On March 11, the Sandhills Photography Club is set to host a remarkable event featuring Henry Rinne, an acclaimed photographer and former dean of the College of Fine Arts at Jacksonville University. Rinne will present “Finding Drama in Architecture,” offering insights into the captivating world of architectural photography. His extensive experience, including exhibitions across the United States and publications in high-profile books and magazines, positions him as a leading authority in this field.

Unveiling the Art of Architectural Photography

Rinne’s presentation aims to explore the inherent drama of architecture, highlighting how structures can convey profound emotions and stories. With a career that spans several decades, Rinne has mastered the art of capturing buildings in a way that reveals their essence. His work, celebrated in galleries and prestigious publications like Downbeat and Lenswork’s “Our Magnificent Planet,” showcases his ability to find beauty and drama in architectural forms.

Experience and Expertise

Henry Rinne’s journey in the world of photography is marked by both academic prowess and practical expertise. As a former dean and a seasoned photographer, he brings a unique perspective to the art form. His engagement with the Sandhills Photography Club is not just an opportunity for members to learn about architectural photography but also a chance to gain insight from Rinne’s extensive experience in the fine arts. This event is a must-attend for enthusiasts looking to deepen their understanding of photography and architecture’s dynamic relationship.

Event Details and Expectations

The Sandhills Photography Club meeting on March 11 promises to be an enlightening experience for photography aficionados and architecture enthusiasts alike. Attendees can expect to walk away with a new appreciation for the dramatic potential of architectural subjects, informed by Rinne’s distinguished career and compelling body of work. This event underscores the club’s commitment to offering members access to leading voices in photography, enriching their craft through expert insights.

Henry Rinne’s upcoming presentation at the Sandhills Photography Club represents a unique opportunity to explore the intersection of architecture and photography. His ability to uncover the dramatic in the mundane invites us to view our built environment through a new lens, challenging our perceptions and inspiring creativity. As we anticipate this event, it is clear that the worlds of architecture and photography are richer for Rinne’s contributions, and his insights promise to spark a renewed passion for the art form among attendees.

Six pioneering women whose photographs for LIFE magazine skillfully captured events on a quickly evolving world stage will be the subject of Greenwich Historical Society’s new exhibition to debut March 6. These photographers enabled the public “to see life; to see the world; to eyewitness great events,” as described by LIFE magazine founder and editor-in-chief Henry Luce.

LIFE: Six Women Photographers features iconic images from these talented women who helped create modern photojournalism through their work as featured in the pages of LIFE magazine. On view through July 7, 2024, the exhibition presents more than 70 photographs by:

Margaret Bourke-White (1904-1971)
Marie Hansen (1918-1969)
Martha Holmes (1923-2006)
Lisa Larsen (ca. 1925-1959)
Nina Leen (ca. 1909-1995)
Hansel Mieth (1909-1998).

“We are thrilled to showcase the work s of these talented photographers who were on the vanguard of a transformative change in how twentieth-century Americans received and understood global cultural and political events,” says Maggie Dimock, curator of exhibitions and collections at Greenwich Historical Society. “This insightful exhibition offers a glimpse into how each of these remarkable women used their camera to capture topics that dominated American discourse through the last century, including U.S. industrial strength, the role of women and the family in modern American society, race relations, World War II, labor movements and the Cold War.”

A long-time Greenwich resident, Henry Luce (1898–1967) was convinced that American political, economic, and cultural power would, and should, dominate the era and that photojournalism, or “photo essays” as he coined them, could effectively shape America as an international power, inspiring its people, in his words, “to live and work and fight with vigor and enthusiasm.” For decades, Americans saw the world through the lens of the photographers at LIFE, and the magazine’s innovative photo essays became the publication’s trademark.

Of the 101 photographers on staff at LIFE during the magazine’s run as a weekly, only six full-time photographers were women. LIFE: Six Women Photographers highlights the work of these photographers while providing insight into the process through which they worked with editors to create visual stories, through the inclusion of photographs, vintage prints, copy prints and contact sheets. Published and unpublished photographs along with select memos, correspondence and other items from Time Inc. records show the editing process behind the final, published stories.

“The topic will provide fascinating historical context to the enormous changes underway today in media,” says Greenwich Historical Society Executive Director and CEO Debra Mecky. “And it will enable us to further our mission to strengthen the community’s connection to our past, to each other and to our future. Henry Luce was a Greenwich resident during the time he was arguably the most influential media figure in the twentieth century and one of the country’s most prominent citizens.”

LIFE: Six Women Photographers has been organized by the New-York Historical Society. The exhibition is curated by Marilyn Satin Kushner, curator and head, Department of Prints, Photographs, and Architectural Collections; and Sarah Gordon, curatorial scholar in women’s history, Center for Women’s History; with Erin Levitsky, Ryerson University; and William J. Simmons, Andrew Mellon Foundation Pre-Doctoral Fellow, Center for Women’s History. The New-York Historical Society holds the research archive of Time Inc., which was acquired by the Meredith Corporation (now Dotdash Meredith Corp.) in 2018

A series of lectures, workshops and discussions, film screenings and other activity related to the exhibition will be presented by Greenwich Historical Society throughout the duration of the exhibition, beginning with two in March:

Women of Photos and Letters: Margaret Bourke-White, Clare Booth Luce and Annie Leibovitz
Thursday, March 14 from 6:00 – 7:00 PM

In honor of Women’s History Month, Louisa Iacurci of the Connecticut Women’s Hall of Fame will explore the inspiring histories of Hall of Fame inductees whose work and lives are intertwined with social advocacy and journalistic activism, including photographers Margaret Bourke-White and Annie Leibovitz and writer, journalist and politician Clare Booth Luce.

LIFE: Six Women Photographers: A Lecture with Curator Marilyn Satin Kushner
Thursday, March 21 from 6:00 – 7:00 PM

In an illustrated lecture, Dr. Marilyn Satin Kushner, Curator and Head of the Department of Prints, Photographs, and Architectural Collections at New-York Historical Society, will expand on the curatorial process for LIFE: Six Women Photographers.

The full program schedule is available online: https://greenwichhistory.org/life-six-women-photographers/

Guided Gallery Tours:
Tours will be offered on select Sundays through June, from 1:00 – 1:30 PM. Free with admission, participants will enjoy an in-depth docent-led discussion of LIFE: Six Women Photographers, that shares insightful interpretation of the photographs on view, and a modern perspective to understanding the complex social backdrop in which they would have originally been seen by magazine readers. Dates: March 10, 24; April 7, 21; May 5, 19; June 2, 16, 30. For more information: https://greenwichhistory.org/event/guided-gallery-tour/

Greenwich Entertainment has proudly announced the acquisition of North American rights to ‘Uncropped’, a documentary that delves into the prolific work of renowned New York photographer James Hamilton. Directed by D.W. Young and produced alongside Judith Mizrachy, with executive production by acclaimed filmmaker Wes Anderson, the film is set to offer audiences an intimate look into the golden era of independent journalism through Hamilton’s lens.

Reviving a Visual Chronicle of Cultural History

For over four decades, James Hamilton has served as a visual historian, capturing the essence of American culture through his work with Harper’s Bazaar, The Village Voice, and The New York Observer. His photographs, ranging from candid street scenes in New York City to intimate portraits of celebrities like Alfred Hitchcock and Patti Smith, reflect not only the spirit of the times but also the transformative power of independent journalism. ‘Uncropped’ brings this rich visual archive to life, showcasing Hamilton’s unique ability to blend art with storytelling.

A Testament to Independent Journalism

The documentary not only celebrates Hamilton’s artistry but also highlights the critical role of publications like The Village Voice in fostering a vibrant culture of independent journalism. In an era where the independence of journalistic voices is increasingly under threat, ‘Uncropped’ emerges as a poignant reminder of the value of free expression and the impact of photography on public discourse. The film’s exploration of Hamilton’s work underscores the necessity of safeguarding spaces where creativity and journalism intersect without constraints.

Looking Towards the Premiere and Beyond

Set for a theatrical opening on April 26 at the IFC Center in New York, complete with Q&As featuring Hamilton, the filmmakers, and special guests, ‘Uncropped’ promises to be a must-see event. Following its theatrical run, the documentary will be available on digital platforms starting May 7th, ensuring that Hamilton’s legacy reaches a wide audience. As Greenwich Entertainment prepares to share Hamilton’s story with the world, the anticipation builds for a film that not only celebrates a remarkable career but also champions the enduring value of independent journalism.

As the curtain rises on ‘Uncropped’, viewers are invited to reflect on the changing landscapes of journalism and photography. In a world where the narratives of cultural history are continually being rewritten, Hamilton’s work serves as a beacon of authenticity and creative freedom. Through his lens, we are reminded of the power of independent voices to challenge, inspire, and transform society.

In honor of Women’s History Month, a distinguished luxury brand has unveiled its social media campaign, spotlighting the remarkable work and stories of established female photographers known as Hasselblad Heroines. This initiative, which began in 2019, has consistently showcased the talents and insights of these women, offering a platform for inspiration and recognition within the photography community.

Empowering Female Voices Through Photography

The 2024 iteration of the Hasselblad Heroines campaign spans six months, during which the compelling narratives and exceptional photography of both past and present Heroines will be shared. The focus extends across various genres, underlining the versatility and creativity of female photographers. The campaign is a testament to the superior quality of Hasselblad cameras and lenses, as well as the photographers’ unwavering dedication to their craft.

Featured prominently are the works and stories of four still-life photographers: Annie Spratt, Karen Thomas, Lydia Winters, and Andrea Zvadova. Each brings a unique perspective to the table, from Spratt’s breathtaking nature scenes and Thomas’s vibrant food photography to Winters’s captivating product shots and Zvadova’s innovative beauty portraits.

Spotlight on March’s Heroines

Annie Spratt, a mother of eight and a prolific photographer, shares her journey of overcoming discouragement to achieve widespread acclaim. Karen Thomas talks about her approach to food photography, her successes, and the importance of perseverance in the industry. Lydia Winters, Minecraft’s ‘chief storyteller,’ blends her passion for storytelling with her photographic skills, while Andrea Zvadova explores the beauty in diversity through her lens, challenging conventional beauty standards.

Their stories are not just about their achievements but also about the obstacles they’ve overcome and the lessons learned along the way. These narratives serve as powerful motivators for aspiring female photographers, emphasizing the importance of resilience, creativity, and finding one’s unique voice in a competitive field.

Inspiring Future Generations

The Hasselblad Heroine campaign goes beyond celebrating individual achievements; it’s about fostering a supportive community where aspiring female photographers can find role models and inspiration. By sharing these stories, Hasselblad not only honors the incredible work of these women but also encourages a dialogue about diversity, creativity, and empowerment in the photography industry.

As a father to a young aspiring female photographer myself, I find immense value in these stories. They not only highlight the potential for creativity and success regardless of gender but also underscore the importance of supporting and uplifting one another in our artistic endeavors. The Hasselblad Heroines campaign stands as a beacon of inspiration, urging the next generation to pursue their passions with determination and courage.

Moment is now discounting its iPhone 15 series smartphone cases for the first time in months. These covers come in styles for all of Apple’s newest smartphones and now sell for $40 shipped each. They come in four different colors each and drop from the usual $50 price tags. You’re saving 20% while scoring the second-best discount to date, as well as the first price cut since back in November when a Black Friday discount had it at $5 less. Our hands-on review offers a closer look at what to expect.

Available in four different colors across the iPhone 15 Pro and Pro Max handsets, these new Moment cases come in just a standard black for iPhone 15/Plus users. Each one sports a rugged design with a unique textured pattern on the back for some added grip to go alongside a raised lip around the screen and camera assembly for keeping both protected. But the real star of the show is support for the brand’s signature smartphone lenses thanks to the Drop-in mounts. Throw in MagSafe support, and you’re set with one of the best photography-focused phones on the market.

Today’s discounts on the new Moment iPhone 15 cases are perfect companions to the company’s new smartphone lenses. Of course, the new covers are compatible with these accessories, which were designed to pair with Apple’s latest and take full advantage of the refreshed camera array. We fully break down what’s new with the updated T-Series lens collection, which is now available for purchase.

Moment iPhone 15 case features:

The Moment Case for iPhone 15 is engineered to be your favorite everyday case – thin, stylish, tough, Magsafe compatible, and ready to make your camera phone an even better camera. Whether you’re traveling, shooting content on your phone, or looking for a touch of style…the Moment Case is for you.

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Since 2019, Hasselblad has given the spotlight to a selection of established female photographers – the Hasselblad Heroines – sharing their experiences, industry challenges, and inspirations through images and interviews. 

This year’s campaign will run for six months, sharing the outstanding work of Hasselblad Heroines past and present, across numerous genres. The exceptional work on display is consistent with Hasselblad’s high standards and is a testament to not only the best Hasselblad cameras and lenses, but also the dedication of the photographers to the medium. 

“The campaign will feature stunning images, engaging Q&As, and present behind-the-scenes clips from our Heroines to pay tribute to these talented photographers and inspire the next generation of female photographers,” says Hasselblad.

The four Heroines highlighted throughout March are all still-life photographers, from product to abstract, their work showcases the possibilities of the genre:

Annie Spratt is a film and digital photographer based in the South of England who creates beautiful scenes out in nature. Facing “discouraging voices” early in her career, she persevered and remained dedicated to creating her work, and now has accrued over 9 billion views and 50 million downloads on Unsplash, where she works as content management lead. On top of this, she is a mother to eight children and openly discusses her navigation of the work-life balance.   

Karen Thomas is a renowned food photographer based in London, UK, whose work has brought food to life for high-profile clients such as McDonald’s and Nestlé. Her superb use of lighting and conceptual ideas landed her awards at The Food Photographer of the Year and Tokyo International Foto Award competitions. Karen also shares her experiences in breaking into the industry, in an open and approachable manner. 

In addition to holding the position of ‘chief storyteller’ at Minecraft, Lydia Winters captures incredible products and watches with unique and creative photography. She shares her relationship with photography and how she manages to blend technical ability with the art of storytelling. 

Andrea Zvadova is a Slovakian-born photographer who focuses on redefining beauty standards through stunning macro and portrait photography. Her work champions uniqueness and diversity, and “invites audiences to embrace the richness of human expression”. As a self-taught photographer, she shares her journey through finding a style, that although unconventional, worked for her and that enabled her to stand out from the crowd. 

The Hasselblad Heroine campaigns are fantastic, and shine a light on incredible photographers and their individual stories in the hope of encouraging the next generation of female photographers. Learning from those who have gone before you is incredibly valuable for young female photographers, and as a father to one myself I am incredibly grateful that this discussion is being had – and shared. 

You can keep up to date with the campaign on the Hasselblad Instagram account and with the hashtag #HasselbladHeroines. 

You may also be interested in our guides to the best medium format cameras, the best camera for food photography, and the best camera for product photography. 

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CHICAGO – During Oscar week, all eyes turn to Unit Photographer Dale Robinette, who got the assignment on the Oscar nominated “Barbie.” The following on-set pictures were snapped during the production’s time in Los Angeles, which including the iconic cowpoke wardrobe of Margot Robbie and Ryan Gosling.

“Uncle Dale” Robinette first contacted me via email in 2013, to give information about some photos he took on the film “Lovelace.” Ever since then he has been a reliable email pal, sending me image after image from the movie sets that he is “blessed” (his word) to work on. He has plied his skills in Hollywood as a Unit Still Photographer since 1988, after a career as a stage and television actor in New York and Los Angeles. Starting with a TV short called “The Big Five” (1988), he has worked his way up the ladder, and has built an impressive photo resume through familiar films like “Donnie Darko,” “Thank You for Smoking,” “Southland Tales,” “Red,” “W.,” “Up in the Air,” “The Help,” “Draft Day,” “One Night in Miami” and of course “Barbie.”

Robinette’s most famous picture is also one of his most reproduced. In 2016 he was assigned the film “LA LA Land” and photographed Emma Stone and Ryan Gosling during their “A Lovely Night” dance. The original camera shot is below. And his connection to “LA LA” got him the “Barbie” job.

“I received an email from a young woman, Kerri Smeltzer, who I had worked with before on ‘LA LA Land,” Robinette related, “She asked me, ‘Would you like to come to Los Angeles for a film?’ I said ‘Sure, throw my name in the hat with the others.’ She then told me, ‘No, we only want you.’ That film was ‘Barbie’”

The following is excerpts from a 2017 interview with Uncle Dale including a couple more images from the master on-set photographer.

HollywoodChicago.com: Much of movie making is encapsulated in the saying ‘hurry up and wait.’ How does that apply to a Unit Still Photographer?

Dale Robinette: I do a lot of behind-the-scenes shooting. If you look at any typical website for a film you will see images like the director speaking to the actors. The photo editors at the studios often judge a still photographers worth – not by the usual shots of the movie scenes – but by their unusual images of behind the scenes.

HollywoodChicago.com: Who or what was the key moment in your unit photography career that propelled you from the early days in the 1980s and ‘90s doing TV movies and horror films to more mainstream features like Donnie Darko?

Robinette: There was no specific moment. I never had a ‘five year plan’ or such…I just stumbled along. As I sharpened my skills, there were people who remembered me and in the movie business it’s a who-you-know, what-you-know, and-what-you-do kind of world. To me, there was no ‘decisive moment’ – I’ve just moved from movie to movie like most freelancers – but I’ve been very blessed lately.

Director and Stars: Greta Gerwig, Margot Robbie and Ryan Gosling for ‘Barbie’
Photo credit: Dale Robinette for Warner Bros.

HollywoodChicago.com: What best describes your role as a Unit Still Photographer on a typical movie set, as in when you step in and why?

Robinette: My method is when the cameras are rolling, that is when I do my work. I try to camp next to the “A” camera, and if the angle isn’t good, I’ll ask the First Assistant Director for 30 seconds at the end of the scene to get “The Shot” – because there is not going to be another opportunity.

HollywoodChicago.com: Which type of film set is most comfortable for a Unit Still Photographer, and which types make your job the most difficult?

Robinette: Basically I love to have room to work – it’s a nightmare working in a small set in a hot room with 30 bodies – and me sandwiched between actors and crew. I’ve been elbowed out of the way more than once by a belligerent boom man.

HollywoodChicago.com: Of any of the great studio films, made between let’s say 1939 through the end of the era up until the early 1960s, which one would you have liked to have been a Unit Still Photographer on, and why?

Robinette: I’d have to say ‘To Kill a Mockingbird.’ I love that it’s in black-and-white, that the director Robert Mulligan had such a keen eye, that it featured Gregory Peck, and that it contained the vision and words of author Harper Lee. As an aside, I happened to know the Art Director on that film, Henry Bumstead, and he won an Academy Award that year. He also was Clint Eastwood’s favorite man and worked with him until he passed away in 2006.

I loved the courtroom drama, the period costumes and the humanity of “To Kill a Mockingbird.” The story transports us away from the hectic world we live in to a simpler time, that was more civilized.

The Original Camera Image of Emma Stone and Ryan Gosling in ‘La La Land’
Photo credit: Dale Robinette for Lionsgate