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Photographer reflects on how her business changed her life

Photographer reflects on how her business changed her life
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Opelika native Turri Thomas Hughley has been professionally taking pictures for the past six years with her photography business “Everlasting Image by Turri” in Auburn.

Hughley took pictures as a child and used every brand of disposable cameras. She was always the one who took pictures of everything and everyone, including family.

As a child, she wasn’t able to drive or earn money to have pictures developed. She waited a long time for the pictured to come back. When they did come back, they were black.

“I lost pictures of family members who were extremely close to me, and that weighed heavy on me for years, even today,” Hughley said. “So, one day the idea popped up in my head to start my own photography business.”

Everlasting Image by Turri specializes in family, wedding, birthday, anniversary, engagement, maternity and senior portraits.

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Hughley enjoys capturing special moments, bond of families and friends, unions of love and smiled of happiness and joy.

As a wife and mother of two, Hughley figured she could schedule sessions around her full-time job at the East Alabama Medical Center in Opelika. She could bring daughter along to assist instead of paying someone else.

“At the time, I felt that it was the best decision for me and my family,” Hughley said. “I didn’t want anyone else to experience what I had gone through. Therefore, I wanted to capture memories and moments that would last forever. With that in mind, that’s how I came up with the name Everlasting Image by Turri.”

In a complex journey, Hughley had taught herself everything she knows about photography. She had plenty late nights and early mornings, but it’s an awarding experience overall.

Everlasting Image by Turri gave Hughley the opportunity to travel many places such as Hawaii, Puerto Rico, California and New York. Throughout her photography journey, Hughley has learned a lot about the field.

“Hard work definitely pays off, and I’m just getting started,” Hughley said. “God has blessed me so much, and I am forever grateful. I am excited to see how my photography business grows and continues to capture everlasting images.”

Hughley plans on expanding her business in the near future, because there is much more work to be done. Eventually, she will offer more services than what is currently available.

If you want to know more, visit the Facebook pageEverlasting Image by Turri’s.”

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Graphic artist Mr. Soul inspires next generation in Cleveland

Graphic artist Mr. Soul inspires next generation in Cleveland

After starting a successful career in Atlanta, the Cleveland-raised visual artist is expanding his work back home in Northeast Ohio.

CLEVELAND — Kevin Harp is a multidisciplinary visual artist known as Mr. Soul, whose work has been felt worldwide. But that impact began at an early age at Grace Mount Elementary School here in Cleveland.

“I’ve always been into art since as early as the first grade,” Mr. Soul recalled. That was my inspiration on into high school when I was able to meet SANO, who at the time was the legend that you wanted to meet if you was into graffiti culture in Cleveland. And eventually SANO took myself and a few other artists under his wing.”

And that mentorship helped develop Mr. Soul into a more confident artist. After graduating from John Marshall High School, he attended the Art Institute of Pittsburgh and ultimately began a career in Atlanta.

“I was able to work with some of my idols, like Organized Noize. We discovered Outkast. I did the official logo for the Dungeon Family,” he explained.

After working with the collective that included future Grammy winners like CeeLo Green and Future, Mr. Soul then collaborated with the iconic City of Ink Tattoo Shop on their yearly art shows. But his return to Cleveland marked a shift.

“I came back because I lost my father unexpectedly, and then I was disconnected abruptly from 20-year-old cultural relationships, friendships. I ended up meeting a variety of different people along the journey back here will have helped me realize what Cleveland could look like,” he said.

And the fruit of these connections led to him mixing his experiences with his hope for Cleveland artists with the Deep Roots Experience art gallery in the Fairfax neighborhood.

“[This] is an art gallery that was founded and started by my friend David Ramsey. In five years, we have created a scene that looks like from Marc Cell, what it looked like when Atlanta started.”

But the job’s not done there. As Mr. Soul explained, he is also completing a campaign of murals throughout Cleveland neighborhoods with a special focus on the next generation.

“The name of the campaign or the project is Inspire Your City. The theme of the project is literacy, so all of the murals will feature children with books in some capacity.”

Featuring young people from selected neighborhoods, the series is geared to do just what Mr. Soul said, inspire the city.

Cleveland is one of the greatest canvases I’ve ever seen. There’s so many buildings, so many walls, so many opportunities to good art on,” he explained. “Murals to me, are probably one of my most powerful tools to speak. How that work is interpreted so many different ways, but knowing at the root of it, it inspires.”

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Veterans at Belmont Village in Cardiff have their portraits taken for nationwide photography project

Veterans at Belmont Village in Cardiff have their portraits taken for nationwide photography project
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Edmund Schloss served as a translator in World War II while serving with the 3rd Armored Division of the U.S. First Army, nicknamed Spearhead. He told the Army he was 18 so he could enlist, even though he was 17.

Schloss, 98, was one of 22 veterans at Belmont Village in Cardiff photographed on Aug. 24 as part of a project that many of Belmont’s senior living facilities around the country are participating in.

Photographer Tom Sanders has been taking portraits of the veterans who live at each one. Many served in World War II, but the project has also included veterans of Vietnam, Korea and other parts of history.

“The goal from the project is that I want people to see the veteran portraits on the walls and read the quotes and hopefully just create a greater appreciation for our veterans,” he said.

Sanders’ interest dates back to a homework assignment at California Polytechnic State University, when he photographed a World War II veteran who shared a story about how he nearly died in Italy.

Since then, Sanders said the project “really has a life of its own.” He has traveled the country with Belmont Village, and has photographed thousands of veterans. He had a book of their portraits published in 2010.

Sanders said his goal is to capture their emotions.

Schloss lined up for a solo portrait and a group shot with some of the other vets at the Cardiff facility. He said he lived in Chicago after arriving with his family as German refugees.

“That made it easy for me to become an interpreter,” he said. “The minute they found out I was German, that was it.”

He served on the front lines until the end of the war.

“I went in about a month after the invasion in France and went all the way through until we met the Russians,” Schloss said.

Another Belmont veteran, Bruce Sutherland, 101, served in the Army Air Corps from 1943-45. He posed for photos in a leather flight jacket from that era, and held a hat that he wore during the war.

His son, Scott Sutherland, said his dad flew in countries including China, Egypt, Iran and Vietnam.

Sanders also made recent stops in Belmont’s Sabre Springs and La Jolla facilities to photograph the veterans who live there.

Reflecting on the years spent meeting so many veterans over the life of the project, Sanders said: “I think everyone did their part, if they stayed stateside or saw a traumatic battle.”

Billionaire Financier Thomas H. Lee’s Heirs Are Selling His Art Privately After His Suicide. Public Filings Show He Leveraged the Heck Out of It, Too

Billionaire Financier Thomas H. Lee’s Heirs Are Selling His Art Privately After His Suicide. Public Filings Show He Leveraged the Heck Out of It, Too

Deaths of key collectors are propelling scores of blue-chip art to the market.  

The Art Detective hears that the $500 million Emily Fisher Landau estate, so far the biggest prize of the upcoming season, will go to Sotheby’s for an auction led by Pablo Picasso’s large-scale 1932 portrait of Marie-Therese Walter. (A Christie’s representative said that the group “is definitely not going to Christie’s as of right now”; Sotheby’s said “there is nothing to share at this time.”)

There’s also the estate of Bay Area art patron Chara Schreyer, with a gorgeous Frank Stella, going under the hammer, as well as a smaller group by postwar masters Willem de Kooning, Richard Diebenkorn, and Franz Kline consigned by San Francisco collector Sanford Robertson in the wake of his wife’s death in 2018.

But one significant collection isn’t heading to auction. The heirs of the financier Thomas H. Lee, who shot himself in February, have decided to sell things privately.

Lee began amassing postwar and contemporary paintings, photographs, sculptures in the 1990s after brilliantly flipping soft-drink company Snapple, which he acquired for about $135 million in 1992 and resold for $1.7 billion two years later. Armed with about $927 million, Lee jumped into the art world as a both a buyer and a philanthropist, frequenting auction salesrooms and joining the Whitney Museum of American Art’s board of trustees (where he served for 29 years).

Thomas H. Lee and Ann Tenenbaum's Sutton Place apartment photographed during an event in 2019. Works by Ellsworth Kelly, Donald Judd, Mark Rothko, Fred Eversley, and Andy Warhol are on view. Photo by Matteo Prandoni/BFA.com ©BFA 2023.

Thomas H. Lee and Ann Tenenbaum’s Sutton Place apartment photographed during an event in 2019. Works by Ellsworth Kelly, Donald Judd, Mark Rothko, Fred Eversley, and Andy Warhol are on view. Photo by Matteo Prandoni/BFA.com ©BFA 2023.

Canvases by Mark Rothko, Roy Lichtenstein, Jackson Pollock, and Francis Bacon hung in the Sutton Place apartment Lee shared with his second wife, Ann Tenenbaum. A monumental 1964 blue-and-red canvas by Ellsworth Kelly was promised as a gift to the Whitney and a collection of photographs to the Metropolitan Museum of Art.

Some of Lee’s most valuable works have been offered for sale privately in recent months, according to dealers, advisers, and auction specialists. The family is said to be working with the art dealer Jeanne Greenberg Rohatyn, a friend of Tenenbaum’s, as well as the advisers Amy Cappellazzo and Andrew Ruth, the latter of whom had a long working relationship with Lee.

The way the heirs are going about things has puzzled some market onlookers.

“It was an up-for-grabs kind of thing,” said a major art adviser. “And it was confusing to someone like me to be talking to different dealers about the same pictures.”

Bacon’s small Study of Gerard Schurmann was spotted in a private viewing room at LGDR gallery in April, when it opened its new gallery on East 64th Street. Greenberg Rohatyn worked there as the “R” in the title until splitting off last week.

Other works on offer included: Warhol’s 1963 5 Deaths Twice 1 (Red Car Crash), Pollock’s 1949 Number 22, Rothko’s nearly eight-foot-tall Olive Over Red (1956), Jean-Michel Basquiat’s 1982 oilstick drawing, and an untitled 1969 Donald Judd wall piece of brass and aluminum.

Thomas Lee and Ann Tenenbaum in New York City, 2019. (Photo by Mike Coppola/Getty Images for Film at Lincoln Center)

Thomas Lee and Ann Tenenbaum in New York City, 2019. (Photo by Mike Coppola/Getty Images for Film at Lincoln Center)

Tenenbaum didn’t respond to the Art Detective’s email seeking comment. A representative said she wasn’t available. 

“Tom Lee used leverage as a vehicle,” said a person familiar with her thinking. “And Ann Tenenbaum doesn’t work like that. It makes sense that she would sell the art whether she had to or not.”

She may have decided to try selling art privately to avoid public scrutiny and speculation about the cause of her husband’s suicide, several art world people said.

The auction schedule apparently didn’t work in her favor either, according to the person familiar with her thinking. May was too close and November too far off, the person said.

Meanwhile, the art market has experienced a dramatic shift in real time; prices that seemed reasonable in March suddenly appeared “aspirational,” according to one person who was offered some works but chose not to make any bids.

Word on the street is that works by Pollock (said to be worth about $40 million in March), Warhol (said to be worth $15 million to $20 million in March), and Basquiat (said to be worth about $7 million now) have sold.

Over the years, scores of Lee’s artworks have been listed as collateral for bank loans, according to public filings reviewed by the Art Detective. These documents offer a rare glimpse into his formidable collection—as well as how the sophisticated leveraged-buyout pioneer put it to work for himself as a financial tool.

The earliest available filing dates to 1995 when Lee began borrowing from Citibank, the first financial institution to offer art lending to its ultra-wealthy clients. (The paperwork lists the collateral as “consumer goods, consisting of paintings, drawings, sculpture and other works of art and decorative objects of every kind and nature.”)

Andy Warhol, 5 Deaths twice 1 (Red car crash) (1963). Courtesy of Sotheby's.

Andy Warhol, 5 Deaths twice 1 (Red car crash) (1963). Courtesy of Sotheby’s.

The timing of the loan suggests, remarkably, that Lee began unlocking value from his art holdings almost immediately after he began collecting. 

Later, in 2004, the Citibank filings listed 65 artworks, an impressive group of names ranging from modernists Piet Mondrian, Juan Gris, and Claude Monet to pioneering photographers Edward Weston, Alfred Stieglitz, and Diane Arbus. He had three works by Jasper Johns, four by Lichtenstein, two Pollocks and two Gerhard Richters.

That same year, Lee took a loan from HSBC Bank USA backed by another 54 artworks, mostly on paper, including an etching by Rembrandt, a gouache by Georgia O’Keeffe, the 1982 Basquiat, and a 1971 Cy Twombly.

During the financial crisis of 2008, Lee augmented that line of credit with higher-value works that included Pastorale, a 1963 painting by de Kooning, and the aforementioned 5 Deaths Twice 1 (Red Car Crash) by Warhol and Study of Gerard Schurmann by Bacon.

Jeff Koons, Jim Beam – J.B. Turner Train (1986) stainless steel and bourbon. Courtesy: Christies.

Around the same time, the financier also sold art to generate cash, according to the adviser who Lee asked “to take what you want” from the collection. Several works by Lichtenstein, Richter, Koons, and Polke were removed from Lee’s collateral pool in 2008-2009, suggesting they were sold. One of his top pieces was the Jim Beam Turner Train by Koons. At the time, those in the know said that the royal family of Qatar bought the work.

Perhaps the largest deal of this kind came toward the end of Lee’s life, when he got a $100 million loan from Bank of America backed by $200 million worth of art, according to a person familiar with the deal. A representative for Bank of American declined to comment.

Now, the haste to sell off Lee’s art is likely because his heirs want to pay off their debt sooner rather than later due to increased interest rates, which have doubled or even tripled investors’ debt burdens over the past year.

“You pay off a loan when you don’t want to have that much debt,” said the major art adviser. “You want to clean up the balance sheet. It’s good housekeeping.”

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A Local’s Guide to Majorca

A Local’s Guide to Majorca

T’s new monthly travel series, Flocking To, highlights places you might already have on your wish list, sharing tips from frequent visitors and locals alike. Sign up here to find us in your inbox once a month, as well as our weekly T List newsletter. And you can always reach us at tlist@nytimes.com.


Majorca, the largest of Spain’s Balearic Islands, has been a classic summer destination for Europeans and Brits for decades. But long before the big resorts sprung up along the coastline and villas came with helipads, the island’s hilltop villages attracted artists, musicians and writers in search of year-round sun and solitude. Among the best known of those early visitors were the Polish composer Frédéric Chopin and the French novelist George Sand, who spent the winter of 1838 in the town of Valldemossa, in the mountains above Majorca’s northwest coast. By 1929, when the British writer Robert Graves and the American poet Laura Riding arrived in the nearby village of Deià — at the recommendation of the American writer Gertrude Stein — and later built a home there, that picturesque hamlet of stone houses and olive groves was already a fledgling artists’ colony. In 1956, the Barcelona-born artist Joan Miró and his family moved to the outskirts of Palma. Plenty of artistic talent was homegrown, too, nurtured by generations of weavers, glassblowers and ceramists. One of Spain’s most prominent contemporary artists, Miquel Barceló, grew up on the island painting landscapes with his mother and her friends. Among the island’s many signature local crafts is the roba de llengües, or cloth of tongues, a style of ikat believed to have arrived from Asia centuries ago via the Silk Road. And it’s that deeply rooted artistic tradition combined with an extraordinary natural beauty that’s attracting the latest influx of creative types. In the last few years, a number of artists and designers have left larger cities in Europe and moved to Majorca. Some of these new arrivals are renovating old houses and farms in and around the country towns of Sóller and Deià or choosing to base themselves in Palma’s Old Town, where Gothic spires loom over the port, and there’s a fresh wave of contemporary art galleries and idiosyncratic shops dedicated to supporting local artisans. All over the island, new or newly revived hotels compete for the most impressive views.

For the first installment of our series of Flocking To travel guides, we asked four locals or frequent visitors to Majorca to share the places they love most. One word of advice for first-time visitors: Majorca sprawls across roughly 1,400 square miles (it’s about the size of Long Island), so if you’re planning on exploring, you might want to rent a car.

A map of Majorca, marked with the places featured in this guide.

Stefania Borras, the designer and founder of the fashion line Datura and a native Majorcan, opened the Datura Studio Isla boutique in Deià, Majorca, in 2022.

Dalad Kambhu, originally from Bangkok, is the chef and co-owner of Kindee, a Michelin-starred Thai restaurant in Berlin. Since the year 2020, Kambhu has been spending several months a year on Majorca with her husband, the architectural designer Geoffrey Grunfeld.

Adriana Meunié, the textile artist, is a native Majorcan who moved back to the island in 2014 after working in Barcelona and Berlin.

Matthew Williamson, the fashion designer turned interior designer, moved from London to Majorca in 2016. His first home décor book, “Living Bright,” comes out in October.


Left: Es Racó d’Artà hotel, designed by the architect and co-owner Antoni Esteva. Right: one of the guest rooms at Es Racó d’Artà.Ricardo Gonçalves

“I was incredibly impressed with the newly reinvented Grand Hotel Son Net [about eight miles west of Palma] when I went to visit the other day. It’s a very special place: old-school but fresh and contemporary, and jasmine as far as the eye could see. It has all the bells and whistles but doesn’t feel too stuffy. I also recently found an especially cute little place in Palma called Palma Riad. It’s Moroccan inspired — there is in fact a lot of Islamic influence on Majorca because it was under Muslim rule for centuries — and feels very new for Palma. I would also go there for pre-dinner drinks.” (Rooms at Grand Hotel Son Net from about $650 a night; rooms at Palma Riad from about $600 a night)Matthew Williamson

“For me, Antoni Esteva, the co-owner and architect of Es Racó d’Artà [in the island’s northeast], is a poet. I think he really understands space, light, materials and the beauty of simplicity so profoundly. All of his projects, from the gallery Sa Pleta Freda in Son Servera to the hotel Son Gener, are created with such a strong vision that connects the past with the future.” (Rooms from about $520 a night) Adriana Meunié

“I am so excited about the new Hotel Corazón [in the northwest]. It was just opened by two friends of mine, the artists Kate Bellm and Edgar Lopez. One of my favorite chefs on the island, Grace Berrow, is cooking there.” (Rooms from about $380 a night) — Stefania Borras


Left: the Ca na Toneta restaurant in the town of Caimari. Right: prawn tartare at Ca na Toneta.Ricardo Gonçalves

“Maria Solivellas, the chef and owner of Ca na Toneta, in the rural village of Caimari, cooks traditional Majorcan food [seasonal options include coca, a flatbread topped with fresh roasted peppers or arroz brut, a savory rice casserole] but her own way, and [often] with vegetables she grows herself. Be sure to check out her shop where you can find locally made ceramics.” — A.M.

“The food at Sa Foradada is good — go for the paella — but the views of the sea and the cliffs are insane. It’s only accessible by boat or by a hike of almost an hour, and it’s essential to book in advance — tables are limited. When it comes to fish, Casa Manolo [in the southern village of Ses Salines] is one of my favorites on the island. I used to go there as a kid with my dad who always loved eating well. It’s a very traditional place not far from amazing beaches. For drinks in the evening, I love Bar La Sang in Palma. This homey natural wine bar is kind of the place to be at the moment because the island’s natural wine scene is getting really interesting. You can order small, delicious bites, and there are often different visiting chefs cooking here.” — S.B.

Calamar de potera a la plancha, one of the signature dishes at Casa Manolo, a restaurant in the southern village of Ses Salines.Ricardo Gonçalves

Cati Ribot is a female winemaker based in the island’s northeast, in Santa Margalida. She’s doing beautiful natural wines made from indigenous grapes [such as prensal blanc and escursac]. Her natural wine tastings are on Saturdays only and you must email for appointments. I also love Ses Coves, a rustic restaurant in the north of the island at the foot of Puig de Sant Miquel, which specializes in Spanish meat and fish cooked over fire. Especially delicious are the grilled sweetbreads. Everything was so good; I was sucking on the bones. Afterward, I recommend going to the nearby caves that have the most incredible stalagmite and stalactite formations.” — Dalad Kambhu


Left: tableware designed by Cortana’s founder, Rosa Esteva. Right: plant-dyed bags and T-shirts at Earth Core.Ricardo Gonçalves

“Inside Villa Rullan, in Deià, are a very charming bistro and a boutique. The shop, named Joy, sells a great mix of locally and sustainably made crafts, from baskets and bags handwoven with palm leaves or grass to whimsical hand-painted ceramic mugs.” — M.W.

La Pecera is a great design store in Palma founded by Marlene Albaladejo, who’s an important sustainable design pioneer on the island. Look for chairs made partly with woven local bulrush grass and woven palm leaf pendant lamps.” — A.M.

“The fashion designer Rosa Esteva [of the Cortana brand and boutiques] is the definition of a Majorcan woman: so elegant, sophisticated and proud of her land and identity. Her new shop in Palma is stunning. It’s a maze of white rooms that feature her clothes: beautiful, practical and made from natural materials. She makes clothes for women who are active and the colors she uses perfectly reflect the hues of the island. Earth Core is a new gallery and boutique in the town of Sóller. It was opened by transplants from Berlin: Karin [Oender] and David [Mallon], the founders of Souvenir Official, a very cool T-shirt and hoodie brand. I appreciate it because it’s essentially a love letter to the island and pays tribute to local artisans, produce and plants. They serve up great fruit juices and use local plant dyes for their T-shirts, wraps and fabric bags.” — D.K.


Left: Cala Figuera, a seaside village in the southeast of the island. Right: the Valldemossa Sunday Market is one of the best places on the island to buy local produce and delicacies.Ricardo Gonçalves

Cala Figuera is a charming fishing village in the southeast of the island that looks like Ibiza with its whitewashed buildings that descend into the bay.” — M.W.

Valldemossa Sunday Market is the best spot to buy local delicacies like dried figs and peaches, honey, cheeses and charcuterie. Look for Joan and his tiny stall called Can Bernat. He is such a funny character and will make you try everything.” — S.B.

“The new La Bibi Gallery is adding some energy to the contemporary art scene in Palma, hosting progressive shows and also international artists through its residency program. Xtant is an excellent new textile and craft fair that takes place in May. It brings textile artisans here from around the world and offers lectures and events that are open to the public.” — A.M