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Local photographer snaps into action to boost pet adoptions

Local photographer snaps into action to boost pet adoptions

PEKIN (25News Now) – Tazewell Animal Protective Society, TAPS, has seen a decline in the number of people interested in adopting animals, but a pet photographer is helping these furry friends find homes one snapshot at a time.

“It means a lot to me. I feel like I’m doing a great job, and hearing I came down because I saw this photo of this dog,” said Cheryl Linton, owner of Legacies’ Photography.

Linton, a professional pet photographer, has volunteered with local animal shelters for the past ten years.

“What I want to do is work with animals and help animals. I came down to TAPS as a volunteer. They didn’t even know I took photos until I walked through the door; once they found out I took photos, that was it,” said Linton.

Being in the industry for a decade, Linton has developed techniques always to get a dog’s good side.

“There are all kinds of tricks that I have, squeaky toys, throwing toys, throwing treats, I mean it’s all kinds of things, it just depends on the dog. I haven’t found many that I haven’t been able to capture their photo,” said Linton.

These photos are the kind of exposure TAPS is looking for to find people willing to adopt.

The no-kill animal shelter currently has 155 animals still looking for a home, but TAPS spokesperson Liam Donahue says this number is typical. Instead, it’s the growing list of animals with extended stays that worries shelter workers.

“We want to keep them under 100 days if we can, so once we get them, that 100-day mark, we know we need to get them more exposure,” said Donahue.

The Pekin shelter has 24 animals on that 100-day list and is hosting an open house event this Saturday, March 9, from 1 to 4 p.m., hoping for more adoptions.

Until then, Donahue says Linton’s work has been a big help to their shelter.

“Having [the dogs] get nice quality photos where you can capture the essence of their beauty, it helps them to increase exposure and get potential applications,” said Donahue.

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UNCW’s CAB Art Gallery Presents: Donald Furst “Fifty Years of Printmaking”

UNCW’s CAB Art Gallery Presents:  Donald Furst “Fifty Years of Printmaking”
“Fifty Years of Printmaking” is a retrospective exhibition of works by Professor Donald Furst, and will open in University of North Carolina Wilmington’s Cultural Arts Building (CAB) Art Gallery with a public reception on Thursday, February 29, 2024 from 5:30 p.m. – 7 p.m.
A public artist talk will be held before the reception on Thursday, February 29, 2024 beginning at 5 p.m. in UNCW’s Cultural Arts Building, Room 2033.
Furst, who joined the University of North Carolina Wilmington’s faculty in 1985, will retire from his teaching career in May 2024.

This exhibition will run through Wednesday, March 28, 2024. All works in the exhibit are available for purchase.

Gallery hours are 10 a.m. – 4 p.m., Monday through Friday. The CAB Art Gallery is located in the UNCW Cultural Arts Building, 5270 Randall Drive, Wilmington, NC 28403.
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Donald Furst’s “Fifty Years of Printmaking” exhibition begins with drypoint prints from 1974 and finishes with work completed in 2024. Printmaking media include drypoint, engraving, etching, linoleum cut, lithography, metal relief, mezzotint, monotype, screen printing, Solarplate intaglio, vitreography (glass plate printmaking), and woodcut.

Works from the 70s and 80s feature landscape images with implied movement into the distance, frequently with winding roads or streams. Works from the 90s and after emphasize architectural images of ladders, hallways, and doors. These interiors often present ambiguity and risk in the suggestion of directions the viewer can choose to venture into the space. The dominant technique for these works is copperplate mezzotint, a method that allows dense blacks and an unusually broad range of tones.
Many of the prints in this exhibition were previously displayed in national and international print competitions in over twenty-five nations.

Career highlights include art colony residencies as a Yaddo Fellow in 1981 and a MacDowell Fellow in 1983.
The North Carolina Arts Council awarded Artist’s Fellowships in 1996 and 2006 as well as an Artist’s Project Grant in 1995 to create the 10-print suite “421 Nights.” The North Carolina Museum of Art invited Furst to exhibit prints in the 12-artist exhibit “Interiors” in 2000.
Furst took two visits in 2011 and 2012 to the renowned Tamarind Institute of Lithography in Albuquerque to create stone lithograph editions.

In 2021 Furst was chosen as one of 28 printmakers worldwide to exhibit in the 10th Leonardo Sciascia Estampes exhibit, which traveled to six Italian cities, ending with Milan at the Sforza Castle.

Website: www.donaldfurst.com

BriarRose and Thistle Photography LLC holds ribbon cutting

BriarRose and Thistle Photography LLC  holds ribbon cutting

The Bardstown-Nelson County Chamber of Commerce held a ribbon cutting for BriarRose and Thistle Photography LLC on Wednesday, Feb. 22, 2024. Pictured is Leslie Tucker, owner, staff, chamber board/ambassadors, and Lisa Thomas, executive director of the Bardstown-Nelson County Chamber of Commerce.

BriarRose and Thistle Photography LLC holds ribbon cutting

Revolutionizing Photography: Adobe Lightroom’s Lens Blur Tool Unve…

Revolutionizing Photography: Adobe Lightroom’s Lens Blur Tool Unve…
image

Adobe’s latest update to Lightroom, Lens Blur, introduced in October 2023, is setting new standards in digital photography post-processing. Utilizing Adobe’s AI Sensei technology, this tool creates a depth map to selectively blur backgrounds or foregrounds, adding a professional bokeh effect to images. Despite its current Early Access status, the tool has garnered attention for its time-saving capabilities and the potential to enhance photographic artistry.

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Unveiling the Power of AI in Photography

Adobe’s innovative approach to post-processing with the introduction of the Lens Blur tool in Lightroom leverages their proprietary AI Sensei technology. This technology meticulously analyzes an image to create a detailed depth map, distinguishing between the foreground, the main subject, and the background. Once the depth map is established, it allows for selective application of blur effects to different depth levels, effectively simulating the bokeh effect that is often sought after by photographers for its ability to focus attention on the subject by blurring distractions.

User Control and Creative Freedom

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While the Lens Blur tool automates much of the process, Adobe ensures that photographers retain creative control over the final outcome. This balance between automation and manual adjustment is crucial for artists who value both efficiency and personal touch in their work. The tool is conveniently located in the Develop module under the Basic panel, labeled ‘Lens blur,’ making it easily accessible for users to experiment with and integrate into their workflow.

Considerations and Implications

Despite the excitement surrounding this new feature, Adobe has cautioned users about its potential implications for photo competition entries. Many competitions, including Adobe’s own Photographer of the Year, have strict rules regarding image manipulation. The use of the Lens Blur tool could potentially disqualify entries due to its capability to significantly alter the original image. This highlights an ongoing debate in the photography community about the boundary between artistic enhancement and preserving the integrity of the original photo.

Adobe’s Lens Blur tool represents a significant leap forward in the realm of digital photography, offering both novice and experienced photographers alike the opportunity to elevate their images with professional-level bokeh effects. As technology continues to evolve, it will be interesting to observe how tools like this reshape the landscape of photography and the creative possibilities they unlock. Nevertheless, the conversation about the ethical considerations of such powerful editing tools is far from over, serving as a reminder of the delicate balance between innovation and authenticity in the art of photography.

A Colossal Conversation: Nadya Tolokonnikova on Pussy Riot, Life as Performance Art, and How Anonymity is Her Strength

A Colossal Conversation: Nadya Tolokonnikova on Pussy Riot, Life as Performance Art, and How Anonymity is Her Strength

All images courtesy of the artist, shared with permission

Nadya Tolokonnikova created Pussy Riot in 2011 partly in response to Vladimir Putin’s declaration that he would continue his reign over Russia. In 2012, when she and her collaborators undertook their now-famous performance at the Cathedral of Christ the Saviour, she was infamously sentenced to two years in prison, vaulting the art collective to international fame.

I sat down with Nadya for a conversation one Saturday in February 2024, more than a decade since Pussy Riot’s founding. We discuss the ways performance art and activism are uniquely matched, why she chooses to live geo-anonymously, and her grand utopian plans, which include becoming the matriarch of the Church of Feminism.

Read the conversation.

 

four women in dresses and colorful balaclavas protest in a church

From the action ‘Punk Prayer,’ Cathedral of Christ the Savior, Moscow (2012). Photo by Mitya Aleshkovsky

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article A Colossal Conversation: Nadya Tolokonnikova on Pussy Riot, Life as Performance Art, and How Anonymity is Her Strength appeared first on Colossal.

The Amazing 2024 Sculpture by the Sea

The Amazing 2024 Sculpture by the Sea
Thousands, including your reporter, flocked to Cottesloe Beach last Sunday afternoon for sand, sun and sculptures. Families picnicked in the shade and posed for photos at the sculptures on the grassy slopes, and on the beach and groyne. Others swam and sunbaked. Kids made their own sand sculptures. In the distance, towards Fremantle, NYK Aphrodite, a huge vehicle carrier or […]