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Visions of the Olympics: Ross Hamilton shares photography passion, iconic images of Peninsula

Visions of the Olympics: Ross Hamilton shares photography passion, iconic images of Peninsula

SEQUIM — “We think of the Olympics as jewels because they’re priceless,” said renowned Olympic Peninsula photographer Ross Hamilton.

“I thoroughly enjoy sharing the beauty with people so that they might better appreciate where they live.”

Hamilton, whose iconic images of the Olympic Peninsula are found everywhere from the visitor’s center at Hurricane Ridge to motels and inns to bookstores and gift shops, will bring the stories behind his art to life at a special presentation, “Olympic Jewels,” set for 1:30 to 3 p.m. Wednesday, April 26, in the media room at The Lodge at Sherwood Village, 660 W. Evergreen Farm Way.

The lodge requires reservations, as the room holds 60 people. RSVP by this coming Wednesday, April 19, by calling 360-681-3100.

Hamilton’s book, “The Olympics, a Wilderness Trilogy,” sold out after three printings, though the collector’s edition is still for sale on his website (rosshamilton photography.com), and he and wife Kathy produce a popular calendar, “The Olympic Peninsula,” each year.

Photo by Ross Hamilton / Sunset from Second Beach, a photo featured in Ross Hamilton’s annual “The Olympic Peninsula” calendar in 2019.

Photo by Ross Hamilton / Sunset from Second Beach, a photo featured in Ross Hamilton’s annual “The Olympic Peninsula” calendar in 2019.

He said the presentation, a slideshow with stories, will be about 45 minutes with a question-and-answer period after. Kathy said there will be music as well.

“The pictures I have used in shows have a story behind them,” Hamilton said.

Hamilton has lost the majority of his eyesight now, but that he has “a pretty good memory of the pictures and the experiences,” he said.

Hamilton said he will probably bring the 4-by-5 (large format) camera he used for many of his pictures. He said he bought it in 1971 from a dealer in Seattle.

“‘Olympic Jewels’ will be in three parts, like a symphony,” he said. “The first part will be the incredible variety of beauty, the second part the incredible beauty of the seasons, and the third part — my favorite — the beauty of the mountains.”

On the trails

Guided by an eye for illuminated beauty, Hamilton is a master of the old school of landscape photography, in which one lugs their equipment out into nature and works deliberately with a limited amount of film, creating compositions carefully and waiting for just the right moment to push the shutter button.

“It’s all about timing, and being there,” Hamilton said.

“With digital you can make something better than what it is, but not with film,” he said. “You take what’s there.”

To do this, a photographer needs an intimate knowledge of light and how a camera interprets it on film, which has a narrow margin for error.

Hamilton said that he’s made about 55,000 pictures in his lifetime, and of those, he uses about a tenth.

“The difference between a photographer and a good photographer,” he joked, “is he only shares the good ones.”

Married to old friend Kathy in 2018 after a lifetime of being a bachelor, he said she takes good care of him, which is clear from the way they interact and converse.

The Lodge

Photo by Ross Hamilton / Sunset from Kalaloch Creek, a photo featured in Ross Hamilton’s annual “The Olympic Peninsula” calendar in 2019.

Photo by Ross Hamilton / Sunset from Kalaloch Creek, a photo featured in Ross Hamilton’s annual “The Olympic Peninsula” calendar in 2019.

Hamilton’s work and the Lodge at Sherwood Village were intertwined since it was built.

“We have 35 of Ross’s photographs throughout the building. They’re so beautiful,” said Michelle Headrick, the lodge’s executive director, who has overseen the lodge since it opened in 2005.

“[Former owners] Bill and Esther Littlejohn were big fans of Ross.”

The Hamiltons said that it was Bill Littlejohn who encouraged Hamilton to publish the book.

“He said, ‘You oughta do a book,’” said Hamilton. “And he paid up front” for the first edition, which Hamilton reimbursed him for from the sales.

And then, Hamilton recalled, “Bill said, ‘You oughta do a calendar.” Nineteen years later the calendar is still going strong, with the 2024 calendar soon going to press, Kathy said.

Roots

Hamilton’s father’s family was from Sequim, but Hamilton grew up in California. By the time he moved here in 1969, he already held bachelor’s and master’s degrees in business.

He said that early on he realized a business degree would be more helpful to his work than an artistic one.

However, he and Kathy said that he is actually not a good businessman, because, as he said, “profit is not my goal.

“My goal is to share. If we can break even I’m happy. If I can produce a little revenue, that is great.”

The camera and darkroom knowledge came from experience, such as running a camera shop single-handed when he was 18.

“It wasn’t a very prosperous place, so I spent a lot of time in the darkroom,” Hamiton said.

Later, between earning his degrees, Hamilton spent a summer working at Ansel’s Adam’s studio in Yosemite.

“Ansel Adams was a man after my own heart,” he said. “He’d study his subjects very carefully, find a spot and come back the next day.

“His black and whites were superb.”

Hamilton said that Adams didn’t like this part of the country because “no two days were alike.” But Hamilton said he loves it, and spent nearly five decades hiking, exploring and finding the perfect spots and times for his masterpieces.

He’s visited other beautiful places in the world, like the Pyrenees, Norway and the Dolomites of Italy, but that “I have no desire to leave the Peninsula. It’s my world.”

Life as a photographer “has been such a rewarding adventure,” he said.

“It’s a beautiful world, and it was such a privilege to record it in a way that showed what it really is.”

Learn more about Hamilton’s photography at rosshamiltonphotography.com.

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Emily Matthiessen is a reporter with the Olympic Peninsula News Group, which is composed of Sound Publishing newspapers Peninsula Daily News, Sequim Gazette and Forks Forum. Reach her at emily.matthiessen@sequimgazette.com.

3 present artworks to replace tree in Little Rock

3 present artworks to replace tree in Little Rock
Three finalists presented their sculpture prototypes at the Clinton Presidential Center on Friday to have the chance to permanently take the place of a sapling from Anne Frank’s chestnut tree that was dedicated in her memory in 2015 at the center.

Owensboro Art Guild presents ‘Writing, Publishing and Marketing’ by Eddie Price

Owensboro Art Guild presents ‘Writing, Publishing and Marketing’ by Eddie Price

This is a paid release.

Owensboro Art Guild Presents
“Writing, Publishing and Marketing”
May 11th, 2023, 6 to 8 pm. In Duffy Hall at Brescia University

Owensboro Art Guild Presents Eddie Price, award winning-author who will present “Writing, Publishing and Marketing” from 6 to 8 p.m. This program is free and open to anyone interested in publishing books and illustrations.

He will cover multiple topics including: the publishing industry today, writing with purpose, creating a story idea, maintaining a theme. How to approach agents and publishers and networking.

He will also include his program on “How a Children’s Book Happens!” Eddie will take you on a literary journey, showing how the writer begins with an idea, a character, a story and an overall theme. You will learn about working with an illustrator, graphic design and editor. The whole book evolves right before the audience’s eyes, giving insight into just how complex a children’s book is.

You do not need to be a member of the Art Guild to attend or to enjoy learning about publishing. The program will run from 6 to 8 pm. For more information, visit www.facebook.com/owensboroartguild, contact Sarah Higdon at [email protected] or 270-922-0133.

AMAZING, AWESOME Photographs!

AMAZING, AWESOME Photographs!

The World Photography Organisation has announced its category winners and shortlist in the Open competition of the Sony World Photography Awards 2023.

These Awards recognise the best single shots from 2022.

Over 415,000 images from over 200 countries and territories were submitted to the Sony World Photography Awards 2023 and over 200,000 were entered into the Open competition category.

Each winner receives digital imaging equipment from Sony and will go on to compete for the prestigious Open Photographer of the Year title and a $5,000 prize.

The overall winner of the Open competition were announced at the Awards ceremony in London on April 13, 2023.

Here are 19 of the top images from the winning entries.

Winner, Open Competition, Motion: Zhenhuan Zhou

Slam on the Brakes

Barrel racing is a competition where cowgirls ride quickly around barrels; the one that does this in the shortest time wins.

Every time a horse reaches a barrel it needs to brake sharply, turn around the barrel and then race to the next one.

The whole race is exciting, especially at the turns.

© Zhenhuan Zhou, China Mainland, Winner, Open Competition, Motion, 2023 Sony World Photography Awards

Winner, Open Competition, Architecture: Mark Benham

The Silos

Taken from afar, this photograph of silos and associated buildings at the Port of Brest, France, appears to be a montage composite rather than the group of buildings that it actually is.

‘To enhance this idea I changed the sky to a simple colour vignette that complimented the colours in the composition.’

© Mark Benham, United Kingdom, Winner, Open Competition, Architecture, 2023 Sony World Photography Awards

Winner, Open Competition, Creative: Boris Eldagsen

Pseudomnesia ‘ The Electrician

From the series Pseudomnesia ‘ The Electrician, a haunting black-and-white portrait of two women from different generations, reminiscent of the visual language of 1940s family portraits.

© Boris Eldagsen, Germany, Winner, Open Competition, Creative, 2023 Sony World Photography Awards

Winner, Open Competition, Lifestyle: Azim Khan Ronnie

Childhood

Children weave in and out of scores of giant cones or topas, as they roll a wagon around a rice processing plant.

The cart is used by workers to carry rice and put it down for drying, but after they have finished with it, the children use it as a toy to play with.

More than 30 children turned this rice mill in Bahmanbaria, Bangladesh, into an obstacle course.

© Azim Khan Ronnie, Bangladesh, Winner, Open Competition, Lifestyle, 2023 Sony World Photography Awards

Winner, Open Competition, Landscape: Giorgos Rousopoulos

Untitled

‘I had to stop and gaze at this stunning view during a hike in Pindus National Park, Greece.’

The peak in the distance is Mount Tymfi, which stands at a height of 2,497 metres.

© Giorgos Rousopoulos, Greece, Winner, Open Competition, Landscape, 2023 Sony World Photography Awards

Winner, Open Competition, Natural World & Wildlife: Dinorah Graue Obscura

Mighty Pair

‘I think that a good picture does not need colour, it just needs to capture the desired moment in time.’

‘While I was shooting Crested Caracaras in flight in South Texas, I noticed these two, which were perched in a very similar way.’

‘They were staring in the same direction and not moving, almost as if they were posing for me.’

‘I was amazed by their powerful personalities.’

© Dinorah Graue Obscura, Mexico, Winner, Open Competition, Natural World & Wildlife, 2023 Sony World Photography Awards

Winner, Open Competition, Object: Mieke Douglas

Recycled

‘Photographs of pretty flowers from my garden? Look again…’

© Mieke Douglas, Netherlands, Winner, Open Competition, Object, 2023 Sony World Photography Awards

Winner, Open Competition, Portraiture: Sukhy Hullait

Charlie

During the COVID-19 pandemic a lot of people found they had time on their hands.

With most skateparks closed, Charlie — and many others — helped turn an abandoned pub car park, which had laid derelict for eight years, into a DIY skate park.

© Sukhy Hullait, United Kingdom, Winner, Open Competition, Portraiture, 2023 Sony World Photography Awards

Winner, Open Competition, Travel: Max Vere-Hodge

Ghosts

The Mundari tribe of South Sudan appear like apparitions among the nightly fires they light to keep the tsetse flies and mosquitoes off their beloved Ankole-Watusi cows.

Each night, as the cattle return from grazing, the herders tend to them by massaging ash into their skin to prevent bites.

© Max Vere-Hodge, United Kingdom, Winner, Open Competition, Travel, 2023 Sony World Photography Awards

Winner, Open Competition, Street Photography: Andreas Mikonauschke

Exhausted

In Andalusia, Spain, the traditional Easter processions are a fascinating event to watch.

The different brotherhoods (Hermandades) with their uniformed brothers (cofrades) are an everyday sight during the holy week, Semana Santa.

Central elements of the processions are the heavy wooden frames (pasos) showing biblical scenes with one or more statues.

These are carried through the streets by volunteer paso carriers underneath – usually one only sees their feet, but sometimes during the rare breaks one gets an impression of the tough job they have.

© Andreas Mikonauschke, Germany, Winner, Open Competition, Street Photography, Sony World Photography Awards 2023

Open competition, Architecture: Anthony Chan

Old Meets New

In an industrial district in Hong Kong, surrounded by a mix of old and new developments, this shot was taken to highlight a contrasting co-existence: a new skyscraper’s stylishly designed front entrance and an old industrial complex with myriads of air conditioners, pipes and wires mounted on its wall.

The shadow and light accentuated the overall monochromic effect of the city’s architecture

© Anthony Chan, Hong Kong, Winner, Open competition, Architecture, 2022 Sony World Photography Awards

Open competition, Creative: Isabel Salmon

Untitled

‘I began to document my mum’s experience with labyrinthitis and PPPD — a sensory documentation of her condition.’

‘I am finding ways to explore this through experimental techniques, with the intention of combining sound and also considering other senses.’

‘I hope to create an installation in collaboration with my mum, using a series of conversations with her.’

© Isabel Salmon, United Kingdom, Shortlist, Open competition, Creative, 2022 Sony World Photography Awards

Winner, Open competition, Landscape: Vicente Ansola

Exodus

‘I encountered this field of sunflowers in Castilla and León.

Sunflowers always seek the divine by following the sun on its route. These ones, although withered, stood up proudly.’

‘When I grabbed my camera to shoot, I no longer saw sunflowers but women walking the dry fields of Castilla, wearing ancestral garments.’

‘An army of spirits — the inexorable exodus of the Spanish rural.’

© Vicente Ansola, Spain, Winner, Open competition, Landscape, 2022 Sony World Photography Awards

Winner, Open competition, Lifestyle: Utsab Ahamed Akash

The Honey Collector

The honey collectors collect in winter. They place the bees’ nests near the mustard field as they can produce more honey that way.

We often see this kind of scene in the Bangladesh countryside.

© Utsab Ahamed Akash, Bangladesh, Winner, Open competition, Lifestyle, 2022 Sony World Photography Awards

Winner, Open competition, Object: Leonardo Reyes-González

Segundo Uso (Second Use) II

Still-life photography of things thrown away (aka trash), that might be useful for someone else — or could, hopefully, become an art.

© Leonardo Reyes-González, Mexico, Winner, Open competition, Object, 2022 Sony World Photography Awards

Winner, Open competition, Portraiture: Simone Corallini

The Endless Summer – Surf Trip

Simone Gentile, a 16-year-old surfer.

© Simone Corallini, Italy, Winner, Open competition, Portraiture, 2022 Sony World Photography Awards

Winner, Open competition, Street Photography: Etienne Souchon

Havana Running Away

‘This is the third picture of thousands taken over a month-long trip to Havana, Cuba, with my 35mm — and it is my favourite!’

‘There is something happening here, some kind of tension: this car looks like it is drifting in the middle of the street, and this kid looks like he is running away from something.’

© Etienne SOUCHON, France, Winner, Open competition, Street Photography, 2022 Sony World Photography Awards

Winner, Open competition, Travel: Thanh Nguyen Phuc

Bike with Flowers

A hundred years ago there were just 36 streets and now there are many more, but the street culture remains strong in Hanoi.

There are lots of shops in the main streets but people in the old streets prefer to get serviced by mobile street vendors.

‘I spent a weekend following street vendors and found that they were walking or riding their bikes all day. Here is one of my favourite moments.’

© Thanh Nguyen Phuc, Vietnam, Winner, Open competition, Travel, 2022 Sony World Photography Awards

Winner, Open, Motion: Raido Nurk

Surfing Festival

‘The waves were the biggest I’ve ever seen in the evening when I took this photo in The Hague, Netherlands.’

The waves and the pouring rain created quite a unique atmosphere.

© Raido Nurk, Estonia, Winner, Open, Motion, 2022 Sony World Photography Awards

This year’s Open competition was judged by Eric Schlosser, Art Director, Tbilisi Art Fair, Georgia.

The overall winners in the Student, Youth, Open and Professional competitions of the Sony World Photography Awards 2023 are on display at Somerset House, London, from April 14, 2023, to May 1, 2023.

Published with permission from The Sony World Photography Awards 2023

Photographs curated by Rajesh Karkera/Rediff.com

Frame.io NAB 2023 Announcements

Frame.io NAB 2023 Announcements
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Frame.io. released its Camera to Cloud platform just over 2 years ago and it has become very popular with film, TV, and branded content productions.

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Frame.io has now expanded its workflow to photography and print with Fujifilm and Capture One. They have also added Forensic Watermarking to make Frame.io one of the most secure creative collaboration platforms in the world.

Fujifilm & Capture One

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Photographers can utilize an untethered RAW photo-to-cloud workflow when using the FUJIFILM X-H2 and X-H2S cameras.

Kurt Iswarienko with the Fujifilm XH2-S

When you upload RAW, JPEG, and HEIF photographs directly into Frame.io while you’re shooting, your images are immediately backed up in the cloud and accessible through the web app, or on iPhone or iPad for clients or collaborators to view. The cameras also upload up to 8K ProRes clips to the cloud as well, for teams who are working with photographs and video.

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Integration with Capture One gives users the ability to share images between Frame.io and Capture One.

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Anyone anywhere with access can give specific annotations on an image and the photographer can view the shots in Frame.io.

CaptureOne Frame.io integration

Backup while shooting means that if a media card is corrupted, there’s an automatic cloud backup of every shot. You also don’t have to spend time manually uploading image files and transferring cards onto hard drives, because your original RAW files are instantly available in the cloud.

Print & design-file workflow enhancements

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With Frame.io you are now able to upload and view any RAW photograph from Fujifilm, Canon, Nikon, Panasonic, or Sony. Thumbnails appear in their correct native aspect ratio and Frame.io will automatically switch from sRGB to CMYK color proxies so teams working in advertising can see accurate color reproduction for work destined for print.

Photo, image, video, and design files in Frame.io

You can also now view two photographs or PDFs side by side with or without creating a version stack. This allows you to select any two frames and compare them either with or without comments or annotations visible. The new comparison tool also allows you to zoom, pan, and scan between two photographs while locked in unison, and to overlay the images on top of one another with transparency.

Compare images in Frame.io

In the same way that Camera to Cloud works with video, Frame.io automatically organizes your photographs into a folder structure. In iOS and iPad devices you can now swipe to navigate between photographs or design files in the Frame.io player and comment on, annotate, and scroll through them in Frame.io.

Forensic Watermarking

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Frame.io has added features like Watermark ID and Digital Rights Management (DRM) encryption in the years it has been around, and they were also early adopters of the Motion Picture Association’s TPN+ Platform.

Forensic Watermarking UI notification

Now, Frame.io has added another security feature called Forensic Watermarking. Forensic Watermarking embeds invisible watermarks at a pixel level that can’t be obscured or eradicated even through screen recordings, external device recordings, or copying the video file. It provides asset ID codes that can identify projects, teams, accounts, user location, and playback time within hours.

This new feature will be available soon.

For more information on today’s announcements, please visit our what’s new page and our release notes.


3 present artworks to replace tree in LR

3 present artworks to replace tree in LR
Three finalists presented their sculpture prototypes at the Clinton Presidential Center on Friday to have the chance to permanently take the place of a sapling from Anne Frank’s chestnut tree that was dedicated in her memory in 2015 at the center.