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Comic book artists draw on Ditko for inspiration on collaboration

Comic book artists draw on Ditko for inspiration on collaboration

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JOHNSTOWN, Pa. – Neither a bird, a plane or Superman, but rather a combination of Silver Age heroics, noir detective story and 1990s-style paranormal action adventure, Captain Bottle Works is bursting onto the comics scene later this month with his first standalone story.

Longtime friends and local artists Matthew Lamb, Glenn Klimeck and K. Brandon Wilt have combined their love of superheroes, talents for drawing and a sketch idea into the first Hero Works Publishing comic: “The Legacy of Captain Bottle Works.”

The superhero started as an exercise in an art camp at Bottle Works, but in a short amount of time has become the premiere publication for the group that highlights young artists and local landmarks.

Lamb, Bottle Works’ creative director, came up with the idea during a “design your own superhero” class last year.

After reflecting on the legacy of legendary comic artist and Johnstown native Steve Ditko, he wondered why more super stories weren’t being produced from their shared hometown.

That led him to pitch the idea to Klimeck, who also works at Bottle Works, and Bent Wookee Comix owner Wilt.

“It all feels very serendipitous,” Lamb said.

The trio has spent hours together every Thursday planning, collaborating and editing what has become a 60-page book that will be released on Sept. 30 during the second Ditko Con, a celebration of Ditko’s career and pop culture influence.

However, the idea to partner – a first for the three – started at last year’s Batman Day at the State Theater, where the artists were on hand to draw, sell wares and chat with visitors.

Also there was Rhode Island playwright and creator of theatrical performance “Ditko,” Lenny Schwartz who was directing the premiere of his play “Bill Finger: Rise of the Bat.”

After chatting with the local artists, whom he has befriended since the first Ditko Con, Lamb approached Schwartz about penning a story for their joint comic, which the playwright gladly accepted.

“I am a fan of all of their work and I jumped at the chance,” Schwartz said. “I asked them what they are interested in drawing, and each had a different answer and aesthetic. So, I just tempered the script with each of the eras and their personal interests.”

All three artists were astounded by how accurate Schwartz’s story was to each of their unique interests and personalities.

“I don’t know how he did something so much in my wheelhouse,” Klimeck said.

Wilt added that the script was “spot-on.”

Schwartz based his tales on questions he asked and flipping through their work at Batman Day.

After that, he just let his imagination run wild.

The trio and writer worked together to tweak the stories a bit, adding references to local landmarks, including the Inclined Plane and Stone Bridge, but when it was done, they all were pleased with the final product.

Schwartz said he’s looking forward to collaborating more with the three artists.

The comic starts with Lamb’s Silver Age- inspired story – a classic superhero tale in the same vein as Blue Beetle and similar characters of the time – what Ditko started out doing and Lamb has always loved.

That’s followed by Klimeck’s noir, which he said was driven by his love of 1940s private eye movies. To keep with that style, those pages will be printed in black and white.

The capstone is Wilt’s specialty of mixing supernatural with hints of horror – a style he has been passionate about for years.

“It was an awesome opportunity to showcase the type of work I do,” Wilt said.

Klimeck noted that working with the others was probably the easiest collaboration experience he’s ever had.

“We all kind of did what we felt was right for the project,” Lamb added.

Additionally, each artist created a Ditko- homage cover for their section.

Wilt and Klimeck credited Lamb for bringing this all together and taking an editor-type role to make sure it all worked and commended him for everything he has done.

Although the three stories are set in vastly different genres, Wilt said they all tie together and hinted at the students’ work being the key.

However, none of the artists would divulge anymore details preferring to keep the mystery alive until the book’s release.

“The Legacy of Captain Bottle Works” is available for pre-order on IndieGoGo, where sample pages, additional details and early-bird perks are offered.

Lamb said the comic was put there to raise some additional funds to help defray publishing costs and will also be on sale at Ditko Con.

Although this story is ready to print, the trio of artists said they are not done.

The goal of Hero Works Publishing is to feature local artists and get more comics produced from the home of Ditko.

For more information, visit www.indiegogo.com and www.bottleworks.org

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New York State Museum Opens Exhibition: “Each One Inspired: Indigenous Art Across the Homelands”

New York State Museum Opens Exhibition: “Each One Inspired: Indigenous Art Across the Homelands”

A new exhibition, Each One Inspired: Indigenous Art Across the Homelands, is now open for the public to view at the New York State Museum, State Education Commissioner Betty A. Rosa announced today. The new exhibition which features more than 60 original creations of Indigenous artwork by artists whose homelands lie within what is now New York will be open through March 2024. This collection of contemporary art focuses on Indigenous histories, teachings, and communities and how they relate to and inspire our relationships and connections to our environment.

Board of Regents Chancellor Lester W. Young, Jr. said, “Indigenous art is significant because it captures the culture, traditions, and expressions of native communities. This new exhibition will help to foster a deeper understanding of their perspectives and help to promote cultural diversity and appreciation of the identities and contributions of Indigenous people to the history of our State.”

State Education Commissioner Betty A. Rosa said, “When experiencing this new exhibition, Museum guests will have the opportunity to make strong connections with Indigenous art, heritage, and traditions and how they relate to the profound history of New York State. Furthermore, the display of this exceptional collection helps to promote cross-cultural understanding while also sharing unique artistic expressions and the resilience of Indigenous people.”

The exhibition is organized in interrelated themes which are central to Indigenous art and culture: Lands; Ancestors and Histories; Community, Nation, and Family; and Plants and Animals.

Highlights of the exhibition include:

Exhibition Highlights

G. Peter Jemison
Onöndowa’ga:’ (Seneca)
1687 War (after Guernica), 2015
Acrylic, watercolor, and pencil on hot press paper

Ganondagan State Historic Site, where Peter was the site manager from 1985 to 2022, is located on what was once a Seneca village. In 1687, the French forces attacked the village. However, they were outsmarted by the Seneca who sent their women and children safely away and burned the remaining crops and longhouses before the French could destroy them. Jemison’s painting references Picasso’s Guernica (1937) to make a statement about the horrors of warfare.

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Diane Schenandoah, Honwadiyenawa’sek (One Who Helps Them)
OnΛyota’a:ka (Oneida Nation, NY)
Our Grandfathers–The Thunderbeings, 2019
White cedar and Texas mesquite

This sculpture honors Yothihsótha (Our Grandfathers) Latihsakayu∙téhseˀ (The Thunderers). In Haudenosaunee creation narratives, the Thunderers bring the gift of rain to the Earth and all living creatures. Their presence signals the beginning of spring.

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Wilma M. Zumpano-Cook
Kanien’ kehá:ka (Mohawk)
The Vessel, 2018
Glass vase covered with velvet and cotton fabric panels and embellished with glass beads

This piece is inspired by Haudenosaunee pottery from the 1500s. This vessel is made of fabric panels and glass beads covering a glass vase that provides the form. The beadwork designs and techniques Zumpano-Cook uses were developed by beadworkers in the 19th and 20th centuries and continued to be used by Mohawk beadworkers.

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Karen Ann Hoffman
OnΛyota’a:ka (Oneida Nation, WI)
Bernard the Buzzard Bag, 2018
Velvet, calico cloth, glass beads, 14k seed beads, ribbon, whitetail deer toes.

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Ken D. Williams Jr.
Onöndowa’ga:’ (Seneca) and Arapaho
We Continue Her Beautiful Legacy, 2019
Glass beads, Swarovski crystals, freshwater pearls, silk, polished Quahog shell

Gahano, or Caroline Parker, (1826–1892) was an extraordinary beadwork artist from the Tonawanda Seneca Nation. Her brother, Ely Parker, introduced her to his friend, anthropologist Lewis H. Morgan, in the mid-1840s. With the assistance of the Parker family, Morgan donated a collection of Haudenosaunee material culture items to New York State between 1847 and 1851.

Morgan commissioned a series of daguerreotypes featuring members of the Parker family, including one with Gahano that serves as the model for Williams’s portrayal of her on his beaded bag. The garments Gahano wears were made by her and are part of the State Museum’s collections. Gahano’s legacy to Haudenosaunee beadworkers continues to influence artists, including Williams, who lovingly depicts her in Swarovski crystals and vintage glass beads, surrounded by designs from the beadwork for which she is well known.

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Brandon Lazore
Onoñda’gegá’ (Onondaga)
Smoke Dancers, 2017
Acrylic on canvas

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Yaihra? tha? (Murisa Printup) and Rayekwiratkyehena:we:k (Robert D’Alimonte)

Skarù:rę? (Tuscarora)

Skarù:rę? Seeking Peace, 2018

White pine plaque with bas relief

In August 2018, the Great Law Recital was hosted by the Tuscarora Nation. By all accounts, this was the first time this had been done since we made the migration up north in the early 1700s to join our brothers and sisters among the Haudenosaunee Confederacy.

During the early 1700s, as colonists were encroaching on our land, a war broke out. We lost nearly 1,000 men, women, and children. Our ancestors headed north to seek peace among the Haudenosaunee—people we lived with about 1,300 years before.

We have lived as the Sixth Nation of the Haudenosaunee Confederacy to this day.

The recital of the Great Law is an event for Haudenosaunee people. The responsibility of hosting the gathering rotates throughout the different Haudenosaunee Nations. The gathering includes leaders and knowledge keepers reciting and sharing oral histories, teachings, and philosophies in Haudenosaunee languages.

Inspired by this historic event, Yaihra? tha? and Rayekwiratkyehena:we:k collaborated to create this piece. It depicts a number of key events: the Tuscarora Migration, the Tuscarora Taken-In Belt, the Great Tree of Peace, and the seven Tuscarora Clans. The Clan Mothers, each holding a gustoweh, are shown raising up their chiefs under the Tree of Peace.

High-resolution photos of select art and artifacts in the exhibition are available here.

The State Museum is a program of the New York State Education Department’s Office of Cultural Education. Located at 222 Madison Avenue in Albany, the Museum is open Tuesday through Sunday from 9:30 a.m. to 5:00 p.m. It is closed on the Fourth of July, Thanksgiving, Christmas, and New Year’s Day. Admission is free. For additional information, visit the New York State Museum website.

First Hero Works comic book features talents of area artists, landmarks

First Hero Works comic book features talents of area artists, landmarks

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Neither a bird, a plane or Superman, but rather a combination of Silver Age heroics, noir detective story and 1990s-style paranormal action adventure, Captain Bottle Works is bursting onto the comics scene later this month with his first standalone story.

Longtime friends and local artists Matthew Lamb, Glenn Klimeck and K. Brandon Wilt have combined their love of superheroes, talents for drawing and a sketch idea into the first Hero Works Publishing comic: “The Legacy of Captain Bottle Works.”

The superhero started as an exercise in an art camp at Bottle Works, but in a short amount of time has become the premiere publication for the group that highlights young artists and local landmarks.

Lamb, Bottle Works’ creative director, came up with the idea during a “design your own superhero” class last year.

After reflecting on the legacy of legendary comic artist and Johnstown native Steve Ditko, he wondered why more super stories weren’t being produced from their shared hometown.

That led him to pitch the idea to Klimeck, who also works at Bottle Works, and Bent Wookee Comix owner Wilt.

“It all feels very serendipitous,” Lamb said.

The trio has spent hours together every Thursday planning, collaborating and editing what has become a 60-page book that will be released on Sept. 30 during the second Ditko Con, a celebration of Ditko’s career and pop culture influence.

However, the idea to partner – a first for the three – started at last year’s Batman Day at the State Theater, where the artists were on hand to draw, sell wares and chat with visitors.

Also there was Rhode Island playwright and creator of theatrical performance “Ditko,” Lenny Schwartz who was directing the premiere of his play “Bill Finger: Rise of the Bat.”

After chatting with the local artists, whom he has befriended since the first Ditko Con, Lamb approached Schwartz about penning a story for their joint comic, which the playwright gladly accepted.

“I am a fan of all of their work and I jumped at the chance,” Schwartz said. “I asked them what they are interested in drawing, and each had a different answer and aesthetic. So, I just tempered the script with each of the eras and their personal interests.”

All three artists were astounded by how accurate Schwartz’s story was to each of their unique interests and personalities.

“I don’t know how he did something so much in my wheelhouse,” Klimeck said.

Wilt added that the script was “spot-on.”

Schwartz based his tales on questions he asked and flipping through their work at Batman Day.

After that, he just let his imagination run wild.

The trio and writer worked together to tweak the stories a bit, adding references to local landmarks, including the Inclined Plane and Stone Bridge, but when it was done, they all were pleased with the final product.

Schwartz said he’s looking forward to collaborating more with the three artists.

The comic starts with Lamb’s Silver Age- inspired story – a classic superhero tale in the same vein as Blue Beetle and similar characters of the time – what Ditko started out doing and Lamb has always loved.

That’s followed by Klimeck’s noir, which he said was driven by his love of 1940s private eye movies. To keep with that style, those pages will be printed in black and white.

The capstone is Wilt’s specialty of mixing supernatural with hints of horror – a style he has been passionate about for years.

“It was an awesome opportunity to showcase the type of work I do,” Wilt said.

Klimeck noted that working with the others was probably the easiest collaboration experience he’s ever had.

“We all kind of did what we felt was right for the project,” Lamb added.

Additionally, each artist created a Ditko- homage cover for their section.

Wilt and Klimeck credited Lamb for bringing this all together and taking an editor-type role to make sure it all worked and commended him for everything he has done.

Although the three stories are set in vastly different genres, Wilt said they all tie together and hinted at the students’ work being the key.

However, none of the artists would divulge anymore details preferring to keep the mystery alive until the book’s release.

“The Legacy of Captain Bottle Works” is available for pre-order on IndieGoGo, where sample pages, additional details and early-bird perks are offered.

Lamb said the comic was put there to raise some additional funds to help defray publishing costs and will also be on sale at Ditko Con.

Although this story is ready to print, the trio of artists said they are not done.

The goal of Hero Works Publishing is to feature local artists and get more comics produced from the home of Ditko.

For more information, visit www.indiegogo.com and www.bottleworks.org.

Joshua Byers is a reporter for The Tribune- Democrat. He can be reached at 814-532-5054. Follow him on Twitter @Journo_Josh.

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First Hero Works comic book features talents of area artists, landmarks (copy)

First Hero Works comic book features talents of area artists, landmarks (copy)

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JOHNSTOWN, Pa. – Neither a bird, a plane or Superman, but rather a combination of Silver Age heroics, noir detective story and 1990s-style paranormal action adventure, Captain Bottle Works is bursting onto the comics scene later this month with his first standalone story.

Longtime friends and local artists Matthew Lamb, Glenn Klimeck and K. Brandon Wilt have combined their love of superheroes, talents for drawing and a sketch idea into the first Hero Works Publishing comic: “The Legacy of Captain Bottle Works.”

The superhero started as an exercise in an art camp at Bottle Works, but in a short amount of time has become the premiere publication for the group that highlights young artists and local landmarks.

Lamb, Bottle Works’ creative director, came up with the idea during a “design your own superhero” class last year.

After reflecting on the legacy of legendary comic artist and Johnstown native Steve Ditko, he wondered why more super stories weren’t being produced from their shared hometown.

That led him to pitch the idea to Klimeck, who also works at Bottle Works, and Bent Wookee Comix owner Wilt.

“It all feels very serendipitous,” Lamb said.

The trio has spent hours together every Thursday planning, collaborating and editing what has become a 60-page book that will be released Sept. 30 during the second Ditko Con, a celebration of Ditko’s career and pop culture influence.

However, the idea to partner – a first for the three – started at last year’s Batman Day at the State Theater, where the artists were on hand to draw, sell wares and chat with visitors.

Also there was Rhode Island playwright and creator of theatrical performance “Ditko,” Lenny Schwartz who was directing the premiere of his play “Bill Finger: Rise of the Bat.”

After chatting with the local artists, whom he has befriended since the first Ditko Con, Lamb approached Schwartz about penning a story for their joint comic, which the playwright gladly accepted.

“I am a fan of all of their work and I jumped at the chance,” Schwartz said. “I asked them what they are interested in drawing, and each had a different answer and aesthetic. So, I just tempered the script with each of the eras and their personal interests.”

All three artists were astounded by how accurate Schwartz’s story was to each of their unique interests and personalities.

“I don’t know how he did something so much in my wheelhouse,” Klimeck said.

Wilt added that the script was “spot-on.”

Schwartz based his tales on questions he asked and flipping through their work at Batman Day.

After that, he just let his imagination run wild.

The trio and writer worked together to tweak the stories a bit, adding references to local landmarks, including the Inclined Plane and Stone Bridge, but when it was done, they all were pleased with the final product.

Schwartz said he’s looking forward to collaborating more with the three artists.

The comic starts with Lamb’s Silver Age-inspired story – a classic superhero tale in the same vein as Blue Beetle and similar characters of the time – what Ditko started out doing and Lamb has always loved.

That’s followed by Klimeck’s noir, which he said was driven by his love of 1940s private eye movies. To keep with that style, those pages will be printed in black and white.

The capstone is Wilt’s specialty of mixing supernatural with hints of horror – a style he has been passionate about for years.

“It was an awesome opportunity to showcase the type of work I do,” Wilt said.

Klimeck noted that working with the others was probably the easiest collaboration experience he’s ever had.

“We all kind of did what we felt was right for the project,” Lamb added.

Additionally, each artist created a Ditko-homage cover for their section.

Wilt and Klimeck credited Lamb for bringing this all together and taking a editor-type role to make sure it all worked and commended him for everything he has done.

Although the three stories are set in vastly different genres, Wilt said they all tie together and hinted at the students’ work being the key.

However, none of the artists would divulge anymore details preferring to keep the mystery alive until the book’s release.

“The Legacy of Captain Bottle Works” is available for pre-order on IndieGoGo where sample pages, additional details and early-bird perks are offered.

Lamb said the comic was put there to raise some additional funds to help defray publishing costs and will also be on sale at Ditko Con.

Although this story is ready to print, the trio of artists said they are not done.

The goal of Hero Works Publishing is to feature local artists and get more comics produced from the home of Ditko.

For more information, visit www.indiegogo.com and www.bottleworks.org

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Beloved photographer, Linda Gregory, remembered for her generosity

Beloved photographer, Linda Gregory, remembered for her generosity

WICHITA, Kan. (KSNW) – Linda Gregory was covering a Northwest High School football game on Monday evening when players were accidentally pushed into her, causing her to hit her head. She had been on life support with minimal brain function when her husband, Mel Gregory, and her family met with the organ donation team, deciding to honor her final wish.

She had a passion for photography and used it to help tell the story of sporting events, music, and everyday life for many years.

Linda and Mel joined League 42 Youth Baseball when it started in 2013. League Director Bob Lutz says she was always volunteering to take photos.

“She provided us with a visual history of our league, and think we’re all just in kind of a state of shock. Linda poured so much into not only what we do but Northwest High School Football and so many other things. She never stopped giving,” said Lutz.

Travis Heying, a long-time visual journalist in the Wichita area, met Linda while covering local games. He says she became the biggest supporter of the band he is a drummer for sometimes on Sunday. Heying said she shot every show, never asking for anything in return.

“Man, all I can do is one day hope someone talks about me that way. It’s just like, maybe I need to be as generous as Linda was,” said Heying.

Sometimes, on Sunday honored Linda, showing their gratitude. They hope it will help her husband through the grieving process.

“We thanked her in the liner notes of our CD that we just sent off on Monday, the day this happened, so we’re hopeful that music helps Mel move forward,” said Heying.

Linda Gregory a child (Courtesy: Joanna Chadwick)

For family-friend Joanna Chadwick, Linda and Mel became like a third set of grandparents to her sons. She said that one night, while working a game at Maize High School, she didn’t have anyone else to watch her son. Linda volunteered, showing him how to take pictures and even buying him a snow cone.

“Frankly, I think we all need to have a Linda in us. We all need to be that person that does something good for nothing in return,” said Chadwick.

On Wednesday, Mel said that she was one of a kind. He said they will honor her wish to have her organs donated, calling it her final act of generosity.

Los Altos artist Lonnie Zarem sets a scene in wax at Pacific Art League

Los Altos artist Lonnie Zarem sets a scene in wax at Pacific Art League

The Pacific Art League is offering a wide range of classes this fall in traditional media like painting, photography, watercolor and pastels. But there is a medium you may have never heard of: encaustic monotype. A relatively new process that involves the use of heat and beeswax-infused pigments, encaustic monotype will be a major focus at the venerable art center with workshops, a class and a solo exhibition of work by Los Altos artist Lonnie Zarem.

The exhibition, entitled “Footprints of the Ephemeral,” is on view from Sept. 9 through. 26 throughout the PAL building, located on Ramona Street in Palo Alto. The show will feature 20 new prints by Zarem, many of them large-scale. During an interview with the artist at her home studio, it became apparent that both the technique and size of her work are pretty groundbreaking — and that she is passionate about sharing her love of the medium.

Although she always loved to draw and “make things with my hands,” Zarem became an artist fairly recently. She laughingly described how she would have a crafts table always on hand for her three sons and would wait until they were in bed to create herself. Her early career as owner of a technology marketing company in southern California made use of her undergraduate degree in Economics from UC Irvine. In 2002, she decided to pursue her love of art by getting another undergraduate degree from San Jose State University. Since then, she has been working steadily, participating in group shows and also teaching at the Pacific Art League.

She had used encaustic materials in her abstract paintings but was looking for something else to inspire her. When she heard of the encaustic monotype process, she knew it was something she had to try. “I liked it right away,” she said. “It has so many elements that I like: it is like painting in layers, there is a full range of magnificent colors and I like to draw.”

The process is, however, dependent upon having the right equipment, mainly the 16-by-32-inch hot box that is used to melt the pigment sticks. Zarem was happy to demonstrate exactly how the process works.

The hot boxes rely upon simple light bulbs to create the heat (around 175 degrees) under the anodized aluminum plate surface. Pigmented wax blocks are rubbed on the hot surface, melting and creating pools of color. Rice paper is then applied onto the surface, where, after gentle pressure from the hand, it absorbs the colors. The paper is pulled off and the result is a unique print. Zarem explained that, because she is so experienced in the process, she can plan an image in advance but, “The beauty is you always get a little surprise when you pull off the paper.”

Zarem soon began to experiment with different pigments and papers and decided she wanted to work on a larger scale. She found someone who could build a very large box (the size of six standard boxes put together) in order to pull prints that reflect her memories of a recent trip to Iceland.

Capturing the fleeting moments of beauty found in nature is a continuous theme in Zarem’s work, and Iceland provided nonstop inspiration. “People live their days by what the sky looks like,” she said. The vastness and variability are expressed in layers of cool pastel tones in “Iceland Sky.” In “Waterfall,” undulating vertical strokes of blue and yellow form the downward rush of water. “There are millions of waterfalls in Iceland,” she said, “I wanted to capture a sense of it being all over you, with colors underneath it.” And in “Low Tide,” she employed corpuscular daubs of translucent blue and bold shades of scarlet to portray the red seaweed that is particular to this region. “It was so beautiful and refreshing,” she recalled.

She also finds inspiration close to home. “Tomato Starts” reflects the emerging fruit found in her own backyard garden. “Blue Thistle” resulted after a hike in Hollister at dawn and makes the common weed appear gloriously blue against a golden background. In this print and in others, Zarem is able to express herself in a more representational way by using graphite wax or charcoal to draw clearly defined lines. In “Rare Bloom,” the leaves and stems of a potted plant are limned with realistic detail. The red flower, Zarem explained, appeared very unexpectedly one day after years of never blooming. “I had to capture the magenta blue in this flower.”

Zarem is most animated when she talks about sharing her love of encaustic monotype with others. “It’s a great medium for teaching because people get great satisfaction right away.” She has taught numerous classes and workshops both at PAL and in her home studio but has always wanted a dedicated place for instruction. Thanks to a grant from the International Encaustic Artists Project and funding from PAL, she will inaugurate the first encaustic center on the West Coast this fall. Ten hot boxes will be available for student use and the first six- week class at the art league, scheduled to begin Oct. 18, is already completely filled.

PAL Executive Director Aly Gould said, “Our decision to establish this center stems from the increasing popularity of this unique art form in various parts of the country. We noticed that many of our artists were traveling outside of the area to attend workshops focused on encaustic monotype printing, and we saw an opportunity to bring this center to PAL as a way to cater to their needs and to attract new artists to this exciting medium. It is a true honor to have Lonnie Zarem, a nationally esteemed encaustic monotype artist, help us launch this endeavor.”

Zarem predicts that students will find the process “quite addictive.” “It brings out the creativity in people without them knowing it.” Zarem said that her approach is to focus on the basic technique at first but then let students experiment with color, line and form. “I think the process in this medium can really work for so many people and add a lot of joy to their lives.”

The growing interest in encaustic monotypes clearly pleases Zarem. “I am having the time of my life in my studio,” she said. She frequently offers salons in her home and has a growing number of collectors of her work. And she continues to find inspiration in the quotidian. When asked to explain the title of her exhibition, she said, “I look for that one little moment when something is going on in the world that I might never see again. Beautiful things: that one sunset, the sky in Iceland. A moment there and gone. I find that in my fingertips and share it.”

“Footprints of the Ephemeral” is on view Sept. 9-26 at the Pacific Art League, 668 Ramona St., Palo Alto. For more information about the exhibition or classes, visit pacificartleague.org.

‘Sculptures for the people’

‘Sculptures for the people’
As you head into Detroit from the John C. Lodge Freeway, a giant Black fist confronts you. This sculpture, depicting the late boxer Joe Louis’ fist hanging from a tripod, has an attitude that seems to say, “I’m Detroit. I’m tough. I’m resilient. Don’t mess with me.”

Romanowski artwork on display at downtown Parkersburg WesBanco

Romanowski artwork on display at downtown Parkersburg WesBanco
PARKERSBURG — A woman who works with numerous media is the September Artist of the Month at WesBanco Bank in downtown Parkersburg. The multitalented Emma Romanowski works in ceramics, acrylic painting, wood working, glass blowing, building murals, photography and printmaking. The WesBanco show will feature photography, multi-medium paintings, printmaking and ceramics. “As with all things […]

Christine Quinn turns wildlife photographer while on safari in Kenya

Christine Quinn turns wildlife photographer while on safari in Kenya

Christine Quinn puts on a stylish display as she turns wildlife photographer while on safari in Kenya with her husband Christian Richard

Christine Quinn is living her best life on a safari in Kenya with her husband of four years, tech executive Christian Richard. 

The former star of Selling Sunset, 34, looked like she was recreating scenes from the iconic 1985 film Out of Africa as she wielded a professional-looking camera with a giant zoom lens.

The mom of one was her usual fashion plate self as she shot photos of the wildlife including a lounging female lion, a herd of buffalo, a stately giraffe, several zebras and a majestic male lion with a beautiful mane.

The couple took part in a luxurious private safari in the African nation. 

The model wore wide-legged white pants which she paired with a sleeveless white crop top that featured a plunging neckline.

On safari: Christine Quinn is living her best life on safari in Kenya with her husband of four years, tech executive Christian Richard

Wildlife photographer: The former star of Selling Sunset , 34, looked like she was recreating scenes from the iconic 1985 film Out of Africa as she wielded a professional-looking camera with a giant zoom lens

In some of the photos, she wore a black and white snakeskin print jacket over the top and pants.

She traded out her hats several times wearing alternately a straw cowboy hat, a classic fedora, a pink ball cap and a black ball cap. 

Christine traded her usual sky high heels for a pair of high top athletic skills.  

The real estate agent accessorized with multi-colored stacked bangles on both wrists and layered necklaces around her neck. 

The statuesque beauty was fresh faced with minimal makeup on except for glossy pink lips. 

The RealOpen founder turned the Kenyan landscape into a catwalk while she honed her photojournalist skills. 

The author of How to Be a Boss B*tch looked like a natural both in front of and behind the camera.

The former villain of the hit Netflix show sounded off earlier this year about how the streamer edits her friends and claimed she would not watch the latest season.

Strike a pose: The model wore wide-legged white pants which she paired with a sleeveless white crop top that featured a plunging neckline

Strike a pose: The model wore wide-legged white pants which she paired with a sleeveless white crop top that featured a plunging neckline

Photographer: The mom of one was her usual fashion plate self as she shot photos of the wildlife including a lounging female lion, a herd of buffalo, a stately giraffe, several zebras and a majestic male lion with a beautiful mane

Couple time: The couple took part in a luxurious private safari in the African nation

Hat trick: She traded out her hats several times wearing alternately a straw cowboy hat, a classic fedora, a pink ball cap and a black ball cap

Hat trick: She traded out her hats several times wearing alternately a straw cowboy hat, a classic fedora, a pink ball cap and a black ball cap

Pink bag: The author wore a pink hobo style bag crossbody in one of the shots

Stripes: The beauty captured a gorgeous image of a herd of zebras

Zoom lens: She reflected on the images she had taken in the camera's viewfinder

Getting the shot: She crouched in the vehicle to get her shot of the African wildlife

Fashion plate: The former Netflix star turned the African plains into a runway

Wildlife: Christine managed to capture two of the big five of African animals, the buffalo and the lion

Ready for take-off: The reality star posed by a small aircraft during her travels

Casual shoes: She traded in her usual sky high stilettos for white, high top shoes

Fresh faced: She wore minimal makeup for a fresh faced look with high gloss lip gloss

Lounging: She captured a lounging female lion on her photographic expedition

Married couple: Christine and Christian have been married for four years and have one child

Snakeskin: In some of the photos, she wore a black and white snakeskin print jacket over the top and pants

Buffalo: She snapped images of a herd of buffalo while on safari

Wildlife party: Animals roamed the African planes to the delight of those on safari

Vacation: The reality TV star shared a photo with some of the locals

King of the jungle:  The model grabbed a shot of a majestic lion with a beautiful mane

Natural: She looked like a natural behind the camera as she snapped the wildlife

Long neck: A giraffe wandered into her lens for his chance at being the star of her vacation

Pretty in pink: In one outfit change, she traded in her fedora for a pink ball cap and matching purse

‘I have my girls that I absolutely love, and I’m so supportive of them. But for me, I don’t think I’ll watch the show just because I want to know them for who they are and not what they’re edited to be,’ the real estate broker told E! News

She continued: ‘So for me, I probably won’t watch it. But I did hear that my name was being dropped in the trailer.’ 

Despite past tensions with many of her former costars, in particular with Chrishell Stause, the Dallas native revealed she is no longer feuding with her former rival.

‘I feel like Chrishell and I are actually not on bad terms,’ she continued. ‘We really aren’t.’