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Nature Nuggets: Elk Photography 101

Nature Nuggets: Elk Photography 101

It is that time of year again. For many local wildlife photographers, September marks one of the best times of year to be in Rocky Mountain National Park and Estes Park.

Rut season has arrived and that means lots of photos with steamy breath, lip curls, rattling antlers, sparring matches, powerful bugles with spittle projecting from a bull’s mouth, frosted antlers, snow-covered meadows full of elk and many other photo-worthy scenarios.

And it isn’t just local photographers that go ga-ga over photos during the elk rut season. Many nature lovers with shutter-finger syndrome (a non-fatal obsessive need to press that camera shutter button at the sight of birds, megafauna and/or small mammals) arrive in the valleys around Estes Park in the fall to witness this unique behavior of the animal kingdom.

Based on how quickly the early morning timed-entry reservations for the Bear Lake Corridor in Rocky Mountain National Park sold out on Aug. 1 for the September timeframe, it looks like the crowds will be present yet again this year. (Some blocks of time during the peak of the elk rut in September were sold out within minutes of going on sale, and the recent release of October dates sold out just as quickly for the first week of October.)

So, what is elk rut?

Rut is a term that describes a mating season, particularly for ruminant mammals, like deer, pronghorn antelope, bighorn sheep, mountain goats, moose and elk. It only happens once a year for these mammals and, depending on the species, can be quite animated and dramatic. Elk are one of those species that put on quite the show during the rut.

A female elk, called a cow, will only go into heat for about 17 hours, according to one study of elk over a three-year period in the 1950s. They will have multiple heat cycles, occurring up to three times about every 21-days, if they are not successfully impregnated on the first try.

Male elk, called bulls, rub off the velvet from their antlers, a process that indicates the first stages of the rut season. The vascularization in the velvet provides the nutrients the antlers need to grow up to an inch a day throughout the summer. Once the antlers reach their maximum size, the blood flow stops, the velvet starts to dry out and the bull rubs off the velvet. This happens about the second week of August in the Estes Valley area.

Late each August, as the tundra starts to see its first coatings of frost, the elk herds start to move out of the high country and back down into the valleys and meadows. Here they will gather to find their mates — the cows choose which bull she will allow to mate with her — before moving to even lower elevations in late October or early November for the winter. Bulls will collect cows to form harems during the rut, and will fiercely defend the girls from other males.

Bull elk, especially the younger bulls that are not quite mature enough to participate in the mating, will spar almost anywhere during the rut season, like these two in Lake Estes.(Dawn Wilson Photography)

Planning for a successful photo shoot during the elk rut is pretty straightforward but here are some tips to improve your chances of capturing your own spittle photo.

1. Know when to go. Elk are most active in the early mornings and late afternoons. During the rut, and especially near the full moon, which happens on Thursday, September 28 and allows the elk to move about under the cover of full moonlight, elk are active all night long. The full moon this year also happens to coincide with the peak time of the elk rut, which is typically the last two weeks of September through the first week of October. Because of this nocturnal and crepuscular activity, elk tend to be very mellow as they rest during the sunny hours of the day. Mornings in particular offer unique atmospheric conditions, like fog and frost, that often don’t develop in the afternoons.

Mornings are when elk are most active and the time of day you have the best chance to photograph them in atmospheric conditions, like this bull on an extremely cold and frosty October morning.(Dawn Wilson Photography)
Mornings are when elk are most active and the time of day you have the best chance to photograph them in atmospheric conditions, like this bull on an extremely cold and frosty October morning.(Dawn Wilson Photography)

2. Know where to go. The bulk of the elk rut activity takes place in open meadows, with Horseshoe Park, Upper Beaver Meadows and Moraine Park historically being the most active locations. Elk will move into other areas, such as Endovalley, or stay on the tundra longer than other groups as well. In Estes Park, the best locations to look for elk are near the Lake Estes 9-Hole Golf Course, the Estes Park 18-Hole Golf Course and Stanley Park. Always be vigilant when in town as elk will move around the downtown area and nearby roads as well. Please be respectful of private property.

Photographing an elk in the larger scene can help provide a sense of place for the photograph.(Dawn Wilson Photography)
Photographing an elk in the larger scene can help provide a sense of place for the photograph.(Dawn Wilson Photography)

3. Watch the behaviors to anticipate particular actions. There are many behaviors to watch for to help a photographer anticipate a particular action. For example, if a cow urinates on the ground, a bull elk will investigate by sniffing the urine-soaked spot to help him determine if she is in estrus. After sniffing the urine, he will lift his head and typically give a lip curl, also called a flehmen response. It is a comical look on such a masculine looking animal. Another example is if a nearby bull bugles, the dominant bull will often respond with his own bugle. Sometimes a bull will also bugle after sniffing cow urine. Have your camera ready to capture the iconic bugling photo, a behavior that only lasts a few seconds. If you seek a photo of a running bull, watch for a cow wandering out of the harem. The bull will try to corral her back to the group, often running to her and behind her. Just don’t get between the two; the bull won’t care about running you over.

A closeup photo of a bull elk bugling in an attempt to attract the cows.(Dawn Wilson Photography)
A closeup photo of a bull elk bugling in an attempt to attract the cows.(Dawn Wilson Photography)

4. Carry your camera gear at all times. The best camera you have is the one with you. That may be a cell phone or $15,000 worth of lens and camera body. It is best to give the elk room and use a zoom. If you don’t have a long zoom lens, consider taking a wide-angle photo of the scene with the elk as the focal point. This style of photograph, called an environmental portrait, can be more memorable and more impressive than a full frame shot of a single animal. A safe guideline for distance is to use your thumb. Hold your thumb out over the animal. If you can’t see any of the animal beyond your thumb, you are at a safe distance.

Remember that even though elk may appear to be comfortable around people, they are still wild animals. They can be unpredictable during the rut, and bulls in particular have one thing on their mind. As a result, they are not afraid to charge through anything, or anyone, in the path to their goal.

Dawn Wilson is the outdoor reporter for the Estes Park Trail-Gazette. She also guides in Rocky Mountain National Park, leads photo workshops throughout North and South America, sells prints of her photographs, and recently published 100 Things to Do in Estes Park Before You Die. To learn more about her work, visit www.DawnWilsonPhotography.com.

Exhibition celebrates Lambert Wilson’s legacy

Exhibition celebrates Lambert Wilson’s legacy

He was still a teenager then, studying middle grade education as an undergraduate at Western Carolina University, when his introductory art history teacher Janie Leftwhich offered the class extra credit in exchange for visiting the Eagle Dancer sculpture by famed Cherokee artist John Julius Wilnoty

Wilson took her up on it — and was blown away by what he saw. Every detail of the 27-inch piece communicated a sense of movement and majesty. Wilnoty had carved the single piece of cherry wood used to make it so that the tree’s rings suggested the muscles and underlying structure of the dancer’s body. The sight lit a spark inside the young man. At that moment, Wilson decided to start his own collection of Cherokee art.

“I think when he came to Western, not only did he find the Eagle Dancer, but he found the spirit too, of the Native Americans who settled this land,” said Jenny Holland, Wilson’s partner from 2006 until his death in 2022 . “I think that was part of his draw to WCU.”

Holland spoke to a crowd of more than 200 people who came to the WCU Fine Art Museum at Bardo Arts Center Aug. 30 for a reception marking an art exhibition  showcasing Wilson’s art collecting legacy. Wilson, a Swain County native who spent three decades as an elementary school teacher and principal, served on the Swain County Board of Education and Southwestern Community College Board of Trustees and owned two motels and an art gallery in Cherokee, touched many lives during his 68 years on earth — and that impact was apparent in surveying those present Aug. 30. The crowd attending “Spark of the Eagle Dancer: The Collecting Legacy of Lambert Wilson” included educators, artists, tribal members and an array of community leaders.

“We knew him in different capacities, but I think we all knew him as a very passionate art collector,” said Carolyn Grosch, the museum’s curator of collections and exhibitions. “That was something he really dedicated 50 years of his life to.”

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In the 120-page exhibit book, professional curator and retired WCU Research Associate Professor Anna Fariello reflects on the first time she visited Wilson’s home.

“I can’t describe the shock of walking into his home and seeing every surface — every wall, every table, every shelf, literally everywhere — covered with Native American art,” she wrote. “I believe that Lambert Wilson’s collection is larger, more significant, than many at major institutions.”

The exhibition currently on display at WCU showcases more than 140 works of contemporary Native American art, spanning the gamut from baskets and pottery to photography and watercolor, in styles both traditional and modern. In her essay for the exhibition catalogue, Museum of the Cherokee Indian Director Shana Bushyhead Condill said Wilson’s collection was an important testament to the continued existence of Native people and Native culture.

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Cherokee artist Joshua Adams believed Wilson liked his piece “Booger of Rebellion” because it was similar in scale to the original 27-inch Eagle Dancer carving. Tim Burleson photo

“The power, then, of contemporary Cherokee art is that it is impossible to relegate us to the past when looking at work from today,” she wrote. “Lambert, as curator of that exhibition, recognized that power and made a point of featuring artists working today. Importantly, also, is he drew that thread from our past to today, illustrating with pottery how our traditions have changed over time but are still influenced by the work of our ancestors.”

Taking over all three rooms of the exhibition space at WCU, the display celebrates not only the works themselves but also the relationship Wilson had with them and with their makers. In the display of “Chosen for Leadership” — a dramatic wooden mask standing 25 inches high and made of carved butternut wood, with a headdress of abalone shells, trade beads, rabbit fur and pheasant wings — EBCI artist Joshua Adams speaks of the affinity he had for Wilson and his mode of collecting.

“I always dreamed of doing Indian Market, and Lambert was always encouraging me to do that show,” reads a quote from Adams affixed to the display. “’Chosen for Leadership’ went on to win first place. I think Lambert showed up at four or five in the morning at my booth and said, ‘Hey I’ll buy that mask if no one buys it today.’ I had the chance to sell the mask a couple of times that day, and I didn’t because I wanted Lambert to have it. I just wanted to be part of his collection.”

“For Lambert, collecting was not simply about purchasing a work of art,” Grosch said during the reception. “And it wasn’t just about appreciating an object for its beauty, or its craftsmanship. Those were all important things to him, but I think for him, his impulse to collect really was an expression of his love for people and community.”

At first, Wilson focused his collection on Cherokee art. But in 2006, he met Holland, and together they expanded the collection to include artists from other tribes. They got a second home in Santa Fe, New Mexico, which became his “operational base” for Southwestern artists. Despite the heat, August was his favorite time to be in Santa Fe, because that’s when the annual Indian Art Market was held.

“He loved the art, but he loved the artists more,” Holland wrote in the exhibition catalogue.

Art exhibitions are often planned years in advance, but the display at WCU opened less than 10 months after Wilson’s untimely death in October 2022. That’s thanks to hard work and collaboration from Wilson’s friends and family, artists, Bardo Arts Center staff and others at WCU and in the Cherokee community, said Denise Drury Homewood, executive director of the Bardo Arts Center.

“I thank y’all for coming,” Wilson’s sister Linda Wike told the crowd. “Thank you for what Lambert meant to you. And I thank God he chose us girls to be his sisters. And that he was the best brother in the world. My wish for everybody here is that you have a brother like we do.”

“Spark of the Eagle Dancer: The Collecting Legacy of Lambert Wilson” will remain on display through Friday, Dec. 8, at the WCU Fine Art Museum, located at 199 Centennial Drive on campus. The exhibit is free to visit and open 10 a.m. to 4 p.m. Tuesday through Friday and 10 a.m. to 7 p.m. Thursdays. For more information, call 828.277.ARTS or visit arts.wcu.edu/spark.

DC-based photographer disappears from Calvert County home

DC-based photographer disappears from Calvert County home

Joe Shymanski is a well-known fine art, portrait and event photographer and a regular at Capitol Hill’s Eastern Market.

CALVERT COUNTY, Md. — Family and friends of a well-known D.C.-based photographer are concerned after the father of two went missing this weekend and has not been seen or heard from since. Joe Shymanski, 51, was last seen Sunday afternoon at his home in Calvert County, according to deputies, who have launched an investigation.

Shymanski is a fixture at Capitol Hill’s Eastern Market and D.C.’s Holiday Market. He is most well-known for combining fandom and Legos, with photography of Star Wars Lego figurines and various others often representing larger social issues. 

He also worked with many restaurants in the District, including those run by chef Spike Mendelssohn. Micheline Mendelssohn said their family has worked with Shymanski for decades. He has taken photos of restaurant openings like We The Pizza and Good Stuff Company. He has also taken food photos for cookbooks.

Before opening his photography studio in 2000, Shymanski worked as a secondary school teacher in D.C., Virginia and elsewhere. 

The circumstances of his disappearance are still under investigation. 

Calvert County Sheriff’s Office deputies say Shymanski was last seen Sunday around 4 p.m. at his Huntingtown home. 

He is described as 6 feet 1 inch tall and 220 pounds with gray hair.

Anyone who has seen Shymanski, or may know where he is, is asked to contact Det. Wayne Wells via email at wayne.wells@calvertcountymd.gov and reference case number 23-62906.

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Will The Latest Version of ‘Buy Now, Pay Later’ Fly In The High-End Art World?

Will The Latest Version of ‘Buy Now, Pay Later’ Fly In The High-End Art World?

Want to buy a Van Gogh but don’t have the dough? Thwarted collectors have a new place to turn: Tech company Affirm has announced that it is launching a program to help people buy fine art in installments.

That’s because Arternal, a customer relationship management (CRM) and inventory management platform that works with galleries and related art businesses, has announced a partnership with Affirm. Arternal CEO Sean Green described the partnership as a “win-win,” adding that it will provide “the flexible payment options that collectors often require, while delivering a market accelerator for art galleries to reach new art buyers and increase sales.”

Interest rates for purchases through Arternal are zero percent for the first six months. Following that grace period, the rate charged will depend on a credit check that Affirm handles. Both galleries and artists are paid immediately.

Green explained to Artnet News that the invoice needs to be between $50 and $30,000 for Affirm to be used (invoices outside that range can be paid through credit card or ACH in Arternal Pay via Stripe). It remains to be seen whether so-called “buy now, pay later” (BNPL) structures will fly in the art world.

This is not the first time an art finance company has moved into the art-lending space. As Artnet News reported in 2016, Art Money, a lending business launched by entrepreneur and CEO Paul Becker, made its U.S. debut at the annual EXPO Chicago fair. In February 2023, Christie’s venture capital arm Christie’s Ventures announced a stake in that firm (though Becker specifically tried to distance himself from the “buy now, pay later” label).

According to a recent report in the Wall Street Journal, BNPL options have lifted sales for some companies in the recent past. That report notes that BNPL options gained popularity during the pandemic for everything from sweaters to treadmills, but adds that there are growing signs that consumers who tap the no- or low-fee loans are struggling, which suggests there could be trouble ahead for businesses making use of the model.

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Photographer Sues Chrissy Teigen For Posting His Photo of Katie Holmes on Instagram

Photographer Sues Chrissy Teigen For Posting His Photo of Katie Holmes on Instagram
A photographer has sued Chrissy Teigen for allegedly posting his photo of actress Katie Holmes without permission on her Instagram story.
Chrissy Teigen (left) and a screenshot of the photo of Katie Holmes that Teigen allegedly posted on her Instagram story (right).

A photographer is suing model and television personality Chrissy Teigen for allegedly posting his photo of actress Katie Holmes without permission on her Instagram story.

In a lawsuit that was filed on Tuesday, photographer Ulices Ramales accused Teigen of taking his photo of Holmes and posting it on social media without consent.

According to the complaint filed in the U.S. District Court for the Central District of California, the photographer took a photo of Holmes wearing a black blazer and wide-leg denim pants while walking down the street in New York City on June 16, 2022. The image is registered with the copyright office.

However, three days later, on June 19, 2022, the photographer allegedly discovered that Teigen had posted his image of Holmes without permission on her Instagram story to her 42.6 million followers.

A screengrab of Chrissy Teigen's use of the  photo of Katie Holmes on her Instagram story via court documents.
A screenshot of Chrissy Teigen’s alleged use of Ramales’ photo of Katie Holmes on her Instagram story.

Instagram stories disappear from users’ feeds within 24 hours of posting, but the plaintiff allegedly screenshotted the infringing post.

According to Ramales’ screengrab, Teigen shared his copyrighted photo of Holmes wearing a black blazer and denim pants — declaring that she “would live in this outfit” worn by the actress.

Bloomberg Law reports that the photographer is now seeking damages for copyright infringement from Teigen and attorneys’ fees, among other relief.

In the complaint, Ramales says that he has invested significant time and money into building his photography portfolio. He claimed that Teigen had knowingly infringed on his copyright and harmed Ramales’ potential market for selling his photograph of Holmes.

Celebrities and Copyright

U.S. copyright law is quite straightforward when it comes to intellectual property and clearly states that the person who “authored” a work is the copyright owner, such as a photographer who takes a picture of a celebrity.

But despite this crystal-clear definition of intellectual property in the eyes of the law, some celebrities still refuse to license images for their social media.

Last month, Bella Hadid was sued by a photographer who claimed to have screenshotted their photo being used without permission on the supermodel’s Instagram story.

Meanwhile, former supermodel Paulina Porizkova revealed that she is now “terrified” of posting on Instagram after she was sued by a photographer for sharing his photos of Ukraine.

Porizkova — who has over 1.1 million followers on Instagram — says that the copyright infringement lawsuit ended up being a costly mistake for her and she has been left fearful of re-posting photos on social media.


Image credits: All photos via court documents and header photo partly licensed via Depositphotos.

Window Chronicles Mimics the Positive Effects of a Real Window

Window Chronicles Mimics the Positive Effects of a Real Window

After six months spent living in a one-window studio in Seoul, Noëmi Orgaer realized the importance of having a connection to the outdoors – even when you’re surrounded by four walls. Her lone window faced the neighbor’s unimpressive wall. Over time, Orgaer began to notice the impact it was having on her state of mind and overall quality of life. It makes sense, as extensive research has shown that our social, mental, and physical well-being can be effected by lack of access. “This experience ignited my curiosity to delve into the history and purpose of windows as an archetype,” she said. “It motivated me to develop a light system that could benefit individuals in similar situations and promote a healthier living environment.” Window Chronicles is an illuminated wall object that draws inspiration from the natural rhythms Orgaer has observed through her current windows in Brussels.

The lighting pays special attention to the dynamic transformation that can be achieved and its influence on interior spaces, accomplishing both through the use of two adjustable components. The interactivity lends itself to the sensation of opening a window, creating an immersive experience. To achieve this reflection of the outdoors, real-time weather data is used to ensure the lighting accurately shares the current conditions through GPS coordinates of its location.

a person hanging an oval-shaped wall light that resembles a window when illuminated

“Window Chronicles embodies my personal interpretation of the window as a tool that enables communication with our environment, and consequently, reflection with ourselves,” Orgaer shared. “And while attempts have been made to replicate the effects of natural light through artificial means, with similar goals to my project, we must remember that the intrinsic value of natural light cannot be overstated or surpassed. It remains important for architectural design to place great emphasis on natural light and therefor windows. I believe viable solutions should be available for those living in spaces with limited to no qualitative window access, especially in situations where construction cannot be reversed or modified. The essence of windows surpasses their function as a mere transitional space, instead functioning as a medium for further exploration of our connection to our natural and artificial environments.”

oval-shaped wall light that resembles a window when illuminated

oval-shaped wall light that resembles a window when illuminated

oval-shaped wall light that resembles a window when illuminated

detail of an oval-shaped wall light that resembles a window when illuminated

detail of an oval-shaped wall light that resembles a window when illuminated

detail of an oval-shaped wall light that resembles a window when illuminated

illumination emanated from an oval-shaped wall light that resembles a window

illumination emanated from an oval-shaped wall light that resembles a window

illumination emanated from an oval-shaped wall light that resembles a window

a person adjusting an oval-shaped wall light that resembles a window when illuminated

Noëmi Orgaer

To learn more about Window Chronicles, visit rundgang.io.

Kelly Beall is Director of Branded Content at Design Milk. The Pittsburgh-based writer and designer has had a deep love of art and design for as long as she can remember, from Fashion Plates to MoMA and far beyond. When not searching out the visual arts, she’s likely sharing her favorite finds with others. Kelly can also be found tracking down new music, teaching herself to play the ukulele, or on the couch with her three pets – Bebe, Rainey, and Remy. Find her @designcrush on social.

How to choose your focal length for street photography

How to choose your focal length for street photography

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