Ever wonder what it is like to be a National Geographic photographer or filmmaker, traveling the world, experiencing exceptional adventures and witnessing spectacular, even rare, sights? I interviewed the intrepid Bertie Gregory, whose new show, Animals Up Close With Bertie Gregory, premieres September 13th on Disney+. This six-episode series — which swoops and soars in Antarctica, Botswana, Central African Republic, the Galápagos, Indonesia and Patagonia — weaves stunning footage and compelling narratives about elusive pumas, imaginative B1 killer whales, distinctive forest elephants, endangered wild dogs, intriguing seals and sea lions, Godzilla-like marine iguanas, iconic gorillas, awesome devil rays, fierce guanacos and handfuls of other creatures that are often not entirely what you might expect them to be. For insightful specifics about each episode, read Forbes’ Love To Travel? Wild About Nature? ‘Animals Up Close With Bertie Gregory’ Will Astonish You. Gregory and I continue our conversation, below, about the power of passion to fuel your dreams.

Laura Manske: As a child, your avid interest in nature directed your life’s compass.

Bertie Gregory: My family — mom, dad and three brothers — loved the ocean and water sports. From an early age, I was getting thrown into the sea! I did a lot of surfing, sailing and swimming when young. I grew up in a place called Redding, which is west of London. A couple times every year we would road-trip down to Cornwall [on England’s rugged southwestern tip, famed for its moorland and sandy beaches]. My passion started there. When you spend a lot of time outdoors in the natural world, you gain an appreciation for it. Because I was comfortable being in water — the cold and waves and rain — it made me comfortable [for my work now] in sometimes challenging conditions.

Manske: You earned a university degree in zoology. How did your obsession for animals transform into a photography career?

Gregory: When I was a teenager, I realized that if I took pictures of wild animals, it was a great way to get other people excited about the animals that I was excited about. I entered wildlife photography competitions and was lucky enough to win a couple. At the awards ceremony for one of them, I met Steve Winter, who is a legendary National Geographic magazine wildlife photographer. It was right place right time. A Willy Wonka Golden Ticket moment! Steve was looking for a new assistant at the event. I said the right things. He offered me a job. I worked for him for two years. We went all over the world for his assignments. That was my gateway into the National Geographic family, for which I have been working ten years.

Manske: As a travel journalist, savoring new places is like oxygen for me, a life force. I know you understand that. Travel is an intrinsic part of your life.

Gregory: People’s definitions of travel vary, right? A lot of my friends who aren’t in the wildlife film community, they travel with a backpack and hop between different places quickly. I don’t enjoy that at all. I like going to one place and getting to know every corner of it. That is the best way to prepare to film wildlife. That is what makes me tick. I love new experiences and really like challenges.

Manske: I’ve often said that new destinations excite me, yet it is the people whom I meet that make the journeys extra special.

Gregory: Totally. One of the best parts of filming wildlife? Not only do you get to hang out with animals, but also with very interesting people, crew, guides, scientists, naturalists. Everywhere we go, we meet fascinating local people. Always a pleasure.

Manske: In your work, there are often local unsung heroes — conservationists, environmental advocates, anti-poaching rangers.

Gregory: For the Elephant Quest episode, we traveled to the Central African Republic, part of the Congo Basin, which is a country that I never thought I’d get a chance to go to. It is full of extraordinary jungle. When most people think of elephants, they think of savannah elephants, the species that live in the big open plains. Forest elephants live in thick jungle. They are challenging to film because they sort of bump into each other, often reacting aggressively. On top of that, elephant ivory tusks are highly prized on the black market. Forest elephants have dense tusks, so they have been heavily poached. These are normally long-lived animals with strong family connections. Many have seen their family members shot by poachers. So they dislike people. We worked with an amazing tracker, whose family has lived in the forest for generations. His knowledge — helping us to navigate the jungle and advising how to stay safe around the forest elephants — was critical to our success. What I love about the format of this series is not only do we get to shine light on animals, but also get to shine light on people.

Manske: What is the most dangerous animal you’ve ever encountered?

Gregory: Humans are far more dangerous than wild animals.

Manske: How many countries have you been to?

Gregory: I don’t count. Travel is a key part of my job, yet for me it is all about the animals. I’m more focused on keeping count of which animals and animal behaviors that I’ve seen.

Manske: What destination do you most want to visit for the first time?

Gregory: It’s funny. For example, some people say things like: ‘I’ve been to India, but I haven’t been to France.’ They talk in terms of whole countries. That is interesting to me, because countries are enormous. Just because you’ve been to one part of a country doesn’t mean that you’ve completed it. It feels very strange to me. One of my most favorite places is Antarctica. Although I have been fortunate to travel there several times, I haven’t scratched the surface of the endless number of places that are there. That is why it keeps drawing me back. It is a very challenging environment to operate in, so it hasn’t been extensively explored like other places. I feel like an explorer when I am there, because I know that [my film crew] might be the only people who have ever spent an extended period of time in a particular spot or bay. That is exciting! Therefore, by hanging out there and being able to tough out the conditions and interpret animal behavior, I might see something for the first time. Therefore, Antarctica is the destination that I want to visit for the first time — even though I’ve been there before.

Manske: All new episodes include the determination of predator to find food. Predator vs. prey — that is real life. As much as some viewers might be jolted or squeamish or sad about watching a kill, the predator has to eat, has to feed its family, too. What balance do you try to achieve in filming these scenes?

Gregory: Yes, it’s important to know that nature, just as with humans, can be brutal — and difficult to watch. We often include hunts and predation, because those are often the most dramatic scenes in the animals’ lives. We definitely do not want to go too much into the blood and gore. That is why if you watch the scenes, we are careful about which parts are shown. Usually as soon as the animals have made contact with each other, our scene ends. What we’re trying to do is celebrate either the prey’s ability to avoid the predator or the predator’s athletic ability to catch the prey. It is about documenting and displaying the intelligence of animals.

Manske: New advanced equipment enables you to film scenes that were unattainable not long ago, such as the rebreather.

Gregory: For the Indonesia and Galápagos episodes, we used a rebreather, basically a fancy plastic bag that you wear on your back. Unlike scuba-diving equipment, in which when you breathe out it makes bubbles, the rebreather takes your carbon dioxide bubbles, sending them into a scrubber that removes the carbon dioxide from your breath. There’s also a little tank that adds oxygen. So you’re breathing the same breath over and over again with the carbon dioxide removed and oxygen added. This means that not only are you not making any noise or bubbles, which can spook a lot of animals, you can become accepted by the marine animals as part of the environment. Because you are recycling your own air, you are more efficient in your use of gas and can stay underwater much longer. Sometimes in the Devil Ray Islands, individual dives would be over three hours long. [We were] able to get closer to animals than we otherwise would. In wildlife films, time is your best friend if you’ve got it. The more time you spend waiting and filming, the greater the opportunity that something amazing can happen.

Manske: The night-vision technology in the Elephant Quest episode is truly eye-opening.

Gregory: We used a thermal-imaging camera, which had been developed for the military. It allows you to see into pitch darkness. With the elephants, we were able to see really interesting behavior of secretive animals that live around the elephants at night. We could also see patterns of blood vessels in the ears of the elephants. Their blood vessel patterns are unique. Scientists are now using thermal-imaging cameras to identify individual elephants by looking at these patterns. You can see how their circulatory system works in their ears, too. That is significant, because elephants are very large animals that can get very hot. They can’t dump body heat easily, so they [fan] their ears to [release] body heat. It is how they keep cool in the hot Congo jungle.

Manske: Your ambitious filming trips often require weeks away from home.

Gregory: As much as a lot of people think that we prance around filming animals, having a lovely time, most [of our days involve] overcoming challenging logistics. In Antarctica, we spent a month on a 75-foot [steel-hulled] sailboat, Australis, which was packed with camera gear and food. We sort of ate our way out as the trip progressed, gaining more living space. We have to be entirely self-sufficient. If camera equipment breaks, we can’t get FedEx to send anything. We bring our spare cables and cameras, which are being used in [demanding] environments. Sometimes they don’t make it. I’m quoting Top Gun: Maverick — ‘Time is your greatest adversary.’ That is exactly right. Time is everything. Animals are not always doing interesting things. We often wait for stars to align. You’ve got to be in the right place. The weather has to cooperate. With more time, we have a better chance of everything coming together.

Manske: Complex efforts go into planning and execution of each episode. Hundreds of details.

Gregory: I have great support from National Geographic. My name is in the title of the series, because I am the host. Yet a host gets far too much credit. I am a small cog in a large machine. As well as getting to hang out with animals, which is why I love my job, I also love to hang out with cool people. That’s a highlight! I live in Bristol, England, location of Wildstar Films [a multiple award-winning production company that has worked on many stellar documentary series and wildlife feature films]. It also has a huge team of producers, editors, logistics people. The team work is awesome.

Manske: What is your personal motto?

Gregory: Tough question! One of my friends, she has a great phrase for whenever I’ve talked with her about having a difficult time. She always says: ‘Try harder.’ I like that. Some things you can’t overcome by trying harder, but a lot of things you can. Often, when I [and my team are] on very challenging shoots, I think about her [advice]. Okay, how can we try harder here? Animals and the weather don’t read a script. Mother Nature might deny you some things that you want to film or follow, yet I have learned that if you are passionate and persistent, she will gift you with something else, often beyond your wildest dreams. Everyone thinks that you need patience [utmost] to be a wildlife filmmaker. I disagree. Passion and persistence are far more important.

This interview has been edited for length and clarity.

GVL/ Annabelle Robinson

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A new photography display by Douglas R. Gilbert featuring images of musician Bob Dylan is being exhibited on the Lake Ontario Hall Wall Gallery on Grand Valley State University’s Allendale Campus until Dec. 15. Following this, the exhibition will be moved to the Richard M. DeVos Center Wall Gallery on the Pew Campus to be on display from Jan. 5 to June 28, 2024.

The exhibition includes 27 photographs and proof sheets detailing the life of Dylan as a young musician. The photos capture a time when Dylan’s career was beginning to take form in the 1960s. 

The pictures were shot by Gilbert when embarking on an assignment for Look magazine in 1964. When Gilbert was only 21, Look magazine recruited him as a photojournalist. At that point in the magazine’s existence, he was the second youngest staff member employed.

According to the GVSU Art Gallery, Gilbert spent time photographing Dylan at his home and in Greenwich Village, New York. However, at the time, the photographs were denied publication as they were “too eccentric” for the magazine’s demographic.

Gilbert donated his life’s work of photographs to GVSU in 2018. Many of the unique and eclectic pieces donated had not been exhibited before. The importance of the photos are shown in the display of raw moments Gilbert was able to capture.

Prior to his passing in June 2023, Gilbert was interviewed for the GVSU Art Gallery’s YouTube channel, in which he discussed his interactions and experiences with Dylan. He mentioned one of Dylan’s earliest concerts, where a large crowd gathered on a small platform on which Dylan performed. Gilbert requested that the performance sequence be reenacted for a photography session. 

“We could stage one where we would set it all up like a concert. I could take some photographs. I want to make it look real,” said Gilbert in the GVSU Art Gallery interview. “He (Dylan) stopped and looked me right in the eye, about 12 inches away and said ‘nothing’s real man.’ He was a hard person to get close to. Yet that was what I needed– to get close to him.” 

Gilbert was faced with numerous obstacles along the way, but he managed to get around them. Doing so helped him focus on the fact that he was doing what he loved, especially with a growth mindset. 

The gallery display and experiences Gilbert had while photographing Dylan can inspire student photographers and artists. The work shows how perseverance and authenticity can be incorporated into any work and at any age.

Aspiring photographers can find inspiration from the stories behind Gilbert’s images. Gilbert’s website allows readers to view a selection of his images and  explanations of his photographic approach. 

Gilbert said “although the shutter may only open for a brief moment, that time was spent waiting for the perfect subject, perspective and lighting.” The work represents the pure intent of positioning everything in the frame to freeze time.

The Don and Catharine Bryan Cultural Series is honored to announce the Ray Matthews Photography Retrospective, a remarkable exhibition paying homage to the enduring legacy of one of the Outer Banks’ most celebrated photographers.

Matthews, who dedicated his life to capturing the coastal beauty of the Outer Banks, will be remembered through this captivating showcase of his work.

Event Details:

• Exhibition Dates: September 12 to October 7, 2023
• Opening Reception: September 12, 2023, from 5:00 p.m. to 7:00 p.m.
• Gallery Hours: Tuesday – Thursday, 10:00 a.m. – 4:00 p.m., Friday 11: a.m. to 4:00 p.m.
• Location: Glenn Eure’s Ghost Fleet Gallery, 210 E Driftwood St, Nags Head

Matthews’ lens captured the heart and soul of the Outer Banks in a way that few could. His dedication to the craft of photography and his profound connection to the region resulted in breathtaking images that have left a lasting impression on all who have had the privilege of viewing his work.

The opening reception on September 12, 2023, promises to be a special evening filled with the opportunity to immerse yourself in Matthews’ masterpieces. Join us as we celebrate the life and artistry of Ray Matthews and explore the beauty of the Outer Banks through his lens.

The reception runs from 5:00 p.m. to 7:00 p.m. and is free and open to all.

This retrospective is a free event, open to the public, and a unique chance to experience the coastal charm and natural splendor that Matthews so brilliantly captured. Don’t miss the chance to be a part of this extraordinary tribute to an artist whose work continues to inspire and resonate.

Towne Bank of Currituck, OBX Chevrolet Buick, Ramada Plaza Hotel of Kill Devil Hills, and Hilton Garden Inn of Kitty Hawk provide substantial support for this cultural offering of events.

The Bryan Cultural Series is a non-profit organization formed in 2012. The board of directors is composed of nine community leaders dedicated to offering a series of high-quality cultural events. These events will include a variety of visual, literary, and performing arts. The board strives to glean from the talent that has attained regional as well as national recognition to maintain a high standard.

For more information, visit bryanculturalseries.org.

Another Sunrise Lighthouse Photography cruise is in the books and we have the photos to prove it. Weather had been a concern considering the thunderstorms and heavy fog that have been lingering in the region but instead folks aboard were treated to a beautiful sunrise at sea as well as some of the best light bathing the lighthouses that we went to see. In all the years we have been doing this Sunrise cruise, the weather has always been very cooperative.

Most Maine Lighthouses face East and since the sun rises in the East it is natural that morning is the very best time to see and photograph lighthouses along the coast of Maine. In addition to the local lights Burnt Island, Cuckolds light and Ram Island the attendees aboard also got to see Pemaquid Light from the ocean for the very first time in this Sunrise cruise. The vessel Balmy Days was captained by Bill Campbell who maneuvered the boat to get the very best look angles of all of the lights including the “two-for-one” shot of the Ram Island light and the Cuckolds in the distance nicely framed under the catwalk. This year a local lobsterman ended up getting the picture which added a nice element to the scene.

While cameras are not a requirement to join the photography cruise most people aboard did have some form of camera and they all got to see and to make some spectacular shots of the lighthouses under some very nice morning light. About 30 people joined including a handful of folks who were also participating in a Down East magazine daylong photo retreat what was also hosted by Mike Leonard. After the cruise those folks continued on to make pictures in the region and then later in the afternoon Leonard conducted an Adobe Photoshop processing session using the participants image files.

A mention of doing this cruise again next year has already been spoken and if you missed this one mark your calendar now for what is typically the 2nd Saturday in September which coincides with Maine Open Lighthouse Day. Just remember the boat leaves the dock at 6 a.m. sharp.

Also, if lighthouses are an attraction for you, Mike Leonard is the host photographer aboard the Friendship V out of Bar Harbor on Sept. 24 for what is being called a Grand Slam Lighthouse tour where participants will get to see 20 lighthouses in about eight hours. Many of the lights on this cruise are only able to be seen by boat and because this is also a photography cruise you will be able see and make your best shot of all of these lights. The boat will stop at each light for about 10 minutes and will rotate around to insure you get the best view and you make your best shot of each light. Tickets are available for that day long cruise by calling 207-460-9575.

You can see other photography happenings that Mike is doing including a WorldWide Photo Walk on the morning of Oct. 7 in New Gloucester by visiting his website www.phototourismbymike.com and by clicking on the Photo Events tab.

Mike Leonard is a frequent photo contributor to the Boothbay Register and enjoys taking pictures of many different subjects including lightning, aurora and landscapes.