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May 9: PBS Utah and Craft Lake City Paint & Printmaking with Jazmine Martinez
Come relax with PBS Utah and Craft Lake City for an evening of painting and printmaking at our mixed media workshop.
Modern History of China’s Art Market
An art historian and columnist based in New York, Kejia Wu has dedicated her career to the Chinese contemporary art scene and its market since the 1990s. Relocating to the United States fifteen years ago, she has amassed unique expertise over the years, publishing various reports, notably for TEFAF, and contributing to the Chinese edition of the Financial Times. She authored the first book on the modern history of the art market in China, A Modern History of China’s Art Market, which was published last year. In her work, Kejia Wu sheds light on a lesser-known historical episode: the confiscation of artworks and antiques by the Red Guards during the Cultural Revolution (1966-1976) and their partial restitution under the supervision of Xi Zhongxun (1913-2002), father of Xi Jinping. This period was succeeded by the gradual integration with Hong Kong’s art market and the emergence of the first Chinese auction houses from the 1990s onward.
In the ensuing interview, she delves into the historical, political, economic, and artistic implications of China’s art market, which has transitioned from near annihilation to securing the second position globally within half a century, with 19% of the world market in 2023 according to the Art Market Report 2024 by Art Basel & UBS.
Portrait of Kejia WU. Courtesy of Kejia Wu
Remy Jarry: How does the Chinese art market differ from the Western market from a historical perspective?
Kejia Wu: Throughout the imperial dynasties to the Republican era of the first half of the 20th century, China has a continuous history of art collecting. However, there has never been an auction house like those in the West from the 18th century onwards. Art dealers and collectors primarily engaged in direct transactions among themselves.
After the founding of the People’s Republic of China in 1949, art collecting was gradually banned in the 1950s, as it was perceived to represent a capitalist and bourgeois lifestyle. Nonetheless, it was still possible to secretly exchange artworks. It was after the Cultural Revolution in 1966 that significant changes occurred, marked by campaigns encouraging Red Guards to forcibly enter collectors’ homes.
RJ: One of the chapters of your book is precisely devoted to these confiscations. How did they take place?
KW: Many of the private collections were confiscated by the Red Guards and placed in state-owned warehouses. Collectors were sometimes subjected to physical violence, including beatings. Artworks such as ink paintings or porcelain pieces were often destroyed, burned or smashed. If you were discovered attempting to sell art privately, you were arrested and imprisoned. Consequently, the market came to a full stop.
Starting in the early 1970s, state-owned antique stores, often called “friendship shops” (友谊商店), began to open, allowing foreign visitors to purchase antiques at low prices. Thus, state-controlled art trading activities became authorized, primarily aimed at generating foreign currency reserves for the state, which was facing great economic difficulties.
RJ: Are these confiscations from private collectors comparable to those of the Nazis?
KW: It’s not exactly the same thing since the Nazis took the art collections of Jewish families and invaded other countries. So, there were different intentions. In terms of ideological basis and social context, the situation in China was more akin to what happened in the Soviet Union. Class struggle was the driving force behind art confiscations in China.
Furthermore, most of the Red Guards were very young and had little or no knowledge of the works they destroyed, nor did they maintain clear records of confiscations. Although official data is lacking, the massive scale of destruction and confiscation undoubtedly ranks among the largest scales in East Asia.
RJ: A restitution process was formally launched by the State in the 1980s. What conclusions can we draw from it?
Yinka Shonibare challenges colonial narratives in London exhibition
Historic colonial statues should not be destroyed, but reimagined, according to British artist Yinka Shonibare. A new solo exhibition of his work tackling Britain’s imperialist past has opened in London.
Hollywood A-list photographer Hired to Photograph Salt Lake City Homeless for “Dignity” Utah Stories Top 5 4/15/24
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The Old Dutch Store and Dutch Club of Utah present Salt Lake City’s 3rd annual Dutch King’s Day, debuting in a new venue at MILLCREEK COMMON (1330 E Chambers Ave). On Saturday, April 27, King’s Day is celebrated across the world. The biggest celebration is in Amsterdam where millions of visitors and locals wear orange to celebrate King Willem-Alexander’s birthday at the world’s largest street party. Salt Lake City joins the fun with this free, family-friendly event showcasing the culture and traditions of Holland. Dutch King’s Day features Salt Lake’s legendary emcee and DJ Bad Brad Wheeler, King’s Day Craft & Vintage Fair, authentic Dutch cuisine and beer, kids’ activities and more.
The same photographer who created iconic portraits of Billie Eilish and Robert DeNiro is coming to SLC to photograph SLC’s homeless. According to an article in the Standard Examiner, a group dedicated to solving Utah’s homeless problem, Utah Impact Partnership launched an initiative called Project Human Dignity over the weekend. Which is focused on taking portraits of the homeless. “What if we thought of them,” one of Project Human Dignity’s first televised clips states according to the Standard Examiner, “as deserving of our empathy … of our help … of human dignity.”
Nestled in Huntsville, Utah, the Shooting Star Saloon stands as a testament to resilience, claiming titles as both the state’s oldest business and bar. Since its transformation from a mercantile in the 1850s to a saloon in 1879, it has weathered the storms of Prohibition and changing ownership, now under Leslie Sutter’s stewardship. Among its prized relics is Buck, the famed St. Bernard once Guinness-certified as the largest in the world, forever vigilant over the patrons. With walls adorned by currency from across the globe, the saloon offers a glimpse into its storied past while serving up $3 beers and $5 Star burgers, beckoning travelers and locals alike to partake in its historic charm and recession-proof hospitality. @zee.travel made a reel using our research and reminded us of this super interesting story.
In Ogden, Amanda Neeley’s journey embodies the housing crisis facing many families: a cascade of setbacks, from job loss to medical emergencies, left her seeking assistance. Yet, she finds herself among 1,356 on the waitlist for Section 8 housing, a wait projected at four years. While Ogden once symbolized affordability, its charm and growth now drive housing costs upward, mirroring statewide trends. Despite efforts by local officials and developers like Lotus Riverwalk, where quality meets affordability, the struggle for dignified housing persists, revealing a complex landscape of income disparity and market pressures in Utah.
There’s been lots of talk in Salt Lake City about an MLB stadium and NHL coming to Salt Lake, although the MLB Stadium seems unlikely, NHL might be coming. NHL’s Arizona Coyotes players were told Friday that they were moving to Utah, according to Axios Salt Lake City. An official announcement could come as soon as this week, according to ESPN.
*Content for this article curated from other sources.
Antony Gormley unveils new exhibition in English country estate
British sculptor Antony Gormley’s latest exhibition, Time Horizon, has taken over the grounds of a Norfolk country estate.
Sculpture Trail opens with reception
Click here to view this article from baytownsun.com.
Cortland Foundation Announces Annual Photography Competition
Thomas, WV – The Cortland Foundation is thrilled to announce the launch of our annual Photography Contest, inviting talented photographers from all backgrounds to showcase their creativity and vision. The submission window for entries opens on May 1, 2024.
The Photography Contest aims to celebrate the beauty of life and the resilience of the human spirit through captivating images. The theme chosen for this year’s competition is “Changes”. Fourteen winners will be selected by our esteemed judge, Frank Ceravalo, a prominent West Virginia photographer based in Martinsburg, WV. Selected photographs will be transformed into stunning 45 x 30-inch prints and prominently displayed in the Cortland Rehab wing for one year, offering inspiration and joy to residents, staff and visitors alike.
“After a challenging period, we believe in the power of art to uplift and inspire,” says Crystal Boone, Foundation Director. “Through this Photography Contest, we hope to foster creativity, community, and connection, while also supporting the vital work of the Cortland Foundation.”
In addition to large-scale prints, a concentrated display area will be added to the Pendleton Lounge situated in the Blackwater Short-Term Rehab Center common area. The Gallery will include twenty-two feet of wall space and showcase different sizes and orientations to allow for even more local images and regional talent to be on display. There is no specified number of images to be selected and The Gallery will be curated by this year’s contest judge and the Cortland Foundation.
Following the one-year exhibition period, the prints will be offered for sale with all proceeds benefiting the Cortland Foundation’s mission to enhance the quality of life for residents and support essential programs and services.
Photographers interested in participating are invited to submit their images through the Cortland Acres website at http://blackwater.cortlandacres.org/. Submissions will be accepted through May 31, 2024. Participants are encouraged to review the contest rules and guidelines available on the website. Questions may be directed to David Johnston at dsjohnstonWV@gmail.com. Photographers of the winning images will be notified by mid-July. Unveiling of the exhibition will occur during the ARTober Fest at Timberline Resort, October 4 – 6, 2024.
Judge Ceravalo chose the theme “Changes” with hope of seeing images that reflect transitions, movement, contrasts or evolutions. The full description for the theme is located within the Rules and Guidelines on the Cortland Acres website.
Ceravalo’ s passion for photography and keen eye for detail will undoubtedly enrich the judging process. All photographs submitted will be judged on criteria such as creativity, composition, technical proficiency and adherence to the contest theme. Ceravalo’ s expertise will play a pivotal role in selecting the winning photographs.
“We are excited to see the diverse perspectives and stories captured through the lens of talented photographers,” adds Boone. “Together, we can create a gallery of beauty and inspiration that celebrates the human experience.”
Cortland Acres Long Term Care and Rehabilitation is a leading provider of long-term care, rehabilitation (in-patient & out-patient) and skilled nursing services in Thomas, WV. With a commitment to compassionate care and innovative programs, Cortland Acres strives to enhance the well-being and quality of life for residents and their families. The Cortland Acres campus includes a 94-bed long-term care facility, a new rehabilitation center, inpatient and outpatient rehabilitation programs, independent living units at Pineview and The Pines. The campus also houses a health center and pharmacy as well as offices of visiting medical specialties. For more information on Cortland Acres or to set up an appointment or tour call 304-463-4181 or visit www.cortlandacres.org.
Pa. world-traveling photographer puts spotlight on deforestation
PHILADELPHIA, Pennsylvania (WPVI) — One wildfire could make the difference between beautiful and barren.
It’s a phenomenon that Amie Potsic has captured in California… and brought back to Philadelphia to share with our community.
Potsic’s career in photography has taken her across the world. She’s traveled from Israel to India, from Brazil to California, and more.
Her photographs are featured in the traveling exhibition, “Risky Beauty: Aesthetics and Climate Change,” curated by Cynthia Haveson Veloric. It is currently being hosted by The Annenberg School for Communication at the University of Pennsylvania from now until May 23, 2024.
To learn more about Amie Potsic’s work, visit her website.
RELATED: Philly high school student publishes photography book about teens in the city
18-year-old Laila Holmes captured life as a teenager in Philadelphia through her own unique lens.
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Heber City Council to discuss Latter-day Saint sculpture garden plans
The Heber City Council will have a preliminary discussion about plans for the Monument of the Americas during its work session Tuesday, April 16. It will be a sculpture garden inspired by the Book of Mormon.
