Located at the southernmost end of a series of majestic Norwegian fjords and encircled by a mountainous stretch exists a landscape where even the most oversized personality can be made to feel humbled by nature’s grandeur. Lysefjord, renown amongst hikers, campers, kayakers, mountain bikers, and adventurers drawn to its awe-inspiring scenery, was till now mostly off the radar of the design-first traveling set. The Bolder Lodges is a small enclave of architectural cabin-style retreats furnished into a warm womb with a view that may tempt the architectural set to “rough it” within the gentlest of accommodations.

Each of the four cabins stand upon large concrete pillars to further elevate the structure and view.

Designed by Norwegian architectural firm Snøhetta, four 35m2 cabins – Stylten, Myra, Stjerna, and Eldhuset – are snuggly situated on the mountainside to offer guests exemplary views of Lysefjorden from above the tree line. Sheets of glass maximize the sensation of being part of nature even when safely nestled into the comfortable confines of each structure.

While the cabins themselves are comfortably cozy in dimension, the architecture’s tall ceilings and large panoramic windows create a “cliff’s edge” effect, inviting the sensation of hanging over a naturally occurring edge.

Natural materials such as wood, marble, and leather lean toward the darkly minimalistic, accentuated by an earthy palette and organic textures across the built-in bed and bathroom located on the ground floor. Each of the cabin’s upper floors is dedicated to a kitchen and dining area appointed by Vipp.

Guests can choose to pre-order provisions to stock their Vipp designed kitchens for in-cabin dining, with a refrigerator, induction cooktop and oven, Nespresso coffee machine, tea kettle and a selection of kitchen utensils provided.

Clad in untreated red cedar, the cabins’ exteriors reference the surrounding forest and are intended to patina into a natural gray finish as the elements blend the structures into the surrounding landscape. In contrast, oak wood dominates within, but Snøhetta has made sure to avoid uniformity in the layout to give returning guests a unique experience within each cabin structure with every visit.

The site is off the grid except for electricity powering the light and the amenities in the cabins. The naturally sourced spring water from the treatment plant under the parking is cleaner than the water in the local river running over the mountain.

There are also two 22-square-meter SkyLodges with two double bedrooms. Designed in a cube over cube floor plan, architect John Birger Grytdal has created accommodations as close to a tree house experience as one could imagine in Lysefjord.

It may be a cabin, but you won’t be roughing it. Soft cotton towels and luxury toiletries from Barbor appoint the fully equipped bathroom, complete with warm shower and flush-toilet.

What: The Bolder Lodges
Where: Ryfylkevegen 251, 4110 Forsand, Norway
How much: From $371/night for two occupants; a newly opened Grand Lodge offering two double bedrooms and two bathrooms is available with prices made available upon inquiry.
Highlights: The glacial carved landscape draws thousands of hikers and outdoor adventurers, with numerous trails to explore and 4,444 steps of ascending the world’s longest wooden staircase situated in the nearby village of Flørli. The Pulpit Rock (Preikestolen) in Ryfylke is a popular vantage point made even more famous by Mission: Impossible – Fallout; the view requires a moderately demanding 4–kilometer hike during the warmer months, but a guide is recommended during the winter.
Design draw: Each of the four cabins are dramatically furnished with Scandinavian designs from Vipp and Eikund, the dark interior palette resulting in a stark contrast to the glacial-bright views.
Book it: The Bolder Lodges

Photos courtesy of The Bolder Lodges

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Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.

Designer Aleksandra Gaca’s pioneering efforts across the realm of 3D-woven textiles has won her acclaim for materials exhibiting a rhythmic topological complexity hinting of movement or even growth. Fearlessly experimental, Gaca’s weaving techniques have appeared within the interior cabin of a concept car, across 3D woven textile acoustic panels, and applied to her own chic shawl. Open to new challenges, Gaca partnered with Philips MyCreation to explore utilizing recycled fishing nets to “weave” a series of luminaires into the brand’s Coastal Breeze collection.

Manufactured completely with recycled synthetic polymeric fibers, all four pendant designs are composed of innumerable layers printed to evoke the textures of sand dunes, rippling water, and fish scales, each exhibiting the same characteristic blue green color of the fishing nets from which they were born from. A pleasing benefit of reusing the recycled synthetic polymers is the subtle gradient from green to yellow that only becomes visible when illuminated.

Small irregularities in the 3D-printing process are embraced by Gaca as a unique fingerprint each made-to-print light exhibits.

“I find inspiration in geometric and abstract shapes in architecture, and patterns found in nature,” explains Gaca. “My main focus is on developing designs that offer sensory experiences, just like the way nature does. I want to create fabrics that are not just visually appealing but also offer a tactile and even auditory experience, all contributing to a better living and working environment.”

Philips sourced the discarded fishing nets in collaboration with Fishy Filaments in Cornwall, United Kingdom to help reuse a portion of the 200,000 tons of new fishing net manufactured annually. The technology giant then needed to develop a new process to handle the material, first sorting, cleaning, then melting the nets to eventually be reformed into a 100% recycled filament that could be used to translate Gaca’s soft textile geometric patterns into solid lighting objects.

Previous 3D-printed luminaries within the MyCreation catalog were made with at least 55% recycled or bio-circular materials. The Coastal Breeze collection is the brand’s first using 100% recycled materials.

ThePhilips MyCreation Coastal Breeze collection is just one of numerous 3D-printed design styles the brand now manufactures on demand. There’s also Icelandic-inspired lamps, Japanese lantern designs, and intricately textured table lamps made to look and feel like wicker, amongst numerous other contemporary options.

With plastic waste being an enormous environmental issue, sustainable design will require more companies to adopt similar bio-circular sourcing and manufacturing processes, scaled to become the rule, rather than the exception to reduce carbon emissions, eliminate waste, and create a circular economy where plastic is reused in perpetuity.

Gregory Han is a Senior Editor at Design Milk. A Los Angeles native with a profound love and curiosity for design, hiking, tide pools, and road trips, a selection of his adventures and musings can be found at gregoryhan.com.