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​Berghain bouncer Sven Marquardt exhibits his photography at Berlin Art Week

​Berghain bouncer Sven Marquardt exhibits his photography at Berlin Art Week

Berghain’s renowned bouncer, Sven Marquardt has showcased a new exhibition with denim brand G-Star RAW at Berlin Art Week.

Also working as a photographer, Marquardt this new show titled 11+1 includes 12 portraits that depict his view of Berlin’s night scene.

Marquardt titled the exhibition 11+1 in reference to the guest list culture and with 11 street casted talents and DJ, Clara Cuvé.

Read this next: Berghain bouncer Sven Marquardt makes cameo in John Wick: Chapter 4

The portraits have all models – of which were cast by Marquardt – dressed in his new clothing collection curated by himself along with G-Star RAW.

The outfits are one-of-a-kind denim couture pieces which range from a leather-look suit to a chef’s hat

The collection is made up of 26 pieces, all made-to-measure by G-Star RAW’s in-house team of designers.

Sven Marquardt says: “This is my homage to the club culture in Berlin. This is about emotions, about togetherness. There are these moments of intimacy that are so unique and special. And at the same time so elusive. That’s what inspires me. That’s the vibe that the images tell for me.”

Read this next: Berghain bouncer Sven Marquardt curates an experimental video playlist

Gwenda van Vliet, CMO G-Star explains: “Club culture, at its core, is about the uninhibited self-expression without boundaries or regulations. At G-Star we believe that denim serves as the perfect fabric symbolizing democracy in fashion. Our brand was first born from club culture back in the 90’s and we believe it still holds a great versatility which can be shown in how Sven was able to capture our 12 uniquely crafted looks.”

Running last week at Berlin Art Week, the collection is now available to purchase at Voo Store Berlin with prices ranging from €249 (£214.30) to €699 (£601.60).

Check out some of Marquardt’s work below and the clothing for sale here.

Becky Buckle is Mixmag’s Multimedia Editor, follow her on Twitter

Superkomma’s Conecto Isn’t a Purist About Water Purification

Superkomma’s Conecto Isn’t a Purist About Water Purification

Water purification systems fall under that category of mundane appliances bought out of pure necessity rather than any deep seated desire remotely related to design. Under-the-sink models offer the option to hide away the form-in-service-of-function products, but most countertop options are dominantly characterized by white plastic case designs. Seoul-based branding and industrial design studio Superkomma wants to color the category differently with their vibrant, folded metal water purifier, the Conecto.

The Conecto is conceived to be an “anywhere, everywhere appliance,” one bringing filtered water well beyond models typically confined to the kitchen and the proximity of an electrical outlet. The narrow dimensions of the water purification appliance operates solely dependent upon water pressure, so there’s no plug or power cable to worry about, liberating placement.

Colorful slim folded metal construction water purifier appliance viewed from the front in blue, brown and yellow on white floating shelf. A small group of nesting paper cups sit to the right of the Conecto, with a Dieter Rams book and other books situated above it on another display shelf.

Hand reaching with finger and thumb to turn bright yellow control dial on top of water purifier unit.

Hand reaching to wrap excess water tubing around a metal yellow hook attached to the side of the Conecto water purifier, viewed from an angled perspective viewed from behind the unit.

In support of portability, Superkomma includes a small yellow hook to hold any excess length of water tube used in the connection between a water source and the reverse osmosis filtering unit.

Detail of the back of the Conecto where the red-brown colored water tubing enters the purification housing.

“We don’t think the water purifier [has to be] white, [nor] should it be made of plastic material,” explains Superkomma. “And I don’t want to define it as a product that only stays in the kitchen.”

One square shaped ridged red-brown and second yellow Conecto tray staged next to one another.

Superkomma credits the form and structure of the Conecto to modular metal furniture as inspiration. Interestingly this includes metal’s tendency to patina over time for its “vintage charm.”

Conecto's individual folding metal sheet pieces shown disassembled and also with some parts folded.

Constructed of colorfully painted folding metal plates matching the dimensions of A4 paper, the Conecto’s individual pieces simply lock into place for simplified assembly.

Animation of the filter unit's turn top release movement.

Reverse osmosis filter unit being dropped into the Conecto's top filter receptacle.

To reduce waste, Superkomma labels each filter units using laser marking instead of printed label

The Conecto may be purely a concept at the moment, but it’s a fair bet as drinking water quality increasingly becomes a concern both at work and home – and wasteful plastic water bottles (hopefully) become less common – we’ll see water purifiers diversify in design and be presented in a wider gamut of colors inspired by the likes of Superkomma’s colorful little number.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Sales & Marketing Issue

Sales & Marketing Issue
September/October 2023

For the September/October 2023 The New Brewer, we present our annual Sales & Marketing issue. In our cover story, we outline low-cost, effective ways to market your brewery. Other in-depth features include tips on tipping, American lagers, beer & art, the changing face of beer festivals, and advocacy in craft brewing.


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Kelly Reichardt Criticizes ‘Barbenheimer’: “A Marketing Machine Sold As Art”

Kelly Reichardt Criticizes ‘Barbenheimer’: “A Marketing Machine Sold As Art”
image

Kelly Reichardt’s films could not be more far removed from “Barbie” and “Oppenheimer,” so it’s not that surprising to hear the “First Cow” writer-director criticizing the ‘Barbenheimer’ movement.

Reichardt’s “Showing Up” is being released in Finland this week and she took the time to speak HS about the current cinematic zeitgeist, the inevitable ‘Barbeheimer’ question popped up.

Reichardt is actually surprised that hardly anyone seems to be criticizing the way these two blockbusters have dominated the conversation and screens all over the world:

“They are part of a huge marketing machine, but they are sold as art. And all this is just celebrated. As a filmmaker, I wonder what this will do to people’s expectations for future films.”

She has a point. What’s next? The industry is on strike and we are now in a post-‘Barbenheimer’ phase at the movies. Will things actually get better, or was that phenomenon just a last hurrah to a medium that many believe is slowly dying.

Audiences were very slowly returning to theaters since the pandemic, and the ‘Barbenheimer’ success is obviously noticeable. Reichardt makes films for the big screen, but they don’t make money. Her highest earner grossed $2 million:

“Movies are expensive. Even a low budget is a lot of someone’s money. And no matter how tight your belt is, the distributor still has to spend money so that anyone knows the film exists.”

For now, Reichardt is content with what she’s achieved in “Showing Up,” an intimate treatise on time, life choices and friendship. It premiered at the Cannes Film Festival last year and was released this year to glowing reviews.

Smaller Wick S Glows With Romanticism and Modernist Design

Smaller Wick S Glows With Romanticism and Modernist Design

Regardless of the technology – incandescent, fluorescent, CFL, LED – the romanticism associated with the warm glow of candlelight endures. The flickering flame harkens back to a slower time when everyday illumination was not measured in lumens, but in the slow, steady drip of wax. Seattle and Amsterdam-based design studio Graypants tapped into that warm association in the form of the Wick rechargeable LED table lamp, evoking the classic candleholder as an elegant modernist light source to light up the dinner table, bedside, or an evening get-together. And now there’s a smaller sibling – the Wick S – to complement the original.

The follow-up to the original portable and rechargeable table lamp is simple to remember, simply adding an “S” to its moniker to denote its smaller size.

LED tipped Wick candleholder shaped portable light set on top of a oval stone platter next to a small ceramic green coffee cup with Chemex coffee vessel in the background.

Two black Wick LED tipped candleholder shaped portable lights set on top of a wood table with two small ceramic cups and a taller black vessel to the left.

The Wick S is slightly shorter, measuring 6.5 inches in height compared to the Wick’s 10.2 inches stature, operating well as a companion piece to its original taller sibling or solo.

Two black Wick LED tipped candleholder shaped portable lights set on top of a round wood table with two small ceramic cups and a taller black vessel to the left.

Two brass Wick LED tipped candleholder shaped portable lights set on top of a wood table with a flower arrangement and small ceramic cup to the left.

The Wick’s candlelight glow can last anywhere between 12.5 to 150 hours on a single charge, depending upon which of the four brightness settings is set to illuminate the room.

One graphite Wick LED tipped candleholder shaped portable light with one ceramic cup and a dark coffee or tea mug to the right.

Like the original, it operates with a simple tap of its ring at the base to cycle through its 1 watt range of dim, bright to brighter, to brightest glow.

Two graphite Wick LED tipped candleholder shaped portable lights set on top of a wood table with two small ceramic cups and a houseplant in the background.

All three colors of the Wick S echargeable light in brass, silver and black. Shaped like a candle holder and tipped with a white 1 watt LED with a circular finger holder.

The Wick S lamp is available for preorder for $139 in brass, graphite, and black and shipping this fall.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

In Bursting Bonsai Sculptures, Patrick Bergsma Taps Into Nature and the Deep-Rooted History of Porcelain

In Bursting Bonsai Sculptures, Patrick Bergsma Taps Into Nature and the Deep-Rooted History of Porcelain

“Royal White Pine” (2023). All images © Patrick Bergsma, shared with permission

Resisting the confines of porcelain vases, Dutch artist Patrick Bergsma’s vibrant bonsai sculptures illustrate the strength and resiliency of nature. Flowering branches, gnarled roots, and lush mosses rupture from shards of found pottery, capturing moments of transformation and growth.

Raised in a family of antique dealers, Bergsma was surrounded by art and historical objects, and as he developed his own practice, he was drawn to the collectibles that filled his parents’ shop and home. In his ongoing Expanding China Series,the artist references the rich, global history of porcelain.

“What we call typically Dutch, like Delft blue, was originally an attempt to imitate the very popular porcelain imported from China and Japan,” Bergsma says. “In this series, I often use these 17th-century ‘imitations’ combined with the natural elements like bonsai and ikebana.” The compositions also nod to the Japanese practice of kintsugi, replacing the metallic, mended pottery seams with dense mosses and clinging roots.

Bergsma initially used real bonsai trees that were either diseased or dead, incorporating them into broken vessels. Conscious of the possibility of reviving the diseased specimens, he began recreating lifelike versions using coconut fiber, polymers, kaolin, and quartz. A growing collection of bonsai trees in his studio garden provides a reference for choosing the right colors and materials for convincing replications.

Explore more on Bergsma’s website, and follow Instagram for updates.

 

A GIF of a rotating sculpture of a bonsai tree bursting out of an antique vase.

“Abandoned Vase”

A sculpture of a bonsai tree bursting out of an antique vase.

“Cracking Tulip Vase” (2020)

Two images of sculptures of a bonsai tree bursting out of antique vases.

Left: “Falling Branch” (2022). Right: “Intertwined” (2020)

A sculpture of a bonsai tree bursting out of an antique vase.

“Apple Blossom” (2021)

A sculpture of a bonsai tree bursting out of an antique vase.

“Arita” (2022)

A sculpture of a bonsai tree bursting out of an antique vase.

“Imari Blossom” (2023)

A sculpture of a bonsai tree bursting out of an antique vase.

“Makkum Blues” (2023)

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article In Bursting Bonsai Sculptures, Patrick Bergsma Taps Into Nature and the Deep-Rooted History of Porcelain appeared first on Colossal.

Project TREE: A World Photography Award Winner

Project TREE: A World Photography Award Winner

Matt Bailey

Project TREE is a collection of images that were all taken with the help of a spotlight attached to a DJI drone and won third place in the SONY World Photography Awards 2022 Landscape category.

DJI sat down with creator Gareth Iwan Jones to find out more…

Who is Gareth Iwan Jones?

I am a UK based freelance photographer specialising in portraiture and documentary photography. My personal work focuses on quirky British subcultures and long term documentary projects. Commercially I produce advertising and editorial content for a diverse range of clients, including international publications, advertising agencies, charities and start-ups.
 
When did photography first come into your life/how did your interest develop? 
I’ve never formally studied photography, but had a keen interest in the visual arts from a young age. Whilst at university studying Politics, I often found myself neglecting my studies, instead drawn to the world of digital photography, often immersing myself in experimenting with inexpensive cameras and photo editing software. Career wise my first big break was the Times Young Photographer Of The Year in 2006. That set me off along this path. From there I assisted a few photographers in London before landing my first paid photography job at a family photography studio in Essex. I worked there for a year before moving to a large news/media agency in Bristol and then went freelance four years later in 2011. 

GiJ-Back-Lane-Winter

GiJ-Back-Lane-Winter 

Tell us more about your project TREE?

This photographic project was born out of the UK Covid 19 lockdowns and the ensuing impact upon my work as a freelance portrait photographer. I was inspired in part by my home county of Wiltshire, where the distinctive landscape features many knolls with lone or small groves of trees raised above the horizon line. Unable to photograph human subjects, I turned my attention to my love of trees. I wondered if it was possible to photograph these quiet giants in a unique way. I chose to photograph against dawn or dusk skies and lit the trees with the assistance of drones to create an otherworldly impression of my grand subjects. As the pandemic took hold, so did this project. I started looking into every field and up every hill I passed with a view for potential aesthetically interesting scenes. Reading more about trees further connected me to my subjects as I learned about the mycelium network and the abundance of life each tree supports. I felt humbled to spend time with these elder beings and wonder what adventures and escapades they have witnessed during their lives. 

Where did the idea of using a drone to provide the light come from?
Lighting the trees with a drone was really a practical solution to the problem of making the trees stand out against their environment. If you’ve ever tried to photograph a nice looking tree in broad daylight you’ll know that they can get a bit lost to the background. I had considered giant canvas backgrounds to put behind the trees but that was not going to be practical. Lighting the individual trees seemed like the obvious solution. Taking the shots at dawn or dusk just allowed me to use less light to overpower the ambient light. 

GiJ-The-King-Of-Limbs-Autumn

GiJ-The-King-Of-Limbs-Autumn

What did the drone enable you to do that you couldn’t before?
The first time I flew a drone with a spotlight attached to it I could see immediately that the aesthetic effect on the tree was pronounced and enchanting. Tilting the light source just a fraction one way or another gave each tree a completely different atmosphere and personality. This was something I had never achieved in my photographs of trees before. 

What did it mean to you with your fantastic achievement of coming third in the World Photography Awards 2022 Landscape category?
It came as a complete surprise and I was thoroughly chuffed. Especially in light of the pandemic and the devastating effect that it had on my usual portrait workload. The award was a positive note to what had been a tricky time.

Have you used drones in any of your projects before?No. I own a Mavic Pro which I’d used for fun little personal bits like holiday snaps but that was about it.

GiJ-Scots-Pine=Winter II

GiJ-Scots-Pine=Winter II

Your commercial work is predominantly ground based, have you considered aerial photography?
I hold a Powered Paraglider Licence and I use to take cameras up on my flights to take photos. I had considered that it might be a professional photography opportunity, but this was about the time drones with cameras came on the market and that quickly put paid to that idea! Much easier to fly a UAV than a manned aircraft. These days my ground based work takes up all my time.

Will you be experimenting with drones in future?
I should think so. I have another idea that I think could work well and again would involve photographing inanimate objects using a drone mounted with spotlights.

How do you feel about aerial photography? 
I love it. I think it offers a fantastic sense of perspective that can help tell stories in single images that might not have otherwise been possible from the ground level. I also love how accessible it has become, it is a fantastic technology. 

Take a look at the full collection of award-winning images here.

ECONYL® + FLOR Celebrate Their Ongoing Partnership With a Focus on the Environment

ECONYL® + FLOR Celebrate Their Ongoing Partnership With a Focus on the Environment

FLOR has been bringing high-end area rugs to homes, offices, and every space in between since 2003. This year, the brand is celebrating 20 years of easy-to-install, responsibly sourced carpet tiles that are customizable in design and engineered for high-traffic spaces – from family rooms to conference rooms. FLOR has been partnering with the ECONYL® brand for over a decade, relying on its regenerated nylon as a key material in its rugs. Made of 100% waste and infinitely regenerable, ECONYL® is a key ingredient in helping FLOR meet its sustainability goals without sacrificing quality or performance. It also provides up to 90% reduction in global warming impact when compared with nylon made from oil – seems like the obvious choice.

One of the first carpet brands to use ECONYL®, FLOR has been converting their pre-existing products to the material and lowering their carbon footprint ever since. Today, most of the brand’s rugs are manufactured using ECONYL® regenerated nylon, turning waste into beautiful new collections that do good for you and the environment.

Off the Record, Black

“Like the yarns used in our rugs, our journey to sustainability is woven into who we are. Aquafil’s ECONYL® yarn has helped us lower the carbon footprint of our rugs, an important part of our strategy to go beyond doing less harm, and actively benefit our environment,” shared James Pope, General Manager at FLOR. “As we celebrate our 20th anniversary this year, we are also looking ahead to the next 20 years as we will continue to release products that showcase our commitment to design and innovation.”

stylized space featuring large glass door and windows, a library table, and a beige carpet made of modular squares

Off the Record, Eggnog

In honor of its 20th anniversary, the brand has launched the Heritage Collection by FLOR, bringing three classic styles out of the vault for a modern refresh using ECONYL® yarn. Individually inspired by the Art Deco era, the groovy 60s, and a classic handwoven style, the trio has been responsibly redesigned, modernized, and re-released. The timeless styles are looking better than ever, while being good to the Earth.

stylized bedroom with four poster bed with white bedding and wall to wall beige carpet made of modular squares

Woven in Time, Jute

“We’re excited to celebrate the 20th anniversary of FLOR, one of the first brands to embrace ECONYL® nylon in their designs,” said Franco Rossi, President of Aquafil USA. “FLOR is committed to making luxury carpets more sustainable and found an ideal ingredient in ECONYL® nylon to achieve their ambitious goals. We are honored to work with FLOR and show the world that sustainable design does not have to sacrifice beauty and luxury.”

stylized office with large windows, a desk and desk chair, and black and white carpet made of modular squares

Good Company, Black

Over the last two decades, FLOR has hit important milestones, allowing customers to design without limits, restrictions, or waste. “Our team at FLOR could not be prouder of the last 20 years and the many milestones we’ve achieved to get to where we are today,” said Pope. “We launched the brand in 2003 to offer customers an area rug solution that doesn’t compromise [on] style, functionality, or the planet. While we continue to evolve and grow as a brand, we commit to making product that will leave a lasting impression on our customers for the next 20 years while still being good to Earth.”

To learn more about ECONYL® and what it can do for your brand, visit econyl.com/interiordesign.

stylized living space with matching white sofas, a coffee table, fireplace, and beige carpet made of modular squares

Woven in Time, Marsh

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.