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Conservationists bid to safeguard environment through photography

Conservationists bid to safeguard environment through photography

A group of conservationists have put their minds together in a campaign to unleash the potential of photography to safeguard the environment.

Understanding that photography has the power to influence and raise awareness, officials at Uganda Baati and other conservation groups are running a two-month photo competition, Safal Eye in the Wild Photography, with the aim of igniting conversations and raising awareness about environmental conservation through the power of camerawork.

“If we are to do any environmental corporate social responsibility initiative, we have to care about the future generation, combat climate change, and speak more into the environmental social safeguards agenda for sustainable development,” said Uganda Baati head of business George Arodi.

The ongoing contest seeks to highlight the effects of drought on communities and the power of resourcefulness and innovation in combating the scourge following dire climate-linked problems that have recently hit Africa, mostly for agriculture-dependent communities.

Paul Turyagumanawe, a birder and photographer at Apes birding eco-tours, says the power of photography in conservation has been underrated for a long time.

“Photography informs in a better way that tackles ignorance. After seeing it, someone knows what is happening. The biggest threat to conservation is not poaching, not even habitat loss, but ignorance. Initiatives that highlight photography as an important tool in conservation are much needed,” he told Monitor on Friday.

 He further called for extended mass sensitization to combat ignorance.  

Environment journalist Julius Luwemba emphasized that photos depicting places and areas affected by the degradation and effects of climate change will serve evidence triggering action towards nature’s conservation and restoration.

In this campaign, photographers will be expected to use their cameras or smartphones to capture photos showing the impact of drought or innovative solutions used to combat it.

By putting drought in focus, the campaign gives a voice to the voiceless—farmers, communities, wildlife, and nomadic cultures—that are affected by drought while showcasing innovative solutions to mitigate the crisis.

Ending in September, the conservation initiative will also be looking to encourages public engagement with environmental conservation efforts and engage environmental activists and conservation organizations to support conservation work.

Nikon’s genius ad campaign proves that AI could never replace real photography

Nikon’s genius ad campaign proves that AI could never replace real photography

Nikon Peru has come up with an ingenious campaign to prove the power of real photography over AI-generated images. In the last few months, AI image generators have claimed to be able to replace photographers offering cheaper, faster alternatives to hiring the real deal. Editorial and advertising photographers in Latin America have been particularly affected by these recent new developments but Nikon’s campaign is a testament to the beauty of what they call “Natural Intelligence”.

Using the slogan ‘Don’t give up on the real world’ Nikon found a series of surreal-looking landscapes you can actually visit, all shot on Nikon cameras. From from colorful Hornocal Mountains in Argentina (John Fowler) to the giant Renisdranger basalt stacks on Iceland’s infamous black sand beach (Marco Nürnberger), it’s hard to imagine that anything AI generated could beat these magnificent areas of beauty.

Cameras used in the campaign weren’t just the latest and greatest such as the Nikon Z9 or Nikon Z7 Mark II (in fact, they didn’t appear at all) but some of the older DSLR models including a Nikon D5100, a Nikon D850 and a Nikon D610. Not only does this campaign demonstrate that nothing can replace the beauty of real photography and you don’t even need to use the latest kit to create awe-inspiring magical images. 

• Check out the best Nikon cameras ranging from impressive entry-level models to top-spec professional systems

“imagine prompt:: psychedelc mountain range painted in colors with expressionism art style” – Photograph of the Serranía de Hornocal, Argentina, taken by Esmée Winnubst with a Nikon D5100 (Image credit: Nikon Peru)

“imagine prompt:: Manhattan skyscrapes a hundred years after the zombie apocalypse” –  Photograph of Zhangjiajie National Forest Park, China, taken by Carlos Adampol Galindo on a Nikon D610 (Image credit: Nikon Peru)

“/imagine prompt:: a latte skatepark in the midde of the desert in Mars” – Photograph of The Wave, Coyote Buttes, Arizona, USA, taken by John Fowler with a Nikon D80 (Image credit: Nikon Peru)

AI image generators such as Midjourney and Dall-E are meant to be able to create photo-realistic images from a simple text prompt but they still don’t have that true essence of reality photography offers. Programs such as Photo AI are advertised as being a more affordable alternative to hiring a photographer by offering professional studio headshots that are created using a collection of selfies you upload. But the results aren’t accurate and many of these generators are still facing issues of racial bias. Nikon’s stunning images however go to show that sometimes, the beauty of real-life locations can’t be replicated. 

Just as you would in AI, Nikon has included an imaginative prompt that you might use if you were generating the images using AI. The cliffs in Iceland for example were accompanied by the prompt /imagine prompt: a realistic Minecraft cliff at the seashore in winter season while the Hornocal Mountains in Argentina were paired with the prompt imagine/prompt: psychedelic mountain range painted in colors with expressionism art style

Other locations photographers include the Hallelujah Mountains (also known as the floating mountains) in the Zhangjiaje National Forest Park, China which was used as the location inspiration for the 2009 film Avatar. The Grand Canyon in the US and a lone Dragon’s Blood tree in Yemen were also featured in the campaign.

As an experiment, I used the prompts Nikon came up with and inputted them into DALL·E 2 (my go-to AI image generator is Midjourney but you needed to sign up for a subscription to use the service), and as expected, the results were underwhelming. They looked computer-generated, they didn’t possess the natural beauty of Nikon’s photographs and the AI was unable to generate images that looked truly realistic. 

So far, Nikon’s genius piece of marketing has been a roaring success in Peru leading to an increase in camera sales. But this is perhaps not the most important outcome of the campaign. It once again reiterates the importance of creativity, an artistic vision, and the photographer’s technical abilities to capture what AI cannot recreate – real, honest, beauty. 

Why not also check out the best mirrorless cameras and browse our top picks from Nikon, Canon, Sony and more

Austria’s Hannes Jirgal helping grow the game with his passion for photography

Austria’s Hannes Jirgal helping grow the game with his passion for photography

Photo: Peter Kramberger

As American Football continues to grow in Europe, we need those who will stand on the sidelines and capture their best image of the players, coaches and fans.

For Austrian photographer Hannes Jirgal, he has had this passion from a very young age when he got his first camera. Years later, his work is showcased all around Europe for many eyes to see.

AFI was able to have a chance to ask Hannes questions about his journey, experiences and opinions from his time as an American Football photographer in Europe.

AFI: How long have you been in photography?

Jirgal: I got my first camera when I was about 13 years old. At age 20 I went to art school and learned photography from scratch … (in the meantime I am 56 years old). After finishing art school, I worked in a photo studio professionally. After digital photography was invented and changed the landscape of photography totally, I basically do photography as a side job only. The meaning of photography to me has still not changed, I just do photography much more extensive and thorough,than in my early years.

Photo: Peter Kramberger

 AFI: How did you get into American Football?

 Jirgal: A schoolfriend of mine had been playing as a running back for the Vienna Vikings and he invited me to a game in 1986. Since then, I have not missed a lot of Vikings games. In the beginning, I tried to be a player, however, after a severe knee injury I returned to being the photographer.

AFI: How many photos do you usually take at a game/event?

 Jirgal: It depends on the weather, the teams, the level, never less than 1,000 pics per game, in the ELF mostly about 2,000 and more.

AFI: What is your routine when photographing on game day?

Jirgal: I start by trying to be at the stadium as early as possible, viewing the facility spots and places to take the best photos from different angles and perspectives. Preparing the working space in the eventual media center, set up electricity source and W-Lan, mounting cameras to get ready. Taking photos of the arriving players, locker room situation, warm up, maybe covering fans outside, game day and hospitality events.

After that, jumping into the game, usually the league administration wants to have photos quite simultaneously sent, so I always need to work on best photos and send them right away. After years of working together we developed a great team covering the success of the Vikings over the years, mentioning the great Kiki Klepsch, Director of Communication, who is holding the reins of the Vikings Media Department with lots of empathy and professionalism.

Gameday routine starts days before, working on travel itinerary, gameday schedules and preparing equipment is essential, usually I travel with the team to every away game, stay in the same hotel, joining meals and meetings.

Hannes Jirgal sprinting to find the best shot at a San Francisco 49ers game.

AFI: What do you enjoy most about your job?

 Jirgal: That might be the hardest question, I took my first ever photo at a football game in 1986, so I had many anniversaries since. At the beginning of every football season, I ask myself if I still have the same fire and energy to cover every game, to search and go for the perfect football photo. I enjoy every new location, every play of every game. Enjoy covering the energy of this game and the boundaries and brotherhoods of many generations of football players in purple and gold.

In the meantime, sons of my old teammates play on the team, so I even be able to compare their way of playing football to their dads. It’s about creating stories, showing the colorfulness, the complexity of the sport, visible in newspapers, books, magazines, nowadays in social media. Every year, team, game, play is different, so photography has to develop the same way, it’s about reinventing photography every year, game, play.

AFI: What are your opinions on the growth of American Football in Europe?

 Jirgal: The growth of American football in Europe is quite impressive in regard of the ongoing improvement of quality of players, teams and leagues. Meaning, football in Europe is quite on a high level, especially in Germany, Austria , by chance also in Scandinavia. Especially if you compare the limited financial background of football programs in Europe. Football in Europe is based on the obsession of people, coaches, players and staff, building an environment of being able to work and train professionally without getting their input paid accordingly. In my eyes, the ELF is starting to try changing mechanisms. Viewer interest, fan bases and spectators at football events start growing, but unfortunately cannot be compared yet to the crowd watching Soccer here.

Photo: Peter Kramberger

AFI: What is your favorite experience from photographing American Football.

 Jirgal: In many years I have had great experiences taking photos at football games, most memorable ones have been taking photos in the US at high school, college football and at NFL games. Being able to take photos of Joe Montana and Jerry Rice in their active times, meeting and shooting J.J. Stokes or William Perry, attending NFL practice or meet and greets … This gave a lot of inspiration for the years to come in Europe.

Hannes continues with his passion and fire every time a new season comes around. In the eyes of Jirgal, the perfect football photo has not been captured just yet. From what it seems, this is what keeps Hannes going every season.

For Hannes, we thank you for your art, as your photos continue to shine light on American Football and help it grow in Europe one picture at a time.

Pop Quiz: Texas A&M tight end Max Wright talks photography and proposing on Kyle Field

Pop Quiz: Texas A&M tight end Max Wright talks photography and proposing on Kyle Field
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Texas A&M’s Max Wright enters his sixth season in Aggieland as one of  leaders in the tight ends room as well as the entire team. In his career, he’s caught 13 passes for 194 yards and two touchdowns while serving as the Aggies’ go-to blocking tight end. Here is a pop quiz with the A&M super senior.

Interview has been slightly edited for clarity.

Q: How excited are you to get things kicked off?

A: I’m excited. Anytime you get to start another season in Kyle Field is a great feeling. We’re really pumped up. We’ve had a really good off-season and a great fall camp and we’re excited to kick it off this weekend.

Q: What is the evolution of your facial hair as you’ve gone through your time here at A&M and what went into those decisions?

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A: So, actually I came in and I was bare faced. I was extremely baby faced. I wasn’t really able to grow any facial hair at all. Throughout the years, I thought that I wished I could grow a beard or something cool. We’ve got the strength coach, Coach Red [Brandon Sanders], who has that rocking red beard and everything and I admired it. But really, it was from watching “Tombstone.” Old Western movie. Doc Holliday and those guys have those wicked mustaches and I was like, “Man, those guys are cool.” So, I wanted to be able to get one of those.

Q: Off the field, what are some of your hobbies?

A: I’m an outdoorsman. I love doing anything, whether it’s hunting or fishing. Recently, I’ve taken up a little bit of photography. My sister’s future husband — they’re getting married in October — he is actually a professional photographer. So, he introduced me to that. So I enjoy doing some of that stuff too.”

Pop Quiz: Texas A&M’s Max Wright


Q: What is your favorite things to photograph?

A: I’ve done a few family portrait stuff for my fiancé’s family and then also kind of for my family, as well. They’ve gone pretty good. I’ve done pretty well with them. But, I also really enjoy taking pictures of wildlife and stuff. So, whenever I’m hunting and stuff, I’ll take my big camera. I have a big camera lens on there that goes 100 to 400 millimeters, so I can get out and really reach out and touch them.

Q: What is your biggest hunting trophy?

A: Actually, just this past spring, after my shoulder surgery, Luke Matthews — I was in his wedding, I was his best man. Instead of doing a bachelor trip we did like a hunting trip, just family and a couple of us guys. I shot a kudu. I shot a non-typical. He had one [horn] that spiraled up on the right side and other other one hooked back.

Q: You got engaged to former Texas A&M volleyball player Mallory Talbert over the off-season. How nerve wracking was that day?

A: More than any game. More than any tunnel that I’ve had to run out of. It’s not even close. But it was honestly more exciting nerves. I’ve been dating Mallory since my sophomore year here, so going on four years. Shout out to Texas A&M, love makers. She’s a volleyballer here and we met. Planned it out with her family and my family. Did it here, actually, in Kyle Field. That’s the best Aggie way to do anything.

Q: Was it a surprise or did she figure it out?

A: So, I tried to make it as big of a surprise as I could. So that’s the thing though, nowadays, it’s kind of hard to make it a surprise. They want their hair done and their nails done. You’ve got to make sure they have a nice dress on. So, my pitch to her was, “Hey, we’re doing a little photo shoot for graduation pictures and I want you to be in some of my grad photos,” because I was in some of hers. So I was like, “Hey, get dressed up. I”ll have my [graduation] gown and stuff. We’ll take a few pictures in Kyle that are fun for us two and then we’ll go around campus and do some other stuff.” I was hoping she had no idea, but I think once she started piecing together, “Oh, interesting. You want to take pictures on Kyle, but it’s 100-something degrees outside and you want me dressed up real nice.” She’s real smart, so she kind of knew it was coming. It was really fun. She was surprised. She cried.

Q: How is your volleyball game?

A: We play together. We’ll play some sand together, for sure. She’ll sometimes play me in some little pickup games that they play at practice and stuff and every now and then, when I get a point on her, she’ll turn on the competitiveness and put like eight on me. She’s like, “Know your place.” But we have fun playing and volleyball is one of my favorite sports to watch.

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9|9 Native South Art Exhibition on display at Museum of the Southeast American Indian

9|9 Native South Art Exhibition on display at Museum of the Southeast American Indian

PEMBROKE – The juried 9|9 Native South Art Exhibition, which celebrates American Indian artists throughout North Carolina, will be on display at the Museum of the Southeast American Indian from Sept. 9 through April 6.

Nancy Fields, museum director and curator, said the 9|9 Native South Art Exhibition gives visitors insight into the culture and history of Native Americans.

“These works represent native culture and identity,” Fields said. “A lot of these works dispel stereotypes. They are very authentic. They come from the heart. They reveal experience.”

The exhibit features many works of art, including compelling paintings, sculptures, beadwork and other genres of art. The museum will hold an opening reception from 6 to 9 p.m. on Sept. 9.

The museum is in Old Main on the campus of The University of North Carolina at Pembroke.

Visitors can explore native identity and culture through a wide range of exquisite and compelling paintings, sculptures, beadwork and other genres of art. Many of the works are for sale.

For more information, call 910.521.6282.

The mission of the Museum of the Southeast American Indian is to educate and serve the public about the prehistory, history, culture, art and contemporary issues of American Indians, with particular emphasis on American Indian communities of Robeson County, North Carolina and the American Southeast; to conduct scholarly research; to collect and preserve the material culture of Native America; to encourage American Indian artists and crafts persons; and to cooperate on a wide range of research and service projects with other institutions and agencies concerned with American Indians.

About UNC Pembroke

Established in 1887 as a normal school to train American Indian teachers, UNC Pembroke today has an enrollment of 7,667 in 41 undergraduate and 18 graduate programs. UNCP is a constituent institution of The University of North Carolina System. For more information, contact Mark Locklear, Public Communications Specialist with University Communications and Marketing, via email ([email protected]) or by phone (910.521.6351). Connect with UNC Pembroke on social media or online at uncp.edu to learn how the university is changing lives through education.

Mark Locklear is the public Communications Specialist with university Communications & Marketing at UNCP. Contact him by eamil at [email protected].

We Review theRocknRoller Cart R12T: Every Photographer Needs One! |

We Review theRocknRoller Cart R12T: Every Photographer Needs One! |

There is something innately annoying about having to carry stuff. I can’t decide if it’s shoulder pain, back pain, or just a general need to do physical activity. If you are a photographer who has to bring out more gear than a camera bag’s worth, this is a product for you. Don’t think so? Then read on!

Introduction

Made by RocknRoller, this cart was originally designed for the music and entertainment industry. It does a great job of being an ideal solution for that market. I used it in such a capacity when throwing a party in the studio – the DJ had the whole cart for his setup and loved it. However, that is only how I occasionally use this product. Other 99% of the time, it is my tether trolley, light modifier storage, and gear mover. It does a great job at being just that – the ultimate solution for getting a lot of gear from point A to point B, and then turning into a workstation.

There’s a reason for the title – photography equipment builds up really fast. Before you know it you are carrying light stands, tripods, computers, and much more to a location in the middle of nowhere without any vehicle access. Assignments that demand more than a camera are typically the ones when you need such a product. Last time I checked, it was more affordable to get a cart instead of several large camera bags that fit a light stand. Also, such bags have limited customization options, as such you can’t turn one into a tether station or a DJ table. This is the reason I pick a RocknRoller over a Think Tank Photo Stand Manager. Let’s see what things make it worth your while.  

Build Quality

There are many things that can go wrong with such a product. From shelves breaking to wheels slipping to the whole thing collapsing. A high-end version of this product: a grip cart is made from solid pipe metal. They are transported in production vans and typically are bulky and quite expensive to make.

For RockNRoller to make a product that’s en-par with grip cart in terms of durability and quality, while also being portable and lightweight, they need to have some clever design solutions. Which they do.

Let’s start from the bottom: the wheels. They are made with solid tires that won’t go flat. While the suspension won’t be great when compared to air-filled tires, the benefit is that you never worry about having a flat tire slow you down. The rim itself is lightweight plastic, however quite thick, proving not to be a weak point. There are breaks on the two rotating wheels which stop the cart from rolling. One downside I must point out is that the brakes themselves don’t have a lot of surface area to push on with your foot. Moving upwards, we have 3 solid rails that hold up the bottom shelf, which are covered in wool fabric. Then on, we have 2 foldable side rails which are there to hold the top shelf. Made out of wood, it is covered in a non-slip material that appears to look like water but actually isn’t. This provides a great surface for your gear such as cameras, monitors, etc. It would be great to see this shelf also covered in the same wool-like material as the one on the bottom. Unfortunately, it is not possible to swap them around as the top shelf attaches with bolts, while the bottom one with latches.

The bottom shelf can definitely take quite some abuse, as it rests on 3 solid metal bars. I had no problem putting a bunch of sandbags, light stands, and other gear on it. You can put up to 500 lbs of load on it without a worry.  As for the top shelf, I would not give it the same payload as the bottom one. Given that it latches onto the sides, it definitely can hold less, but then again I do put my monitor, camera, and other miscellaneous stuff on it. When transporting, I’ve also put things such as the Profoto ProFresnel (weighting 22 lbs) without a worry on it. Overall, a very successful design.

Features

Moving on to the features, this cart claims to have 8-1 capability. The particular model I have, the R12 can be used in its short and long configuration, the long one doubles the length of the cart, which while making it harder to maneuver, is quite useful as a workstation and a solution for carrying a light stand. Then, you can use it with or without the bottom shelf. If all you have is a bunch of boxes, it makes sense to use it without a bottom shelf, however, as soon as you carry smaller items such as lights, chargers, cables, and other stuff, a bottom shelf becomes a necessity. On top of that, you can purchase the optional top shelf, which I would recommend highly, as it converts the cart into a workstation. Lastly, you can fold the two vertical supports inwards making the whole thing smaller. So much so it fits in the back of a regular car.

Then you can choose to accessorize your cart with things such as handle bags for light stands, multi-pocket pouches, and so on. It is great to see a cart with the ability to be tailored for every photographer’s specific needs.

Some features that I would say are missing from the cart are things such as a top wool deck, some clamps on the side to secure light stands horizontally, and last but not least, large shelves with side walls to prevent gear from falling off.

What I Liked

  • Clever design
  • Price
  • Durability
  • Functionality

What Could Be Improved

  • Dedicated light stand mounting option
  • Shelves with side walls

Conclusion

Overall, RockNRoller Multicart is one of the most cost-effective and efficient solutions to carry a lot of gear for a photographer. Being on par with production carts, this sometimes overlooked product can solve a lot of problems for photographers who work on-location or need to get a lot of gear from one place to another in a short period of time without extra weight on their shoulders.

Washington State man sentenced to two years in prison for passing off more than $1m worth of fakes as Alaska Native art

Washington State man sentenced to two years in prison for passing off more than $1m worth of fakes as Alaska Native art

A man from Washington State has been sentenced to two years in federal prison for selling objects produced in the Philippines and passing them off as Alaska Native works. He sold more than $1m worth of forgeries in violation of the Indian Arts and Crafts Act of 1990—a truth-in-advertising law that prohibits misrepresentation in the sale of Native American crafts throughout the US—going so far as to hire Alaska Native clerks in his stores to falsely represent his wares.

According to the US Attorney’s Office in Alaska, Cristobal “Cris” Magno Rodrigo operated two companies based in Alaska between April 2016 and December 2021. The first, Alaska Stone Arts, sold mostly stone carvings, and the second, Rail Creek, dealt in wooden totem poles. Both the carvings and totem poles were sourced from Rodrigo Creative Crafts, a company owned and operated by Rodrigo’s wife in the Philippines and created to produce knock-off Alaska Native objects. Rodrigo, who had worked in the Alaskan tourist trade for over 20 years, taught people at the company in the Philippines how to mimic the authentic styles and motifs of real Alaska Native objects. In 2019 and part of 2021, Rodrigo’s web of family-based companies sold over $1m in falsified products.

Rodrigo’s two-year prison sentence is the longest anyone has received for this type of transgression, according to the Indian Arts and Crafts Board. (The second-longest is only 6 months.) Rodrigo is also required to donate $60,000 to the Tlingit and Haida Central Counsel Vocational Program, write an apology letter for publication in the Ketchikan Daily News and serve three years of supervised release. Cases involving Rodrigo’s co-conspirators, Glenda Tiglao Rodrigo and Christian Ryan Tiglao Rodrigo, are ongoing.

“The actions the defendant took to purposefully deceive customers and forge artwork is a cultural affront to Alaska Native artisans who pride themselves on producing these historical works of art, and negatively affects those who make a living practicing the craft,” said S. Lane Tucker, US Attorney for the District of Alaska, in a statement.

The Indian Arts and Crafts board director, Meridith Stanton, concurred: “Mr. Rodrigo’s sentencing should send a strong message to those who prey upon authentic Alaska Native artists and vulnerable consumers that this destructive conduct will not be tolerated, and act violators will be held accountable.”

Rodrigo is far from the only person caught violating the Indian Arts and Crafts Act this year. In July, a souvenir store in Alaska was sued for selling goods from Nepal, India and Thailand as “Native art” and “made in Alaska”. And in May, a Seattle-based artist who falsely claimed Indigenous heritage was sentenced to 18 months of probation.