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Hui Noʻeau & East Maui Watershed Partnership Present Mālama Wao Akua 2023

Hui Noʻeau & East Maui Watershed Partnership Present Mālama Wao Akua 2023

September 20, 2023, 1:24 PM HST

Hui Mālama Wao Akua (9.8.23) PC: Berkowitz

Hui No‘eau Visual Arts Center in collaboration with East Maui Watershed Partnership hosts the 19th annual Mālama Wao Akua – a juried art exhibition celebrating the native species of Maui Nui. This special exhibition will be on display in the Hui’s gallery space now through Nov. 3. The gallery is open Tuesday through Saturday between 9 a.m. and 4 p.m. with free admission. 

This collaborative exhibition aims to raise awareness about protecting our islands’ unique ecosystems and species. The Hui and EMWP believe artists have a powerful and vital role to play in our local conservation efforts. By providing the public with a creative and intimate way of interacting with Maui’s native species, artists help spark conservation and inspire care for the exceptional environments surrounding us.

This year’s jurors were Kirk Kurokawa, Visual Artist, and Dr. Scott Fisher, Director of ʻĀina Stewardship at Hawaiian Islands Land Trust, who selected works among 254 entries from elementary school, middle school, high school, and adult divisions.  A total of 84 Maui artists are represented in the exhibition, all highlighting and bringing awareness to the native plant and animal species of Maui Nui (Maui, Lāna‘i, Moloka‘i, Kaho‘olawe).  

Hui Mālama Wao Akua (9.8.23) PC: Berkowitz
ARTICLE CONTINUES BELOW AD
ARTICLE CONTINUES BELOW AD

The community is invited to learn more about Maui’s conservation efforts from leading experts during the exhibition’s “Talk Story” Thursdays. Talks are free, open to the public, and will take place on the following dates: 

  • Sept. 21 at 5 p.m.: Zach Pezzillo, Technician for Maui Nui Plant Extinction Prevention Program
  • Oct. 12 at 5 p.m.: Michael Walker – State Fire Protection Forester, DLNR/DOFAW
  • Oct. 19 at 5 p.m.: Keahi Bustamente, Maui Nui Program Coordinator for Hawaiʻi Invertebrate Program, DLNR/DOFAW
  • Nov. 2 at 5 p.m.: Dr. Arthur Medeiros, Program Manager for Auwahi Forest Restoration Project

Additionally, each Friday throughout the exhibition from 10 a.m. and 12 p.m., a conservation gallery docent will be on hand to provide an enhanced gallery viewing experience. Visit huinoeau.com or malamawaoakua.org to learn more about exhibition-related events.

Support provided by Hawai‘i Tourism Authority through the Community Enrichment Program.

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A moment in time: Dalton Junior High students create memories with cyanotype photography

A moment in time: Dalton Junior High students create memories with cyanotype photography

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Dalton Junior High School ninth-grader Taylor Nietzsche did not realize how convenient today’s generation has it when it comes to capturing a moment in time with the quick snap of a camera button.

That was until she learned about creating cyanotypes in her Photography I class, a process that captures an object in time through unconventional ways by today’s standards of photography.

The class, taught by art teacher Kristi Harvey, recently had students create their own chemical cyanotype photographs, one of the oldest photographic printing processes in history dating back to 1842 when it was discovered by scientist Sir John Herschel.

“I didn’t know it was photography because you’re not actually taking pictures,” Nietzsche said.

Instead, cyanotype photography, known as a “sun-printing” process, involves using a specialized white paper coated with a solution of iron salts created by combining potassium ferricyanide and ferric ammonium citrate, which becomes sensitive to ultraviolet (UV) light.

An object is placed on the paper and then exposed to sunlight (or a UV lamp). When sunlight hits the paper, the area not covered by an object will react and turn blue, while the area underneath the object will remain white, effectively imprinting its “shadow” on the paper.

The paper is then processed and rinsed in water to stabilize the material and create a deeper shade of blue while the print of the object remains white.

Cyanotypes derive their name from the cyan shade of blue created. Originally popularized as a way to study botany by capturing plants, cyanotype photography was later used by engineers to produce copies of architectural drawings, coining the term “blueprint.”

For the class project, Harvey ordered cyanotype paper that had already had the solution added. Students used anything they had available in their backpacks to create their prints, ranging from hairbrushes and candy wrappers to earphones and charging cases.

Kaylen Chitwood, who used a pack of gum for her print, said the process was fascinating.

“I didn’t realize after the paper had dried, it would completely change colors again,” she said. “It turned a lot darker.”

Mary Sharp and Marley Barmore both said the results were unexpected after using a bracelet, hair bows and pencils for their prints.

“After we came back inside, we submerged them in water to stop the thermal process,” Barmore said. “It was cool to see how it worked.”

“You could see the shadows of the objects (on the paper), which I didn’t expect,” said Sharp. “You could see the reflection of the pencil on the paper in a lighter color. It’s cool because you could see different results with each try if you wanted.”

Harvey, who began her second year as a visual arts teacher for Dalton Public Schools this year, has taught photography classes for seven of her 20 years as a teacher. Harvey also teaches drawing and painting, pottery and ceramics and eighth-grade general visual arts classes. Ninth-grade students are able to receive a high school fine arts credit by taking art classes at the junior high.

Harvey said educating students on different forms of art is essential.

“The purpose of (Photography I) is to educate these students about careers as they start high school,” she said. “Right now, things like technology, cellphones, photographs, social media, kids are exposed to all of these things. What I hope to do is show them that they can look deeper into what they see. Like how to tell a story with the photos (they) take or how to capture a moment in a more aesthetic way.

“I think it engages and creates more visual literacy and allows students to think a little tighter, so to speak. Instead of just that click (of a camera), they’re really analyzing what they’re seeing and doing, so I want them to know about careers that they may not have realized could involve the art of photography specifically.”

Principal Matt Phillips said Harvey and her students are a “great example of what can happen when you combine talented students with amazing teachers.”

“Allowing students to engage in multiple forms of visual art is vital to a well-rounded educational experience,” Phillips said. “Having a quality, engaging art teacher such as Ms. Harvey is a valuable asset to any school staff, and we are thankful for the way she connects with our students and their interests. She makes relationships with her students and uses those relationships to connect them to art that interests them.”

Harvey said her goal is to have students leave the classroom with a new perspective.

“What’s interesting is there are things like this that they never knew about that came before the cellphone in their hand or a DSLR (digital single-lens reflex) camera,” she said. “They have really taken to it well.”

Chitwood said she has a different outlook after the project.

“I didn’t realize there were ways to take pictures other than using a camera,” she said. “It made me respect the people who used this back then.”

Sharp shared similar sentiments.

“It made me realize that I’ve grown up very limited, just taking pictures on my phone and that was all I knew,” she said. “It was so cool to experience this.”

Harvey said the class will revisit cyanotypes later in the semester.

“That way they can apply what they learned the first time around and maybe do things differently.”

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Photographer Aileen Elizabeth to debut photo studio in Oberlin

Photographer Aileen Elizabeth to debut photo studio in Oberlin

A Northeast Ohio photographer is creating a home base in Oberlin.

Aileen Smith, 32, a Lorain native who currently lives in Amherst, specializes in couple photography, boudoir, engagement, wedding and maternity.

“When I first started, I wanted to accept any and all projects, but now that I’ve been doing this for a while, I have found what I’m really passionate about,” Smith said. “I’ve been working really hard and it’s nice that it’s paid off in a way that now I can enjoy this studio space and move into the next chapter of my business.”

Smith’ photography business, Aileen Elizabeth Photography, has been shared across streaming platforms and acknowledged by companies such as Walgreens.

Smith said she credits her success and growing clientele to maintaining good energy and building relationships with clients.

“Majority of my clients are referrals,” she said. “When you put your heart into your work, clients will tell their family and friends because they want them to have that same experience.

Photographer Aileen Smith photo studio in downtown Oberlin will function as a creative hub. (Aliah Kimbro — The Morning Journal)

“I think of them as friends and people who I create good relationships with, so by sticking with that and being consistent, speaks volumes about how I like to run my business.”

As her business reaches its seventh year, Smith is opening a new studio inside the Huntington Bank building, 5 S. Main St. in downtown Oberlin

“I would’ve never thought I would be at this point in my business,” she said. “I’m so grateful for where my business is because there was a time I hoped people would book me for their weddings and events, and now I’m almost completely booked for the next year. It’s very cool.”

“I always wanted a studio space, but never felt it was a good time for it; I found this space and just fell in love with everything about it.”

Smith said she plans to open up the space overlooking Oberlin College for other creatives to utilize.

“There aren’t a lot of studios available on the west side, so I know a lot of my photographer friends are looking forward to it,” she said. “I want to do events like photo content days and networking opportunities eventually.”

Smith said she looks forward to creating a presence within Lorain County.

“I’m so excited to be here in Oberlin,” she said. “I’ve shot down here a lot, and I’m looking forward to being here in this close knit, artistic community.”

Art Dealer’s Widow Sells Hampton Home Asking $42M

Art Dealer’s Widow Sells Hampton Home Asking $42M

A year after putting it on the market, the widow of a famed art dealer appears poised to unload her oceanfront home in Southampton.

An anonymous buyer is in contract to purchase the Hamptons estate at 140 Murray Place, which was most recently listed for $41.9 million, Behind the Hedges reported. The purchase price won’t be certain until the sale closes; if the listing price matches the purchase price, the deal works out to just over $5,200 per square foot.

A company tied to Susan Lloyd, the widow of Vienna-born art dealer Frank Lloyd, listed the property last July for $45 million. The company behind the listing purchased the property in 1997 for $6.5 million.

The estate spans more than two and a half acres, banking the ocean. The 8,000-square-foot, six-bedroom house was built in the contemporary style in 1992.

One of the property’s main calling cards is the 190 feet of Atlantic Ocean frontage along the beach, as well as a private boardwalk to provide the path to the beach. The grounds also include a heated pool and a clay tennis court. 

Bespoke Real Estate had the listing.

Frank Lloyd was the co-founder of Marlborough Galleries, but became infamous for his involvement in the Rothko art scandal, which included being convicted of tampering with evidence. Frank died a year after he and his wife purchased the Hamptons property.

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The year’s top deal in the Hamptons was more than double the deal for the Murray Place estate, a January $91.5 million off-market sale in East Hampton.

That deal was followed by Lasata, the name for the East Hampton estate at 121 Further Lane where Jackie Kennedy Onassis’ childhood summer home, sold in August for $52 million. Peloton founder John Foley in the spring sold his estate at 442 Further Lane in East Hampton for $51 million

Holden Walter-Warner

This rare Bob Ross painting could be yours — for close to $10 million

This rare Bob Ross painting could be yours — for close to $10 million

A screenshot from the premiere of The Joy of Painting shows the painter Bob Ross with the work, A Walk in the Woods, which is up for sale.

YouTube/Screenshot by NPR

YouTube/Screenshot by NPR

A painting from the very first episode of Bob Ross’s The Joy of Painting could be yours, but not for cheap.

Titled A Walk in the Woods, the piece is listed at $9.85 million and could be the most expensive and historically resonant Ross piece to ever be sold.

The work depicts a meandering stone path, a cerulean pond and a handful of luminescent trees — all elements that were painted in under 30 minutes during the 1983 premiere of what would become the hit PBS show.

The following 31 seasons (403 episodes) of the Joy of Painting propelled Ross into one of the most recognizable faces in the 20th century art world, not to mention a pop culture icon known for his upbeat attitude and hokey aphorisms.

Before he even picks up a paintbrush in Episode 1, Ross lays out what the audience can expect from the show: simple step-by-step instructions rendered with just a few basic tools and the same paint colors from week to week.

“There’s no secret to this. Anyone can paint,” he says later on, dabbing at the canvas in a shape that will later clarify into a tree. “All you need is a dream in your heart and a little practice.”

Episode One, of the PBS show, “The Joy of Painting”


Bob Ross
YouTube

The painting is signed “Ross” in red on the lower left corner. Whoever buys the painting will receive a written statement from its original owner — a PBS volunteer who bought the painting at a benefit auction.

“I don’t know the exact number that she paid at that point, but knowing what others paid around the same period, I’d assume it was somewhere under $100,” says Ryan Nelson, the owner of Modern Artifact gallery in Minneapolis.

Nelson, whose gallery has become the primary facilitator of the growing Ross market, said he purchased the painting from the PBS volunteer with the intention of selling it, but now isn’t so sure he’s ready to let it go.

“I think that the greatest thing we can do with it is travel it. I’d rather we get this in front of the public,” he said. “But there are definitely offers that I would probably have to take.”

He’s confident he’ll get his asking price, even if most Ross paintings that he’s traded don’t even break the six-figure range.

Part of his confidence comes from the recent cultural resurgence Ross has enjoyed as younger generations discover his appeal through the internet.

That moment could be traced back to 2015, when the streaming service Twitch marathoned old Ross episodes and attracted some 5.6 million viewers.

Today, the official Bob Ross YouTube page boasts over 5.62 million subscribers. Netflix re-launched Ross’s second series, 1991’s Beauty is Everywhere, in 2016, and reruns of The Joy of Painting still appear regularly on public television.

The increase in popularity has come with increased interest in owning a Ross painting. But, as The New York Times put it in a 2019 investigation, the lack of available Ross work is among “the internet’s greatest mysteries.”

Ross once said he painted over 30,000 paintings in his lifetime, and he likely painted 1,143 alone for the filming of the show: An analysis by the website FiveThirtyEight calculated he produced paintings for 381 of the 403 episodes, and his standard process was to make three of the same paintings for each show; one as a template to copy, one on camera and a third after the show for use in instructional materials.

An estimated 1,165 of his pieces are being stored by his surviving company, Bob Ross Inc., which told The New York Times in 2019 that it has no intention of selling off the works, but has since parted with a few to the Smithsonian’s National Museum of American History.

What happened to the rest of the work? Some internet aficionados say that Ross didn’t want his paintings available for sale because it would’ve detracted from the joy he derived from his work. Nelson doesn’t buy that theory.

“He sold them at malls, he gave them away at paintings lessons and so there are a lot of paintings that went out there,” he said. “I believe, sadly, that a lot of those paintings didn’t make it to the popularity that Ross is today.”

But in a way, that’s also how Ross would’ve wanted it, Nelson said. He wasn’t interested in giving his art to well-to-do collector types or seeking fortune alongside his fame.

The one thing that’s clear is that Ross wanted everyone to learn to paint. The rest may have just been a happy accident.

On ‘British Vogue’ cover, Gladstone spotlights local Indigenous artists

On ‘British Vogue’ cover, Gladstone spotlights local Indigenous artists

Blackfeet Actress Lily Gladstone and Leonardo DiCaprio share the cover of “British Vogue” this month, and Gladstone’s outfits and accessories highlight work of local Indigenous artists.

In one photo, Gladstone wears a large Apsáalooke style breast plate with vintage brass beads and pink conch pearls. The plate was made by Crow Artist Elias Jade NotAfraid, whose work also appears in the New York Metropolitan Museum of Art.



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Lily Gladstone wears a breast plate by Crow Artist Elias Jade NotAfraid in the new issue of “British Vogue.”




In another photo, draped on a chair behind Gladstone is Blackfeet Artist John Pepion’s “Butterfly Dreams” blanket. The blanket, made of cotton, is inspired by butterfly images often painted on tipis or found in the beadwork of Blackfeet people.

People are also reading…

“The new film, ‘Killers of the Flower Moon,’ is going to be epic,” Pepion wrote on Facebook with a picture of Gladstone sitting on his blanket.



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Lily Gladstone sits on John Pepion’s “Butterfly Dreams” blanket in the latest issue of “British Vogue.”




In other images, Gladstone dons pieces from other Indigenous artists, including Kiowa jeweler Keri Ataumbi, Jamie Okuma (La Jolla Band of Indians), Patricia Michaels (Taos Pueblo), Joe Big Mountain (Mohawk, Cree and Comanche), Jennifer Younger (Tlingit) and Louie Gong (Nooksack), among others.

Gladstone stars in Martin Scorsese’s new film, “Killers of the Flower Moon,” where she portrays Mollie Burkhart, an Osage woman, whose family and people have become enriched by oil on their land in 1920s Oklahoma. The film is expected to open in theaters in mid-October.  

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LIVE Art and Word Contest underway

LIVE Art and Word Contest underway

ISHPEMING, Mich. (WLUC) – A U.P. art contest is opening conversations about mental health and suicide.

Folks can submit their art for the 4th annual LIVE Art and Word Contest. Anyone in the U.P. can submit an original piece of visual artwork or written word that addresses the theme of mental health awareness. There are two new age groups this year – middle schoolers and high schoolers.

There will be cash prizes for the winners in each age group for visual art and written word.

Organizers say the contest will help reduce the stigma surrounding mental health awareness.

“It’s just a way to really engage the community and showcase the talent of the people we have here,” said Amy Poirier, GLRC community relations and marketing director and west facilitator. “The entries in the past have been unbelievable. And really to open up that conversation which will help break the stigma around mental health and suicide.”

Adults can submit art pieces here. Middle and high schoolers can submit art here.