Sculptures decorate Dowagiac after annual Ice Festival
By Admin in Art World News
“Bearings.” All images © Thomas Allen, shared with permission
Meticulous incisions and methodical folding allow scenes to arise from aged books and color swatches in Thomas Allen’s paper cutouts. Having loved pop-up books and shoebox dioramas since childhood, the artist cultivates a passion for “manufactured realities.”
“The vintage paperback work happened by complete accident,” Allen shares. “I was cutting into a pulp novel one afternoon with the intent of removing the illustration completely when I noticed that if I left some areas attached, folded the parts carefully, and looked at them from a single vantage point so that everything aligned, they created the illusion of 3D pop-ups. Everything snowballed from there.”
By photocopying pages he intends to use, the Coloma-based artist can make test cutouts of potential compositions before moving on to the final product. He then photographs each iteration while considering light and angle.
Allen spends the rest of his time as a township clerk and public lecturer and is looking forward to working with Joseph Bellows Gallery in the coming months. You can find more work and updates on his website and follow him on Instagram.
“Eclipsed”
“Opposition”
“Timber”
“Unrelenting”
“Unstable”
Detail of “Unyielding”
Detail of “Unrelenting”
“Uncontrollable”
“Shipwreck”
Test cutouts in Allen’s studio
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Thomas Allen’s Playful Paper Cutouts Emerge from Vintage Books and Color Swatches appeared first on Colossal.
By Admin in Photography
Navigating the challenges of winter landscape photography requires a keen understanding of the environment and the right techniques to capture its beauty. This helpful video dives into the common pitfalls that photographers face in these conditions and how to improve your work.
Coming to you from Photo Tom, this insightful video begins by highlighting the critical mistake of ignoring white balance in winter photography. Tom explains how winter images often skew towards blue or orange tones, emphasizing the need for a balance to accurately represent the snow’s whiteness. Another key mistake discussed is the tendency to overexpose scenes, leading to a loss of detail in the snow due to the way camera’s meter scenes and the unique conditions of winter. This segment underscores the importance of paying close attention to exposure settings, a lesson vital for photographers aiming to capture the delicate nuances of winter landscapes.
Lens care, often overlooked in snowy conditions, is another critical topic. He shares personal experiences from his workshops, where photographers faced challenges due to snowflakes on their lenses or moisture damage. This advice is crucial for protecting equipment and ensuring its functionality when it’s needed most. The video also stresses the importance of maintaining compositional elements to elevate the visual impact of winter scenes. Check out the video above for the full rundown.
And if you really want to dive into landscape photography, check out our latest tutorial, “Photographing the World: Japan With Elia Locardi!”
By Admin in Photography
By Eva SandovalFeatures correspondent


Getty photographer Stefano Mazzola offers the most photo-worthy ops in his native Venice, from the sea of parked gondolas in Bacino Orseolo to sunrises at Ponte dell’Accademia.
Ancient candy-coloured Venice, Italy, is among the world’s most uniquely beautiful cities, and is also one of the most photographed. Millions gather each year to gaze at the gondolas gliding through its otherworldly canals as they pack themselves onto romantic bridges and throng its magnificent piazzas – all eager to get that one perfect picture in a picture-perfect place.
Overtourism is this gorgeous city’s scourge, the SOS on the flip side of the postcard. So how to enjoy your visit and get great photos – without getting an elbow in the face or inconveniencing the locals?


The SpeciaList
Venetian born and bred Stefano Mazzola ran a restaurant before becoming a photographer. His photographs of everyday, non-touristy Venetian life have been featured in internationally renowned publications including The Guardian, The New York Times, National Geographic and Lonely Planet.
We spoke to Venetian native, Getty photographer Stefano Mazzola, for his niche take. His tip: visit the iconic wonders at dawn or after sunset, when the day trippers have fled, and then embrace Venice’s peculiarities. “Water is the crucial element,” said Mazzola. “The tide comes in for six hours, it’s slack for one hour, and then it ebbs for six hours… it’s a city that changes every hour because of the changes in the water and the light.”
Mazzola takes visitors on Venice photo walks to discover the city’s most iconic treasures, as well as its exquisite quirks. “Yes, of course, go see the Basilica di San Marco, the Palazzo Ducale (Doge’s Palace), the prisons, Piazza San Marco,” he advised. “But don’t spend 10 hours [there]. Explore. Go for a walk. Get lost. Go get lost with your partner, with a friend. Stop every hour to have a glass of wine or a cicchetto [Venetian tapas] and keep walking… That’s how you’re going to discover the most hidden gems, the street corners, the most beautiful things.”
Venice is a walkable jewel, its six sestieri (districts) easily crossed by foot or canal using one of the city’s vaporetti (waterbuses). Here is photographer Stefano Mazzola’s list of the most photo-worthy scenes in Venice.

Cavan Images/Alamy1. Best for catching the sunrise: Ponte dell’Accademia
Photo-taking tips
Stefano Mazzola loves taking photos of Venice that capture all its moods – and thanks to its ever-changing water levels and constant stream of people, it has many. “Find a place, see if you like it,” advises Mazzola. “Take the first photo without a subject; see if the light is good, if the settings are right. Then wait. Maybe a gondola will pass by. Maybe in two minutes, a woman with a beautiful yellow raincoat and a red umbrella will cross the bridge. Maybe in five minutes, a man will cross the bridge with a stunning dog. In Piazza San Marco, you can photograph different people every second, wearing different clothes.”
“There are two Venices,” said Mazzola. “The touristy Venice that runs from Piazza San Marco to the Rialto Bridge that’s invaded from 09:00 in the morning to 06:00 or 07:00 in the afternoon. [It’s], for me as a Venetian, unlivable. The real Venice, the one of the high quarters, is still gorgeous.”
Getting an early start is the key to snapping great photos in this heavily touristed city – without someone’s head in the frame. Mazzola’s pick for experiencing daybreak is Ponte dell’Accademia.
The mammoth wooden structure arching across the Grand Canal is one of Venice’s four principal bridges, and according to Mazzola, offers a unique view as the light shimmers over the rainbow-hued buildings.
“If you’re on the Ponte dell’Accademia, looking towards the Grand Canal, Palazzo Cavalli-Franchetti is the first building on the left,” said Mazzola. “You can get images at sunrise with the first rays of light on the Grand Canal and this amazing building on the left and the Basilica [di Santa Maria] della Salute on the right of the Grand Canal. It’s lovely.”

EM_prize/Alamy2. Best for observing gondolas and gondoliers: Bacino di San Marco and Bacino Orseolo
The gondolier – gondoliere/a in Italian – is an iconic figure yet shrouded in myth. If you want to get an unfettered look at gondolas, Mazzola suggests heading – once again, at dawn – to Bacino di San Marco, the city’s main harbour on the lagoon, where gondolas park at night. “With the Palazzo Ducale behind you, you can shoot three, five, seven gondolas depending on how wide your lens is, with the Island of San Giorgio in the background,” said Mazzola.
But to witness the gondoliers themselves in their natural state, Mazzola loves visiting Bacino Orseolo. “It’s a minute away from Piazza San Marco,” he said. “The gondolas that work in that area park there all night in that little basin. If you go in the morning at 07:30 or 08:00, you’ll find 30, 35 gondolas all shuttered in the same place. The guys who clean them [start] taking off the tarps and cleaning the gondolas one by one. [It’s] also lovely because the guys who are cleaning the gondolas will be chatting in Venetian. It’s a welcoming place. It’s a place where you see the real Venice.”

heinstirred/Getty Images3. Best for seeing the panorama of Venice: Scala Contarini del Bovolo
Carnevale in Venice
Venice is so beautiful you’ll want to see it all at once. Mazzola’s favourite place for seeing its most gasp-worthy city panorama is the Scala Contarini del Bovolo – an 80-step spiral staircase encased in a turret in the Palazzo Contarini del Bovolo.
The visual beauty – and photo ops – of Venice are even more spectacular during the weeks leading up to its world-famous masked Carnevale celebrations, when people wander the calle wearing elaborate maschere (masked costumes). “It’s very nice to see the maschere inside the historic Caffé Florian,” said Mazzola, referencing the iconic café on Piazza San Marco, dating to 1720. Another one of Mazzola’s favourite Carnevale sights: “During the last two weeks of Carnevale, before sunset, the people in costume go to the Island of San Giorgio and pose for the photographers with Piazza San Marco and the Palazzo Ducale behind them,” he said. “The light of the sunset softly colours everything.”
But the already bursting-at-the-seams city becomes even more chaotic during Carnevale, so how to take great photos when you’re buried in a sea of masked tourists? “When you’re surrounded by people it becomes complex,” admitted Mazzola. “The only way is to photograph half-length from below with a beautiful building in the background.” Mazzola also advised against coming to Venice during the last weekend before Martedi Grasso (Fat Tuesday) “Come to Venice during the other Carnival days.”
“In Venetian, bovolo means spiral,” explained Mazzola. “[The palace] is halfway between Piazza San Marco and the Rialto Bridge… and it’s unique because this spiral staircase is fantastic. You walk up all these stairs which take you up to the panoramic terrace of this palace which [has] all these arches at 360 degrees, circular. You can see all of Venice.”
The Palazzo Contarini del Bovolo is a 15th-Century building built by the noble Contarini family in the Venetian Gothic style, tucked away in a quiet side street near Campo Manin. “It’s amazing for taking photos because you can take a shot of two arches with a slice of San Marco inside,” said Mazzola. “Or two other arches that capture the Basilica dei Frari, and you can see all of Venice from up there. It’s a beautiful hidden gem.”

Image Professionals GmbH / Alamy Stock Photo4. Best for secret alleyways: i Sestieri di San Polo e Santa Croce
Some of Venice’s greatest beauties lie in small details. During the day, while tourists swarm the city centre, Mazzola suggests crossing the Rialto Bridge and heading to the sestieri San Polo and Santa Croce.
“They’re full of little labyrinths,” Mazzola said. “In Venice, the word for street isn’t via but calle, and this area is made of these tiny narrow streets. I can show people around for two hours, but we never get very far from where we started. And we never see the same place twice!”
The Sestieri di San Polo e Santa Croce are two bordering neighbourhoods rarely frequented by tourists and are home to medieval architecture and thriving fish, meat and green markets. “It’s lovely because every two minutes you find this beautiful corner, this beautiful reflection or some crooked bridge, as gondolas are passing,” said Mazzola. “At the border of San Polo and Santa Croce, there’s a square that I think is marvellous; Campo San Boldo. [It’s] been the subject of many paintings, many films… There’s a well in the middle. There’s a belltower that’s missing the tip. There’s a canal that runs along it with the [crooked] Ponte Storto bridge curving around… it’s so beautiful. And almost no one goes there.”

Matthias Scholz/Alamy Stock Photo5. Best for witnessing a slice of Venetian life: Corte Nuova
When many visitors think of Venice, they picture a gondolier paddling through canals, but Venetians think of laundry being hung to dry in the sun. “It’s prohibited to hang your laundry out to dry in Venice in the [heavily touristed] sestiere of San Marco,” said Mazzola. “You have to keep your laundry inside. But not in the other districts. In Castello, there’s a street called Corte Nuova, and it’s fantastic because every morning whenever it’s sunny the women who live on this street hang out their laundry to dry. The street becomes multi-coloured.”
Many Italian cities ban the practice of hanging laundry out to dry in touristy areas, but line drying laundry is one of the most Italian-core customs, even in romantic Venice, where you’ll catch powdery whiffs of Marseille soap as you pass through the calle. “You see sheets, shirts, you see all the laundry, all the washing, and it’s amazing. It’s very famous,” said Mazzola. “Castello is an area full of Venetians so it’s part of daily life. If you go to San Marco, you won’t hear anyone speaking Venetian. You’ll hear German, English, Russian, Chinese. If you go to Castello, you’ll hear Venetian.”

Catuncia/Getty Images6. Best for capturing the sunset: the Arsenale di Venezia
A bridge on the Grand Canal may be the best place in Venice to see the sunrise, but you’ll see wonderful sunsets from the shore of the Arsenale di Venezia – the city’s military zone. “That’s also in the Castello district,” said Mazzola. “Inside the Arsenale, the walls are closed and that’s the military area of Venice where the Venetians once constructed warships. Nowadays, we have the military marina inside the Arsenale.”
While a military zone may seem like a rather unromantic spot to experience the sunset, Mazzola explains: “It’s because the sun sets behind San Marco. You go to get that shot of the last sun with a part of the Piazza San Marco with the tower. So, you see all the water, you see the start of the Grand Canal, on the right you see Piazza San Marco. And then you see the sunset.

westend61/Getty Images7. Best classic Venice shot: the Rialto Bridge
Few images of Venice are as indelible as the stunning Rialto Bridge, with its steep pointed roof and graceful arches, curving over the Grand Canal. Rebuilt several times since the 12th Century, the current stone bridge has been a fixture in daily Venetian life since the late 1600s, and a magnet for every visitor to Venice since.
“If you go at 07:00 in the morning, you’ll just find two people so you can take photos and it’s nice,” said Mazzola. “But if you go at noon or at [15:00] in the afternoon, you’ll find 200 people taking selfies and in my opinion it’s no longer enjoyable.” He added wistfully: “The places are all marvellous. But to appreciate them you have to visit them at certain times of day.”
BBC Travel’s The SpeciaList is a series of guides to popular and emerging destinations around the world, as seen through the eyes of local experts and tastemakers.
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By Admin in Photography
Mirek Krajewski returned to his hospital in Leszno with a camera. This is how an album of unusual shots was created. He stood shoulder to shoulder with the doctors who once fought for him. “I already had one foot in the grave,” he reveals. He also talks about what allowed him to emerge victorious from the fight against cancer.
“No time is good to learn about one’s illness,” says Krajewski. In April 2022, when he was suddenly taken to hospital, he was in his prime: an active 54-year-old man of passion and plans for the future, surrounded by a loving family. As he recalls: “It was like an avalanche: first a less intense heart attack, then bacteria in the blood, and a powerful dose of antibiotics, and to top it all a tumor on the large intestine which proved malignant.” He had two surgeries and serious cardiological problems. The second surgery saved his life but resulted in all sorts of complications. As he himself admits, “At this point, I had one foot in the grave.”

Mirek Krajewski wih his camera in the surgery ward – private archiveHowever, Mirek does not want to talk at length about the illness. “I would like to focus on what allowed me to emerge victorious from this whole debacle,” he explains. He shares seven things that he considers to be key in his fight against the disease.
Mirek ranks positive thinking the highest. “I really, genuinely believed that I would overcome cancer”, he says. Fortunately, the tumour was discovered at an early stage and there had been no metastases. “I had my crisis when there were complications after the second surgery”, admits Krajewski. A meeting with the hospital psychologist was a great help; he admits: “Let us not be afraid to ask for such help in hospital as such a conversation is invaluable”.
Distractions and avoiding constant thoughts about his condition and what might come of it was a big help in overcoming his illness, he says: “It does help to have some passion, a neutral world in which to immerse yourself and you need to isolate yourself from negative stimuli”. For him, photography turned out to be such a safe haven. “I applied myself to it with a vengeance”, says Krajewski, “and, despite the troublesome stoma bag and being weakened by chemotherapy, I was constantly looking for opportunities to take pictures”.

Mirek Krajewski wih his camera in the surgery ward – private archiveAnother aspect that helped Mirek get back on his feet was all the gestures of support. “To this day, I am endlessly amazed by the response of the multitude of people concerned about my illness”, he confesses. Circumstances led his wife to act as an intermediary in passing them on. “The multitude of good words, hundreds of prayers, dozens of Masses all over the world surprised us both”, he confesses. Someone offered him St. Charbel’s oils, someone else the oils of the completely unknown St. Peregrine. What took him by complete surprise was an invitation from a total stranger to Iceland for an aurora borealis photography session; in this way he was able to fulfil his big dream as soon as his health improved.
Mirek believes that trust in physicians is of great importance. “I did what I was told without but a slightest protest, especially the things whose meaning I could not grasp at all”. He was treated in the Doctor Jan Jonston Hospital in Leszno. Some tried to persuade his family members that a larger hospital would be better, yet Krajewski is certain that the decision to remain in Leszno was the right one. He stresses the professionalism, commitment, communicativeness, and benevolence of the medical staff: “I was blessed to be surrounded by truly competent people”.

Mirek Krajewski wih his camera in the surgery ward – private archiveKrajewski indicates that little is said about it generally. He refers to the daily Eucharist, of great importance to a Christian. In hospital, he discovered the power of yet another sacrament: “The sacrament of the anointing of the sick is the great gift of the Church. My personal experience is that because of the anointing I received, never for a moment did I think about what would happen to me, I was incredibly calm”. He recalls that on that fateful night when his life was at stake, he was very anxious about the reaction of the nearest and dearest: “I even wanted to ask the nurse for a piece of paper and a pen to jot down a few words, partaking with those closest to me”.
Towards the end of his stay in hospital, another thought occurred to him: “As I lay one sleepless night in hospital, I thought about why all this had happened to me and what I could do about it”. The answer came in the morning: “I can turn my suffering into something good by offering all this mess in some intention. Like everyone else, I had such intentions and eagerly took the opportunity”. However, Mirek would not reveal what that intention was: “It’s my sweet secret”.
Although Mirek mentions this aspect at the end, he believes it is the most important one: the support of family and friends. According to him, this seems natural and obvious, but it is crucial in overcoming the illness and the recovery process. “However, I also want to stress that suffering brings the family together”, emphasises Krajewski.

Mirek Krajewski wih his camera in the surgery ward – private archiveBy Admin in Photography
Last week in the Portland neighborhood, a group of students rolled out the red carpet for a launch party for its second book ever published. The Neighborhood House Youth Photography Club released “Where Photos Come to Life,” a book of photos captured by students from ages 5 to 18 in west Louisville.
“I think it feels good to them to see the product of their work and to really have it celebrated,” said Jennie Jean Davidson, executive director of Neighborhood House.
The nonprofit community center supports children, families and senior citizens in the West End.
The center also teaches the photography club how to use professional cameras properly and how to capture the best shots.
The group spent the last three years taking photos of their friends and community members. They had the opportunity to capture scenes at Churchill Downs, the Parklands of Floyds Fork, and West End neighborhoods like Russell and Shawnee.
“We started doing this before the pandemic,” Davidson said. “Really giving the kids cameras and sending them out to document their world and [Neighborhood House] with their friends, and really use that as a way — first of all — to help them just express themselves and do some creative work, but also to do some skill building and photography.”
This is the second book the Youth Photography Club has created.
The club is meant to give children in the West End new opportunities and provide them with an artistic outlet, said Ebony Smith, a program director with Neighborhood House.
“We in the Portland community don’t have a lot of resources,” she said. “I just feel like [the kids] were able to receive just a lot of education and knowledge around photography as a whole. So, I think it’s great that we do provide that service here and that they do have that program and that we can just help excel the kids in the area.”
The club’s founder, George Williams, is a photographer for the Louisville Defender, a newspaper that has focused on the local Black community since 1933.
By Admin in Photography
When photographer Suliman Alatiqi heard about Thai macaques — a type of Old World monkey — that swim underwater to catch crabs, he set about documenting their action. Their underwater foraging is not that frequent, Alatiqi found, and the monkeys can swim fast, making it hard to get a good shot. It took the photographer several weeks and patiently befriending a clan of the animals, but he eventually got what he wanted: a macaque, its bright yellow-brown eyes wide open in the sea, hand extended in front and long tail out back.
The compelling image was awarded Best in Show in the 12th annual Ocean Art competition run by the Underwater Photography Guide.
Underwater photographs were submitted from 90 countries and, in addition to the swimming macaque, include a range of dramatic images: a pod of nearly 100 spinner dolphins off the coast of Egypt; a spotted octopus rising off the seabed near Noli, Italy; a pygmy squid in the darkness of night grasping a shrimp to eat off the coast of Japan; and a row of grooved brain corals, looking very much like human brains, immersed in a coral nursery in the U.S. Virgin Islands, where scientists will help them spawn and put them back in the ocean.
The organizers of the competition, in a nod to growing concerns about how artificial intelligence might alter photographs, said in a news release: “Although the AI revolution has quickly changed the global photographic landscape, this year’s winners are a testament to humanity’s creative perseverance over machine. With new rules against the use of generative AI imagery in our primary categories, these photos are 100% real.”
All the winning photos can be seen at www.uwphotographyguide.com/ocean-art-contest-winners-2023
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The loon traveled from Los Angeles to its permanent home in the Twin Cities.
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Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson