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The Art of Winter Photography: Techniques for Stunning Snowscapes |

The Art of Winter Photography: Techniques for Stunning Snowscapes |

Exploring winter landscapes offers unique opportunities and challenges for photographers, particularly when it comes to capturing scenes transformed by snow. The stark, simplified beauty of snow-covered environments requires a distinct approach to composition and technique, underscoring the importance of preparation and adaptability in the field.

Coming to you from Mads Peter Iversen, this educational video delves into the nuances of winter photography, offering practical tips for making the most of snowy landscapes. Iversen highlights the significance of scouting and pre-visualizing locations before the snowfall, yet also emphasizes the value of spontaneity and exploration. Discovering unexpected subjects, like a boat frozen in a lake, showcases the potential for serendipitous compositions. Moreover, Iversen’s approach to using long focal lengths for capturing distant details and creating depth illustrates the versatility required for successful winter photography.

Additionally, Iversen explores the use of drones for achieving unique perspectives in winter photography, revealing how aerial views can uncover abstract patterns and compositions not visible from the ground, allowing you to diversify your portfolio with images that stand out. The emphasis on minimalism, as shown through drone imagery of stark trees against snow-covered landscapes, further reinforces the aesthetic potential of winter scenes. These examples serve as a reminder that creativity in photography often comes from leveraging the tools and conditions at hand instead of being overly rigid. Check out the video above for the full rundown from Iversen.

And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!” 

It’s high time mirrorless cameras had built-in memory as standard – and after another photography disaster, this is personal

It’s high time mirrorless cameras had built-in memory as standard – and after another photography disaster, this is personal

I was gazing out of our south-facing kitchen window the other day. We’ve got a bird feeder in view, hung in an adjacent fig tree that basks in the sun, and a bird I rarely see was perched on one of the branches, eyeing up the feeder.

Naturally I sprinted to get my mirrorless camera and grab a few snaps. I didn’t have time to fiddle with camera settings in case I missed the feathered visitor, and for the following minute or two the bird obliged me for this impromptu photoshoot, dancing from branch to branch around the feeder.

I grabbed some great shots – the bird comically yawning was a highlight, all my images were nicely backlit by the morning sun. At least, I thought I’d got some great shots. The bird eventually flew off, and I eagerly hit the play button to find that yawning photo.

Oops – there was no memory card in the camera. 

The leading camera brands are holding back

I’m know I’m not the only photographer to experience such heart-sinking moments; and maybe it’s just me, but they also seem to happen at the worst possible times, causing bigger disasters than a few lost snaps taken from the comfort of my kitchen. A forgotten card on a long trip. A full memory card just a short while into a shoot. 

It’s part photographer error of course. We should remember to do the basic checks: battery charged, memory card inserted, and with enough capacity. But there are times, like the aforementioned scenario, when there’s no time to do those checks, or they’re forgotten. That said, here I am using a camera that cost me north of $2,000 / £2,000 / $AU3,500 body-only, and it doesn’t even have built-in memory like my phone does. What’s up with that? 

The Hasselblad X2D 100C camera rear screen showing internal SSD

The Hasselblad X2D 100C has both generous internal memory and a card slot (Image credit: Future)

I do have another camera with built-in memory – one of the best compact cameras around, the Ricoh GR III X, which offers a modest 2GB. The Hasselblad X2D 100C is another of my favorite mirrorless cameras, and it has a massive 1TB of internal storage and a card slot, while some digital Leica models do too.

It’s perfectly possible to include built-in memory in a camera, but none of the mainstream camera brands do it. Come on Sony, Nikon, Canon, Fujifilm, Panasonic and others – it’s high time your cameras came with built-in memory as standard.

Getting things right in-camera

Since that missed moment the other day, I’ve got smart. As George Bernard Shaw said, only fools repeat the same things over and over, expecting to obtain different results, and I’ve finally gotten around to customizing my camera so that it wont take pictures if there’s no memory card inserted. 

Most enthusiast and pro mirrorless cameras I’ve used have the option to lock the shutter when there’s no card inserted. The method varies between models, but with the Nikon Z6 II the option is found deep within the setup menu, and you simply choose your preference with a single press. Locking the shutter also prompts a flashing no card symbol in the EVF / LCD display, just in case the zero feedback from pressing the shutter wasn’t indication enough.

Nikon Z8 camera outside on the ground view of front

The pro Nikon Z8 was one of the best cameras of 2023, with a high price tag, but it lacks internal memory for storing files (Image credit: Future)

Adjusting that setting will ensure that you avoid scenario like the one I described. However, employing such a failsafe in-camera is no good if you discover while on location that you’ve forgotten your memory cards altogether. Even with that lock shutter fail safe in place, my request to camera makers – and I clear my throat – is please add built-in memory to your cameras as standard! 

Why not?

There are reasons why the leading brands don’t include built-in memory in popular models. No good reasons, but reasons. Cost would be up there for sure. Built-in high-performance memory isn’t cheap, and brands would struggle to include internal memory in cameras below $1,000 / £1,000 / AU$1,500 without it necessitating a significant price hike. Adding built-in memory is entirely possible though for pro cameras above the $2,000 / £,2000 / AU$3,500 mark.  

Could it also be because of limitations in terms of memory speed? I don’t think so. Top-quality solid-state drives are just as fast as the best removable memory. And frankly I’d happily have cheap and slow internal memory as a failsafe, as in my own Ricoh GR III X, and combine that with high-speed removable memory. After all, virtually all the cameras I’ve used that have built-in memory also accept memory cards, like the super-slim medium-format beauty that is the Hasselblad X2D 100C.

The Nikon Z9 camera's memory card slot

What’s better than twin card slots? Built-in memory too! (Image credit: Future)

There’s also the small risk of built-in memory corruption. In such a case, your only real option would be to send the camera back for repair, and that’s a lot more hassle than a memory card that you can reformat or simply throw away if it’s not repairable. Again though, cameras can have both built-in and removable memory. 

As a consumer I wouldn’t mind paying extra for a camera that features built-in memory. Yes, I already own memory cards that I can reuse for most cameras, but a lot of people need to fork out for memory cards when buying a new camera anyway.

I think I’ve made my case clearly enough, so all that’s left for me to say to Sony, Canon and others – and third time’s a charm – is: it’s high time your cameras came with built-in memory as standard! 

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Yellowstone National Park photographer captures wild images

Yellowstone National Park photographer captures wild images

A grizzly bear lolls on its back, its front paws held aloft as if examining his claws, while reclining atop the dirt it has thrown over a partially submerged bull elk carcass.

A pine marten peaks curiously around a tree, its brown-eyed gaze piercing.

A Yellowstone cutthroat trout leaps to clear a rapid as it swims upstream to spawn.



Addy Falgoust

Addy Falgoust works as an interpretive ranger at Fishing Bridge in Yellowstone National Park.




Any one of these photos would be a once-in-a-lifetime shot for most people, but for Addy Falgoust it’s just another day at her office in Yellowstone National Park.

“I feel so fortunate to be working in interpretation in this park,” she said in a phone interview.

Year-round Falgoust is ensconced in the park’s interior at Yellowstone Lake and Fishing Bridge, where she has worked as an interpretive ranger for four years. It’s a long way physically and culturally from Louisiana, where she grew up, and southern Mississippi where she attended college. Yet her photos demonstrate a woman at ease in one of the wildest mountain regions in the Lower 48 states.

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Bear necessities

A male grizzly bear relaxes in the afternoon atop the bull elk it killed and then partially buried on the bank of the Yellowstone River in 2020.




Bear jamming

It was after helping to police a traffic jam in 2020 that Falgoust took the photo of the grizzly bear. The location was the Hayden Valley along the Yellowstone River. The bear, a 9-year-old male weighing an estimated 600 pounds, had charged into the river after an injured bull elk and brought it down.

Once the elk was dead, the grizzly floated the carcass to the shore, about 100 yards directly across from one of the main roads in the park, in full view of slack-jawed tourists driving past.

“I spent a lot of time there managing the jam,” Falgoust recalled. “It took at least eight days for the carcass to be consumed.”

The food source also attracted other bears, wolves and ravens. To defend his food source, the bear would rebury the carcass after feeding and lay atop the mound, napping away much of the day.

To protect the bear, Park Service personnel established a no-go zone directly across from the river marked off with cones. It was also a way to protect visitors, Falgoust said.

“We didn’t want another bear coming up behind the crowd,” she said.



Marten

A marten peers around the side of a tree in June 2020.




Overlooked species

Although large animals like bears, elk and bison are some of the biggest attractions for visitors to Yellowstone, Falgoust finds some of the smaller species just as interesting.

While hiking on Storm Point one afternoon, she saw one of her favorite animals, a marten. She and a coworker excitedly pointed it out to other hikers coming up the trail who seemed confused by their enthusiasm. At first they suspected Falgoust had spotted a bear.

“Then we showed the marten to them and they were like, ‘Oh,’ and were kind of confused and kept going,” Falgoust said.

Martens tend to be more visible in the winter, she said. Although often shy, she occasionally finds one that is curious and will pause long enough for her to snap some photos.



Striped skunk

Striped skunks are a rare sight in the park.




Another small mammal that caught her attention was a striped skunk that crossed the road in front of her while she was snowmobiling near LeHardys Rapids last March.

“It’s a pretty common animal in a lot of places, but not so common here, so that made it special,” she said.

LeHardys Rapids on the Yellowstone River is also where she captured a photo of a Yellowstone cutthroat trout attempting to leap over a rapid as it migrated upstream to spawn. It’s the type of image more commonly associated with salmon or steelhead then a trout, yet another testament to the uniqueness of Yellowstone National Park.



Fish food

A Yellowstone cutthroat trout rises to the river surface to feed on insects hatching near Fishing Bridge in July 2022.




Gear and tactics

Falgoust uses a Canon camera with a 600mm lens for much of her wildlife photography. She’s also a stickler for following park rules, since she wants to set a good example for visitors. That means staying a minimum of 25 yards away from most animals and 100 yards or more away from wolves, grizzly and black bears.

“Although a lot of people get excited about wildlife photography, it’s really important to remember that we don’t want to disturb these animals or encroach in their space,” she said.

After all, Yellowstone is not a zoo where animals are secured behind cages. These are wild, free-roaming creatures that deserve respect, Falgoust said. So don’t try to pet the bison.



Bobcat

A bobcat, typically shy animals, feeds on a mule deer carcass in January 2023.




“I also think the shots are a little bit more meaningful when the animal is in its natural habitat doing its own thing, and you’re just a bystander, not changing its behavior,” she added.

Using pullouts for parking vehicles rather than stopping in the middle or along the side of the park’s narrow roads is also important to avoid causing traffic jams or accidents.

“A lot of my photos have occurred opportunistically,” Falgoust said. “A lot of it is luck and being in the right place at the right time. But one way you can increase the chances that you are in the right place at the right time is by putting yourself out there. So spending time in the field and routinely going to the same spots.”



Otter water

River otters play on the ice near the Brink of the Upper Falls in March 2023.




Scenery locales

Although Yellowstone attracts many wildlife photographers, it’s also a scenic wonderland. One of Falgoust’s favorite spots for such photos is Gull Point Drive. The two-mile spur road is between West Thumb and Lake Village along the shore of Yellowstone Lake.

“There’s a nice sandbar that goes out into the middle of the lake and you have a beautiful view of Stevenson Island and the Absaroka Mountains,” she said. “It can change throughout the seasons as well. Not a lot of people tend to go out there. It is facing east, but in the evenings you can often get a nice alpenglow during sunset.”

She also said the Fishing Bridge area is often overlooked by wildlife watchers.

“There’s a lot of good waterfowl you can photograph from the bridge,” she said, including eared grebes with their long, golden feathers fanning out behind their eyes. “Trumpeter swans are frequent and common there in the winter.”



Leap of faith

A cutthroat trout jumps up LeHardys Rapids in June 2022.




“I’ve also actually gotten some photos of cutthroat trout coming up to catch some insects as well. And I think I’ve seen wolves, bears and otters from Fishing Bridge.”

While in college, Falgoust’s senior thesis focused on “Young People’s Perceptions of Nature and Interactions with National Parks.” She sees the posting of photos and videos on social media, like hers, as one way to engage young people with parks, as well as those who may never get to visit places like Yellowstone.

In addition to its Facebook page, Yellowstone also has Flickr, Instagram and X social media accounts where Falgoust’s photos and videos can be found. It’s also where two of Falgoust’s favorite photographers, coworkers Jim Peaco and Jacob Frank, often post their photos.

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From Gridiron to Shutterbug: Marquis Pickering’s Journey in Sports…

From Gridiron to Shutterbug: Marquis Pickering’s Journey in Sports…
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Marquis Pickering, a 26-year-old photographer from Staten Island, has carved out a name for himself shooting major athletes and celebrities like Saquon Barkley, Drake, Lil Baby, and Emily Engstler. Born and raised in St. George, Pickering played football in high school and college before finding his passion in photography. In 2017, his mother gifted him a camera for Christmas, and he started shooting local college and high school athletes, quickly building a clientele that included professional athletes and musicians.

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From Football Field to Photography Studio

Pickering’s journey from the football field to the photography studio is one of passion and determination. Born into a family of sports enthusiasts, he was always surrounded by the thrill of competition. However, it was a Christmas gift in 2017 that set him on an unexpected path.

Armed with his new camera, Pickering began shooting local college and high school athletes at nearby parks. He found himself captivated by the ability to freeze moments in time and tell stories through images. As his skills improved, so did the demand for his work. Soon, he was shooting professional athletes and musicians, all while pursuing a degree in business.

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Building a Brand: PicksPics

In 2018, Pickering launched PicksPics, his photography brand. This allowed him to showcase his talent and connect with clients ranging from professional athletes to corporate entities. His unique style and dedication to his craft have earned him a reputation as an emerging force in the industry.

Pickering’s commitment to his community is evident in his work with local schools on Staten Island for media days. He has also photographed Saquon Barkley’s golf outing, a party, and private workouts at his home. His ability to capture the raw emotion and energy of these events has made him a sought-after photographer.

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A Passion for Women in Sports

Pickering is particularly passionate about showcasing women in sports. He believes that their stories are often overlooked and is dedicated to giving them the recognition they deserve. His work with Emily Engstler, a standout in the Women’s NBA, is a testament to this commitment.

“There’s so much talent out there, and I want to help these athletes tell their stories,” says Pickering. “I also want to provide opportunities for young athletes to have their memories captured, whether it’s on the field, court, or stage.”

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Currently, Pickering works as the athletic content coordinator at the College of Staten Island, where he continues to hone his skills and expand his network. He attributes his success to the people who have helped him along the way and is looking to continue growing his network.

Pickering’s story is a reminder that sometimes, the most unexpected gifts can lead us down the most rewarding paths. As he continues to make a name for himself in the world of photography, one thing is certain: Marquis Pickering is a force to be reckoned with.

With his sights set on becoming a photographer for the New York Knicks, Pickering’s journey is just beginning. His dedication to his craft, passion for storytelling, and commitment to showcasing women in sports make him a photographer to watch in the years to come.

Milkshake Festival Is Paying Tribute To Photographer Erwin Olaf

Milkshake Festival Is Paying Tribute To Photographer Erwin Olaf

Milkshake Festival, on Friday 26, Saturday 27 and Sunday 28 July 2024 at the Westergasterrein in Amsterdam (Netherlands), will this year extensively commemorate Erwin Olaf. The top photographer, who died on September 20, 2023, was closely involved with Milkshake Festival since its founding in 2012.

Olaf was most famous for his commercial and personal work. He was commissioned to photograph advertising campaigns for large international companies such as Levi’s, Microsoft, and Nokia. Some of his most famous photographic series include “Grief”, “Rain”, and “Royal Blood”. Never one to shy away from controversy, Olaf’s work was often daring and provocative. Humorously however, one of his early photographs was once expelled from a show on the basis of not containing nudity.

His photography style was characterized by his staged settings and poses, where he had every detail under control. Olaf had a great reputation worldwide and was one of the best-known photographers in the Netherlands. The human body was central to his work, from sexuality to transience. Olaf made several portraits of the Dutch royal family. Time magazine described his work as straddling “the worlds of commercial, art and fashion photography at once”

“What can I say? Milkshake without Erwin. That is difficult to imagine, but a tribute is the least we can do. We have always worked well together. He was and is part of the Milkshake Family. As an organization we are still heartbroken and we miss Erwin terribly. We will certainly feel that during the Milkshake Weekend.” – Marieke Samallo (founder of Milkshake Festival)

The Grand Opening of Milkshake Festival will take place on Friday, July 26 from 8:00 PM to 2:00 AM. This evening is presented in collaboration with Mighty Hoopla from the United Kingdom. Mighty Hoopla is a celebration of alternative club culture led by Sink The Pink and Guilty Pleasures with their Hoopla friends and family in tow. Mighty Hoopla presents a new pop extravaganza and guarantees a mix of legendary and new live acts, energetic DJs, beautiful dancers and artists galore. About 4,000 tickets are available for this Grand Opening.

From Friday 26 to Sunday 28 July, the Westergasterrein will be dedicated to the Milkshake Festival. Kinky Sundays from Hamburg and Café t Mandje on Zeedijk Amsterdam are responsible for part of the programming. The full line up for Milkshake Festival will be announced soon.

18,000 tickets are available per day for the weekend. The combined travel packages can be purchased from today, while regular ticket sales will start on February 14. If the festival alone is not enough, you can go to Paradiso for the afterparties on Saturday and Sunday. Tickets will also be available for this from February 14.

About Milkshake Festival

Milkshake Festival was founded in 2012 and has grown into a two-day festival since its fifth edition in 2016. The dance festival was developed from the philosophy ‘nothing is mandatory, everything is allowed’. It shows that entertainment, choice of music, choice of clothing and status has nothing to do with sexuality. During Milkshake there is an atmosphere that is free from the compartmentalization created by society. Life is a party thanks to the great diversity of skin colors, sexual preferences, gender and a range of appearances. Milkshake celebrates the city and its initiatives and is committed to a little more courtesy and love for each other. Fat, thin, small, big, gay, straight, trans, black or white: people are the salt of the earth and we are going to celebrate this!

Glimpses from Prince Hussain Aga Khan’s Photography Exhibition in Kenya

Glimpses from Prince Hussain Aga Khan’s Photography Exhibition in Kenya
imagePrince Hussain Aga Khan Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
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A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
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A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
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A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
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A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=1024″ loading=”lazy” width=”1263″ height=”865″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, Aga Khan University, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46275″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg 1263w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=150&h=103 150w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=500&h=342 500w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=768&h=526 768w, https://barakahweb.files.wordpress.com/2024/02/2024_hussain-aga-khan_kenya-2.jpg?w=1024&h=701 1024w” sizes=”(max-width: 1263px) 100vw, 1263px”>
A night time view of Prince Hussain Aga Khan’s The Living Sea – Fragile Beauty photographic exhibition, Aga Khan University Centre, Nairobi campus, Kenya; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=427″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=810″ loading=”lazy” width=”810″ height=”948″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg” alt class=”wp-image-46296″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg 810w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=128&h=150 128w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=427&h=500 427w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-12-1.jpg?w=768&h=899 768w” sizes=”(max-width: 810px) 100vw, 810px”>
Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition is a joint collaboration between the National Museums of Kenya, the AKDN, the United Nations and FON and is being held at the National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imageA panel introducing Prince Hussain Aga Khan and his exhibition Fragile Beauty that is being hosted at the National Museums of Kenya, Nairobi.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=276″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=526″ loading=”lazy” width=”526″ height=”953″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg” alt=”A panel introducing Prince Hussain Aga Khan and his exhibition Fragile Beauty that is being hosted at the National Museums of Kenya, Nairobi.” class=”wp-image-46316″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg 526w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=83&h=150 83w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-0.jpg?w=276&h=500 276w” sizes=”(max-width: 526px) 100vw, 526px”>
A panel introducing Prince Hussain Aga Khan and his exhibition Fragile Beauty that is being hosted at the National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=1024″ loading=”lazy” width=”1280″ height=”960″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46278″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg 1280w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=150&h=113 150w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=500&h=375 500w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=768&h=576 768w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5.jpg?w=1024&h=768 1024w” sizes=”(max-width: 1280px) 100vw, 1280px”>
A view of Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition, National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=375″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=768″ loading=”lazy” width=”960″ height=”1280″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46280″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg 960w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=113&h=150 113w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=375&h=500 375w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-8.jpg?w=768&h=1024 768w” sizes=”(max-width: 960px) 100vw, 960px”>
A view of Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition, National Museum of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=500″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=1024″ loading=”lazy” width=”1280″ height=”960″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg” alt=”Prince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.” class=”wp-image-46279″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg 1280w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=150&h=113 150w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=500&h=375 500w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=768&h=576 768w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-5b.jpg?w=1024&h=768 1024w” sizes=”(max-width: 1280px) 100vw, 1280px”>
A view of Prince Hussain Aga Khan’s Fragile Beauty photographic exhibition, National Museums of Kenya, Nairobi; February 2024. Photograph: © FON.

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imagePrince Hussain Aga Khan Fragile Beauty Photographic Exhibition, National Museums Kenya, Nairobi, Kenya, February 2024. Photograph: © FON.
” data-medium-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=375″ data-large-file=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=768″ loading=”lazy” width=”810″ height=”1080″ src=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg” alt=”The Wonder of Bees, an upcoming exhibition in the Aga Khan Hall at the National Museum of Kenya, Nairobi. The Aga Khan Hall is named in honour of the 48th Ismaili Imam, His Highness the Aga Khan, Mawlana Sultan Mahomed Shah (d. July 11, 1957). Photograph: © FON.” class=”wp-image-46281″ srcset=”https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg 810w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=113&h=150 113w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=375&h=500 375w, https://barakahweb.files.wordpress.com/2024/02/2024_nm_hussain-aga-khan_kenya-10.jpg?w=768&h=1024 768w” sizes=”(max-width: 810px) 100vw, 810px”>
The Wonder of Bees is an upcoming exhibition in the Aga Khan Hall at the National Museums of Kenya, Nairobi. The Aga Khan Hall is named in honour of the 48th Ismaili Imam, His Highness the Aga Khan, Mawlana Sultan Mahomed Shah (d. July 11, 1957). Photograph: © FON.

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Intimate Storytelling: May Pang’s ‘The Lost Weekend’ Photography E…

Intimate Storytelling: May Pang’s ‘The Lost Weekend’ Photography E…
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A beacon of intimate storytelling, ‘The Lost Weekend: The Photography of May Pang,’ a captivating exhibit showcasing the enigmatic and often overlooked facets of John Lennon’s life, will make its debut at the Keshet Gallery in Boca Raton on February 16th. The exhibit features 31 evocative photographs, captured by the former Beatle’s lover and travel companion, May Pang, during his 18-month hiatus from 1973 to 1975 known as the ‘Lost Weekend.’

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A Glimpse into the Past

May Pang, the photographer behind this poignant collection, was not only Lennon’s companion during this period but also a witness to the unguarded moments of his life that are seldom explored. The photographs offer an alternative perspective of Lennon’s life during this time, revealing a more vulnerable and relatable side of the iconic musician. Alongside Pang, these images paint a vivid picture of Lennon’s journey as he reconnected with his family, friends, and the music that defined his existence.

Among the most compelling photographs in the exhibit are those capturing tender moments between Lennon and his son Julian, offering a unique insight into their relationship. Additionally, the exhibit features images of Lennon visiting Disney World, and reconnecting with fellow musicians, including Paul McCartney, providing a fascinating glimpse into the world of one of the most influential artists of the 20th century.

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The Lost Weekend: A Love Story

The exhibit serves as a companion piece to the documentary ‘The Lost Weekend: A Love Story,’ which delves deeper into Pang’s relationship with Lennon and their shared history. The documentary, available on various streaming platforms, provides an in-depth look into the lives of the two individuals who found solace and companionship in each other during a tumultuous time.

Unveiling the Exhibit

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As the Keshet Gallery prepares to unveil ‘The Lost Weekend: The Photography of May Pang,’ anticipation continues to build among fans, photography enthusiasts, and those captivated by the enduring legacy of John Lennon. The exhibit promises to offer a fresh perspective on the life of a musical icon, as seen through the lens of the woman who stood by his side during a crucial period in his life.

May Pang, whose photographs have been featured in numerous publications and exhibitions, will be present at the gallery on February 16th, offering visitors a unique opportunity to engage with the artist and hear firsthand accounts of her experiences with Lennon during the ‘Lost Weekend.’

In an era where the lines between the public and private lives of celebrities are increasingly blurred, ‘The Lost Weekend: The Photography of May Pang’ stands as a testament to the power of intimate storytelling and the enduring allure of one of the most influential musicians in history. The exhibit invites viewers to embark on a journey through time, exploring the complexities of John Lennon’s life during a period that has often been shrouded in mystery and speculation.

As the world continues to grapple with the legacy of John Lennon and the indelible impact he left on the music industry and popular culture, ‘The Lost Weekend: The Photography of May Pang’ serves as a poignant reminder of the man behind the myth, offering a rare and intimate glimpse into the life of a true icon.

‘Ice Bed’, a napping polar bear photo, wins Wildlife Photographer People’s Choice award

‘Ice Bed’, a napping polar bear photo, wins Wildlife Photographer People’s Choice award

An image of a napping polar bear curled up on an iceberg is the winner of this year’s Wildlife Photographer of the Year People’s Choice award.

It’s called “ice bed.”

British amateur photographer Nima Sarikhani captured the image off Norway’s Svalbard archipelago.

He said he hopes it inspires hope that there’s still time to reverse climate change.

More than 75-thousand people voted in the competition, a record number.

It was chosen from a shortlist of 25 images.

Those were narrowed down from around 50-thousand entries.

In addition to the winner, there are four finalists.

All five images will be exhibited at the natural history museum in London through June 30th.