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Exploring the waste stream through film and photography –

Exploring the waste stream through film and photography –

Meet the two new Moab Arts Reuse Residency artists

When Moab Arts debuted its “Reuse Residency,” assistant director Melisa Morgan didn’t realize how popular the program would become. The month-long residency invites artists from all over the world to spend one month in Moab creating art from items found in Moab’s waste stream. 

Since its launch in 2021, the program has hosted three residencies; on August 1, Moab Arts welcomed two new artists, Tom Hansell and Renée Reizman, as part of its second Reuse Residency program of this year.

“In 2022, our staff looked to expand the program: first, to host multiple residents together to allow for the possibility of collaboration and new friendships to form, and second, to trial two residency periods as opposed to one to accommodate the interest,” Morgan said. “There is an abundance of excitement around the intersection of reuse and creative practice, and sustainability is increasingly important to large numbers of artists worldwide.”

This year’s program has taken on a new form because artists are no longer required to donate a finished work to the City of Moab’s permanent collection, Morgan said. 

For the August residency, the artists are encouraged to create place-specific work that centers around community participation. Moab’s waste stream is ever-evolving—it’s difficult then to expect that every artist will be able to create a finished product in only one month. 

“Instead of expecting artists to produce a finished work, we have chosen to champion the process and celebrate the questions and ideas that arise over the course of developing their individual projects,” Morgan said. “Striking a balance between creating an experience that is nourishing and beneficial for the resident artists while also being nourishing and beneficial for the local community is part of what we hope to do, in addition to the residency’s mission to challenge the perception of waste culture.” 

Hansell is a filmmaker, author and artist: during the residency, he will host a series of two-hour film workshops during which participants will create short films on themes of waste, art, and reuse. The workshops will take place on August 9, 16, and 23 from 6 to 8 p.m. at the MARC. The finished films will be projected onto a large screen that Hansell will create from upcycled materials. 

An image from a “Trash Trout film” workshop Hansell hosted. [Courtesy photo]

“Recent advances in cell phones and social media have increased people’s access to the tools of filmmaking, so more folks have the ability to tell their own stories,” Hansell said. “The challenge is how to present stories that are unique to your place. I hope that I can help residents learn new angles to tell the many stories of Moab.” 

Hansell is looking forward to the opportunity to work with repurposed materials and the landscape and culture of Moab, he said: “Seeing people actively work to build community is inspiring to me, so I’m looking forward to meeting folks that are engaged in making Moab a more sustainable place.” 

Reizman is an artist focusing on infrastructure, public policy, and the environment. Through her art, she explores the “utilities and services that make cities operate,” she said, “and I like showing people how these systems affect the way we live and interact with one another.” 

“For this project, I’m really interested in thinking about ways policing can be reformed so that it reduces violence,” she said. “Sanitation workers often collaborate with law enforcement to locate evidence and solve crime, but they aren’t a weaponized force. I think sanitation can open a door into thinking about what an alternative world of law enforcement and community protection could look like.” 

“Warren & Karen” (2022), a photograph by Renée Reizman and Yubo Dong. [Courtesy photo]

During the residency, Reizman will first interview staff at the Canyonlands Solid Waste Authority about their experience with crime, then will create artistic portraits by costuming staff as detectives. 

“Their stories about working with forensics and collaborating with law enforcement are really going to shape the direction of the photos,” she said. The portraits are intended to be approachable and somewhat humorous—Reizman wants the final work to get people thinking about policing in a “speculative way that still leads to actionable ideas,” she said. 

Reizman will also host a public workshop: on August 22 from 6 to 8 p.m. at the MARC, Reizman will teach participants the basics of Gimp, a free photo editing software, to create collages that will then be printed on postcards. 

“The opportunity to weave in the expertise and perspectives of many folks working to keep our community healthy and vibrant into the future feels exciting,” Morgan said, “and it’s always incredible to build relationships with new residents, who bring the gifts of their perspectives and outstanding practices to our one-of-a-kind desert community.” 

You can find more information about the workshops at www.moabarts.org. Keep up with Tom Hansell at www.tomhansell.net and Renée Reizman at www.reneereizman.com.

Photos: The WEB DuBois Sculpture project

Photos: The WEB DuBois Sculpture project
The WEB DuBois Sculpture project is currently considering the final 3 artist proposals. Each artist submitted a miniature representation of their proposed sculptures called maquettes. The models were on display

Pennsylvania photographer wins National Audubon award for bird photo

Pennsylvania photographer wins National Audubon award for bird photo

This story comes from our partners at WPSU.

The National Audubon Society has named this year’s winners of its bird photography contest. One of the winners is Sandra Rothenberg, from Warren, Pennsylvania. WPSU reporter Sydney Roach talked with her to learn more about the picture of a yellow Baltimore Oriole that won the prize for best photo of a female bird.

LISTEN to their conversation

https://www.alleghenyfront.org/wp-content/uploads/2023/08/024SR-ATC-Bird-Two-Way.mp3

Sydney Roach: Help me set the scene here for how you got this picture. Before taking the shot, you say you went out to your bird blind — that’s an outdoor wooden structure with windows — so you could see the birds and take pictures. And you set out some food and nest-building materials for any birds passing through. Then what?

Sandra Rothenberg: Yeah. She came in very briefly. She flew in. And generally when female Orioles come in, if they’re building their nest, they will take one tiny little strand of horsehair and usually then they go and have a bite of orange. Or they’ll have a sip of nectar or a bit of grape jelly and often they forget they have the horsehair and leave it there.

But in this instance, the female Oriole just swooped in and took this large clump of horsehair and with a little bit of twine mixed in and flew off immediately. She didn’t pause or she wasn’t distracted by the food. She was completely directed in her pursuit of this clump of horsehair and off she flew.

I kept my finger on the shutter, hoping to capture images as she flew off, but it just happened so fast that I only got the one image of her. But it looked, as she flew it just looked like this wonderful diaphanous veil, enveloping her. And it was so unique. It was something I had never seen before. So I was very much struck by the image and kind of entranced by it also.

National Audubon Society

Sydney Roach: How did you get the picture? Did you already have the camera set up? Like, were you already watching her?

Sandra Rothenber: During the month of May, I just become obsessed with the magic that happens in May. I spend as much time as I can outdoors and witness the kaleidoscope of colors emerging as the Earth shrugs off her winter sepia and white hues, those dull tones and observe the burgeoning display of their verdure, the explosion of blossoms.

So I spend about five or 10 hours every day in May outside. I’m standing in my blind with my camera and lens. In this case, it was a 200 to 600 millimeter lens. Usually I use the 600, but I’m kind of glad I was able to go a little bit wider for her, and I’m just so pulled in by the beauty as I stand there. It’s kind of an opportunity to release any thoughts that you’ve been caught up with about political or environmental or family or whatever you’re worrying about or thinking about and just be swept up into the beauty of nature.

For me, it’s kind of like my cathedral, I’d say, where I feel more actively awake and aware and just really present to all my physical experiences. My feet standing on the ground, and the solidity of the camera, just waiting for the next bird to come in or whatever comes in. Sometimes it’s not a bird. Sometimes it might be a woodchuck or a tiny eft that marches in on its path.

Sydney Roach: How did you get started with bird photography?

Sandra Rothenberg: I got started with bird photography, or photography in general, from the time I was a child. My first camera was a Brownie camera. I was probably eight or nine. I was just really loving it. I developed my own. It was black and white that I liked, to begin with. And I developed some of my own images and mostly nature, but I did photograph people back then. And then life went on and I became a psychotherapist and a yoga teacher and didn’t really have the time to devote to photography.

But now that I’m retired I have all the time in the world. So there’s a lot to love about photography and just being in nature. For me it’s also that awareness of the passage of time. All creatures, all flora are ephemeral. Each instant becomes precious. And with a photograph you’re capturing one infinitesimal facet of a moment and as you look at that photograph, after I’ve taken the image and I go home to my computer or come into the house to my computer and import it, you see so much more.

First, you see that gestalt, the integrity and wholeness of the image. And then you begin to see more and more. With the image that you’re referring [to] it’s the Baltimore Oriole female. I hadn’t noticed in that second when I took the image, her intense gaze. She just looks so focused and determined. Well, I’m projecting onto her, but that’s how she appears to me. And just the weight of her body on the branch, you can see a little bit of dipping in the branch.

Sydney Roach: I really like just how much of the horsehairs are coming off of her. Like, it’s a pretty big amount. It’s like taking up the whole branch in that picture.

Sandra Rothenberg: Yes, and it appears very solid but in reality, it weighs nothing. I mean, those little horsehairs are just kind of weightless so they just floated around her. I thought they were so beautiful. [I’ve gotten] lots of attention since my image has been in the magazine and online. I’ve received numerous calls and numerous people wanting to purchase images.

Sydney Roach: How do you feel about all that attention?

Sandra Rothenberg: I feel curious about it. I mean, of course, I’m honored to have my image in the magazine, and I’m always hoping with my images of nature to promote other people to get out there and open their eyes.

Sometimes I see so many people hiking with their cell phones. Of course, I have mine, but I do keep it tucked in my back pocket. There’s so much to see and so much to hear and so much to feel. Just the air touching your skin. And how your body, your trapezius muscle maybe, relaxes in the back of your neck and shoulders with the sun on your back. And just feeling your feet on the earth.

I love the sensual aspects of being outside and just again, I know I already mentioned it, but the wonder and awe at the beauty of the sunset, the beauty of a flower. Or even a tiny mosquito if you see it on your arm. My sister often holds up her arm to look at it as we’re walking and watches it closely. Just feeling that connection to other creatures that we share the Earth with and hopefully it will instill a love of nature and people will want to do something to protect our mother Earth.

Sydney Roach: Sandra Rothenberg, thank you for talking with us.

Sandra Rothenberg: Well, thank you so very much.

YOUR PHOTOS: See Pin It submissions for National Dog Photography Day📸

YOUR PHOTOS: See Pin It submissions for National Dog Photography Day📸

Last week, we asked you to submit your paw-some photos for National Dog Photography Day, and all the dog parents out there didn’t disappoint.

Your paws-itively perfect Pin It submissions were nothing short of cuteness overload, and now, it’s time to show them off!

If you’re having a bad day, these pics are sure to lift your spirits, and put a smile on your face, just like they did for the 10 News family.

Still want to submit a pic of your pup to Pin It? You still can! Plus, it’s easy!

All you have to do is:

  • Include your pet’s name in the description (optional)
  • Hit submit
  • Give your pup a few extra cuddles (just because they deserve it)
  • Be on the lookout for your paw-some pals during our newscasts and on our social media platforms

Without further ado, here are 20 of your paw-some submissions.

1.

KelleyO

Reina enjoying her walk on Tech campus

2.

tplan23456

Baliey golden retriever rocky mount Virginia owner Taylor Plant

Rocky Mount

3.

Laurenkb

Freya & Dixie hangin’ out! ☀️

4.

Patti Lynn

This is Ruby. She is a 12 week old Golden Doodle and weighs 4lbs. She is so lovable ❤️

5.

TJo23

Buster from Fairlawn, Va

6.

RSowder

Lexi (Australian Sheppard/ pitbull mix)

7.

Rocky Mount

8.

9.

Morgan Hull

Kinley Mae beating the summer heat by going for a swim!

10.

Tracey C

Winnie enjoying Claytor Lake on July 4th

11.

12.

Kathleen

Connor…my GSD. The most loving, funny and smart guy imaginable!

13.

Misty Shupe

Paddington is a year old and is bottle fed puppy. He thinks he’s human and doesn’t take no for an answer. Always demanding attention and his favorite thing to do is camp with his humans!

14.

Shane76

Meatball keeping watch at the lake

North Shore

15.

Karen Q

Tomato Soup – or Mater as we call him

16.

Darlene French

JJ and Bestie love to cuddle. Hoping they get adopted together

17.

18.

KMcKee

Guinness the Great Dane❤️

19.

Bent Mountain

20.

SCV Photographer Recognized for Advancing Photography Industry

SCV Photographer Recognized for Advancing Photography Industry

Kevin Karzin of Kevin Karzin Photography LLC in Santa Clarita has earned the Photographic Craftsman degree from Professional Photographers of America. The degree will be presented to Karzin by PPA president Kira Derryberry, M.Photog.Cr., CPP, at the association’s annual convention, Imaging USA, to be held in Louisville, KY, in January 2024.

Photographic Craftsman is an achievement of the highest caliber. It means that Karzin has met the standards of excellence set by PPA. He has been awarded the Photographic Craftsman degree in recognition of his service to the photographic profession as an orator, author and mentor.
Karzin’s degree —and all the expertise it requires— illustrates his accomplishments and talent as one of a select few.

Karzin started his photographic career in 1983 as a darkroom technician at Valencia Color Lab, then he joined the Newhall Signal photography staff as a staff photographer until he left in 1998 as photo editor.

About PPA Professional Photographers of America:
PPA is the largest and longest-standing nonprofit photography trade association. Founded in 1868, PPA currently helps 34,000 professionals elevate their craft and grow their business with resources and education, all under PPA’s core guiding principle of bridging the gap between photographers and consumers.

Casa Figueira: Mixing Modern With a Mid-Century Brazilian Aesthetic

Casa Figueira: Mixing Modern With a Mid-Century Brazilian Aesthetic

Casa Figueira is a stunning family home nestled in the tranquil suburb of Rose Bay in Sydney, Australia. Named after a century-old, heritage-protected fig tree, Casa Figueira was brought to life through a collaborative effort between buck&simple: doers of stuff (lead architect), Luigi Rosselli Architects (original architect), Atelier Alwill (interior design), and Dangar Barin Smith (landscape architect).

Casa Figueira strikes the perfect balance between a contemporary style and a mid-century Brazilian aesthetic. Inspired by the desire to create an open-air living space, the architects sought to bring together form and function. Off-form board concrete ceilings are juxtaposed with American Walnut joinery, helping to draws the eye towards the surrounding landscape. Generous open-plan living spaces merge seamlessly with a central courtyard, inviting nature right into the home.

angled exterior view of white house with patio

angled exterior view of white house with patio with various pieces of furniture

The main living space, flanked by two long sides with sliding glass doors, becomes an open air pavilion complete with a kitchen that has a solid stainless steel island on one side and a sunken living room on the other.

angled exterior view of curvy white modern house

One of the main concerns during the design process was to ensure that Casa Figueira withstood the test of time. The architects approached this challenge with meticulous thought, selecting materials and detailing that would weather well. Extensive research and collaboration with suppliers led to the use of non-ferrous metals, resilient protective coatings, and wood finishes. The result creates a cohesive style throughout the home, where aged brass is paired with raw concrete and warm wood details.

exterior side view of modern house with brown and white exterior

angled exterior view of modern house

front exterior view of modern brown and white curvy house

close front door view of wood and white house

backyard exterior view looking up stone stairs to back of house

interior entry shot of curved staircase with skylight above

The entrance door, etched in bronze, welcomes guests, while a gracefully curved foyer with open stairs guides visitors inside. A round skylight filters natural light down creating an ever-changing play of light and shadow as the day progresses.

interior shot of curved staircase with skylight above

interior shot of curved staircase with skylight above

angled interior view of modern kitchen with wood and stainless cabinets

interior view of modern kitchen with wood and stainless cabinets

partial view of modern living room with modern chair in front of fireplace

view from wood lined hallway looking into powder room

view of wood paneled powder room with round barrel green sink

partial interior view of modern bedroom with dark decor

small home office in corner

angled view into modern bathroom

Photography by Prue Ruscoe, courtesy of BowerBird.

Caroline Williamson is Editor-in-Chief of Design Milk. She has a BFA in photography from SCAD and can usually be found searching for vintage wares, doing New York Times crossword puzzles in pen, or reworking playlists on Spotify.

Here’s What’s Going in Indian Country, Aug. 3

Here’s What’s Going in Indian Country, Aug. 3
This weekend and next week in Indian Country, there is an array of events for the community to enjoy.
There is a film screening of the food sovereignty documentary “Gather,” a canoe history lesson part of a Madeline Island Speaker Series, and several other history lesson opportunities for those interested in learning more about the original people of Turtle Island.

Here is Native News Online’s weekly round-up of arts, culture, and entertainment offerings around Indian Country.

Never miss Indian Country’s biggest stories and breaking news. Sign up to get our reporting sent straight to your inbox every weekday morning. 

 

Community Nourishment: “Gather” Film Screening
August 3, 2023, 7-9:30 pm
Detroit, MI 

The Museum of Contemporary Art in Detroit is hosting a film screening of “Gather,” a 2020 film that captures the growing and vast food sovereignty movement. After the film, “Gather” chefs and activists Twila Cassadore and Nephi Craig alongside local food sovereignty activist and farmer Kirsten Kirby-Shoote discuss how they have been reclaiming and healing their spiritual, political, and cultural identities through food. This panel will be moderated by Black agrarian activist and Detroit farmer Shakara Tyler.

Odawa in the 21st Century
August 4, 2023, 3-4:15
Vanderbilt, MI

Join the Little Traverse Bay Band of Odawa’s Historian Eric Hemenway for a history lesson on the Anishinabek Odawa, their culture and history, current struggles and challenges. Bring your camp chair or fold-out chair, as the presentation will be outdoors next to the Discovery Center.

Miami Indian Heritage Days: Miami Beadwork
August 5, 2023, 1-4 pm
Fort Wayne, IN

Interested in learning about the history of the original peoples of Indiana? Thrown by the History Center in Fort Wayne, you can join Katrina Mitten for five to seven dollars for a monthly series that teaches the heritage of the Miami and other regional Native American groups.

Madeline Island Speaker Series: Dugout Canoes with Sissel Schroeder
August 9, 2023, 7-8 pm
Kenosha, WI

Join UW-Madison Archeology Professor Sissel Schroeder for a history lesson on Native American canoes in Wisconsin’s waterways. The Archeology team with the Wisconsin Historical Society recovered two dugout canoes from Lake Mendota, near Madison. Consider attending this free event to learn what these canoes tell us about Indigenous history in Wisconsin. 

This event is part of the Madeline Island Speaker Series, presented in partnership with the Madeline Island Wilderness Preserve and with support from Madeline Island Museum Friends donations. 

Youth GONA in the “D”
August 11-13, 2023
Detroit, MI

Consider taking your youth to this event focused on gathering Native American youth together in order to learn about belonging, mastery, and interdependence. The event is free to any youth and their family who stays in the hotel, and anyone under 18 must be accompanied by a parent. 

In The Spirit Arts Market and Northwest Native Festival
August 12, 2023, 10 am – 5 pm
Tacoma, WA

This event is an arts market and Northwest Native Festival, an annual summer celebration of diverse Native arts and culture. This festival is hosted by the Washington State History Museum, Tacoma Art Museum, and Museum of Glass. Consider enjoying the event by shopping among and talking with artist vendors, listening to Native music, watching dynamic cultural dance, making art, exploring exhibitions and more.

National Navajo Code Talkers Day in the United States
August 14, 2023
United States

National Navajo Code Talkers Day is observed annually on August 14. It was first proclaimed in 1982 to honor the contributions of the Natives who served in the US military during the Second World War, using the Navajo language to support the war effort

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About The Author
Neely BardwellNeely Bardwell
Author: Neely BardwellEmail: This email address is being protected from spambots. You need JavaScript enabled to view it.
Neely Bardwell (descendant of the Little Traverse Bay Bands of Odawa Indian) is a staff reporter for Native News Online. Bardwell is also a student at Michigan State University where she is majoring in policy and minoring in Native American studies.