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Hyderabad Birder Wins International Photography Award for Capturing Rare Moment

Hyderabad Birder Wins International Photography Award for Capturing Rare Moment

A black drongo harasses a mottled wood owl in this 35AWARDS-winning image. | Hari K Patibanda

KEY HIGHLIGHTS

  • A picture submitted by Hari K Patibanda, a birdwatcher from Hyderabad, has been named the Best wildlife photograph at 35AWARDS.
  • Shot in Vikarabad, the photo shows a Black Drango harassing a Mottled Wood Owl mid-air while sitting on its top.
  • While it’s not uncommon for drongoes to take on birds larger than themselves, it was a special sighting as the owl in question is nocturnal.
A Hyderabad birdwatcher has won the top prize at an international photography competition for capturing a rare moment in the avian world – a black drongo harassing a mottled wood owl. Hari K Patibanda’s picture was named the best Wildlife photograph by the 35AWARDS jury after being initially shortlisted among the top 100 images.

The results were announced on May 11 following three rounds of voting, during which a 50-member jury shortlisted the best entries from around 1.15 lakh submissions by photographers around the world.

Black drongoes are known to harass larger birds birds in Hyderabad say  Hari K Patibanda
Black drongoes are known to harass larger birds, birds in Hyderabad say. | Hari K Patibanda

Patibanda’s photo, captured in Vikarabad, shows a mottled wood owl being bullied by a black drongo perched on its top – all while the two birds are airborne.

“Black Drongoes are known as ‘Police birds’ or ‘Kotwal birds’ as they are quite aggressive and don’t hesitate to take on birds many times their size,” the birder explained.

“They were recorded chasing and harassing several eagles like the short-toed snake eagle, Changeable Hawk Eagle, Bonelli’s Eagle and other predators like owls and Black Kites. The drongoes continually harass these birds and chase them away from their territory.”

Patibanda, an IT professional-turned-bird photographer, 47, entered nine photos in the competition and each of them made it past the second round. He thanked the avian enthusiast group Hyderabad Birding Pals for their support and encouragement.
“For me, birding for the last five years has been a real stress-buster,” Patibanda told The Hindu. “I make it a point to visit the birding spots, which are dwindling fast for a variety of reasons in and around Hyderabad, every week-end and enjoy watching the behavioural pattern of these birds.”

The Mottled Wood Owl is an elusive denizen of these areas. It is a nocturnal arboreal bird, which means it lives in trees and is mostly active at night.

“On cloudy days we can sometimes see them or hear them during the mornings and just before sunset. I was quite fortunate to witness this interaction between the Mottled Wood Owl and Black Drongo,” the photographer said.

Compact MagSafe Flashlight is perfect for everything from iPhone photography to outdoor adventures

Compact MagSafe Flashlight is perfect for everything from iPhone photography to outdoor adventures

With a stunning 300 lumens of brightness, the WUBEN E1 is 6 times more powerful than your smartphone flashlight, making it perfect for selfies, vlogging, outdoor trips, emergencies, and even reading. The best part, it snaps right onto the back of your phone, giving you a compact ring-light on demand, so you don’t have to use your phone’s crummy excuse for a flashlight. And when you’re not using the light, you can use it as a stand to prop your phone up at any angle.

The WUBEN E1 is proof that MagSafe was an incredible idea. While Apple merely designed the feature to support chargers and attach wallets, MagSafe has spawned a whole host of third-party accessories, from finger grips to tripods, power banks, EDC, and now the E1 flashlight. A perfect example of an accessory that nobody knows they want but everyone definitely needs, the WUBEN E1 straps a powerful lighting device to the back of your phone. Much more effective than your smartphone’s native flashlight, the WUBEN E1 sports a ring of 28 LEDs that create a bright ring light that’s perfect for selfies or for exploring the outdoors. The light sits on a hinge that serves as a stand for your phone, while also letting you face the light forwards or backward, giving you the option of even using it for selfies. Plus, multiple brightness levels and three color temperature settings (warm, neutral, cool) give you way more freedom than your smartphone flashlight could even dream of.

Designer: WUBEN

Click Here to Buy Now: $39 $49 (20% off) Hurry, limited units at discounted price. Raised over $133,000.

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For context, the iPhone 15’s flashlight maxes out at 50 lumens – ask any photographer and they’ll tell you that is far too little for effective flash photography. The WUBEN E1, however, overshoots the smartphone flashlight’s brightness by about 6x, giving you a light that’s much more effective in a variety of scenarios, whether it’s finding your keys in the dark or taking beautiful low-light selfies.


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Slightly smaller than a hockey puck, the WUBEN E1 packs a series of 28 LEDs in its compact design, and can be used either independently or while securely snapped to the back of your MagSafe-compatible smartphone. On its own, the WUBEN E1 is a pretty handy little flashlight that can be held in your hand, attached to the hood of your car (or any metal surface), or even propped up on any flat-ish plane for instant lighting. Snap it onto the back of your smartphone, however, and you’ve got yourself a powerful tool for selfies, vlogging, or even outdoor adventures.


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The WUBEN E1 operates entirely thanks to a crown located on the rim beside the LEDs. Similar to the ones found on a watch, the crown can be pushed to activate the light or cycle through temperature settings, and can be rotated to adjust the brightness. Keeping things gloriously simple, the E1 doesn’t come with an app or any settings that would complicate its use. It’s simply a great, intuitive, sleek EDC light that just so happens to attach to the back of your phone.

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Attaching the WUBEN E1 to your phone gives you two distinct benefits. The light’s hinged arm lets you use the E1 as a stand for your phone, propping it up in pretty much any angle you choose. The second, more obvious benefit, is the fact that it replaces your phone’s flashlight with something far more versatile and powerful. The LED ring is 6x more powerful than your phone’s native flashlight, and the hinged arm lets you face the lights anywhere, creating a great makeshift camera light that’s just wonderful for low-light shots, vlogs, or even vanity selfies. Weirdly enough, the LED ring also makes your iPhone look somewhat like a Nothing Phone (1), which feels ironic and slightly hilarious. iPhone users get the last laugh, however, because the E1 is so much more capable than the Nothing Phone’s notification LEDs.

Each E1 comes made from lightweight Magnesium alloy, giving the EDC flashlight a weight of just 36 grams or 1.26 ounces. At just 6mm thin, the WUBEN E1 fits comfortably onto the back of your phone without really jutting out or obstructing regular phone usage. It’s also slim enough to slide directly into your pocket with or without your phone, reinforcing its portability. A 320mAh battery gives the flashlight anywhere between 30 minutes of usage (on its brightest setting) or 50 hours of on-time (on its lowest setting), while a USB-C port on the base of the light lets you charge your device.

The WUBEN E1 starts at $39, and for $69 you’ll get the E1 along with a metal tripod stand/selfie stick that sits between the flashlight and your phone, turning your cutting-edge phone into a comprehensive photo and videography device. The Wuben E1 ships globally starting July 2024.

Click Here to Buy Now: $39 $49 (20% off) Hurry, limited units at discounted price. Raised over $133,000.

Photo London takes over Somerset House

Photo London takes over Somerset House

Britain’s biggest photography fair returned to the Thames riverbank this week, welcoming over 120 exhibitors from around the world to London’s historic Somerset House.

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Opening its doors to the public on Thursday, Photo London sees galleries from as far and wide as Tokyo, Ljubljana and Brooklyn showcase their hottest talents, while works by photography superstars such as famed fashion photographer David Bailey are also on show.

The annual showcase – which this year presents over 400 photographers – is accompanied by a programme of talks and events, including discussions on self-portraiture; the climate emergency; and African photography in relation to identity, power and self-determination.

The next generation of photographers is also well represented, with two prizes honouring and championing emerging leaders in the field: the Photo London x Nikon Emerging Photographer Award, and the Photo London x Hahnemühle Student Award.

Yorkshire-born photographer Charlie Tallott, who is represented by New Dimension and whose work centres on deindustrialisation, won the prestigious 2024 Photo London x Nikon Emerging Photographer Award. The winner of the Photo London x Hahnemühle Student Award is slated to be announced on Saturday.

The Photo London Master of Photography is presented each year to a living artist who has made an exceptional contribution to photography. Photo London’s Master of Photography for 2024 is acclaimed French photographer Valérie Belin, particularly known for her work exploring the body and identity.

Photo London is at Somerset House until Sunday May 19. Details and tickets here.

How British royals have used portrait photography to shape their image

How British royals have used portrait photography to shape their image

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The British Royal family are some of the most photographed people in the world. A new exhibition at Buckingham Palace explores how they have used portrait photography to shape their image over the last 100 years. (AP video by Cassandra Allwood).

Subscribe: http://smarturl.it/AssociatedPress

Read more: https://apnews.com

This video may be available for archive licensing via https://newsroom.ap.org/home

Merging Past and Present, Tavares Strachan Wrests Light from Darkness in His Expansive Installations

Merging Past and Present, Tavares Strachan Wrests Light from Darkness in His Expansive Installations

“Inner Elder (Nina Simone as Queen of Sheba)” (2023), ceramic, 39 3/8 x 23 5/8 x 23 5/8 inches. Photo by Jonti Wilde. All images © Tavares Strachan, courtesy of Marian Goodman Gallery, shared with permission

In 1887, an African-American man named Matthew Henson was hired by U.S. Navy engineer Robert Peary to accompany a team of explorers to be the first to navigate to the Geographic North Pole. On April 6, 1909, after several failed attempts, Henson was the first to arrive with the help of Inuit guides, but Peary—whose records were later interrogated and found to contain discrepancies—was credited with the achievement for a century.

And then there’s Andrea Motley Crabtree, the U.S. Army’s first female deep-sea diver and the first African-American female deep-sea diver in any branch of the country’s military service. While lauded as a trailblazer, she recounts a 21-year career marred by prejudice and considerable racist and misogynist hazing.

Figures like Henson and Crabtree appear often in Tavares Strachan’s multimedia installations and sculptures (previously). His ongoing series The Encyclopedia of Invisibility first came to fruition in 2018 as a 2,400-page book, containing 15,000 entries on subjects omitted from the Encyclopedia Britannica—an authority on history.

In his recent large-scale, immersive exhibition Magnificent Darkness with Marian Goodman Gallery in Los Angeles, Strachan positioned The Encyclopedia of Invisibility like a nucleus around which all other installations revolved. He even included a “pocket” edition of the book on a bespoke acrylic stand that doubled as a container for a pair of white gloves.

In one installation, “Matthew Henson (Hunter’s Shirt Stacked with Football and Spear)” stands adjacent to “Andrea Crabtree (Potter’s Shirt Stacked with Diver’s Helmet),” both homages to their respective subjects, situated like timeless totems in a desert-like expanse. In another arrangement, busts of legendary African queens like Amanirenas, Moremi Ajasoro, and Makeda—the Ethiopian name for the Queen of Sheba—are carved from marble. Adorning the works with real, flocked hair, Strachan venerates both ancient historical figures and Black hair itself.

 

a sculpture of a pocket-size book called the Encyclopedia of Invisibility: Hidden Histories, displayed on an acrylic stand with white gloves inside

“Encyclopedia of Invisibility (Pocket Guide)” (2024), leather, gilding, archival paper, lucite box, and stand, 9 1/4 x 12 1/8 x 10 inches (overall). Photo by Elon Schoenholz

Another series of busts, Inner Elder, continues the theme of connecting past to present by merging modern names with those from deeper in history. “Inner Elder (Biko as Septimius Severus),” for example, pairs South African anti-apartheid activist Bantu Stephen Biko with a laurel wreath crown redolent of Roman Emperor Septimius Severus, who was born in what is today Libya and ruled from 193 to 211 C.E. And “Inner Elder (Nina Simone as Queen of Sheba)” depicts the musical icon wearing a gilded crown as her face parts to reveal the queen, who dons a modest head wrap.

A new work composed of neon, “There is a Light in Darkness,” draws on the words of writer James Baldwin from his 1964 collaboration with the photographer Richard Avedon:

One discovers the light in darkness, that is what darkness is for; but everything in our lives depends on how we bear the light. It is necessary, while in darkness, to know that there is a light somewhere, to know that in oneself, waiting to be found, there is a light.

Strachan often focuses on dualities and contradictions inherent in history, stemming from whose narratives have been told—or whose have been overlooked—and who is doing the telling. As time passes, African-American heritage is increasingly in peril as significant sites and structures are at risk of loss or redevelopment.

Only 2 percent of the 95,000 entries on the National Register of Historic Places focus on the experiences of the Black community. By contrasting dark and light, whether literally as skin tone or metaphorically in terms of knowledge and access, Strachan emphasizes the importance of bringing unrecognized or erased histories to the fore and plumbing the past to better understand our present.

Find more on the artist’s website.

 

a large-scale installation in a gallery space with a rice field installation that viewers can walk through on a pathway, leading to a single, totem-like sculpture

“Jah Rastafari with Rice Field (Stacked with Pineapple, Shield, and Football)” (2023), ceramic, rice field installation, 110 1/4 x 59 x 59 inches. Photo by Elon Schoenholz

two side-by-side images of sculptural busts of famous Black figures. the left side shows Makeda (Queen of Sheba) and the right side shows the head of Biko as Septimius Severus, positioned on top of a vessel

Left: “Makeda (A Map of the Crown)” (2024), marble, flocked hair, 19 3/8 x 16 1/2 x 12 3/4 inches. Photo by Elon Schoenholz. Right: “Inner Elder (Biko as Septimius Severus)” (2023), ceramic, 39 3/8 x 23 5/8 x 23 5/8 inches. Photo by Jonti Wilde

two figurative sculptures depicting explorer Matthew Henson and U.S. Army diver Andrea Crabtree, in a large gallery space with a sandy floor

Installation view. Left: “Matthew Henson (Hunter’s Shirt Stacked with Football and Spear)” (2023), ceramic, 78 3/4 x 35 3/8 x 15 3/4 inches. Right: “Andrea Crabtree (Potter’s Shirt Stacked with Diver’s Helmet)” (2023), ceramic, 70 7/8 x 35 3/8 x 15 3/4 inches. Photo by Elon Schoenholz

a colorful wall installation showing a prismatic gradient and a grid of rectangles with a sweeping scene of figures and landscape

Installation view of Tavares Strachan, ‘Magnificent Darkness,’ at Marian Goodman Gallery, Los Angeles, 2024. Photo by Elon Schoenholz

a ceramic sculpture with an abstract-designed vessel on the bottom and the bust of Mary Jane Seacole inside a traditional African mask

“Inner Elder (Mary Seacole)” (2023), ceramic, 35 3/8 x 23 5/8 x 23 5/8 inches. Photo by Jonti Wilde  

a large installation in a gallery space showing a wall with a window through it to another installation behind. the wall is covered in a grid of rectangles that reveal a sweeping scene with a figure on the right and numerous vases and other elements

“Encyclopedia of Invisibility (2 Walls)” (2024), ink, paint, acrylic medium, mixed media, collage work on Sintra panel, 142 x 239 1/8 inches. Photo by Elon Schoenholz

“There is a Light in Darkness” (2024), blue neon, yellow neon, and synchronized audio, 90 1/2 x 91 1/4 x 3 1/4 inches. Photo by Elon Schoenholz

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Merging Past and Present, Tavares Strachan Wrests Light from Darkness in His Expansive Installations appeared first on Colossal.