About

Posts by :

‘It’s the quagmire of teenage existence – vulnerability with confidence’: Denise Marcotte’s best phone picture

‘It’s the quagmire of teenage existence – vulnerability with confidence’: Denise Marcotte’s best phone picture
image

In the late 80s and early 90s, Denise Marcotte had a project photographing teens in their bedrooms. Decades later, with a teenage son of her own, the Massachusetts-based photographer decided to revisit the subject. Back then she used a Fujica 6×9 film camera with a tripod; this time she used an iPhone.

“There is nothing that makes a teenager feel more comfortable than an iPhone,” Marcotte says. “So using one brings me a sense of freedom on many levels: technically, artistically and in my connection to my young subjects.”

skip past newsletter promotion

The girl in this photo is Arianna, a then 17-year-old friend of Marcotte’s son, Taro. “I’m always hoping for a fun, creative room that expresses individuality, and for my subject to allow me to capture their personality,” Marcotte says. “I like to find a bridge between the objects in the room and the teen’s emotions. Here, Arianna is expressing that very quagmire of teenage existence: vulnerability with confidence.”

While fashion has moved on over the last 30 years, there has been surprisingly little change in how teenagers decorate their rooms, Marcotte says. “There are some posters of musicians that are the same. The Beatles have lasting power all right!”

She also notes how special it is to be making images of transgender and gay teens this time, a theme reflected in other photos in the series. “To be photographing teens in a time when they are changing the conversation and acceptance of gender; that’s amazing.”

I strapped over $500 worth of smartphone lenses onto my Google Pixel for a week

I strapped over $500 worth of smartphone lenses onto my Google Pixel for a week

You don’t need the latest and most expensive camera gear to capture great photos and videos. Smartphone photography is growing in popularity. I’ve dabbled in it myself, especially since I got my Google Pixel 7 Pro which has an excellent camera. But if you’re feeling underwhelmed by your smartphone’s camera or don’t have one of the best camera phones, don’t worry: Moment lenses are here for you.

Moment offers a wide range of lenses to choose from, whether you want a macro lens to get stuck in the detail or a fisheye lens for creative purposes. Its lenses boast awesome optical quality, premium build and construction, and the best part? All you have to do is twist them on to lock them into place. I tested four Moment lenses and while they’re great overall, each has a couple of drawbacks worth mentioning.

Are these some of the best iPhone lenses around? Read my Moment lenses review for the full breakdown.

Moment smartphone lenses review: Specs

Swipe to scroll horizontally
Specs Tele 58mm Wide 18mm Macro 10x Fisheye 14mm
Price $150 $140 $140 $130
Size (diameter x depth) 1.92 x 1.31 inches 1.92 x 1.12 inches 2.24 x 1.31 inches (with hood) 1.57 x 1.05 inches
Weight 4.1 ounces 2.51 ounces 1.42 ounces (with hood) 2.22 ounces
Viewing angle 48 deg 48 deg 65 deg 200 deg
Magnification ratio 2x 0.5x 10x 0.2x
Equivalent focal length 58mm 18mm 34.8mm 14mm
Minimum focus distance 12 inches (300mm) 2.75 inches (70mm) 0.6 inches (15mm) 2.75 inches (70mm)

Moment smartphone lenses review: Price & availability

Six Moment smartphone lenses sitting on a table

(Image credit: Future)

I tested four T-Series Moment lenses: the Tele 58mm ($150), Wide 18mm ($140), Macro 10x ($140), and Fisheye 14mm ($130). These are a little more expensive than the Sandmarc iPhone lenses. Pictured above are also two anamorphic lenses which I’m in the process of testing.

I tested the Moment lenses mounted onto a Moment case ($50) for the Google Pixel 7 Pro, and we also mounted these onto a Moment case for the iPhone 15 Pro. You can get cases for various Pixel, iPhone, Samsung and OnePlus models.

All four lenses are also available in the M-Series variant, compatible with older phones, although the prices may slightly vary.

Moment smartphone lenses review: Design

A person holding an iPhone 15 Pro with a Moment smartphone lens attached to the phone

(Image credit: Future)

The Moment lenses are built and designed really well. They’re made with aerospace-grade material and hand-polished glass that is also used for high-end 4K film lenses. The lenses maintain a sleek look even when mounted onto your phone, and while they vary in weight, they never feel so heavy that you can’t hold your phone in one hand.

A pair of hands holding a Google Pixel 7 Pro and in the process of attaching a Moment smartphone lens to it

(Image credit: Future)

As aforementioned, you need a special Moment phone case to twist the lenses onto your phone, and a case will cost you around $50. However, you can also get a drop-in lens mount starting from as little as $5. These aren’t available for a lot of phones though. Sandmarc lenses, on the other hand, come with an included iPhone case and drop in mounts for use on multiple devices. Better value for money?

A Moment smartphone lens sitting on a table

(Image credit: Future)

I was a little concerned when mounting the lenses onto my phone. The lenses sit directly on top of the built-in lens and have edged metal wings which hook around the inside of the case lens mount — they sit incredibly close to the phone’s lenses and twisting them on made me apprehensive that I was about to scratch the glass, so just be careful. You can remove the case and then twist a Moment lens on, and while that can be time consuming, you can rest assured your phone’s lenses are unscathed.

Moment smartphone lenses review: Tele 58mm lens performance

A Moment smartphone lens sitting on a table

(Image credit: Future)

The Moment Tele 58mm lens is a decent performer. With a 2x magnification — same as the Sandmarc Tele 58mm lens ($129) — you get extra optical reach to get closer to subjects. The gallery below demonstrates this. The first image was shot using the Pixel’s main camera and without an additional lens, and the second image was taken with the Tele 58mm lens. The first image is zoomed further out, and it isn’t as contrasted as the second, with the trees’ greens not appearing true-to-life.

Compared to digital zoom found on smartphone lenses, optical zoom (which achieves a zoom optically using a longer lens instead of digitally by cropping) generally produces sharper images at the same magnification, demonstrated by the gallery below — the first image shot with just the Pixel’s telephoto lens zoomed to match the framing, and the second with the Moment lens fitted. The differences are minor though, with the edges of the sculpture slightly sharper in the second image.

The differences are so minor that in the two images below, there is only a little difference in contrast. The first was shot with the Pixel’s 15x zoom, and the second with the Tele 58mm lens. So does the Tele 58mm warrant its steep price tag, if there’s barely any difference? I’m not convinced, at least not with the Pixel 7 Pro.

Moment recommends the Tele 58mm lens for portraits, promising “buttery bokeh.” In the gallery below, the first image was shot using the Pixel’s main camera, and the second with the Tele 58mm lens attached. There isn’t much difference between the two shots, although the blur is slightly tighter in the Moment photo (as you would expect from a lens with a longer physical focal length, thanks to distance compression). I wouldn’t consider it “buttery” though — it’s nothing like the bokeh you’ll achieve using a proper wide aperture lens on a DSLR or mirrorless camera.

Portraits taken with the Tele 58mm lens come out detailed, though, as demonstrated in the gallery below. All images were shot with the Moment lens attached to my Pixel, with the Pixel’s portrait mode enabled. I love that in the photos of the birds, you can make out their individual feathers (and the different colors on the pigeons) when you zoom in. The background is just out of focus to highlight the subjects well too.

I was very pleased with how the portraits turned out, especially the last photo (above) of my mum and brother. But overall, while I enjoyed using the Tele 58mm, it didn’t add anything new that my Pixel couldn’t already do.

Moment smartphone lenses review: Wide 18mm lens performance

A Moment smartphone lens sitting on a table

(Image credit: Future)

The Moment Wide 18mm lens offers a wide angle of view to capture important details without any distortion. Since I’ve owned my Google Pixel 7 Pro, I haven’t been mightily impressed with its wide and ultra-wide capabilities, as photos have always appeared lacking in detail. The Moment lens remedies that.

The gallery above has three photos: the first was shot with the Pixel’s main camera, the second with the Pixel’s 0.5x ultra-wide zoom, and the third with the Wide 18mm lens attached. In the first shot, the greens have a low-key artificial tint, while in the second shot, the purple flowers lose a bit of their vibrancy. The third shot, though, using the Moment lens, is perfect. Colors are well-balanced and when I zoomed into the photo, I could see the details on the flowers.

Indoors, the Wide 18mm lens performs well too. The first image in the gallery above was shot with the Pixel’s ultra-wide lens zoomed out to try and match the framing of the second photo, which was shot using the Moment lens. The flowers in the vase look slightly sharper in the second shot, and the PS5 controller on the table doesn’t look as distorted. In the first shot, the controller looks a little elongated, but remains true-to-size in the second.

Moment smartphone lenses review: Macro 10x lens performance

A Moment smartphone lens sitting on a table

(Image credit: Future)

Macro lenses can reveal hidden worlds in day-to-day objects and will have you looking at the world in a different light. The Moment Macro 10x lens is a small and lightweight lens that can transform your smartphone photography, especially if your phone doesn’t have a dedicated macro lens. It comes with a diffuser hood for achieving the right focus, and it’s got a minimum focus distance of 0.6 inches (15mm) but this may vary depending on the phone model. I use my Google Pixel 7 Pro’s macro mode almost daily, so I was really looking forward to testing the Moment lens.

It took me a while to get used to the latter as you need to be extremely close to the subject — almost touching it, even — so this lens can’t be used to photograph bees or insects and is better suited to still subjects. It proved a little frustrating at times as finding that sweet spot can take time as you move back and forth to put the subject in focus.

But I was impressed by the image quality the Macro 10x lens delivered. In the gallery above, the first photo was shot in the Pixel’s macro mode, and the second with the Moment lens attached to my Pixel. While both images are good, I prefer the one taken with the Moment lens. The fine details within the focal plane are highlighted by the tight blur (now that’s what we’d call “buttery”). But the Pixel really holds its own here too, even though the background isn’t as soft. The Moment lens simply produces a nicer aesthetic via an extremely thin depth of field.

A close-up shot of a yellow fake flower, taken with a Moment Macro 10x lens attached to a Google Pixel 7 Pro

Taken with the Moment Macro 10x lens attached. (Image credit: Nikita Achanta / Future)

The main issue with wide-angle macro lenses is that you need to be so close to your subject that all light gets blocked out — as is the case with the Sandmarc 25mm Macro lens and the Moment Macro 10x. When you’re that close to your subject, you cast a shadow on it, as can be seen in the photo of the fake petals above. You can’t tell that it was taken in broad daylight.

Moment smartphone lenses review: Fisheye 14mm lens performance

A Moment smartphone lens sitting on a table

(Image credit: Future)

Given the complexity of the design and construction, fisheye lenses can be expensive, so the Moment Fisheye 14mm lens gives you the chance to experiment before committing to a pro lens for one of the best mirrorless cameras. Moment’s offering has a minimum focal length of 0.63 inches (15.88mm) and an f/1.7 aperture. It delivers wider fields of view and higher image quality than standard ultra-wide lenses on smartphones.

I had a lot of fun using the Fisheye 14mm lens and enjoyed the flair it adds to an otherwise generic image. The lens captures vibrant images that are sharp in the centre, demonstrated by the first image in the gallery above. Shot from a balcony and when zoomed into, the bricked buildings in the distance appear sharp. But naturally, due to the effects of barrel distortion, the peripheries of images are blurred, as seen in the second photo in the gallery above. This isn’t bad, though, as it can help draw attention to your subject. I also like that the Fisheye 14mm lens captured the sky and tree to provide some context to the second shot.

The first image in the gallery above also demonstrates my point about barrel distortion which is a natural part of ultra-wide angle optics. The centre of the image, again, remains sharp. It’s important to keep in mind that not every image will turn out the way you envisioned — but that’s also the fun part of a fisheye lens. The images can be a little trippy too, as seen in the second shot in the gallery above, which also shows how much of the scene this lens captures.

Moment smartphone lenses review: Verdict

A Moment smartphone lens fitted onto a Google Pixel 7 Pro

(Image credit: Future)

Moment’s lenses have a lot to offer, and they can definitely take your smartphone photography to the next level, especially if you have an older phone. All four of our test lenses are built really well, thanks to the aerospace-grade material and hand-polished glass. They feel premium to hold and while some of them are weighty, they’re never too heavy, so you can comfortably hold your phone with one hand. You do need to buy either a special Moment case or a drop-in lens mount separately to twist the lenses onto. You also need to be a little careful when twisting the lenses on as they may scratch your phone’s lens.

A person holding a Google Pixel 7 Pro with a Moment lens attached

(Image credit: Future)

The image quality is great across all four lenses. While I found the Tele 58mm lens a little lacking compared to the Google Pixel 7 Pro’s — its $150 price tag didn’t help — I was pleased with the performance of the Wide 18mm, Fisheye 14mm and Macro 10x lenses. Of course, it isn’t the same as buying one of the best cameras, and you’ll never achieve the same level of detail or image quality with the limitations of a phone’s sensor and lens, but the Moment lenses still warrant a recommendation.

A perfect way to focus on fun and frame your world, Moment’s lenses give your smartphone photography a boost without the need for bulky gear.

Today is National Camera Day! Here are 5 ways to celebrate

Today is National Camera Day! Here are 5 ways to celebrate

Did you know that June 29 is National Camera Day? Well, not many people do! But it is a thing – and celebrated on the same every day… a bit like National Egg Day, Ugliest Dog Day, and International Asteroid Day that also apparently take place every year in June.

Here at Digital Camera World, we celebrate cameras and photography every day of the year, but we are very happy to call out this day in particular, especially since this year, June 29, falls on the weekend!

So how will you celebrate National Camera Day? Here are five simple things to inspire you…

1. #cameraday

The most obvious thing to do on National Camera Day is to go out and take pictures! But when you do, also share them with others by tagging them on Facebook, Twitter or Instagram with the hashtags #cameraday and #nationalcameraday. We’ll keep a look out for your stunning images 🙂

2. See the sunrise…

(Image credit: Digital Camera World)

Why not make the most of National Camera Day by getting out and about before dawn? It is the middle of summer in the Northern Hemisphere – so this will mean a special effort. But getting yourself into position in time for sunrise will often mean getting the best light (and particularly so on a sunny summer day) – and the key is that at this time of day is that the light on the subject changes quickly, creating a greater range of photographic possibilities.

Of course, if you can’t get yourself up that early… you could stop out until sunset instead!

3. Try something new

National Camera Day could also be the day you decide to try to shoot something different with your camera. Take yourself out of your comfort zone… and try shooting something that you have not ever tackled before. 

We have some great photography tutorials for you to give you inspiration. Have you tried to photograph birds in flight, for instance? Or have you ever taken a slow shutter speed shots of waterfalls? Or tried focus stacking? Or mastered the weird world of cross polarization

If you are struggling for an idea look through 177 photography tips to find something to try out for the first time!

4. Revive old photos

(Image credit: Digital Camera World)

Have you got a box or drawer full of your old photos? Stacks of slides or packs of prints that contain your early exploits with a camera. National Camera Day is a great excuse for getting your ageing shots out and seeing how your photography has improved over the years (or got worse!). A great project would be dig out the best of these shots, and then bring them back to life by digitizing them.

There are two ways to do this… buy a film scanner, or photograph them with your own camera (you can find how you can digitize your prints and slides using a DSLR or mirrorless camera here). 

5. Amazing three for a fiver deal!

3 for $5 photo magazine subscription offer (Image credit: Future)

Digital Camera World is not just a website… we also produce a monthly magazine about photography. Why not celebrate National Camera Day by takine a vow to take photography more seriously and sign up for a magazine subscription. We currently have a great summer sale going on… where you can get three issues for a fiver – that’s $5 in the America, £5 in the UK, or €5 in Europe. 

This deal is not just available on Digital Camera magazine… but also on the other magazines we publish on a huge variety of subjects (and including three other photo mags), so take a look

Read more

The best locations for photographers around the world

177 photography tips for taking pictures of almost anything

Photographer John Ferguson honoured by Ipswich exhibition

Photographer John Ferguson honoured by Ipswich exhibition

24 minutes ago

By Rachael McMenemy, BBC News, Suffolk

imageIpswich Museums John Ferguson standing in the exhibition space at Christchurch Mansion surrounded by his photographs on the walls.Ipswich Museums

A retrospective of a photographer’s lifetime of work capturing images of celebrities and projects exploring communities across the world is to go on display.

John Ferguson, who lives in Ipswich, said he was “honoured” to have work covering about 40 years of his career open to to the public in his An Eye for Life exhibition at Christchurch Mansion in the town.

Among the works on display are a series of photographs which explored the meaning of home for people from the black British community living in Suffolk.

“Some of these images have some great stories behind them,” he said.

imageJohn Ferguson

Mr Ferguson, who used to work in London’s Fleet Street, said: “Suffolk and Ipswich especially is my new adopted home.

“To be recognised by Ipswich Museum and the people of Ipswich, who decided to put this exhibition on… I feel really honoured.

“I hope to do more of these projects and campaigns in Suffolk as well.”

imageJohn Ferguson Two soldiers playing American Football in Afghanistan. They are wearing US Army T-shirts and shorts.John Ferguson

Formerly a photographer for a national newspaper, Mr Ferguson said a project focusing on Suffolk was the catalyst for the exhibition.

He said: “One of [my] projects was on the theme of home, which delved into the Afro-Caribbean population and how they felt about living in a rural Suffolk community.

“I got a diverse range of ideas and stories, it was enlightening.

“Ipswich museum loved it and my exhibition came about from there I think.”

The exhibition also covers his time working with celebrities, including Oasis, The Spice Girls, and David Bowie.

imageJohn Ferguson A woman in a red and black dress standing in front of a tree.John Ferguson

It also includes Mr Ferguson’s favourite personal photo projects.

“Some of these images have some great stories behind them,” he said.

Kate Price, assistant director of communities at Ipswich Borough Council, said: “John defines the phrase homegrown talent and his vibrant and compelling photographs wonderfully depict the people who call Suffolk home.”

The exhibition opens 29 June at Christchurch Mansion and runs until 27 April.

More on this story
Related internet links

Photography art show opens Friday at Metro Gallery

Photography art show opens Friday at Metro Gallery


“Buffalo County” by Patrick Hargon.






“To Do” by Patrick Hargon.






“The Wishing Loft: Next Right” by Patrick Hargon.




“Inward This, Outward That,” a collection of distinctive works from photographer Patrick Hargon, will open on First Friday, July 5, from 3-7 p.m. at Metro Gallery Nebraska, 1316 N St. in Lincoln. The exhibition will be displayed July 5-31.

Hargon is a photographer, musician, writer and educator who resides in Kearney, Nebraska. He has been making photographs and video since the early 1990s. He has always had a profound interest in Surrealism, Dadaism and subject matter that investigates the silent moments that insert themselves between and around our performances of ourselves.

His artistic interests are not limited to the visual arts. Over the years, he has performed in various musical groups and toured extensively both internationally and stateside, giving him the opportunity to explore subject matter in a variety of locales.

July will also bring a move into a new location for Metro Gallery Nebraska from 1316 N St. to 1414 O St. The gallery will continue to provide art lovers with access to over 5,000 unique works of art, monthly exhibits (with free First Friday receptions) featuring a variety of local and regional artists, educational opportunities like “An Evening With An Artist” Wednesdays from 5-7 p.m. and art classes by the “One Rule Art School.”

People are also reading…

Also featured in July will be a Focus exhibit on the work of mixed-media painter Robert Esquivel, on view at the Burlington Antiques Mall, 201 N. Seventh St., #102.

For more information, contact the gallery at 402-202-7549 or metrogallerylincoln@gmail.com.

#lee-outstream-wrap {
height: 100%;
width: 100%;
max-width: 800px;
margin: 0 auto;
display: none;
position: relative;
}
#lee-outstream-wrap .ima-controls-div { z-index: 99; }
#lee-outstream-wrap .lee-outstream-video {
position: relative;
padding-bottom: 56.25%;
height: 0;
}
#lee-outstream-wrap .lee-outstream-video video {
position: absolute;
top: 0;
left: 0;
width: 100%;
height: 100%;
z-index:1;
}
#lee-outstream-close {
display: none;
position: absolute;
cursor: pointer;
top: -25px;
left: -25px;
padding: 10px;
overflow: hidden;
background-color: #000;
border-radius: 20px;
color: #fff;
z-index: 99;
line-height: 0;
box-shadow: rgba(0, 0, 0, 0.4) 0px 0px 5px 0px;
}
#lee-outstream-close:hover { color: rgba(255,255,255,.8); }
#lee-outstream-wrap.sticky {
position: fixed;
bottom:0;
right:0;
width: 400px;
z-index: 1000;
height: auto;
box-shadow: rgba(0, 0, 0, 0.4) 0px 0px 10px 0px;
}
#lee-outstream-wrap.sticky #lee-outstream-close{ display: block; }
@media (max-width: 767px){
#lee-outstream-wrap.sticky { width: 60%; }
}

#lee-rev-content { margin:0 -5px; }
#lee-rev-content h3 {
font-family: inherit!important;
font-weight: 700!important;
border-left: 8px solid var(–lee-blox-link-color);
text-indent: 7px;
font-size: 24px!important;
line-height: 24px;
}
#lee-rev-content .rc-provider {
font-family: inherit!important;
}
#lee-rev-content h4 {
line-height: 24px!important;
font-family: “serif-ds”,Times,”Times New Roman”,serif!important;
margin-top: 10px!important;
}
@media (max-width: 991px) {
#lee-rev-content h3 {
font-size: 18px!important;
line-height: 18px;
}
}

#pu-email-form-breaking-email-article {
clear: both;

background-color: #fff;

color: #222;

background-position: bottom;
background-repeat: no-repeat;
padding: 15px 0 20px;
margin-bottom: 40px;
border-top: 4px solid rgba(0,0,0,.8);
border-bottom: 1px solid rgba(0,0,0,.2);

display: none;

}
#pu-email-form-breaking-email-article,
#pu-email-form-breaking-email-article p {
font-family: -apple-system, BlinkMacSystemFont, “Segoe UI”, Helvetica, Arial, sans-serif, “Apple Color Emoji”, “Segoe UI Emoji”, “Segoe UI Symbol”;
}
#pu-email-form-breaking-email-article h2 {
font-size: 24px;
margin: 15px 0 5px 0;
font-family: “serif-ds”, Times, “Times New Roman”, serif;
}
#pu-email-form-breaking-email-article .lead {
margin-bottom: 5px;
}
#pu-email-form-breaking-email-article .email-desc {
font-size: 16px;
line-height: 20px;
margin-bottom: 5px;
opacity: 0.7;
}
#pu-email-form-breaking-email-article form {
padding: 10px 30px 5px 30px;
}
#pu-email-form-breaking-email-article .disclaimer {
opacity: 0.5;
margin-bottom: 0;
line-height: 100%;
}
#pu-email-form-breaking-email-article .disclaimer a {
color: #222;
text-decoration: underline;
}
#pu-email-form-breaking-email-article .email-hammer {

border-bottom: 3px solid #222;

opacity: .5;
display: inline-block;
padding: 0 10px 5px 10px;
margin-bottom: -5px;
font-size: 16px;
}
@media (max-width: 991px) {
#pu-email-form-breaking-email-article form {
padding: 10px 0 5px 0;
}
}
.grecaptcha-badge { visibility: hidden; }

Los Angeles photographer charged with sexually assaulting 3 models

Los Angeles photographer charged with sexually assaulting 3 models

LOS ANGELES (KABC) — A 49-year-old photographer accused of portraying himself as an expert in the modeling industry has been charged with sexually assaulting three aspiring models in Los Angeles over the course of several years, prosecutors said Friday.

William Isaac Thomas Jr. is charged with three counts of oral copulation, two counts of sodomy by use of force and one count of attempted sodomy of an unconscious or asleep victim, according to the L.A. County District Attorney’s Office.

The charges come as Los Angeles police detectives said they have identified six men that Thomas allegedly assaulted, and they are now looking for more possible victims.

“He preyed upon young men by promising them jobs and monetary opportunities he never delivered,” LAPD Detective Brent Hopkins said in a statement. “Once he made them reliant upon him, the abuse began. Now that he is no longer able to harm these victims, hopefully more will be able to tell their story.”

Thomas was extradited to L.A. after he was arrested out of the state, according to the LAPD. He was booked on Tuesday.

Prosecutors allege that Thomas sexually assaulted the first victim — who was 18 at the time — as that person was pursuing a modeling career beginning in 2017 through 2020, and that he allegedly sexually assaulted a second victim until 2023 after establishing a working relationship when that person was 19 to 20.

Thomas is also accused of beginning a working relationship with a third alleged victim, a man who was 19 at the time in 2022, and sexually assaulting him until 2023, according to the DA’s office.

Each victim was being represented by Thomas as they pursued their modeling careers, prosecutors said.

“The courage these young survivors have shown in coming forward after enduring this unimaginable trauma and suffering cannot be overstated, and we stand with them in their pursuit of justice and healing,” DA George Gascón said in a statement. “The alleged actions of Mr. William Thomas Jr. are reprehensible.

“Exploiting a position of authority to prey on vulnerable teenagers is an egregious abuse of power that our society cannot and will not tolerate.”

Thomas is being held on more than $1.5 million bail. If convicted as charged, he faces a maximum sentence of life in state prison.

City News Service contributed to this report.

Copyright © 2024 KABC Television, LLC. All rights reserved.

Local photographer features his landscape images

Local photographer features his landscape images
image

Rock Springs — The next featured artist at the Community Fine Arts Center will be local photographer Gary Mortensen with his exhibition titled “Through the Looking Glass.” The public is invited to the opening reception on Saturday, July 6, 2 – 4 p.m. The exhibit will be on display through August 10.

“Even though you will see that Gary has been a working photographer for many years, the CFAC is excited to hold his first solo exhibition of his fine art photography,” said Debora Soulé, CFAC director. “Gary’s attention to the details captures the viewer’s attention when looking at these images.”

Let the news come to you

Get any of our free email newsletters — news headlines, sports, arts & entertainment, state legislature, CFD news, and more.

Explore newsletters

Sneak Peek: 2024 Comedy Wildlife Photography Awards Front Runners

Sneak Peek: 2024 Comedy Wildlife Photography Awards Front Runners

There’s about a month left to enter the 2024 Comedy Wildlife Photography Awards, but the organization behind the annual award is giving a sneak peek at 10 front runners for this year’s competition.

Promising entries so far include funny pics of a sloth, penguins, a turtle, grizzly bears, and polar bears. Take a look through—we dare you not to smile!

Slow Hands

Comedy Wildlife Photography Awards 2024
Image by Harry Collins

Three Heads Are Better Than One

Comedy Wildlife Photography Awards 2024
Image by John Mullineux

Not a Good Idea

Comedy Wildlife Photography Awards 2024
Image by Anton Pretorius

Watch out for That Tree

Comedy Wildlife Photography Awards 2024
Image by Mark Koster

Holding on for a Ride

Image by Alexander Fine

Laughing out Loud

Comedy Wildlife Photography Awards 2024
Image by Ingo Hamann

Pick Me Pick Meeeeee

Comedy Wildlife Photography Awards 2024
Image by Thomas Van Puymbroeck

Peek-a-Boo

Comedy Wildlife Photography Awards 2024
Image by Tilan Weerasinghe

Three’s a Crowd

Comedy Wildlife Photography Awards 2024
Image by Deena Sveinsson

Did You Hear the One About the . . . ?

Comedy Wildlife Photography Awards 2024
Image by Wendy Kaveney

Which funny wildlife photo would have your vote, if these were the 2024 finalists? There’s still a month left to enter (the deadline is July 31, 2024), so more excellent images may come in.

Be sure to check back for the finalists and winners of the 2024 Comedy Wildlife Photography Awards.

See some of the best entries from 2023 here.

Photography: How Nik Roche captures life on margins of society

Photography: How Nik Roche captures life on margins of society

21 minutes ago

By Nicola Bryan, BBC News

imageNik Roche Tony in a kitchen wrestleNik Roche

On a wet day a man was shouting and swearing in the street, and passers-by crossed the road to avoid him.

But Nik Roche instead decided to approach the man in Swansea to find out what was wrong.

It was the start of a friendship between him and Tony that would see the men living together and Nik documenting his new friend’s unconventional and sometimes chaotic life through photography.

“I’m a fully immersive documentary photographer, so I make friends, I form relationships and trust and then I make pictures – eventually,” explained Nik.

“I don’t go in to make pictures, I make them eventually if it feels right.”

imageNik Roche Tony looking at his house through smoke from the fireNik Roche

On the day they met, Nik discovered Tony was distressed because he had gone into a bar, ordered a drink, discovered he did not have enough money to pay for it, had left to go to a cashpoint and could not find the bar again.

“I just strode back into the bar with him, we sat there and two-and-a-half years later we were the best of friends and I ended up living in his house,” said Nik.

“Tony had a house in the Clydach area of the city, but chose to live in an Arctic bell tent in the woods behind it.

“He would do whatever was in front of him sadly… but I wouldn’t have called him a major drug misuser.”

imageNik Roche  Tony and Diego the dogNik Roche

“He needed a few cans to function in the morning.

“Then two or three more and a switch would go off and you’d see drunk Tony – but I wouldn’t put him in the same class as many, many, many, many others I’ve met.”

Nik said Tony never had money for his prepayment gas and electric meter so “for something like 29 days in November he maintained a fire in his garden that never went out all around the clock”.

He said his collection of candid shots of Tony – titled As Far as They’re Concerned We Are a Normal Family – only came about once he had “got across that it was not a performance that I was looking for, it was a friendship and a relationship”.

imageNik Roche Tony keeping warm in his Arctic bell tentNik Roche

Roche, 53, a landscape designer, began taking photographs only six years ago.

After taking a short photography course in Cardiff he went on to complete an MA in documentary photography from the University of South Wales.

He said his work was “about notions of home and family and love”.

“What interests me is people who find that outside of societal norms,” he said. “My work is not about poverty, it is not about drug misuse.

“It’s quite easy to dismiss my work and go ‘oh, it’s poverty porn or it’s voyeuristic’ – it’s none of those things but I can see how easy it can be to dismiss it as that.”

imageNik Roche Tony in the early morning sitting on his bed with a cigaretteNik Roche

When Nik was a teenager a family member went to prison and his family “fell apart”.

Since then he has always “gravitated towards people who have struggled a bit”.

He spent four years volunteering for a homeless charity where he witnessed the same people “always finding themselves back in this system, back in this loop… no matter how much help and how much support is there”.

“The only thing I could see that connected everybody was a shared trauma, a childhood trauma,” said Nik.

He said his photography was a way of “looking for some answers”.

“I’m not trying to save anybody or save anything, I’m just trying to have conversations about things,” he said.

imageNik Roche Tony's bed in the woodsNik Roche

Nik has used his immersive style of photography to capture several people whose lives are affected by addiction, poverty and insecure housing, most of whom he has “grown to love dearly”.

But he became particularly close to Tony.

“I felt more than comfortable working with Tony because I felt like we shared vulnerabilities, I didn’t feel like I was tapping into his,” he said.

“I get anxiety every day, I take antidepressants, I self-medicate in that sense.

“I’m no different, it’s just I’ve maybe got a support network that doesn’t allow me to fall that far.”

imageNik Roche Tony dancingNik Roche

Tony died from an overdose two years ago. He was 60.

His death has hit Nik hard.

“Tony became my dear friend,” he said.

“I was really hurt, I really missed him, it was very difficult. I haven’t made any pictures since hardly.”

Meeting Tony has no doubt changed Nik’s life.

“I’ve been living in a caravan for the last two-and-a-half years because at the first opportunity, when I could, I wanted to experience what it was like to live his life while I was making the work with him,” he said.

“So I’ve been living as best I can, or as close as I can, to the life that he lived.”

imageNik Roche Tony and his new puppyNik Roche

His immersive way of taking photographs sounds all-consuming – does he never want to close the door on his work at the end of the day?

He joked: “I was only doing a short course and then an MA and now I sort of became them [the people he photographs] almost – minus the intravenous drugs obviously.”

He insisted his work was more uplifting than the images may suggest.

“I often work in what appear to be really dark situations but when you’re there there’s laughter,” he said.

“We laughed and had more beautiful moments than you might expect from looking at the pictures.”

imageNik Roche Man say on a chair with a table in between him and his dog, who is also sat on a chair. There are various beverages on the tableNik Roche