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Monongahela photographer chosen as 2024 Artist of the Pike

Monongahela photographer chosen as 2024 Artist of the Pike
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Jacob H. Ford of Monongahela will exhibit his photographs this weekend at the Frank L. Melega Art Museum in Brownsville.

Jacob H. Ford has come a long way since he first picked up a Kodak digital point-and-shoot camera.

The 27-year-old Monongahela man, chosen as this year’s Artist of the Pike at the Frank L. Melega Art Museum in Brownsville, features his work on his social media page and sells his photographs on Etsy.

“The Mon Valley is my focus and niche,” he said. “But Pittsburgh and shots taken on vacation trips to the beach and national parks are also included in my portfolio.”

Five years ago, Ford’s parents bought him a newer digital camera, a Canon EOS Rebel T6, and he’s recently learned what the camera is really capable of doing.

“I switched from automatic to manual mode and began experimenting,” said Ford, who grew up in Richeyville. “After watching some YouTube videos and doing some research on the internet, I learned more about manual mode. But it took some practice.”

Manual mode requires a photographer to adjust the light and depth of photographs.

In October 2022, Ford created his Facebook photo page, and followed that up a year later by setting up an Etsy shop.

His most liked photo on Facebook is of a twister that hadn’t touched down on a farm near Monongahela, and his most shared photo is one of Downtown Pittsburgh taken from the North Shore.

Another popular photo is of the horseshoe curve to the Mon River in Newell. To create it, Ford said he used four images taken vertically and stitched together to make a panoramic view.

The photo that caught the eye of Patrick Daugherty, executive director of the Frank L. Melega Art Museum, is one Ford took of the Flatiron Building while on a photo shoot in Brownsville.

“I first became aware of Jacob Ford’s photography when I encountered the photograph on the internet,” Daugherty said. “It impressed me so much, I searched for other examples of his work. It was clear this was a talented photographer, having a strong sense of design and an eye for color.”

“Coincidentally, some of the scenes in his photos were the same scenes depicted by Frank L. Melega in his drawings and paintings,” Daugherty said.

He also noted Ford’s savvy in going online to both promote and sell his photographs.

Ford is a member of multiple Facebook community groups in the Mon Valley and Pittsburgh, which has helped give his work public exposure, he said.

Ford attributes his success to his focus on lighting and composition. While he takes photos year-round, his favorite season is the fall when the leaves turn. However, he said, each month is unique in its own way.

“I like to go out early in the morning and shoot during the golden hour, an hour after sunrise, and the blue hour, an hour before sunrise,” he said. “The same holds true for sunsets.”

Last summer, Ford entered a photo contest organized by Scenic Pittsburgh. The contest included six categories and was open to photographers who lived in the 10 surrounding counties. Ford placed in three of the six categories, and his photos made their way into the organization’s 2024 calendar. One can be found on the back cover and two highlight the cover page of two different months.

Although he showed his work in public at the Fleatique in Monongahela last summer, the upcoming Artist of the Pike exhibit at the Flatiron Building in Brownsville will be his first showing in a museum setting. During the show, he’ll exhibit 21 of his landscape and cityscape photos.

While he has taken some portraits and photos of weddings for friends and family, he said he much prefers taking his camera outdoors and exploring.

His day job as a utility forester for Davey Tree has him marking trees and identifying vegetation that needs to be cut down or pruned. This has taken him to many rural and urban areas where he’s developed an appreciation for the uniqueness of the towns, villages and countryside of Southwestern Pennsylvania.

“On my job, I’ve managed to discover the beauty of our region and strive to capture the unique images I find and share them with others on Facebook and Instagram,” he said.

As to the future, Ford said he’s comfortable where he is right now.

“I feel that I’ve touched a lot of people with my photography and have, at the same time, been able to develop my brand,” he said. “I am thankful for this gift of photography God has given me and am also thankful for my wonderful wife, Sydney, who supports me in my photography endeavors.”

The 2024 Jacob H. Ford Artist of the Pike Exhibit is at the Frank L. Melega Art Museum, 69 Market St., Brownsville. A reception is scheduled from 1 to 4 p.m. this Saturday and Sunday. Admission and parking are free. For more information, call 724-785-9331.

Local art gallery host first LA solo show for renowed Photographer Texas Isaiah Horatio-Valenzuela

Local art gallery host first LA solo show for renowed Photographer Texas Isaiah Horatio-Valenzuela

INGLEWOOD (KABC) — Resideny Art Gallery, “Flowers at Your Feet: a Cherished Horizon”, the first Los Angeles solo show for Texas Isaiah’s latest series installment, “blends classical techniques with sacred spaces, specifically altars to intricately intertwine the diverse facets of blooming Black Trans-masculine identity.” Reu Johnson Balenciaga

Attendees at the opening night spoke with ABC7 Community exclusively about the impact of the art opening for the Trans and Non-binary community. “My ideal dream state is anywhere where I’m free. Texas, Isaiah is work run me out because he is a friend, and he’s a brother. And, and on top of that he is an amazing creative. Like his work speaks for itself. It’s absolutely breathtaking. It puts you in a dream states just to look at it, which is the goal, you know,” Dolapo

I wanted to come out and support my friends, many of whom are in the show. Also, I think this is such an important show for representation. It’s not often that we see such large photographs of trans black, masculine bodies. And I think that’s really important to see our culture reflected back to us. And then these really precious tender moments of like, just peace, peace everywhere, and they’re so good.” Kandis Hutcherson

“The first thing that brought me out is community there are many people that I love and adore featured in the show. And also, of course, the person who’s brought us off here, and to support art and specifically black, queer and trans culture. So it’s like this are so important to support to have for spaces to bring them in. And so that’s why I’m here.” Reniece

“Given the current climate this this exhibit is so important to see because it highlights rust. And I think that a lot of us Americans right now we are constantly going going going hustling, hustling, hustling. We’re taking in so much information through social media all the time, where our brains are active all the time, where I feel like it’s important for us to highlight and prioritize rest, prioritize rest of our minds, our bodies, our hearts, our souls and our spirits. And I think that’s what a lot of these photos capture is rest when it comes to your spirit. And so that I feel like it’s so important for human beings across the earth to really prioritize within themselves.” Damaris

This Saturday, May 18, 2024, at 6pm Super, in collaboration with Residency, hosts an artist talk with Texas Isaiah and Sir Lex Kennedy moderated by Auttrianna Ward. The talk will take place at Residency Art Gallery located at 1245 District Drive Suite 945, Inglewood, CA 90303. Join the artist and supporters RSVP here to attend

For gallery hours, details on the work, and more, head to residencyart.com

Copyright © 2024 KABC Television, LLC. All rights reserved.

Royal Portraits: A Century of Photography: a fine exhibition awash with glamour and famous faces

Royal Portraits: A Century of Photography: a fine exhibition awash with glamour and famous faces

This show of official royal portrait photography – the first exhibition at the newly renamed King’s Gallery at Buckingham Palace – could have been so stilted, yet isn’t. The secret of its success? It takes the photographers as seriously as their high-born sitters, and traces the trajectory of a medium over the past century, as immaculate soft-focus effects, achieved within the studio by practitioners with first names such as Bertram and Olive, gave way to something more intimate and informal.

Of course, Royal Portraits – which includes, among 160 vintage prints, several unseen images – is awash with glamour and familiar faces: how could an exhibition containing dozens of shots by Cecil Beaton be anything but? Its early sections are a numinous, natty haze of tulle and taffeta gowns, fur stoles, and peaked lapels; later, Princess Margaret – sometimes bare-shouldered, always brilliant-eyed – displays a film star’s smouldering poise. Likewise, Princess Diana, who appears three times: once, in playful maternal mode; twice, flirtatiously close-up. (Queen Camilla pops up in four photographs.)

It takes the King a little longer to demonstrate such ease in front of the camera. A double portrait by Beaton captures him as a chubby boy sitting beneath his angular father, who dwarfs him; delicately, a label refers to the “paternal dynamic”. Nearby, in a portrait released to mark his 18th birthday, he comes across as sweet but gawky.

Nadav Kander’s monumental headshot, though, commissioned by Time in 2013, and prominently displayed against a cardinal-red wall in the final room, is a persuasive vision of modern monarchy. In it, Charles (then still the Prince of Wales) appears considerably brisker and more at ease than he does in Jonathan Yeo’s painted likeness of him as a doddery regimental colonel drenched by a tropical crimson storm, unveiled earlier this week. Deftly, Kander ensures that his subject’s shirt, tie, buttonhole, and silvery hair all echo, and so enhance, his glittery grey-blue gaze.

Yet, the exhibition’s interest in photographers and their craft – its art-historical chops, in other words – also deserves respect. The curator, Alessandro Nasini, is mindful that photographs are objects with tangible properties, and finds room for unusual exhibits, such as a touched-up dry plate negative or a solarised print of Princess Elizabeth. Labels are rarely sycophantic, but point out subtle material details, such as the way that textured paper can give a print a “velvet-like quality”, or the fact that the “diamond dust” supposedly embellishing Andy Warhol’s screenprint of Elizabeth II is really “fine particles of crushed glass”. Blue squiggles overlaying the Queen’s face in Warhol’s image recall red annotations by Lord Snowdon indicating areas for retouching on a nearby proof of Princess Margaret. Celebrity is an artful construction.

Elton John is supported by husband David Furnish at V&A exhibition

Elton John is supported by husband David Furnish at V&A exhibition

The McCartneys gathered to support Elton John and his husband David Furnish at the launch of their photography exhibition at the Victoria and Albert Museum in London. 

It was a family affair as Sir Paul, 81, and daughters Stella, 52, and Mary, 54, gathered on Tuesday to take a look at the singer’s impressive collection at the private viewing and VIP dinner. 

The exhibition, named Fragile Beauty, includes more than 300 pieces by 140 photographers selected from their vast library of photographs. 

Elton, 77, put on an animated display as he posed for a photo with Sir Paul, Stella and Mary. 

Having earlier worn a bright pink suit and jazzy shades, the Your Song hitmaker changed into a burgundy suit. 

The McCartneys gathered to support Elton John and his husband David Furnish at the launch of their photography exhibition at the Victoria and Albert Museum in London

Having earlier worn a bright pink suit and jazzy shades, the Your Song hitmaker changed into a burgundy suit

Sir Paul proudly posed with four portrait photos of The Beatles, with the photograph of him taken decades ago at the band’s height of fame. 

Other stars taking a look at the exhibition included Nick Grimshaw, actor Russell Tovey and Simon Cowell’s ex Jackie St Clair. 

Covering the period from 1950 to the present day, they include iconic fashion shots by Irving Penn, Richard Avedon and Herb Ritts, portraits of stars including The Beatles, Frank Sinatra Marilyn Monroe and Chet Baker. 

There is also photojournalism capturing moments in history, from the Black civil rights movement of the 1960s to 1980s AIDS activism and the Sept. 11 attacks.

Newell Harbin, director of the couple´s collection, agreed that the sheer scale of the show is ‘a lot.’

‘It´s a little bit overwhelming sometimes, but it´s just wonderful,’ she said at the preview on Wednesday.

The exhibition is entitled Fragile Beauty, a name chosen by Elton that reflects his ethos, said curator Duncan Forbes, the museum´s head of photography.

The exhibition opens with elegant fashion photos from the 1950s, then gets into edgier territory with work by chroniclers of outcasts and rebels such as Robert Mapplethorpe and Nan Goldin, both artists John has collected extensively.

It was a family affair as Sir Paul, 81, and daughters Stella, 52, and Mary, 54, gathered on Tuesday to take a look at the singer's impressive collection

Sir Paul proudly posed with four portrait photos of The Beatles, with the photograph of him taken decades ago at the band's height of fame

Sir Elton took a seat as he and David posed with  Tristram Hunt, Director of the V&A, at the private viewing

Stella looked effortlessly stylish in a grey oversized suit which she teamed with a slinky silk lace top

Stella smiled as she posed with the director at the VIP dinner

Elton looked in high spirits at the private viewing where his friends could take the first look at his extensive photography collection which is going on display

Russell Tovey and Robert Diament were also in attendance

Nick Grimshaw arrived for the VIP dinner

Leila Russack, Jackie Michaelson and Kimberleigh Gelber attended the private viewing

Nick, Daniel Fletcher, Omari Douglas and Meshach Henry(L to R)

Nadine Leopold and Clara Fondberg smiled for the camera

TikTok star Lola Clark looked stylish in a pale blue dress

Fragile Beauty runs at the V&A from Saturday until January 5, 2025 (pictured Munroe Bergdorf and Otamere Guobadia)

Many of the greats from seven decades of photography are represented, from Diane Arbus, Eve Arnold, Bruce Davidson and Robert Franck to Wolfgang Tillmans, Cindy Sherman and Ai Weiwei.

Elton began collecting photographs after getting sober in the 1990s – he later said he replaced alcohol with “a much healthier addiction.” 

The singer and David, 61, have assembled one of the largest photo collections in private hands, amounting to more than 7,000 works.

They frequently loan photos for exhibitions, including some 200 for a Tate Modern show in 2016 that focused on black-and-white photographs from the early decades of the medium.

Fragile Beauty runs at the V&A from Saturday until January 5, 2025.  

Portland Art Museum | The Official Guide to Portland

Portland Art Museum | The Official Guide to Portland

The oldest art museum in the Northwest delights visitors with its permanent collection, sculpture garden and frequent major exhibitions.

Emilly Prado

Emilly Prado is a writer, award-winning journalist and consultant living in Portland. Read More

The Portland Art Museum (PAM) has been a hub for artistic celebration and culture since its 1892 founding and continues to evolve.

Tips for Visiting the Portland Art Museum

What is the most famous piece at the Portland Art Museum?

The Portland Art Museum has several strong collections featuring thousands of talented artists. Vincent Van Gogh’s Ox-Cart painting (1884) — one of Van Gogh’s earliest works — is one of the museum’s most valuable and well-known artworks. Other notable pieces include Claude Monet’s Waterlilies (1914), Kehinde Wiley’s Likunt Daniel Ailin (2013), and work by famous artists such as Ansel Adams, Pierre Renoir, and Diego Rivera.

What is the Portland Art Museum known for?

The Portland Art Museum (PAM) is the largest museum in Oregon, with robust, diverse permanent collections and large graphic art and silver collections. PAM is also known for hosting many major visiting exhibitions.

Is the Portland Art Museum accessible for people who use wheelchairs?

Yes, all galleries, restrooms and drinking fountains are wheelchair accessible. The museum also offers wheelchairs and walkers on a first-come, first-served basis. Additional information can be found on the museum accessibility page.

When can I visit the Portland Art Museum?

The museum is open Wednesday through Sunday from 10 a.m. to 5 p.m. Holiday closures include Jan. 1, Jul. 4, Thanksgiving (Nov. 28, 2024), and Dec. 25.

Where is the Portland Art Museum?

The Portland Art Museum is a two-block campus at 1219 SW Park Ave. Portland, Oregon 97205. It is in the South Park Blocks in downtown Portland’s cultural district.

How big is the Portland Art Museum collection?

The Portland Art Museum’s permanent collection has over 42,000 objects. Additional rotating artworks are showcased during special and touring exhibitions.

Is there parking available?

On-street metered parking (90-minute, 2-hour and 5-hour) is available at $2.20 per hour Monday through Saturday from 8 a.m. to 7 p.m. and Sundays from 1 to 7 p.m., unless otherwise posted. On Sundays before 1 p.m. and on designated holidays, on-street parking is free. 

The closest private lot is Central City Parking at SW 10th and Main.

Learn more about parking options with our guide to parking in Portland.

What kind of art is in the Portland Art Museum?

The Portland Art Museum’s collections span ancient and contemporary times across many mediums. Visitors can browse Native American, Asian, African, European, Pre-Columbian, and American collections in numerous galleries and even enjoy the arts outdoors in the public sculpture garden.

How much are tickets to the Portland Art Museum?

Admission is $25 for adults and $22 for seniors and college students (with student ID). Entry is free for children ages 17 and younger, veterans and active-duty military (with ID), and Portland Art Museum members. The museum also hosts Free Quarterly Museum Days and other special free and discount days.

Special exhibition and program fees may apply.

Details are subject to change; please check the Portland Art Museum website for current information.

Does the Portland Art Museum have a cafe?

Portland Art Museum History and Campus

a large brick building, the Portland Art Museum, near a pedestrian crosswalk
The Portland Art Museum, located in two historic buildings on Portland’s South Park Blocks, is central to the city’s cultural district and houses a large and wide-ranging art collection.

Today, the Portland Art Museum spans 2.5 sweeping city blocks spread among two primary buildings. Visitors of all ages can wander through the innovative gallery displays, stocking up on artsy goods at the gift shop, or perhaps resting on sleek benches with sketchbooks in hand. As one of the largest museums on the West Coast, PAM eagerly welcomes its visitors — more than 350,000 annually — but in the beginning, the scale was smaller. The first collection, an estimated 100 plaster casts of Greek and Roman sculptures, was displayed in the museum’s original location: a section of a public library several blocks from the current campus.

As the collections, public interest, and patronage alike grew, the PAM campus continued to expand and remains an iconic destination amid the idyllic South Park Blocks (a gorgeous tree-lined green space that served as Portland’s first public park in the mid-1800s.) By 1978, the Northwest Film Study Center (recently renamed PAM Center for an Untold Tomorrow) was incorporated into the museum. The Mark Building, a former Masonic Temple, was added in 2005 to house numerous administrative and curatorial offices, event spaces, the Crumpacker Family Library, which boasts around 33,000 volumes, and the Jubitz Center for Modern and Contemporary Art.

In 2023, a major renovation project began to modernize the grounds, increase accessibility, and expand the campus to include several new features, including the Rothko Pavilion. Although the museum’s permanent collections are closed for renovations for the duration, exciting rotating exhibitions will remain open through the project completion date of mid-2025.

Planning Your Visit

Exhibitions

Please note: the permanent collections will be inaccessible due to construction until mid-2025, but rotating exhibitions will be open to the public.

Permanent Collection

Visitors view an installation at the Portland Art Museum
The renowned Portland Art Museum is the oldest museum in the Pacific Northwest. Located in the heart of downtown’s Cultural District, the museum’s campus includes an outdoor sculpture court, permanent galleries and special exhibitions.

The Portland Art Museum’s permanent collections are shaped by several geographic areas, mediums and communities spanning two millennia and include paintings, sculptures, ceramics, prints, drawings, objects, and more. The permanent collections, browseable online, are categorized into American art, Asian art, European art, graphic arts, modern and contemporary art, Native American art, Northwest art, photography, and silver.

The multi-story Native American art collection, housed in the Confederated Tribes of Grand Ronde Center for Native American Art within PAM, has a sizable collection of more than 3500 artworks created by at least 200 tribal communities from the Americas. In late 2015, the museum also added the Center for Contemporary Native Art gallery to showcase the breadth of art by renowned modern-day Native American artists such as James Lavadour, Allan Houser, Maria Martinez, Wendy Red Star, and Marie Watt. During the 2024-2025 construction, PAM curator Cathleen Ash Milby will work with native communities to reimagine PAM’s galleries and exhibition spaces for Native American art. When the museum reopens in 2025, visitors can enjoy PAM’s Native art collection via special exhibitions while the museum wraps up a permanent gallery space in collaboration with Native tribes.

Rotating Exhibitions

a woman stands in an art museum

Sarah Sabino viewing her art installation in the AUX/MUTE Gallery in Portland Art Museum.

Credit: Jason Hill by better.

At PAM, several special exhibitions are presented to the public, rotating throughout the year. Major touring retrospectives like Frida Kahlo, Diego Rivera, and Mexican Modernism and Dakota Modern: The Art of Oscar Howe join groundbreaking collaborations with local community artists at the museum. These include Black Artists of Oregon (2024), curated by multi-disciplinary artist and journalist Intisar Abioto and the AUX/MUTE Gallery located at PAM CUT (which is presented by Oregon’s only Black-led radio station, The Numberz FM.)

Exhibitions on view in 2024 include Throughlines: Connections in the Collection, which uniquely pairs artworks across themes as opposed to cultural region and time, Monet to Matisse: French Moderns and Paul McCartney Photographs 1963-64: Eyes of the Storm.

Free & Nearly Free

Some of the best things to do in Portland are totally free. Connect with nature, discover local artists or learn something new.

PAM CUT

The Portland Art Museum’s Center for an Untold Tomorrow (PAM CUT) was unveiled in 2022 but was born from a rich five-decade history as the Northwest Film Center. The new name formally marks the museum’s creative pivot, expanding its scope beyond solely short and feature films to include multimedia arts such as virtual reality and artificial intelligence. 

While PAM CUT’s headquarters undergo construction to expand viewing spaces and concessions through mid-2025, including the Whitsell Auditorium, visitors can still enjoy screenings and multimedia experiences offsite at the newly launched Tomorrow Theater, which opened in 2023 in Southeast Portland’s Division neighborhood.

Explore the Arts

Within the Portland Art Museum and beyond, to local institues supporting living artists.


Oregon Contemporary

In North Portland find visual art installations and performance art to collaborations with bands, chefs and mixologists, with international curators and partnerships with Oregon art makers, Oregon Contemporary is the cutting edge of visual arts.


The Portland Book Festival

Portland Book Festival (formerly “Wordstock”) returns every November with an impressive (and extensive) lineup of local and national authors.


Time-Based Art (TBA) Festival

Portland’s Time-Based Art Festival (TBA) returns every September with 10 days of boundary-pushing performances, visual art and projects that defy categorization.

Portland Art Museum Events and Activities

a group of children participate in arts and crafts activities at the Portland Art Museum
The Portland Art Museum’s family day events help visitors of all ages connect with the museum’s collections in new ways.

The Portland Art Museum hosts ongoing programming, including tours, in-gallery curator conversations, family- and educator-centered talks, interactive classes and workshops, and more. The free Bloomberg Connects app provides a digital guide to PAM, while the online calendar lists upcoming artist talks and events.

The Portland Art Museum also serves as the primary venue for the annual Portland Book Festival. In addition to panels, signings and author conversations, the pop-up author reading series features writers reading in front of artworks throughout the galleries. Be sure to check the online calendar before going as some events may be on hiatus during construction.

Museums

Portland is known for its rich creative community, and DIY makers. From these established museums that showcase the greatest fine artists, to the mailbox-sized galleries of passions, Portland displays all kinds of art and curiosities.

Events at the Portland Art Museum

Explore fun and fascinating visual arts and events at the largest art museum in Oregon.

Journey to the Future
Saturday, May 25, 2024

Journey to the Future

Join the Portland Art Museum for a cutting-edge workshop designed for families with kids ages 11+ wh…

More Portland Events

Visit our events calendar to discover even more things to do in Portland. Search by date, event type and more.

The Backstory of a Blockbuster Native American Art Exhibition in Raleigh

The Backstory of a Blockbuster Native American Art Exhibition in Raleigh

When Nancy Strickland Fields saw the flawless craftsmanship of an AD 700 pot discovered at Town Creek Indian Mound in Mount Gilead, North Carolina, she sat in awe of its creator. “It was just so perfect, and I felt that the artist stepped forward and I could see her,” recalls the member of the Lumbee Tribe and director of the Museum of the Southeast American Indian in Pembroke. Fields knew then and there what she wanted to do for an exhibition she had been invited to guest-curate at the North Carolina Museum of Art in Raleigh. It would center around three-dimensional works, like this pot, that captured the story and spirit of Native identity. 

Over the next year and a half, she gathered contemporary pieces for the exhibition, calling upon a diverse cast of seventy-six artists, including celebrated sculptors Roxanne Swentzell and Virgil Ortiz and legendary textile weaver Margaret Roach Wheeler, plus local Southeastern artists working in various mediums. The result—titled To Take Shape and Meaning: Form and Design in Contemporary American Indian Art—runs through July 28 in Raleigh. 

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photo: Courtesy of the North Carolina Museum of Art

Senora Lynch (Haliwa-Saponi) used red and white clay to create this bowl, titled “Woodland People Bowl.”

Over fifty tribes are represented in the exhibition, and thematically, the pieces tackle everything from Native origin stories to contemporary fashion. North Carolinian Harlen Chavis re-created the deity Bird Man in copper, inspired by a rendering of the warrior found on a gorget at Oklahoma’s Spiro Mounds. Caddo artist Raven Halfmoon contributed a huge, two-toned sculpture titled “Soku and Nish,” or Sun and Moon. Jeremy Frey fashioned an intricate beaded basket in the shape of a snowy owl, a messenger for his tribe, the Passamaquoddy. Cherokee artist Laura Walkingstick fashioned corn husk dolls, believed to protect the home, livestock, and personal wellness. Potter Kathleen Wall, who has Jemez and Chippewa ancestry, created a clay figurine portrait of her daughter that celebrates multiplicity of identity. “She’s wearing a traditional Pueblo manta dress, a Southeastern belt sash, and holds two Cherokee baskets,” Fields says. “It makes you consider what it means to be Indian today, when Native peoples might be members of multiple tribes and embody multiple identities.” 

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photo: Courtesy of the Raven Halfmoon and Kouri + Corrao Gallery, Santa Fe, NM

Raven Halfmoon’s “Soku & Nish (Sun & Moon – Caddo),” in ceramic and glaze.

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photo: Courtesy of the Minneapolis Institute of Art

“Adaptation II” by Jamie Okuma (Luiseño/Shoshone e-Bannock/Wailaki/Okinawan) takes shoes designed by Christian Louboutin and adds leather, glass beads, porcupine quills, sterling silver cones, brass sequins, and chicken feathers.

Fields invites everyone—both Native and non-Native—to come and engage with the art. “I hope the exhibition shows who we are and that we are still here, we are diverse, and we have so many stories to tell,” she says. “The range of art, from basketry to ceramics to mixed media, shows the commanding breadth of art from Native America…it is not only Native American art, it’s American art.”

The three-dimensional aspect of all of the pieces, whether they’re baskets or stiletto heels, lends the show a special force. “For Native peoples, when we give something shape, we give it meaning and it takes on a life,” Fields explains. “That means this exhibition is alive.”