OSGOOD, Ind. (WXIX) – An 18-year-old photographer who drowned at Versailles State Park in Indiana will be laid to rest Monday.

Jac-Cen-Del High School will close for the visitation and funeral for Carson Hughes.

Hughes, known for this wildlife photography, was found dead shortly after 6:45 p.m. on Sunday, March 17, in six feet of water in Versailles Lake, the Indiana Department of Natural Resources said.

Hughes was found dead two days after he was reported missing at Versailles State Park.

Jason Hughes, Carson’s father, says he and his wife found a note in Carson’s wallet after he died.

“It says smart goal, to reach 10,000 followers on Wildlife Photography Account.”

Following Carson’s death, people started sharing his photography on social media. His Instagram page has surpassed over 30,000 followers.

“He would actually do somersaults. His goal, His goal is to get his art, his photos out to the world,” his father said.

Jason says they will display several of Carson’s photos at his visitation where more than 1,000 people are expected to attend.

“He was a photographer, but most importantly, he was just a wonderful and amazing kid and friend, son, brother just to so many,” Jason said.

His visitation will be from noon to 5 p.m., and the funeral will start at 5 p.m.

The family says they are working on a website so people can buy his photographs.

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PHOTOGRAPHY ZINES AND BOOKS NO: 59

Nostalgic Tokyo Vol.1 by John Murch

Who?

John Murch is a Canadian, Tokyo based photographer. Having lived in Japan for many years he is constantly exploring the many neighborhoods of Tokyo with his camera.

What?

Nostalgic Tokyo Vol.1  is an ongoing personal project amassing a sizable archive of images he has shot over the years. In both color and black & white, he shoots Tokyo with a predilection for Showa related motifs. For those not initiated, Japan uses their own historical timeline and Showa was 1926-1989 ending with the bubble economy that certainly has its own sensibility to it that one can gain from looking at his images.

Why?

As Tokyo is constantly in change, there certainly is merit in its preservation with an addition of aesthetics that one can see from the cover image alone. But more so, and unfortunately what one doesn’t get from the zine (although I do personally loathe paragraph explanations of each image in favor of simply showing then saying) are the backstories behind each image. When I attended his group show, he took a lot of joy in telling me about each photo that added to my experience with his images after viewing them. With my copy of the zine he did include one of these stories for the photo below.

Details.

The zine is composed of 23 images shot all over Tokyo with 90% of them captured on film. It is manageable A5 size printed on matte paper. All zines are individually signed.

Where?

Orders can be requested through DM via his Instagram here. The price is 18 USD and international shipping is included.

Tokyo Blues by Trey Derbes

Who?

Trey Derbes is an American photographer who curates the popular zine series, Tour Dogs. He is also a former Visual Interviewee, you can check out his interview here.

What?

This is issue #104 of his Tour Dogs series that incidentally features himself which is quite rare as appropriately (haha) issue #69 was the last time. As the title suggests, the zine focuses on images made from his various trips to Tokyo.

Why?

Along with NYC and Paris, Tokyo has such a rich photo history and style it to it…so why not do a take on it!? Knowing the history, the title is an homage to the famous Araki book of the same name made in 1977 which was his exhibition at Nikon Salon that year. Trey even playfully works into the cover design, “I know Araki did it first” haha.

Details.

Size – 8” X 5.25”

36 Pages

Staple Bound Zine, Uncoated Paper

Where?

The zine can be purchased here for a mere 8 USD. Check it out and the rest of the Tour Dogs series!

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Thanks to our two guests for their submissions, it is a really cool thing to be able to share them all with you. And remember, this is open to everyone. If you would like to have your zines or books featured then all you have to do is mail me. Hopefully there will be plenty more of you who want to get your books and zines out there to the world. Another installment will be coming soon.

Thanks,

JCH

ACCRA, Ghana (AP) — Misper Apawu is a photographer who works with The Associated Press in Ghana. She has covered politics, breaking news and sports.

____

This feature is part of a series highlighting Associated Press journalists for Women’s History Month. An earlier installment featured one of our photographers working in Bucharest, Romania, on what motivates her as a woman in her profession.

____

I am a photojournalist living and working in Ghana. I often focus on the lives of women. My first encounter with photography occurred in a market in Dambai, a town in the Oti region of Ghana. During my childhood, while selling iced water in the market, I observed the women’s expressions brighten whenever tourists pointed their cameras at them. When tourists showed the women their pictures, they would beam with delight.

That happiness I witnessed inspired me to pursue photography when I was introduced to it as a young adult. Up until then, my knowledge of photography was limited to hobbies and events. But when I discovered the journalistic aspect of photography, I knew that was the path I wanted to take: to document historical events for future generations.

Like many other photographers, my family was initially skeptical about my career. They wondered whether it was sustainable. However, they started to accept my career decision when I was featured in national media for my work during Vice President Kamala Harris’ s visit to Ghana. Seeing me in the news made them happy.

But I have also encountered discrimination. During a recent assignment, I was restricted from going beyond a specific boundary simply because I was a woman. Seeing male colleagues moving freely within that area while I was limited was frustrating. Despite this, I didn’t give up. I persevered and captured some of the best shots from where I stood.

One of my favorite assignments for The Associated Press was covering the historic visit of Vice President Harris to Ghana. It was an incredible experience, capturing and submitting photos as quickly as possible, following security instructions and much more. Another memorable aspect was the reactions from people who saw the images.

On the second day of Harris’ visit, a member of her team approached me and commended my work, saying that my photos were featured on the front pages in the United States. Additionally, I received an email from AP’s Headquarters in London, thanking me for my hard work. These were the highlights of that experience. It struck me that I had contributed to history. In the future, when people search for “VP Kamala Harris visits Ghana,” my photos will show up among the top results.

On the third day of her visit, on our way back from Independence Square, where Harris delivered a speech, someone from her team said that it was a great decision to have a female photojournalist document the event. I realized it was a unique opportunity for me to have documented this historic moment, not about just any other person, but a successful American woman of color, the first female vice president of the U.S. These are photographs that I’m going to cherish for a very long time.

On that same day, a member of Harris’ team asked for just one photographer to go inside the Dungeon at Cape Coast Castle with the vice president and second gentleman Douglas Emhoff, and they chose me. It was a mix of emotions: I was happy to document the moment, but I also felt a huge responsibility.

I knew the world awaited me to capture Harris in the Dungeon. I believed in myself and I didn’t disappoint. I delivered.

Misper Apawu, The Associated Press

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Over 300 photo prints from the private collection of Sir Elton John and David Furnish go on display at the V&A this summer.

Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection features the work of scores of 20th and 21st century photographers selected from a 7,000 strong collection — including works from Robert Mapplethorpe, Cindy Sherman, William Eggleston, Diane Arbus, Sally Mann, Zanele Muholi, Ai Weiwei and Carrie Mae Weems.

The 149 prints of Nan Goldin’s epic Thanksgiving series will also be shown in their entirety; Goldin was recently named the art world’s most influential figure.

Themes of the exhibition include fashion, reportage, celebrity, the male body and American photography — with specific images including a trio of photos of Elton John muse Marilyn Monroe, taken by Richard Avedon, Eve Arnold and Bert Stern; other celebrities and musicians including The Beatles, Elizabeth Taylor and Chet Baker; the Civil Rights movement of the 1960s; AIDS activism of the 1980s; and 9/11.

David LaChappelle’s comical ‘Egg On His Face’ image of Elton John himself (see above) also features.

John and Furnish first loaned photos to the V&A in 2014, and say that Fragile Beauty “takes our collaboration to really exciting new heights”. Tickets for the show are on sale now.

Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection, V&A, 18 May 2024-5 January 2025

The world of photography is often seen as a visual realm, but what about those who experience limited or no sight? This is the beautiful vision behind the World Unseen, a photography exhibition created by Canon in partnership with the Royal National Institute of Blind People (RNIB).

An exhibition for everyone

Designed to be inclusive and immersive, the World Unseen welcomes visitors of all visual abilities – blind, partially sighted, and sighted – to experience the power of photography in a whole new way. Through a blend of soundscapes, captivating audio descriptions, braille text, and a technique called “raised prints,” visually impaired visitors can now fully experience the power of photography we all appreciate so much.

But remember that the exhibition isn’t just for those with visual impairments. It’s a powerful experience designed to bridge the gap between the sighted and non-sighted worlds. Special effects will be used on some photos to simulate different visual impairments, allowing sighted visitors to experience the world as someone with glaucoma or diabetic retinopathy might see it. This fosters empathy and understanding while simultaneously highlighting the importance of accessibility in the arts.

“The World Unseen exhibition opens up the world of photography and enables more blind and partially sighted people to experience the emotive stories, and physical touch, of these iconic images,” explains Dave Williams, inclusive design ambassador at the RNIB.

“As a braille user, it’s fantastic to be working with Canon to raise awareness of the possibilities of textured print and to see in action how technology can make art more accessible for people with sight loss.”

Canon launched a video showcasing a part of the World Unseen. It shows one of the photos on display, from Brent Stirton‘s Rhino Wars series. The image itself shows the world’s last male northern white rhinoceros, standing in the Kenyan savanna, surrounded by three men with rifles that protect him.

Canon’s PRISMAelevate XL software and the Arizona printer series turn Brent’s photo into a tactile experience. In the video, you can see the reaction of blind conservationist Lawrence Gunther as he touched the tactile image and read the description using Braille.

My absolutely favorite part of the video shows Lawrence as he engages with the tactile photo. “I’ve never felt anything like this before in my life,” he tells Brent. “What I’m feeling here, and the differences in the skin texture, it feels a lot like the animal. People are going to go nuts for this.”

“I’m so privileged to be here and experience this,” Lawrence says as his eyes tear up. “Oh, man. It’s… This is my dream.” I cried a little, too.

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When and where?

The only complaint I have about the World Unseen is that it will be up for a very brief time. It occurs at Somerset House in London from April 5 to 7, 2024, so if you’re in London at that time, mark your calendars and make sure to visit.

But despite its short display, this exhibition is definitely a fantastic event. It’s a testament to the power of art to connect us all, regardless of our abilities. It’s a chance to see the world anew, to break down barriers, and to celebrate the beauty and stories that photography has to offer to everyone.

vivo, a global leading technology company, unveiled the new vivo V30, the latest flagship-level studio portrait addition to the stylish V series.

The new device is vivo’s slimmest smartphone featuring a 5000 mAh (TYP) battery. It offers new color options, Studio-Quality Aura Light Portrait, and smooth performance with a bright display, ensuring long battery life.

Powerful camera setup with breakthrough sensor technology

The V30 enhances portrait photography with its Studio-Quality Aura Light Portrait feature, offering a light-emitting area 19 times larger and 50 times softer than standard flash. Smart Colour Temperature Adjustment ensures vivid, harmonious tones, while Distance-Sensitive Lighting guarantees perfectly-lit portraits. Special modes like Food Mode capture fine details in any lighting, making it ideal for foodies.

The V30 boasts a robust camera setup, featuring a VCS True Colour Main Camera, a 50 MP AF Ultra Wide-Angle Camera, and a 50 MP AF Group Selfie Camera. Its flagship-level light sensitivity and super Optical Image Stabilization make it ideal for powerful night scene photography. vivo’s re-engineered image sensor, based on human eye bionic standards, enhances photo quality for slim smartphones. The vivo-exclusive Camera-Bionic Spectrum (VCS) technology improves image purity by 25% and colour reproduction by 15%[1] compared to the previous generation. The 50 MP AF Ultra Wide-Angle Camera offers Auto Focus and a 119° wide angle, while the 50 MP AF Group Selfie Camera supports Auto Focus and a wide angle of 92°, making it perfect for group photos.

V30 empowers users to effortlessly explore their creativity, providing the tools needed to shoot and edit professional-grade vlogs with ease. The Aura Light Portrait Video feature of V30 enhances video clarity in low-light conditions, therefore the portraits become clearer and night scenes brighter. With the Hybrid Image Stabilisation (OIS + EIS) feature, the device excellently performs thousands of stabilization computations per second, ensuring smoother and more stable footage.[2] Additionally, the powerful Vlog Movie Creator provides a one-stop solution for video creation, offering a variety of video effects and optimization features to simplify the editing process.

Ingenious slim and light design with a simple and elegant aesthetic

V30 boasts style and practicality, pairing a slim 7.45mm profile with a 5000mAh battery. Using an innovative One-Piece Encapsulation Technique, it integrates the battery without sacrificing sleekness. The result? A 12% thinner body compared to other 5000mAh smartphones, ensuring both aesthetics and endurance. Its 3D curved screen enhances grip for extended use. V30 introduces new Colour, Material, and Finish (CMF) innovations, offering a range of captivating colours and textures. The Aqua Blue edition features a mesmerising water ripple pattern achieved through a Rippling Magnetic Particle process. V30 also offers a colour-changing Lush Green and a classic Noble Black shade for diverse preferences.

Seamless performance and long battery life, perfect for all-day use and entertainment

Introducing the V30 with cutting-edge battery technology, boasting a doubled lifespan. Even after 1600 cycles, it retains over 80% capacity, lasting four years.[3] With a 5000mAh battery, enjoy 23 hours standby and 48 minutes[4] full charge thanks to 80W FlashCharge.[5] Enhanced by Qualcomm Snapdragon® 7 Gen 3 and Extended RAM, it ensures seamless multitasking. The 1.5K Ultra Clear Sunlight Display offers stunning visuals with flagship-level eye protection, reaching 2800 nits brightness. The Ultra Large Smart Cooling System and 11 temperature sensors ensure stability during intense tasks like gaming. Built for durability, it features drop-resistant cushioning, robust “Schott α” glass, and IP54[6] rating for dust/water resistance. V30 offers unmatched performance and longevity.

*Source: AETOSWire

[1] The data comes from vivo’s laboratory based on a comparison of the main camera sensors on V30 and V29 in low-light environments in terms of the signal-to-noise ratio and color noise.

[2] The Hybrid Image Stabilization (OIS + EIS) works when you are shooting with the main camera at 1x or above zoom.

[3] These tests simulate daily usage habits (charging and discharging a phone once a day) and indicate that 1600 cycles equal approximately 4 years of usage. The above data was provided by vivo’s lab according to tests conducted in a simulated environment, with ambient and battery temperatures of 23°C±2°C for a full charge and discharge. Actual results may vary due to differences in test equipment, test environment, personal usage patterns and habits.

[4] The data was provided by vivo’s lab according to tests conducted under the device’s default charging mode.

[5] The maximum standby time is for screen-off standby with a 4G network. The data is from vivo laboratory. Charging data is based on vivo laboratory environmental tests. Actual battery duration and charging speed is subject to actual usage and may vary depending on environment and other factors.

[6] This product is rated as IP54 for splash, water, and dust resistance under IEC standard 60529 and was tested under controlled laboratory conditions. The resistance to splashes, water and dust is not permanent and may be reduced due to daily use. Do not charge the mobile phone when it is wet. Refer to Safety information in Settings for cleaning and drying instructions. Damage due to liquid ingress is not covered by the warranty.

Image Credit: vivo