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Tom of Finland exhibit celebrates Nordic country’s gay icon

Tom of Finland exhibit celebrates Nordic country’s gay icon

HELSINKI — A new exhibition showing the works of Touko Laaksonen, better known by his pseudonym Tom of Finland, adds a personal touch to the late Finnish artist whose homoerotic drawings of muscular men gained a following in the gay community from the 1950s.

“Tom of Finland — Bold Journey,” which opens Friday at the Museum of Contemporary Art Kiasma in Helsinki, features Laaksonen’s drawings, archive material, personal clothing items as well as memorabilia, letters, publications, magazines and films.

Laaksonen’s cheerful, sexually explicit works made an impact in the art world at a time when homosexuality was illegal or classified as a disease in countries around the world, including his native Finland. The Nordic country has since embraced the artist, who died in 1991, as a national icon.

“Tom is one of our national heroes who deserves to be seen as one of the most well-known Finnish artists of the 20th century,” said Kiasma museum director Leevi Haapala.

He said Tom of Finland had emerged as one of the country’s best known pop culture brands, along with the Moomins, the comic strip characters created by Finnish writer and illustrator Tove Jansson.

“His art has been liberating and empowering for countless gay men and sexual minorities for decades,” the museum said in a statement.

The chiseled male characters depicted by Laaksonen, including lumberjacks, bikers, sailors, soldiers and policemen, “exude vitality, joy and pride,” Kiasma said.

The retrospective of Laaksonen’s works is compiled by the Tom of Finland Foundation in Los Angeles and the Kiasma museum, which is part of the Finnish National Gallery. It is the largest exhibit of his works ever shown in his native country.

“There are sort of two different men; Touko had his own biography and Tom had his own biography, and they sort of paralleled,” said Durk Dehner, the president and co-founder of the Tom of Finland Foundation.

Haapala said Laaksonen’s works had directly influenced several well-known artists like Robert Mapplethorpe, Bruce Weber and David Hockney, and may have even inspired music acts like the Village People.

In Finland, his art is now embraced far beyond the gay community.

“In this polarized time, I think we need iconic figures like Tom to remind us of tolerance,” he said.

The exhibition runs through Oct. 29.

Tom of Finland exhibit celebrates Nordic country’s gay icon

Tom of Finland exhibit celebrates Nordic country’s gay icon

HELSINKI (AP) — A new exhibition showing the works of Touko Laaksonen, better known by his pseudonym Tom of Finland, adds a personal touch to the late Finnish artist whose homoerotic drawings of muscular men gained a following in the gay community from the 1950s.

“Tom of Finland — Bold Journey,” which opens Friday at the Museum of Contemporary Art Kiasma in Helsinki, features Laaksonen’s drawings, archive material, personal clothing items as well as memorabilia, letters, publications, magazines and films.

Laaksonen’s cheerful, sexually explicit works made an impact in the art world at a time when homosexuality was illegal or classified as a disease in countries around the world, including his native Finland. The Nordic country has since embraced the artist, who died in 1991, as a national icon.

“Tom is one of our national heroes who deserves to be seen as one of the most well-known Finnish artists of the 20th century,” said Kiasma museum director Leevi Haapala.

He said Tom of Finland had emerged as one of the country’s best known pop culture brands, along with the Moomins, the comic strip characters created by Finnish writer and illustrator Tove Jansson.

“His art has been liberating and empowering for countless gay men and sexual minorities for decades,” the museum said in a statement.

The chiseled male characters depicted by Laaksonen, including lumberjacks, bikers, sailors, soldiers and policemen, “exude vitality, joy and pride,” Kiasma said.

The retrospective of Laaksonen’s works is compiled by the Tom of Finland Foundation in Los Angeles and the Kiasma museum, which is part of the Finnish National Gallery. It is the largest exhibit of his works ever shown in his native country.

“There are sort of two different men; Touko had his own biography and Tom had his own biography, and they sort of paralleled,” said Durk Dehner, the president and co-founder of the Tom of Finland Foundation.

Haapala said Laaksonen’s works had directly influenced several well-known artists like Robert Mapplethorpe, Bruce Weber and David Hockney, and may have even inspired music acts like the Village People.

In Finland, his art is now embraced far beyond the gay community.

“In this polarized time, I think we need iconic figures like Tom to remind us of tolerance,” he said.

The exhibition runs through Oct. 29.

Copyright 2023 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Der Greif: 15th anniversary Open Call

Der Greif: 15th anniversary Open Call
image

Der Grief, award-winning contemporary photography organization, celebrates a milestone, the first 15 years since its foundation. 

For this occasion, photographers are invited to investigate around the theme “Past & Present“, focusing on how image-making has changed its features and challenges in these past 15 years. MAY 4 is the last day for applying to the Open Call

The images that will be selected will be displayed with works from Der Greif’s archive, with the aim of creating a dialogue between the work of past contributors and the emerging artists. The selected images will be organized in three display formats: the first, “Juxtapose”, is focused on the evolution of photography throughout time with a particular attention on each image, the second one, “Slides & Sounds”, an immersive and sensory experience, accompanies the images with live music, the third format, “Contextualize”, asks the visitors to interact with the exhibition by curating a display. 

The main display of the selected images will be featured in Munich from June 16th – 18th in collaboration with Pinakothek der Moderne and ZIRKA. 

“Contextualize” will take place at Pinakothek der Moderne. This collaboration is part of Pinakothek’s current show “Mix and Match” and will see the participation of the poetry editors Mira Mann and Angela Aux with live poetry and poetry readings. There will be also a special day for kids.

“Slides & Sounds” will be displayed at ZIRKA with live performances by Enji and Zylva, and a DJ set by Alex Rita & Errol (Touching Bass, London). 

“Slides & Sounds” will be shown during the Night of the Year at Les Rencontres de la Photographie in Arles on July 8th, for an event collaboration with Buro Stedelijk during Unseen in Amsterdam from September 21st – 24th, and more. 

In addition to the open call, Der Grief marked this important occasion with the unveiling of the new website, dergreif.org. With the online archive of articles, artist features, and Guest Rooms, the new website allow an easier interactive experience for users. 

Until May 25th Der Greif will accept submissions for the “Common Love” Open Call for Issue #16 guest-edited by artist Shirin Neshat. The title of the Open Call refers to the poem Common Love by Persian poet Ahmad Schamlou: “I am a common pain, scream me!”. 

Sundance Institute Announces Fellows for 2023 Native Lab

Sundance Institute Announces Fellows for 2023 Native Lab
Park City, UT — Acclaimed nonprofit Sundance Institute announced today the Fellows for the 2023 Native Lab.
For two decades, the Native Lab has elevated Indigenous storytelling through concentration on the distinct development of feature film and episodic work by storytellers from Native and Indigenous backgrounds. 

The 2023 Native Lab will be held online May 1–5 and continues from May 8–13 in person in Santa Fe, N.M.

Participating artists will enhance their storytelling and technical skills, including one-on-one feedback sessions with advisors and roundtable discussions, where they will also explore indigenizing their creative practices.  

Never miss Indian Country’s biggest stories and breaking news. Sign up to get our reporting sent straight to your inbox every weekday morning. 

 

“One of the core tenets for us in the Indigenous Program is that we support a broad spectrum of Indigenous storytelling – our cohort of five Native Lab Fellows and the projects they’re bringing to Santa Fe demonstrate that commitment to supporting diverse narratives and approaches,” said Adam Piron, Director of Indigenous Programs. “We’re looking forward to seeing where those different global and tribal perspectives the Fellows bring to the table will help them as they enrich each other and themselves, and I’m so pleased to have our Creative Advisors on hand to participate in this process of collaborative discovery.”

Also attending will be Artist in Residence Taylor Hensel (Cherokee Nation), auditing the lab while in script development. 

According to a statement from the Sundance Institute, experienced advisors are an instrumental part of the Lab. The Native Lab Creative Advisors include Andrew Ahn, Alex Lazarowich (Cree), Dana Ledoux Miller (Sāmoan), and Jennifer Reeder. 

The Native Lab is overseen by Adam Piron, Director of the Institute’s Indigenous Program (Kiowa and Mohawk), and Ianeta Le’i, the Program’s Senior Manager.

  The five participating fellows and their projects include:

  • Eva Grant (director/writer) with Degrees of Separation (Canada): In this smart and stylish ensemble comedy, Indigenous Ph.D. student Delphine plans a daring heist to return Ancestral remains to her tribe. But first, she and her team must outsmart the White Saviours and Collectors who have arrived in the community like vultures, ready to pick the bones clean.Eva Grantis a bilingual filmmaker of mixed St’at’imc Indigenous, Asian, and European heritage. She is currently a Vancouver Queer Film Festival Disruptor Fellow and an Artist in Residence at the Art Gallery of Ontario. A former E20 screenwriter, she studied literature and philosophy at Stanford University.
  • Quinne Larsen (writer) with Trouble (U.S.A.): Five people living in an abandoned desert motel try to put their world (and their giant robot) together from scraps.Quinne Larsen is a Chinook writer and cartoonist in Los Angeles (Tongva territory). They’ve worked on shows at Sony Pictures, Cartoon Network, Disney T.V.A., and Netflix. They’re currently working on an original graphic novel for First Second.
  • Anpa’o Locke(writer) with Growing Pains (U.S.A.): Kawá, an urban Native teen, and her mother, Elizabeth, a relocated rezzer, return to their hometown in South Dakota after Elizabeth is hired as the new Lakota teacher at the reservation high school; Kawá navigates friendship, queerness, and belonging on the reservation.Anpa’o Locke is a Hunkpapha Lakota and Ahtna Dené writer, filmmaker, and curator from the Standing Rock Nation. She was a 2022 Sundance Indigenous Fellow focused on Native diaspora experience and self-determination in filmmaking. She holds a B.A. in Film Studies from Mount Holyoke College and lives in Albuquerque, New Mexico.
  • Jana Schmieding(writer/producer/actor) with Auntie Chuck (U.S.A.): A rezzy spinster must find her inner auntie when she’s tasked with taking care of her siblings for two weeks.

    J

    ana Schmiedingwrote on and co-starred in Rutherford Falls and is known for her comedic roles on Reservation DogsThe Great North, and Spirit Rangers. A Lakota woman, Jana is making her mark on the entertainment industry as an actor, writer, and producer, bringing Native stories to mainstream audiences.

  • Cian Elyse White (director/writer) with Te Puhi’ (New Zealand, United Kingdom): Aotearoa, 1962. 19-year-old Te Puhi claims international fame overnight when she is crowned Miss New Zealand – the first Māori to win the title. Torn between duty and her dreams, Te Puhi navigates the disconnect from home when she moves to London against her family’s wishes. 

    Cian Elyse White(she/her) is a Te Arawa, Ngāti Pikiao/ Ngāti Te Tākinga, Ngāi Tūhoe, Ngāti Porou (Te Whānau a Ruataupare, Te Whānau a Hinetāpora), Ngāti Kahungunu ki Te Wairoa, Tainui writer, director and actress born in Rotorua, New Zealand. Cian has written scripts for stage and screen, including Kōtiro (Daddy’s Girl), PIIKSI/HUIA, and Te Puhi (in development). In 2022, Cian won the award for ‘Outstanding Newcomer’ at the Women in Film & Television awards, N.Z.

Previous Sundance Institute Native Lab Fellows include award-winning filmmakers Sterlin Harjo, Sky Hopinka, Shaandiin Tome, Erica Tremblay, and Taika Waititi. 

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12 years of Native News

This month, we celebrate our 12th year of delivering Native News to readers throughout Indian Country and beyond. For the past dozen years, we’ve covered the most important news stories that are usually overlooked by other media. From the protests at Standing Rock and the rise of the American Indian Movement (AIM), to the ongoing epidemic of Murdered and Missing Indigenous People (MMIP) and the past-due reckoning related to assimilation, cultural genocide and Indian Boarding Schools.

Our news is free for everyone to read, but it is not free to produce. That’s why we’re asking you to make a donation this month to help support our efforts. Any contribution — big or small — helps. If you’re in a position to do so, we ask you to consider making a recurring donation of $12 per month to help us remain a force for change in Indian Country and to tell the stories that are so often ignored, erased or overlooked.

Donate to Native News Online today and support independent Indigenous journalism. Thank you. 

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Why Many Italians Are So Upset About a New Tourism Ad

Why Many Italians Are So Upset About a New Tourism Ad

A controversial marketing campaign by Italy’s tourism ministry is grabbing attention for what seems like all the wrong reasons.

The €9 million ($9.94 million) marketing campaign Open to Meraviglia (“Open to Wonder”) was unveiled by tourism minister Daniela Santanchè and Italy’s national tourism board ENIT last week. It is fronted by a digital rendition of the Roman goddess Venus as depicted in Sandro Botticelli’s 15th century renaissance masterpiece Birth of Venus, wearing a mini-skirt, holding a smart-phone, and eating pizza.

The digital rendition of Venus also comes with an Emily in Paris-style Instagram account with 34,000 followers and counting. The page features photos of Venus posing in front of various Italian landmarks, such as the Colosseum and Pantheon.

A campaign ad—which aims to boost international tourism in Italy—features idyllic stock footage that isn’t even in Italy. One scene shows people drinking Slovenian wine on a patio in the village of Gorjansko, in neighboring Slovenia’s Komen municipality.

The campaign makes its international debut at the Arabian Travel Market (ATM) tourism show in Dubai from May 1 to 4. Here’s everything to know about the campaign.

How are Italians reacting

The campaign has been ridiculed by Italians on social media who say it cements tired stereotypes of the country. Art historian Tomaso Montanari called it “grotesque” and said it was an “obscene” waste of money, while the culture ministry’s undersecretary Vittorio Sgarbi told La Repubblica, “I don’t want to contradict my colleagues too much. But ‘Open to Wonder?’ What is that? What language is that?”

Art historian Livia Garomersini was also quoted in a statement reported by ArtNet, saying, “where is the art, where is the promotion in this hackneyed jumble of clichés?” She said the campaign “trivializes our heritage in the most vulgar way.”

The Uffizi Gallery in Florence, which houses Botticelli’s Birth of Venus painting, has not commented on the campaign. But Florence’s mayor Dario Nardella said that this is emblematic of a wider cultural problem. “We’re fighting against commercial exploitation that ridicules our artistic jewels, like the aprons showing the statue of David’s private parts or grotesque reproductions of works of art in stupid poses,” he said.

What has Italy’s tourism ministry said about the reaction?

Tourism minister Santanchè has said that the project sells “our nation in an unseen way that has never been done before.” She also told a local radio station that she had seen and enjoyed the memes that the campaign is generating online.

“I consciously chose Botticelli’s Venus, an icon known throughout the world and a symbol of our Italian spirit,” she said.

Santanchè also speculated about why people have criticized the use of pizza in the computer generated images. “I don’t understand the criticism, pizza is famous all over the world, it is part of the Mediterranean diet and of our cuisine, which is appreciated, imitated, and copied all over the world,” she said. “Perhaps it is criticized by the slightly snobby and radical chic people who eat caviar and salmon.”

Why tourism in Italy can be controversial

The campaign has brought to light the sometimes complicated and fraught issue of tourism, with many citing the reality that Italian tourist spots like Venice are often overcrowded and subject to misuse.

In June, two American tourists caused $25,000 worth of damage to the Spanish Steps in Rome by throwing scooters down them. Other incidents recorded in 2022—of which there are many—saw an American smash two sculptures in the Vatican Museum when he was told he would not see the pope.

To combat overcrowding, Venice has announced a booking system for visitors (which charges for entry) that took effect in January. Meanwhile, in influencer hotspot Portofino, tourists can be charged for hovering in beauty spots for too long while taking photos.

All of this has left many to wonder what good a digital Venus and her Instagram can do for the nation.

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