of a graveyard for abandoned group chats.

While the amount of communities in crypto is overwhelming, the pleasure of joining a unique and thriving squad with a healthy discourse skyrockets when the participants are highly intentional about the reasons for coming together. So how do you choose where to invest your time and energy?

Here are eight crypto-native artists and the unique communities they have fostered and keep tending to. From fine art visionaries to the up-and-coming NYC collective, the inspiration from these communities is unlimited:

Casey Reas

Reas is an American artist, UCLA professor, and MIT Media Lab alum who uses various software types as his primary artistic tools. Reas is the co-creator of the Processing, the visual art open-source programming language. His work is held in public collections at Victoria & Albert Museum, LACMA and Centre George Pompidou. In 2021, Reas co-founded Feral File, an online NFT gallery that showcases work by artists such as Refik Anadol, Petra Cotright, Rafaël Rozendaal, and Tyler Hobbs, among others. Feral File has amassed a unique community of artists, curators and collectors who have achieved recognition in the fine art world. At the same time, these creators haven’t been afraid to push forward the on-chain experimentation in their work. Feral File’s Discord (which consists of about 3,000 members) serves as a vibrant hub for discussions about art and ongoing exhibitions.

Claire Silver

A pseudonymous artist (Claire Silver is a fictional name), Silver is a pioneer of AI-generated visual art used in creating moving images. Claire’s work has been auctioned at Christie’s New York and Sotheby’s London, as well as exhibited in the permanent collection of LACMA. Claire is the co-founder of Accelerate Art, a nonprofit organization for artists in crypto. Per the company’s website, Accelerate Art is focused on arts education, grant opportunities, and exhibit possibilities for artists working in Web3. Members include such names as Diana Sinclair, Ix Shells and Matthew Stone.

LATASHÁ

A musician and producer, she gained recognition in the Web3 space back in spring 2021 with a series of successful music video NFT sales. LATASHÁ is the founder of Zoratopia, an educational program with both digital and offline events to onboard artists into Web3. Zoratopia has created a whole generation of crypto-native artists with diverse mediums. One of the most beginner-friendly communities in Web3, it is known for its buzzing events in Miami, NYC, Oakland and Austin. Zoratopia’s digital events are currently free to attend and open to the public.

Nadya Tolokonnikova

An activist-turned-artist, Nadya is known for being one of the founding members of Pussy Riot, a feminist art performance group whose members, (including Nadya), were imprisoned by the Russian government in 2012. Nadya was an early crypto adopter who launched several collections and put out individual NFT releases. In 2022, she co-organized UnicornDAO, a group of curators, collectors, and artists who are aiming to redistribute wealth and visibility. UnicornDAO aims to create equality for women-identified and LGBTQ+ people, specifically in Web3 space. The group has an invitation-only Discord channel, and membership costs 50 ether currently (around $80,000 at the moment of writing this article). Whilst membership is mostly targeting art patrons, UnicornDAO does a great deal of artist curation, and it’s worth watching it.

Iman Europe

A crypto-native musician and a lyricist, Europe recently founded TheHomiesDAO, a wellness community that aims to support artists of Web3. The DAO, which stands for decentralized autonomous organization, operates on a Nouns model: an NFT, which grants a membership, is minted once per day and is auctioned with the starting price of 0.05 ether (around $80 at the moment of writing this article). The money from all mints go into the DAO treasury, which the collective votes on. TheHomiesDAO has already started using funds to sponsor IRL wellness events to help artists avoid creative burnout.

The Park

The Park is a collective of award-winning musicians based in Los Angeles. With at least three Grammy awards in its cache, the collective consists of musicians who are working with artists like Solange, Halsey, and Rhye. The Park hosts intimate jam sessions called “Fridays at The Park,” which allow the public to participate in musical improvisation as well as dip their toes into crypto in a very artist-friendly atmosphere. The mission of the collective is to bring musicians together, create a safe and inspiring space for jams, and onboard them into Web3. The Park is experimenting with on-chain governance (it has its own decentralized autonomous organization, also known as a community DAO), and it is also minting a video NFT to commemorate every Friday session.

Malcolm Levy

He is a Toronto-born multidisciplinary artist and curator, who has previously worked with New Forms Festival and Cultural Olympiad. In 2020, Levy founded Refraction Festival which later became a DAO. Part music festival, part DAO and part incubation studio, Refraction is a one-of-a-kind artistic collective that is run by artists themselves. Initially, new members and artists had to apply through a membership form and undergo an approval process. Last year, the DAO introduced RefractPass, a collection of 1,000 NFTs that serve as the primary access point to RefractionDAO. The collection’s description states: “It is an evolving NFT that will offer long-term, expanded utilities for our members.” Currently, the pass is sold out and is available only on the secondary market, with a floor price of 0.25 ether at the time of writing this article.

Felt Zine

A New York-based artistic collective that describes itself as Web3’s underground net art collective, Felt Zine has established its reputation as a countercultural digital artistic collective. Since early 2021, it has facilitated a number of on-chain projects. Felt Zine’s community is primarily gathering offline, with its majority based in NYC (and an expansion in Tokyo). Felt Zine’s parties, unlike other crypto events, are indistinguishable from most hip events in downtown NYC. Felt Zine is taking over a sweet spot of the Web3 Gen Z community that equally values both being chronically online and spending a night over an espresso martini at Jupiter Disco in Bushwick.

The role of community is shifting. As our lives have transitioned to a predominant digital presence post-pandemic, our offline ties have faded more than ever before. While we may not recall the last time we gathered for dinner, helped a neighbor or attended a block party, we’ve definitely immersed ourselves in online communities. If this shift is inevitable, then choose your communities wisely and invest your attention where you wish to see growth.

Disclosure: I may own NFTs from the artists and projects I write about, all of which were purchased with my own funds.

8 NFT Artists Building Unique Crypto Communities

8 NFT Artists Building Unique Crypto Communities

As artists surged into the crypto space in 2021, one piece of advice echoed above all: “Start building a community.” Many now-dead Discord channels were born. Combined with so many companies and builders in Web3 being guilty of community-washing (a business growth strategy when the idea of the community and the word itself are used purely for marketing purposes), crypto has now become somewhat of a graveyard for abandoned group chats.

While the amount of communities in crypto is overwhelming, the pleasure of joining a unique and thriving squad with a healthy discourse skyrockets when the participants are highly intentional about the reasons for coming together. So how do you choose where to invest your time and energy?

Here are eight crypto-native artists and the unique communities they have fostered and keep tending to. From fine art visionaries to the up-and-coming NYC collective, the inspiration from these communities is unlimited:

Casey Reas

Reas is an American artist, UCLA professor, and MIT Media Lab alum who uses various software types as his primary artistic tools. Reas is the co-creator of the Processing, the visual art open-source programming language. His work is held in public collections at Victoria & Albert Museum, LACMA and Centre George Pompidou. In 2021, Reas co-founded Feral File, an online NFT gallery that showcases work by artists such as Refik Anadol, Petra Cotright, Rafaël Rozendaal, and Tyler Hobbs, among others. Feral File has amassed a unique community of artists, curators and collectors who have achieved recognition in the fine art world. At the same time, these creators haven’t been afraid to push forward the on-chain experimentation in their work. Feral File’s Discord (which consists of about 3,000 members) serves as a vibrant hub for discussions about art and ongoing exhibitions.

Claire Silver

A pseudonymous artist (Claire Silver is a fictional name), Silver is a pioneer of AI-generated visual art used in creating moving images. Claire’s work has been auctioned at Christie’s New York and Sotheby’s London, as well as exhibited in the permanent collection of LACMA. Claire is the co-founder of Accelerate Art, a nonprofit organization for artists in crypto. Per the company’s website, Accelerate Art is focused on arts education, grant opportunities, and exhibit possibilities for artists working in Web3. Members include such names as Diana Sinclair, Ix Shells and Matthew Stone.

LATASHÁ

A musician and producer, she gained recognition in the Web3 space back in spring 2021 with a series of successful music video NFT sales. LATASHÁ is the founder of Zoratopia, an educational program with both digital and offline events to onboard artists into Web3. Zoratopia has created a whole generation of crypto-native artists with diverse mediums. One of the most beginner-friendly communities in Web3, it is known for its buzzing events in Miami, NYC, Oakland and Austin. Zoratopia’s digital events are currently free to attend and open to the public.

Nadya Tolokonnikova

An activist-turned-artist, Nadya is known for being one of the founding members of Pussy Riot, a feminist art performance group whose members, (including Nadya), were imprisoned by the Russian government in 2012. Nadya was an early crypto adopter who launched several collections and put out individual NFT releases. In 2022, she co-organized UnicornDAO, a group of curators, collectors, and artists who are aiming to redistribute wealth and visibility. UnicornDAO aims to create equality for women-identified and LGBTQ+ people, specifically in Web3 space. The group has an invitation-only Discord channel, and membership costs 50 ether currently (around $80,000 at the moment of writing this article). Whilst membership is mostly targeting art patrons, UnicornDAO does a great deal of artist curation, and it’s worth watching it.

Iman Europe

A crypto-native musician and a lyricist, Europe recently founded TheHomiesDAO, a wellness community that aims to support artists of Web3. The DAO, which stands for decentralized autonomous organization, operates on a Nouns model: an NFT, which grants a membership, is minted once per day and is auctioned with the starting price of 0.05 ether (around $80 at the moment of writing this article). The money from all mints go into the DAO treasury, which the collective votes on. TheHomiesDAO has already started using funds to sponsor IRL wellness events to help artists avoid creative burnout.

The Park

The Park is a collective of award-winning musicians based in Los Angeles. With at least three Grammy awards in its cache, the collective consists of musicians who are working with artists like Solange, Halsey, and Rhye. The Park hosts intimate jam sessions called “Fridays at The Park,” which allow the public to participate in musical improvisation as well as dip their toes into crypto in a very artist-friendly atmosphere. The mission of the collective is to bring musicians together, create a safe and inspiring space for jams, and onboard them into Web3. The Park is experimenting with on-chain governance (it has its own decentralized autonomous organization, also known as a community DAO), and it is also minting a video NFT to commemorate every Friday session.

Malcolm Levy

He is a Toronto-born multidisciplinary artist and curator, who has previously worked with New Forms Festival and Cultural Olympiad. In 2020, Levy founded Refraction Festival which later became a DAO. Part music festival, part DAO and part incubation studio, Refraction is a one-of-a-kind artistic collective that is run by artists themselves. Initially, new members and artists had to apply through a membership form and undergo an approval process. Last year, the DAO introduced RefractPass, a collection of 1,000 NFTs that serve as the primary access point to RefractionDAO. The collection’s description states: “It is an evolving NFT that will offer long-term, expanded utilities for our members.” Currently, the pass is sold out and is available only on the secondary market, with a floor price of 0.25 ether at the time of writing this article.

Felt Zine

A New York-based artistic collective that describes itself as Web3’s underground net art collective, Felt Zine has established its reputation as a countercultural digital artistic collective. Since early 2021, it has facilitated a number of on-chain projects. Felt Zine’s community is primarily gathering offline, with its majority based in NYC (and an expansion in Tokyo). Felt Zine’s parties, unlike other crypto events, are indistinguishable from most hip events in downtown NYC. Felt Zine is taking over a sweet spot of the Web3 Gen Z community that equally values both being chronically online and spending a night over an espresso martini at Jupiter Disco in Bushwick.

The role of community is shifting. As our lives have transitioned to a predominant digital presence post-pandemic, our offline ties have faded more than ever before. While we may not recall the last time we gathered for dinner, helped a neighbor or attended a block party, we’ve definitely immersed ourselves in online communities. If this shift is inevitable, then choose your communities wisely and invest your attention where you wish to see growth.

Disclosure: I may own NFTs from the artists and projects I write about, all of which were purchased with my own funds.

A Sotheby’s Sale of Mug Shots, I.D. Badges and Early Kodak Prints

A Sotheby’s Sale of Mug Shots, I.D. Badges and Early Kodak Prints
image

The auction house is offering an eclectic collection from Pier 24 Photography, including anonymous snapshots of Lucky Luciano and 1880s baseball players.

Pier 24 Photography made its debut in 2010 on the San Francisco waterfront, the creation of a former investment banker, Andrew Pilara. Since then, the exhibition space has staged highly regarded photography shows, mostly drawn from the founder’s wide-ranging collection.

But early this year, unhappy that the San Francisco Port Commission had tripled the rent, Pilara, 81, announced that Pier 24 will close in July 2025. While he will give the majority of its holdings to museums, a sizable portion will be sold to support medical research, education and the arts, through a foundation that he and his wife, Mary Pilara, oversee.

Although the collection is known for its in-depth representation of prominent artists, a significant part of Pilara’s collection was created by anonymous photographers. Sotheby’s will offer up many of these images that Christopher McCall, the Pier 24 director, culled from eBay, flea markets and auctions in the organization’s first sale of vernacular photography, online from Sept. 26 to Oct. 3.

The photographers’ aim were functional, not artistic. About a third of the lots comprise police mug shots, a genre that Pilara embraced early. “When I saw mug shots, I said, they are sitting for a portrait,” he recalled in a video interview. And, because they sparked an emotional response, they met his essential criterion of whether to buy.

About Face,” an exhibition of portraits at Pier 24 in 2012-13, presented a roomful of more than 300 mug shots, as well as photographs by renowned artists, including August Sander, Richard Avedon and Cindy Sherman. “It was very popular,” Pilara said of the mug shot room. While most of the pictures were arrayed in multiples, along the lines of the typological arrangements of Bernd and Hilla Becher (also represented in the Pier 24 collection), the celebrity mobster Charles “Lucky” Luciano merited a framed diptych of his own. (It is included in the auction.)

A warden’s book from San Quentin Prison in California.via Sotheby’s
A 1887 photograph of Tug Arundel.via Sotheby’s
A cyanotype of a hand clutching a baseball.via Sotheby’s

The Sotheby’s sale also features shots of new prisoners at San Quentin in 1935 and grisly crime-scene photos in New York in the 1930s. But much of the selection is more wholesome. Pilara, a longtime baseball fan, acquired an archive of 364 retouched portraits of ballplayers that The Chicago Tribune relinquished as it entered the digital age. (“I was a pitcher,” Pilara said. “Baseball has been my life, and I’d never seen press photos like that.”) Aesthetically more impressive are a collodion print on iron (a kind of tintype) of “Tug” Arundel, a catcher who played for the Indianapolis Hoosiers in the 1880s, and a cyanotype of a pitcher’s arm and hand gripping a baseball.

Also memorable are an assemblage of hand-colored, black-and-white portraits from northeastern Brazil and 40 American tintypes, mostly of children, many embellished with a paintbrush. In one memento, a delicately painted lace bib poignantly evokes the fragility of a baby. But who were the people behind the camera? An undated self-portrait of a practitioner, his camera on a tripod, provides a likeness if not a name.

Pilara particularly sought out scrapbooks with an insight into people’s lives. A photo album kept in the early 20th century by a young woman, Mildred Elizabeth Wheatley, documents her progression from infancy to marriage.

More unexpected is a large collection of photo identification badges, worn by workers entering factories in the 1940s. On the surface, nothing could be less emotionally moving, yet for Pilara, they resonate. “My wife of 40 years is from a small town of 900 in Illinois,” he explained. She would tell him about the manufacturing plants in her birthplace, and the jobs they provided, that had been lost to other countries, especially China. “I’m an investor,” he said. “That really put it on the wall for me.”

A tintype with hand-applied pigment, circa 1900.via Sotheby’s
An employee I.D. from the 1940s and 1950s.via Sotheby’s
A gelatin silver print of San Francisco after the 1906 earthquake. via Sotheby’s

He has amassed pictures of the San Francisco earthquake and fire of 1906 for similar reasons: He was born and raised in the city. A grouping of 20 snapshots of the catastrophe included in the auction were likely taken by an amateur wandering through the city with one of the inexpensive Kodak cameras that were all the rage at the turn of the century.

Glenstone Museum in Maryland (endowed by Emily and Mitchell Rales) purchased 112 photographs from the Pier 24 collection in March, zeroing in on big names like Diane Arbus, Walker Evans, William Eggleston and Rineke Dijkstra. A sale in May at Sotheby’s also focused on well-known artists, including Dorothea Lange and Robert Adams, and netted close to $11 million.

But more vernacular and less pricey images cast a light on one of photography’s primary purposes — documentation. They are represented here in its myriad forms: supervision, publicity, remembrance. Whether artistically distinguished or not, the pictures remind you of the passage of time and the inevitability of extinction. They make you think, mourn and dream.

Photography from Fiddlers at CCSA

Photography from Fiddlers at CCSA

Nicholas Hancock shares his photographs taken during this past Fiddler’s convention with Chestnut Creek School of the Arts (CCSA). These pictures are available for viewing in the gift shop at the Main building of CCSA located at 100 North Main Street, Downtown Galax. While you can see the looping pictures from the front door, the school’s operating hours are Tuesday-Friday 10am-6pm and Saturdays 11am-3pm.

Hancock is a former newspaper write and editor who also played rhythm guitar in The Blue Grass Gentlemen f4rom 1969 until mid- 1974. Today is retired and enjoying his hobby of photographing Blue Grass and other events.

A Massachusetts Teen Turns Wildlife Photography Into a Mission

A Massachusetts Teen Turns Wildlife Photography Into a Mission

Soren Goldsmith grew up in the backyard of the forest and wetlands of Belmont, Massachusetts. After years of exploring the Mass Audubon’s Habitat Nature Sanctuary and Lone Tree Hill nature preserve, Goldsmith began his nature photography journey five years ago. Today, he advocates for that same land and is expanding his conservation and photography work in college.

“At first, it was just about getting cool photos of the birds and mammals that lived there, but as I went on, I became much more conservation-minded,” the teen photographer tells Feature Shoot. “It was a photo I took of a coyote at night that made me realize how powerful photography can be. By revealing the unseen wildlife that exists in protected lands, we can help people connect with them, and inspire people to protect them. It’s very powerful stuff.”

An owl, seen head-on, flies through the air.

Goldsmith uses camera traps, which automatically trigger with movement, making them useful for wildlife photography without scaring off the animals or disturbing their habitat. He started the project at 17, using a grant from Mass Audubon that allowed him to purchase the camera traps, which cost $2,000 each. But first he had to sell the organization on his vision, despite the group never having given money to a photography endeavor or anyone so young before.

It appears to have paid off. Earlier this year, Feature Shoot reports, Goldsmith was one of the National Geographic Slingshot Challenge winners, which is open to anyone aged 13-18 with ideas on how to solve environmental issues.

Two raccoons approach a camera in the woods at night.

But Goldsmith is not simply recording snapshots in the wild. He shares with PetaPixel that his priority is for his images to have a purpose.

“Most recently I’ve been trying to take my photos with the widest lens possible so that I can effectively reveal an animal’s environment,” Goldsmith tells PetaPixel. “I think it can sometimes be hard for a viewer to personally connect to a landscape. Intimate photos of wildlife are easier to connect to. That’s why I try to include wildlife as the subject of landscape style shots. Doing this allows me to document a threatened habitat in the most compelling possible way. It gives people an individual animal to root for and something to connect to.”

Now, his environmental passions have led him to protect the wilderness where he found his passion for nature photography.

A wild ferret sits on a rock in the woods.

The woods and wetlands of Belmont, Massachusetts, face the threat of development from Belmont Hill School, which owns the land. While the wetlands are protected, the school reportedly plans to build a parking lot and facilities building around that area. This, Goldsmith argues, will affect the habitat and animals that live there, some of which are threatened species.

A fox is seen against the dark night sky.

“It is inevitable that the construction of a parking lot in this area will result in harmful runoff into the wetland. In my opinion, what they are planning to do should be illegal. It will forever change the landscape of the area,” Goldsmith explains to Feature Shoot.

And while the wetlands have some protection, the forest is completely vulnerable to being destroyed. There is a change.org petition organized by Belmont Wild, a coalition made up of local resident opposing the construction, with more than 2,800 signatures at the time of this writing.

A hummingbird is caught mid-flight.

Goldsmith’s work showcases the animals that call this area home.

“One of the things I try to do in my photography is depict animals as individuals, not ‘just another coyote,’” he tells Feature Shoot. “Consider the hundreds of animals that live in the forest every single day. They all have individual lives and thoughts. If the coyote that lives in that forest dies, there will never be another one like it. He’s a unique individual.”

Though Goldsmith is attending the University of Wisconsin-Madison to study environmental engineering, he is not leaving photography behind. The photographer tells PetaPixel he wants to continue the work he started in Massachusetts in Wisconsin.

“There are a lot of really interesting things happening here related to conservation and research that I’m excited to get involved in. The main project I’m starting right now is with the UW-Madison newspaper. I’m focusing on urban wildlife in a photojournalism project and specifically human-wildlife interactions.”

An owl sits in the bark of a tree.

Goldsmith says he looks to get more involved with photojournalism and wildlife storytelling. His future project goals include documenting wildlife in American old growth forests, innovative conservation efforts that don’t usually get a spotlight, and getting into photographing freshwater underwater ecosystems.

To that end, he says both engineering and photographer are extremely important for conservation.

“Engineering can cover the technical side of a conservation problem,” Goldsmith tells PetaPixel, “While photography can promote it. Both tools work together to provide an effective solution. For example, compelling photographs of threatened wildlife can help inspire people to protect them. If people are inspired to protect them, it’s easier for conservationists to get funding to solve that problem. Engineers are needed to solve complex conservation issues. In other words, photography is the vessel by which conservation efforts (and engineering challenges) are brought into existence and seen by the world.”


Image credits: Soren Goldsmith

Photography + Review: The Band CAMINO, Bad Suns, and Charlotte Sands

Photography + Review: The Band CAMINO, Bad Suns, and Charlotte Sands

Posted: 20th September, 2023 by The Editor

The Band CAMINO are back again with the release of their sophomore album, The Dark, and a U.S. tour to support it. Joining them on this run is Charlotte Sands and Bad suns making for a solid night of pop rock. With this being such an early date on the run, each band had more than enough energy for the Boston crowd. 

Charlotte Sands kicked off the night and left a lasting impression. Charlotte has been taking the scene by force these last few years and her upward trend is not one we see ending soon. If one thing is for sure after her performance. – we are fans for life.

Next up was Bad Suns, who we’ve been following since they sold out the Royale in 2019. With four full lengths under their belt, Bad Suns are pop rock veterans who now display themselves as a three piece with Christo taking all guitar responsibilities on top of vocal duties. Bad Suns packed a punch into their eleven song setlist and even though no songs were played from their 2019 release,  Mystic Truth, the songs from their other three releases pulled their weight.

After a quick change over, The Band CAMINO gloriously walked onstage while 4,000-plus people in the crowd cheered them on. Kicking the set off with two new tracks and our personal favorite’s “Hush Hush”, the packed crowd was cheering for more. The Band CAMINO continued to front load their set with tracks from The Dark before all members except Jeffery and Spencer left the stage in the middle of their set. At this time, Spencer switched from guitar to keyboard while Jeffery dawned an acoustic guitar. They began to take requests from the crowd for songs that didn’t make the set list but could still be partially played in a continuous acoustic melody. We got to hear both “Something to Hold on To” and “Fool of Myself” (which rarely see airtime), “Less Than I Do’, and “The Black and White”. The last part of the acoustic break was a tie between “My Thoughts on You” and “Back to December” (by Taylor Swift). Despite the ongoing Taylor Swift hype happening this year, “My Thoughts on You” won the crowd pick for the night.

After wrapping up the acoustic portion of the set, the remaining members rejoined them on stage where they immediately jumped into “2/14” and “Roses”. This brought the crowd back to life and ready to power through the remainder of their set. The Band CAMINO continued to stack hit after hit and songs like “Haunted”, “Told You So” and “See Through” brought the crowd to max volume singing (screaming) along. 

The band briefly walked off stage before a three song encore was played. Included in the encore was “Berenstein” which has been a largely requested b-side from fans for years. To wrap up their set, the pop rock anthem “Daphne Blue” was played as confetti was shot out above the crowd.

It’s been amazing to watch them grow over the last five years and we hope this tour continues to set new highs for them. We had our photographer Kyle at the Boston date and you can check out his pictures below!


_

Kyle Musser//


This Task Chair Was Developed With Input By Wheelchair Users

This Task Chair Was Developed With Input By Wheelchair Users

Whether you’re spending hours in your seat working hard at the office or leisurely gaming at home, you know the importance of finding the best, most ergonomic task chair to help support your activities. The problem is that most options don’t allow for maximum flexibility, and we don’t mean how far back the chair can tilt. Because everyone varies in size and preferences, a task chair needs to have as many modifications as possible to cater to everybody and every body. The design team for Anthros knew this, which is why they consulted with wheelchair users, who know what it means to thrive or suffer in a confined space, to create this modern task chair.

Backed by science and informed by evidence and research, the Anthros task chair is designed to maximize your productivity, minimize and eliminate any pain points, and improve your posture. In fact, it has already been registered by the FDA as an official orthotic device to help properly align your body when sitting. There are several key differentiators of the Anthros that make it stand out from current market options, including: an adjustable two-back system to accommodate and support different body shapes and sizes, a lower support for the base of the spine, and 4D arm rests that allow you to adjust height, weight, pivot angle, and depth for a fully customizable experience. Made in the USA, Anthros comes with a 12-year limited warranty and can be assembled in under 5 minutes.

black task chair in office setting

In addition to providing relief to gamers and workers, the Anthros team is giving back to the very people who helped design its task chair. 100% of the proceeds raised by the Anthros Foundation will be used to support disabled communities from around the world.

woman sitting on beige task chair

woman sitting on beige task chair

man sitting on a task chair at desk with computer

man adjusting task chair at desk with computer

man sitting on black task chair at desk with computer

back view of man sitting on black task chair at desk with computer

woman sitting on beige task chair

close up of two-part back of task chair

back view of man sitting on a task chair

back view of four task chairs

Anthros’ frame, base, fabric, back panel, and arms are all customizable. To learn more or to order the Anthros chair, visit www.anthros.com.

As the Senior Contributing Editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.