Des Moines Legacy Foundation’s 2024 International Sculpture Day will kick off with walking tour of Des Moines public art on Saturday, April 27
By Admin in Photography
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By Admin in Photography
A photography firm has “sincerely” apologised to parents after they were offered primary school class pictures that omitted pupils with special needs.
Parents whose children attend Aboyne Primary in Aberdeenshire were horrified after being sent a link from Tempest Photography offering them a choice of pictures, with or without children with additional support needs.
One of the pupils removed from the photographs was a wheelchair user whose twin sister was distraught to learn she had been omitted from an image that was offered to their parents for purchase.
Tempest Photography, which is based in Cornwall but employs local photographers to take school photos across the UK, said it “deeply regrets” the hurt caused.
In a statement posted on X, formerly Twitter, it said: “Recently, after capturing a class group photograph, one of our photographers took additional images of the class group which omitted some members of the class from the photograph.
“We deeply regret any upset this has caused and would like to sincerely apologise to the parents and children affected.
“We are a family-run business and photograph at schools across the UK and would like to reassure our customers that this is not standard procedure for our company and we are taking this matter very seriously.
“We are committed to implementing meaningful changes to prevent such an occurrence in the future.”
It is understood some class photographs were taken before the pupils with additional support needs were brought in.
Natalie Pinnell said the decision to omit Erin from her class photo had ‘devastated’ their family
Following the complaints, the company removed the link to the alternative versions of the class photos at the request of the school, and they are no longer available to purchase.
But Natalie Pinnell, whose daughter Erin was among those excluded from the photographs, told the Press and Journal it felt like her child was “erased from history”.
The “heartbroken” mother told the newspaper: “To give people the option to erase my daughter from history for the sake of optics is frankly inhumane. One of the cruellest things that I’ve ever experienced.”
A second parent, Lisa Boyd, also told the newspaper her daughter Lily, a wheelchair user, was removed from an alternative photo, with the nine-year-old’s twin sister devastated.
Humza Yousaf, Scotland’s First Minister, tweeted: “Outrageous and shameful. I struggled to believe this was true when I first saw the headlines.
“Natalie has every right to be upset, as will all parents at this sorry episode. I am pleased an apology has been given, but this must never happen again in any school in the country.”
Katie Price, the model and TV personality, said she was upset by their experience. Her son, Harvey, 22, has Prader-Willi syndrome, autism and is partially-sighted.
She told BBC Radio 4’s Woman’s Hour: “Things like that upset me because, at the end of the day, we’re all different. Just because you have a disability doesn’t mean you should be treated differently.
“I always tell people, ‘Just remember, you might think your life is perfect but one day, one of your family could have an accident or something and become disabled and you have to become their full-time carer’.
“So always remember, never judge anything, because it could happen to you. And let’s see if you take the mickey then or you exclude them out of photos. I just feel really strongly. I think we should all be treated the same.”
Aberdeenshire Council has called the decision “totally unacceptable” and emphasised it was not a decision taken by the school. However, the local authority said it was “sincerely sorry”.
A spokesman said: “Aboyne is an inclusive school and every single child should be included, engaged and involved in their learning and school experiences.”
Patrick Roach, the general secretary of the NASUWT union, which represents teachers across the UK, called the incident “shocking” and “crass”.
Speaking at the union’s annual conference in Harrogate, North Yorkshire, Dr Roach said: “It’s a sign of, frankly, a lack of understanding about the importance of inclusion and diversity. It’s also potentially evidence of discrimination.
“It creates that sense of a hostile environment for disabled kids, but also for disabled people generally. It’s shocking and needs to be dealt with.”
By Admin in New Mexico Art
By Admin in Photography

SAN FRANCISCO — Irving Penn is widely regarded as one of the 20th century’s greatest photographers, renowned for his pared-down aesthetic, exemplary printmaking and artistic experimentation. A regular contributor to Vogue magazine for more than six decades, he revolutionized fashion photography in the post-war period, positioning models against neutral backdrops to emphasize gesture and expression. Although best known for his psychologically penetrating portraits, Penn was a prolific artist whose career spanned 70 years and a wide array of interests.
The major retrospective Irving Penn, now in display at the de Young museum, captures every period of that dynamic career behind the camera, beginning in the late 1930s and continuing into the first decade of the 21st century.
By Admin in Photography
The world is taking more photos than ever before. In fact, it’s estimated that since 2015, more photographs are snapped each year than the combination of every previous year since the invention of the camera. That still doesn’t mean that you can snap a pic just anywhere, however.
Even in 2024, there are still public places that are not allowed to be photographed. Whether it’s due to permits, integrity of the democratic system, or even national security, there are several New York locations that ban the public from taking pictures.
New York State has some versy specific rules regarding taking photographs in voting booths
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One of the most popular photography questions surprisingly revolves around selfies in voting booths (remember when Justin Timberlake got in trouble in 2016?). While plenty of states don’t mind voters snapping a pic, New York State does not allow photography “showing a completed ballot or indicating how [they] cast their vote”.
Whether or not you can legally take photographs of train tracks in New York State all depends on your location
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New York State’s railroad system, both historic and modern, is often the subject of photographers across the state. While taking shots of trains from public land is allowed, any activity on train tracks or other private property is strictly prohibited. Countless outreach programs stress the message that any train track, no matter how empty they seem, can turn deadly in seconds.
While casual photography is permitted nearly everywhere in New York City, certain parks require permits for professional photography
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Causal photographs (on a phone or handheld camera) are allowed in nearly every public area of New York City, but there are certain guidelines in city parks. For instance, no professional photography of any kind is allowed at The Cloisters, and taking shots with a tripod at Grand Central Station requires a permit (most photography, including professional, is allowed without a permit in Central Park). Find the full list of requirements here.

Of course, photography on any private property is subject to the owner’s discretion. Guidelines for trash, however, are universal no matter where the can is located. Take a look at some New York guidelines below.
Here are 8 items that are illegal to throw in your trash can in New York State.
Gallery Credit: Credit – Polly McAdams
Gallery Credit: Dave Wheeler
By Admin in Photography
By Admin in Photography
Uno Prii – an Estonian-Canadian architect – would have turned 100 this year. Known for his use of bold geometric forms, Prii designed many modernist apartment buildings across Toronto in the 1960s and ’70s.
“This series features select images from ten of Uno Prii’s Toronto apartment buildings, just a small slice of his legacy,” explains Amanda Large of doublespace photography. Amanda took on photographing Prii’s buildings over the span of two years.

Amanda’s photographs of Prii’s apartments are displayed in black and white – distilled down to the architecture’s essence – light and forms.

“I wanted to photograph the buildings in similar conditions – in sunlight, near the edges of the day,” tells Amanda.

I appreciate how Amanda shows Prii’s work off in context. Dark foregrounds draw our eyes in toward the apartment buildings. We see them among construction, traffic, framed by foliage, and from the sidewalk a few streets over. She immerses us in the landscapes surrounding Prii’s apartments, and we feel as if we are viewing them in real life, right on the street.

Amanda also makes more abstract vignettes of Prii’s buildings, like in this shot of the apartment at 300 Eglinton Avenue East below. The repetitive forms and punchy contrast give off a fine art feel. We see just a slice of Prii’s structure, but get a sense of the whole thing.

Again, dark foregrounds create vignettes that draw our eye into the frame. Amanda carefully places the buildings between the tree leaves and amid the nearby homes, leading our gaze while providing a bit of context.

The well-timed lighting creates long, sharp shadows which convey a sense of time and place while chiseling out the forms that Prii is so well known for.

Amanda speaks on her approach to portraying the apartment buildings. She shares, “When there was furniture or tchotchkes on the balconies, or electrical wires in the frame, I tried to resist the urge to digitally remove them. Buildings are made to be lived in, and electrical wires are part of dense urban settings”

“Eight of the ten buildings were photographed in fall/winter for better quality of light. Two buildings – 141 Erskine and 425 Ave Rd – are north-facing, so they had to be photographed in mid-summer as that is the only time the sun made it around to the main façades,” explains Amanda.



“It’s hard to choose a favourite from the series – I shot, edited and culled this series so that the images work together as a unified set with no ‘hero’ shots. If I were showing only 10 shots from the body of work, I’d have likely selected different images than these. But the last image is one of my favourites.
Anyone who knows me, knows I’m not about the wide shots that show the entire building. I think this detail shot encapsulates two of the major design features of 141 Erskine; the classic Uno Prii white concrete swooping canopy entrance, and the two different balcony treatments. I intentionally went on a beautiful summer evening so the sun would reach just around to the north side of the building by sunset, and the play of the light on the main façade is really lovely.
One of the challenges of shooting older buildings can be mature trees obscuring the façades, but in this case I was able to use the tree canopy and shadow to make a natural vignette for the frame, drawing the eye to the subject.”

A massive thank you to Amanda Large for submitting this personal project in to us!
Make sure you pop by doublespace’s website and give them a follow on Instagram @2spacephoto to drool over more of Amanda’s (and Younes’s) work!
If you have a project you’d like to be considered for Project of the Week, you can submit it here.
By Admin in Photography
Many of us don’t consider the harm we do with our photos. Our actions might be innocent, but there’s a dark side to most genres that we don’t ever consider.
A book sitting on the shelves above my desk is about wedding photography. It starts by saying that wedding photographers were once considered bottom feeders. It then points out that things have changed significantly over the last couple of decades as documentary-style photography has taken over from the “look-at-the-birdy-and-say-cheese” group photos that plagued the genre for most of its history.
This new style of wedding photography has certainly caused some upset among the clergy here in the UK, and I suspect elsewhere too. Wedding photographers seem to think their work is more important than the wedding. A retired vicar friend of mine told me that he was marrying a couple when, during the vows, he heard a noise. Looking behind him, he saw the photographer climbing onto the altar. Recent news stories here have reported the feud between priests and wedding photographers, with the photographers saying they should be shown more respect and not pushed to the back of the church where they are sometimes sent, and priests pointing out that their job is the most important.

I’ll have to say, as a wedding photographer, I agree with the Church’s point of view. A religious wedding is a celebration but is also a sacred occasion. Secular wedding ceremonies are also important events. No matter how it is conducted or by whom, the ceremony is by far the most significant aspect of the day. However much the happy couple pays, the photographer should allow the ceremony to progress without disturbing it, the participants, or the congregation.
So, perhaps we wedding photographers are bottom feeders. Or are we?
I recently bought a fantastic landscape photography book by a well-known photographer I have a lot of respect for. In it, he exhibits photos taken early in the morning at a particularly beautiful stretch of coastline that I am very familiar with. Where he has set up his camera before dawn is probably the best place to get a photo of that scene. However, it’s also the best roosting spot for a raft of endangered shorebirds that overwinter and feed there.
Migratory birds need to spend all their energies feeding to regain the body mass lost during their flight to their overwintering grounds. Every disturbance reduces the survival of the birds. Those birds, or any wildlife, are an important integral part of the landscape, just as surely as lions, giraffes, and elephants are to the savannah, and polar bears are to the Arctic.
Landscape photographers probably disrupt the creatures through ignorance. However, creatures are often deliberately disturbed by wildlife photographers who fantasize about appearing on the next cover of National Geographic no matter the cost to the creature.
Somebody I know has an extremely rare and shy bird breeding on their land. Officially, there is only one known breeding pair in the UK. There is more because nobody is letting on that this bird is there because they know they will be inundated with wildlife photographers who will disturb the birds and disrupt their breeding.
So, maybe some wildlife photographers are the worst.
I’m not so sure, though. The paparazzi hound people and invade their privacy. This has led to enormous upset, disruption to family life, and that horrific fatal car crash in a Parisian tunnel in 1997.
Yet maybe that pales into insignificance when one compares that to the harm caused by fashion photographers who feed the world with images of skinny models with perfect skin. The damage that does to the self-esteem and mental health of, especially, young women. Fashion photography contributes to increased depression, anxiety, and self-harm; decreased socio-emotional well-being; low self-esteem; as well as negative body image.
Photographers of all genres should remember that the photograph is always less important that the subject and the viewer.
But maybe there is worse happening than that. Social media companies now employ vast numbers of content moderators who are exposed to horrendous images of inhuman acts. As a result, those moderators suffer mental health issues from exposure to the pictures. Moreover, there are insufficient moderators to perform that task. Should those inhuman photographers be solely accountable for those images, or should social media companies share that responsibility?
Until now, in America, internet companies have been exempt from any responsibility for the content their sites show because of Section 230, which was originally part of the Communications Decency Act.
No provider or user of an interactive computer service shall be treated as the publisher or speaker of any information provided by another information content provider.
Originally put in place to promote freedom of expression and innovation, it led to social media platforms washing their hands of any responsibility for the content they show. So long as they did not edit the information posted on their site, they could not be held responsible.
This led to a raft of social issues, not least harassment, hate speech, inciting violence, misinformation, abuse, promotion of suicide, and self-harm, as well as allowing posts by foreign groups to disrupt the democratic process. The mob storming of the United States Capitol in January 2016 is seen to have been prompted by social media posts.
So, it’s not just the photography that is to blame, but how people use images and other information. Those companies that host images will probably soon be held responsible for the outcomes. Just as there was bipartisan support for introducing it, there’s now bipartisan support for rescinding Section 230 because of the harm caused by uncontrolled social media.
If that happens, this will affect not just the big hosts such as Meta, X, and Google, but smaller image host providers, including sites like Fstoppers and its competitors. The moderation of comments and galleries will become more onerous, and I can see commenting disappearing from many sites.
2024 will see more elections worldwide than any other year in recent history. Never have there been more opportunities for bad actors with evil intent to use imagery to interfere with the electoral processes by posting on social media. Already, fake photos have appeared that show one presidential candidate in a good light. AI image generation tools make that all the easier.
There was outrage recently because a member of the British Royal Family had enhanced a family snap released for Mothering Sunday here in the UK. Most of us have done it to pictures, so the scandal boiled up by the press seemed disproportionate. How many of your family members have used Instagram filters to improve their looks? On one wedding shoot, I removed a pimple from the face in all the pictures of a bridesmaid. Nobody noticed apart from the bride who thanked me for it. If such an edit is done with good intent, then I believe there is no problem. Sadly, not everyone has the same opinion, and for them, anything goes.
However, except for minor edits such as removing dust spots, reputable news agencies insist that photos are genuine. There have been some notable digressions from this standard and great damage to the reputation of the news agencies that have done so. Nevertheless, most press reporting and photos are held to a high standard. Social media posts are not. Research shows that more than 40% of news on social media is fake and an astonishing 86% of Americans are falling prey to fake news.
It seems the digital world we photographers walk in is precarious, and we risk having our reputations destroyed because of it. If people cannot tell the difference between a fake photo and a real one, doubt will be cast on the validity of all our images. All we can do is continue shooting genuine images and try to do as little harm as possible.
By Admin in Photography

In “Photographer,” Academy and Emmy Award-winning filmmakers E. Chai Vasarhelyi and Jimmy Chin embark on a captivating journey with the world’s most remarkable visual storytellers. These extraordinary photographers team up with leading documentary filmmakers in an international adventure that promises an exhilarating and dynamic experience.
One of those photographers is Campbell Addy, a London-based photographer, filmmaker, and artist raised in South London. In his young career, the photographer has managed to kick open the door in editorial fashion photography that has been closed to many previous Black photographers.
Milwaukee Art Museum announces new Herzfeld Center for Photography show
Wondering what’s the importance of PDF editing software for photographers? Hop inside this guide to find out!
The loon traveled from Los Angeles to its permanent home in the Twin Cities.
A new beetle species has been named to honor a fellow Husker, bridging the worlds of academia and wildlife conservation.
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson