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Ronald J. Colleran, 85, longtime staff photographer at The Buffalo News

Ronald J. Colleran, 85, longtime staff photographer at The Buffalo News
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Ronald J. Colleran was working in maintenance at The Buffalo Evening News in the early 1960s when he saw a job posting on the company bulletin board.

There was an opening for a staff photographer. Training would be provided. Already artistically inclined – he was an amateur photographer and had been making detailed pencil sketches since he was a boy – Mr. Colleran applied and got the position, beginning a career at The News that continued for more than 40 years.

His photos were featured prominently in The News’ pictorial book, “The Blizzard of ‘77: Buffalo’s Storm of the Century.”

He died Feb. 20 in Buffalo General Medical Center after a period of declining health. He was 85.

Born in Buffalo, the second of three children and the only boy, he was the son of John and Geraldine Murray Colleran. His father worked at Bethlehem Steel Corp.

He attended St. Martin’s School and was a 1957 graduate of Bishop Timon High School, where he was trumpet player for four years in the school band.

In his youth, he had a paper route in South Buffalo and worked at Fannie Farmer Candies. He went on to jobs in the automotive department of Sears and the Ford Stamping Plant in Woodlawn before coming to The News in 1962. He also served in the Army Reserve.

At The News, Mr. Colleran frequently had evening assignments and photographed numerous concerts and Buffalo Sabres games in Memorial Auditorium. He won a Buffalo News Page One Award in 1976.

He also worked as a freelance photographer for weddings and corporate clients.

Before moving to Hamburg in 1976, he previously lived in West Seneca and North Buffalo. After retiring from The News in 2006, he and his wife resided for several years in Fort Myers, Fla., then returned to Hamburg in 2013.

A skier at Kissing Bridge and a golfer, he was a former member of the Shorewood Country Club in Dunkirk. He was devoted Buffalo Bills and Sabres fan, enjoyed traveling, running with his daughter and hunting trips at the family cabin near the Pennsylvania state line. He was a parishioner at SS. Peter and Paul Catholic Church in Hamburg.

Survivors include his wife of 56 years, the former Jeanne Anne Crane, who worked for American Express and Macy’s; three sons, C. Andrew, Alexander and John; a daughter, Jenna Piechowicz; and six grandchildren.

A memorial service will be held at noon March 9 in the Donald M. Demmerley Funeral Home, 21 Pierce Ave., Hamburg.

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Victoria Springs into March: Cherry Blossoms, Wildlife Photography…

Victoria Springs into March: Cherry Blossoms, Wildlife Photography…
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March in Victoria heralds the arrival of spring with an array of events that promise to rejuvenate and inspire. From the picturesque cherry blossoms to the thought-provoking Wildlife Photographer of the Year exhibit, and celebrations honoring women, the city is abuzz with activities that cater to a variety of interests and causes.

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Embrace the Blossom Season

Mid-February marks the beginning of cherry blossom season in Victoria, reaching its zenith in March. Iconic spots like View Street, Helmcken House, Thunderbird Park, and Beacon Hill Park transform into a pink paradise, drawing locals and tourists alike. This natural spectacle not only offers a visual feast but also an opportunity to reflect on the transient beauty of nature. For those eager to capture the moment, a pre-stroll tea followed by a leisurely walk under the blooming canopies is highly recommended.

Conservation through Photography

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The Royal BC Museum’s Wildlife Photographer of the Year exhibit, running from March 1 to June 2, showcases 100 breathtaking photographs of wildlife by some of the world’s most talented photographers. This exhibit not only celebrates the beauty of wildlife but also highlights the pressing issue of extinction facing many species. It serves as a poignant reminder of our responsibility towards conservation and the protection of our planet’s diverse inhabitants.

Honoring and Celebrating Women

March 8, International Women’s Day, sees Victoria playing host to a variety of events dedicated to celebrating the achievements and contributions of women. From storytelling and music at the Vic Theatre to the showcasing of women entrepreneurs, researchers, and mariners by the Kulea Culture Society, the city comes alive with the spirit of female empowerment. Additionally, the Victoria Women’s Expo offers another platform for recognition and celebration, further emphasizing the community’s support for women’s achievements across all spheres of life.

As March unfolds, Victoria’s diverse array of events provides not just entertainment but also moments of reflection and learning. From the ephemeral beauty of cherry blossoms that remind us of nature’s cycles to the powerful imagery of endangered wildlife, and the celebration of women’s invaluable contributions to society, the city offers a rich tapestry of experiences. These events not only entertain but also educate, inspire, and provoke thought, contributing to a deeper appreciation of our world and the diverse lives that inhabit it.

Duchess of Sussex was surprisingly tactile, says royal photographer

Duchess of Sussex was surprisingly tactile, says royal photographer

The Duchess of Sussex was “noticeably” more tactile than the rest of the royals when she joined the family, a royal photographer has revealed.

Samir Hussein, an award-winning photographer who captured the now world-famous picture of the Duke and Duchess of Sussex leaning into each other under an umbrella in 2020 that went viral, described it as “unusual”.

He told The Telegraph: “It was very noticeable when Meghan came on the scene just how tactile she was, like holding the Duke’s hand and being arm-in-arm, so that was quite unusual.”

The Duchess, 42, and the Duke, 39, are known for their displays of affection and hand-holding when out, marking a breakaway from the usual formality seen in royal relationships.

Mr Hussein’s image of the couple looking adoringly at one another in the rain, taken at one of their final engagements before they stepped down as senior royals, will now go on display in London in a new exhibition charting his family’s photography of the monarchy over the years.

The exhibition, titled Princess Diana: Accredited Access, will open at St Katharine Docks, London, on May 25 after successful runs in the US, Australia and Canada.

It is a collection of images taken by the longest-serving royal photographer – and Mr Hussein’s father – Anwar Hussein, as well as those from his and his brother Zak’s collection.

Anwar Hussein is well-known for the many picture he took of the late Diana, Princess of Wales


Anwar Hussein is well-known for the many picture he took of the late Diana, Princess of Wales

The family passion for photographing the royals spans seven decades during which time the trio have curated a collection of official pictures of five generations of the monarchy.

Anwar Hussein’s pictures of the late Diana, Princess of Wales, remain among the most prominent that chart her public life and her private moments.

“Each photo in the exhibition has a unique, untold story,” Sam said, “and we really explore how Diana changed the world – her influence just on so many things about royal life.

“It shows how she was a royal mum, and modernised motherhood in many ways as a royal by being very hands on and a loving mom and you can see that legacy in William and Harry.

“We also explore how she is the fashion icon and spearheaded a new era of royal fashion in many respects, and also just being such an amazing humanitarian.”

The Duchess of Sussex with her husband-to-be in Nottingham in 2017


The Duchess of Sussex with her husband-to-be in Nottingham in 2017


Credit: EDDIE KEOGH/REUTERS

Anwar Hussein’s younger son, Zak, added: “We’re photographing her children now, so bringing that element [to the exhibition] brings a lot to it.”

The two brothers, now in their 40s, spent a lot of their childhood surrounded by royalty because of their father.

Sam Hussein recalled days where they would accompany his father, now 86, to the polo where he would be photographing the-then Prince Charles playing while Princess Diana watched.

“It was very relaxed,” he said, “we would play around and William and Harry would be playing there as well, so we were kind of exposed to all of that from a young age.”

Zak added that their similar ages to the princes meant they could “relate” to them in a different way.

The brothers told The Telegraph that they aim to continue their father’s style of photographing the royal family in a more “candid” manner, catching them in moments between formality rather than always posing for the lens.

Royal photographers Anwar, Samir and Zak Hussein outside Buckingham Palace


Royal photographers Anwar, Samir and Zak Hussein outside Buckingham Palace

He wanted to shoot “more of a human side that makes them more relatable,” Sam Hussein said, adding: “I think that’s something that we’ve tried to continue.”

The exhibition, which will run to Sept 2, displays the family’s photographs in life-size formats and provides a unique audio tour – narrated by both brothers – to guide the experience.

Speaking about the long-running show finally coming to the home of the royals, Zak said: “It just means a lot more being in the UK, where a lot of pictures were taken, it feels like more of a homecoming event.”

Anwar Hussein also credited the exhibition “coming home” to London.

He said: “I am delighted that the images captured, as well as those of my sons, are coming home to London to recognise and memorialise such a remarkable woman and her sons.”

“There are so many memories of our two families connecting and creating a special relationship, which I am pleased to be able to display in such a unique way through the exhibition,” he added.

Bangladesh Shilpakala Academy’s Art Market Bridges Gap Between Art…

Bangladesh Shilpakala Academy’s Art Market Bridges Gap Between Art…
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Bangladesh Shilpakala Academy has recently become the nucleus of artistic exchange in Dhaka, hosting an innovative event titled ‘Art Market’ aimed at fostering direct connections between artists and art enthusiasts. Initiated on February 19, this two-week extravaganza has turned the Academy’s premises into a vibrant hub of creativity, featuring 100 stalls that cater to a diverse range of artistic tastes and preferences.

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Art in Abundance

From intricate crafts to captivating paintings, and from ceramic wonders to unique women’s accessories, the Art Market offers an extensive assortment of artistic creations. Divided into four main categories—Artists, Studios, Universities, and Art Galleries—the event is a testament to the rich tapestry of Bangladeshi art. Notably, young ceramic artist Tanjila Sumaia Siddiqye, with her stall ‘Artist Siddiqye,’ has experienced an overwhelming response from visitors, emphasizing the public’s growing interest in clay and ceramic-based artworks. Abdur Rob, renowned for his film poster and rickshaw paintings, shared insights into the cultural significance and resurgence of interest in rickshaw art, a cherished heritage of Dhaka’s vibrant streets.

Creating Connections

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Shawon Akand, the curator of the Art Market, envisions the event as a platform for erasing the traditional boundaries that often separate artists from their audiences. By offering artworks at accessible prices, the market aims to democratize art ownership, allowing people from all walks of life to become art collectors. This initiative not only benefits the artists by providing them with a broader audience but also enriches the cultural landscape of Bangladesh by encouraging a more inclusive appreciation of art.

Looking Ahead

The success of the Art Market at Bangladesh Shilpakala Academy hints at a promising future for similar events. By regularly organizing such markets, the hope is to establish a sustainable ecosystem where artists can thrive professionally, and art collection becomes a common joy rather than an exclusive privilege. As the event continues to receive acclaim from participants and visitors alike, it stands as a beacon of potential growth and expanded horizons for the Bangladeshi art scene.

As the curtains close on this year’s Art Market, the overwhelming response from both artists and the public sends a clear message of enthusiasm and support for the arts. By bridging the gap between creators and collectors, Bangladesh Shilpakala Academy has indeed paved the way for a flourishing art market that promises to invigorate the cultural fabric of the nation.

Pro kit: Fashion, underwater and commercial pro Rafał Makiela reveals his essential gear

Pro kit: Fashion, underwater and commercial pro Rafał Makiela reveals his essential gear

If you’re looking for a new way to freshen up your portraits and give them a brand-new look, you could do far worse than experiment with underwater photography. Not your average portraits, underwater shoots require skill on behalf of both the photographer and model, as well as intricate outfits, waterproof makeup, underwater housings to keep your expensive equipment safe, and much more!

We recently caught up with Rafał Makiela who, in addition to photographing fashion, commercial and documentary, also loves to dip his toe (quite literally!) into underwater photography.

Rafał is based in Poland where he runs underwater and studio photography workshops. His motto is: “The underwater world is mysterious and magical. Everything is different, there is no defined end to the bottom or top. Gravity almost does not apply, the light is different and, at times, completely unpredictable. In the water, almost everything you dream becomes possible. Each vision and idea is feasible.”

Here he gives us an insight into his work, and reveals the essential kit he needs on his shoots. Be sure to check out his Instagram and website for more inspiration.

Professional underwater portrait photographer Rafał Makiela (Image credit: Rafał Makiela)

My photography journey began with the birth of my daughter, Maximilianna. On the day of her birth, I rushed to the store and bought a simple digital camera to capture her first day. Then another day, and another, and that’s how it all started 19 years ago. 

At that time, I was professionally involved in running my own restaurants, but over time, I became so fascinated with photography that I completely dedicated myself to it. I kept buying better equipment and honing my skills, specializing in wedding and advertising photography. But most days, I would also photograph my daughter as she grew.

Twelve years ago, I saw an underwater photograph online that fascinated me and I wanted to give it a go myself. It was incredibly challenging when I started out because I didn’t have access to a good underwater housing, and I had no idea how to get started. But with each session, I gained more and more experience. In 2014, I traveled to Dubai, where I continued to work in wedding, advertising and underwater photography. It was there that I received a fantastic award at the HIPA festival in the Portfolio category.

The underwater photos I present here were taken for the Polish pop star Justyna Steczkowska on the occasion of her career anniversary. One of the funny things was that we tried for nearly two hours to sink a piano for the photos. Finally, we succeeded, and you can see the result in the pictures.

Rafał’s pro portraiture kit

(Image credit: B&H)

I’ve been working with Canon cameras for over 15 years and I’m thrilled with their quality. The colors straight out of the body are amazing, and at the moment, I wouldn’t trade them for any other system. I can’t bring myself to let go of my older Canon EOS 5D Mark IV DSLR just yet; it’s been a workhorse of mine for so many years, so I keep it to hand as another backup body.

(Image credit: Future)

Recently, I sold my beloved Canon EOS 5DS as it was getting a little long in the tooth and had quite a lot of shutter clicks. I’ve upgraded to the Canon EOS R5, which is a mirrorless camera with a 45MP full-frame chip. I also have another mirrorless full-frame Canon EOS R body as a backup with a 30MP sensor. I use my old EF lenses with my new mirrorless bodies by using the Canon EF-EOS R adapter.

3. Canon EF 17-40mm f/4L USM

(Image credit: Canon)

This is my primary lens for underwater photography. I’ve had it for a long time, and it’s just great for my work in underwater fashion photography. Sometimes I also use it for landscape and interior shots. It’s very durable and has performed exceptionally well in all the challenging conditions I’ve put it through over the years.

(Image credit: Canon)

The Canon EF 24-70mm f2.8L II USM is a lens I use in practically every type of photography I do. It’s an excellent all-rounder, perfect for weddings and commercial shoots. I always have it in my camera bag as the most versatile and reliable option. It’s bright, fast and, most importantly, dependable. It always delivers, whether I’m in the desert, snow or on a fashion runway.

5. Canon EF 70-200mm f/2.8L IS II USM

(Image credit: Canon)

The Canon EF 70-200mm f/2.8L telephoto lens is perfect for close-ups, portraits and situations where I don’t want to be at the center of the action, but still be able to zoom in to capture fantastic shots. It’s bright, fast and quiet, making it suitable for photojournalism, weddings and advertising photography, too.

6. Ikelite Underwater housing

(Image credit: Rafal Makiela)

I’ve been using Ikelite underwater housings since the beginning of my underwater fashion photography career, and I’ve been truly impressed. It strikes the perfect balance between price and quality, and is light and easy to use. I wouldn’t have been able to take my most spectacular underwater photos without it.

You might also be interested in the best waterproof cameras and the best underwater drones.

Shilpakala organises Art Market

Shilpakala organises Art Market


Visitors throng a stall at the on going Art Market organised by Bangladesh Shilpakala Academy on its premises in Dhaka on Saturday. — New Age photo

Bangladesh Shilpakala Academy has organised an art event titled ‘Art Market’ in a bid to connect artists and art collectors on its premises in Dhaka.

The two-week event, which began on February 19, is featuring 100 stalls displaying artworks in four categories, including Artists, Studios, Universities and Art Gallery.

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The stalls are displaying crafts, paintings, ceramic works, women’s accessories, dolls and others.

The event has received a huge response from art lovers.

Young ceramic artist Tanjila Sumaia Siddiqye has set up a stall titled ‘Artist Siddiqye’ at the Art Market.

‘I have received a huge response from visitors. People have been showing a lot of interest in buying clay and ceramic-based artworks. If this event is organised regularly, artists will be able to pursue art as a profession,’ she said.

Abdur Rob, a film poster and rickshaw painter, said people were showing interest in buying rickshaw paintings.

‘Rickshaw painting was popular because Rickshaw was the most used by people in Dhaka. As the film industry was flourishing back in the day, Rickshaw painters drew actors on Rickshaws. Now it has become a heritage and the young generation is showing interest in collecting Rickshaw paintings as artwork,’ said Abdur Rob.

Shawon Akand, curator of Art Market, said, ‘We want to create an open art market where contemporary and traditional artists can showcase their artworks and common people can collect artworks at a reasonable price. Common people cannot afford to buy artworks from art galleries. We hope that this art market will be organised regularly and it will create a bridge between professional artists and art collectors.’

Art Market will end today.

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Arab Women Photographers Shine at Xposure 2024: Breaking Barriers …

Arab Women Photographers Shine at Xposure 2024: Breaking Barriers …
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At the recent Xposure 2024 panel, ‘Elevating the Voices of Women in Photography and Art,’ in Sharjah, women photographers from the Arab world, including Rania Matar, Fatma Almosa, and Hind Taryam, alongside industry experts Karin-Rehn Kaufmann and Lars Boering, shared insights into the evolving landscape of photography. Highlighting the significance of creativity, the timeless appeal of monochrome, and the importance of cultural representation, these photographers underline a moment of opportunity and growth in their field.

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Breaking Through in Photography

Emirati photographer Fatma Almosa emphasized the power of black-and-white photography to transcend time and focus on the essence of the subject, using her work to bridge cultures and generations. Rania Matar, on the other hand, leveraged photography as a medium to shift narratives around Arab identities post-9/11, capturing the diverse stories of women in Lebanon and Palestinian refugee camps. Hind Taryam’s approach to photography centers on capturing genuine human connections, underscored by her travels to diverse landscapes from Japan to Antarctica.

Support Systems and Creative Journeys

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The panelists collectively acknowledged the critical role of support from governments, families, and audiences in their journeys. Almosa highlighted the significance of this backing in enabling women photographers to become cultural ambassadors. The discussion also touched upon the supportive role of institutions like Leica Galleries International in nurturing photographers’ careers. Karin-Rehn Kaufmann, representing Leica, underscored the importance of focusing on the artist behind the camera, beyond mere technical excellence.

The Essence of Artistic Expression

The conversation at Xposure 2024 not only celebrated the achievements of these women in the field of photography but also delved into the broader implications of their work on cultural representation and artistic expression. The panelists’ stories reflect a shared belief in photography’s power to communicate, connect, and change perceptions, highlighting the medium’s role as a universal language of the heart and spirit.

The insights shared by these pioneering women at Xposure 2024 offer a compelling glimpse into the challenges and triumphs of working within the competitive realm of photography and art. Their narratives underscore the importance of creativity, support, and cultural representation in carving out a successful path in this dynamic field.

Indigenous artists, writers come together for Labriola Center open mic – The Arizona State Press

Indigenous artists, writers come together for Labriola Center open mic – The Arizona State Press

The Labriola National American Indian Data Center may seem like a quiet collection of books nestled within Hayden Library, but on Feb. 29 it turned into a vibrant space for spoken word and artistic expression at the Indigenous Open Mic Poetry Night. 

“I think it’s necessary to give space to Indigenous creators and make room for them on a campus that is situated on ancestral lands and different Indigenous tribes,” said Amber Blaeser-Wardzala, a graduate student studying creative writing.

Blaeser-Wardzala, one of the featured writers, read a short story about a girl who is left to grapple with loss after her Native father dies, leaving her with her white mother. 

“I write primarily about Indigenous identity and the cross of being mixed and female,”  Blaeser-Wardzala said. According to her website, she is an Anishinaabe writer, beader, fencer and Jingle Dress Dancer.

The bi-annual Indigenous Open Mic Poetry Night, hosted in collaboration with the Virginia G. Piper Center for Creative Writing, begins with readings by invited Indigenous poets from ASU and around the country, followed by opportunities for members of the community to step up and perform. 

“We’re really open to all sorts of different genres and we don’t really have a theme this year, we’re kind of leaving it up to whatever people want to bring to the table,” Yitazba Largo-Anderson, the program coordinator of the center, said. 

Largo-Anderson said attendants for the open mics usually include students, members of the Phoenix community and families of poets. In the past, there was even a father-daughter performance.

“My favorite part (of performing at open mics) I think is just being able to share in community, and keeping the oral tradition of storytelling and poetry alive,” said Ayling Dominguez, a graduate student studying creative writing. 

Dominguez is an educator with roots in the Nahua culture from the Mexican state of Puebla and Santiago de los Caballeros, in the Dominican Republic. 

“(The poems are) all kind of just talking about reconnecting to a lot of my Indigenous lineage,” Dominguez said.

Dominguez performed a set of original poems at the open mic, including one dedicated to missing and murdered Indigenous women.

Yitazba Largo-Anderson, the program coordinator of the center, said the Labriola Center was established in 1993 to hold national and international collections of books about and written by Indigenous authors. In addition, the center hosts events to engage with the local Native community.

READ MORE: Native American veterans practice Indigenous art, connect through shared experiences

The open mic didn’t just feature writers, some participants performed music.

Nataani Hanley-Moraga, a senior studying American Indian studies and a student worker at the Labriola Center, is known as the center’s “resident beat-maker”. He DJs and produces music for events such as the open mic, Lo-Fi study sessions and community music workshops. 

At the open mic, Hanley-Moraga, who is a Diné, Húŋkpapȟa and Chicano Indigenous producer, took up the microphone to perform a rap with an original beat he created earlier that day. 

“The nice thing about these open mics is, it’s not really a judgmental space,” Hanley-Moraga said.  “So even if I don’t get my cadence right or maybe this beat is not mixed to where I want to put it on a CD or something like that, it’s all ok. What’s important is just being able to share my story.”

Edited by Alysa Horton and Shane Brennan


Reach the reporter at spbracci@asu.edu and follow @SophiaBraccio on X. 

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