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3 reasons why you should shoot RAW (Part one)

3 reasons why you should shoot RAW (Part one)

By Matty Graham | 30 January 2024

If you’ve never shot in the RAW file format before, quite simply you’ve been missing out. Relying on JPEG is fine for some situations, but for the vast majority of photography, RAW is definitely the way to go.

As the name suggests, in this mode the camera captures RAW tonal data of your scene, rather than adding parameters such as contrast, saturation and sharpness, which is what happens when you shoot in JPEG.

By shooting in RAW you delay any decision making until you’re back at the computer and edit RAW files in software such as Adobe Camera RAW or Lightroom, where you can fine-tune your edit or apply presets to create a certain look and feel to the frame.

In this feature, we’ll not only explain what the RAW file format is all about, but we’ll also suggest when (and when not) to use it along with serving up some tips to help you get the most out of your RAW files.

Shooting in the RAW file format affords photographers a second chance to control the exposure in the scene, transforming overexposed skies into blue, detailed hues.
Shooting in the RAW file format affords photographers a second chance to control the exposure in the scene, transforming overexposed skies into blue, detailed hues.

More data, more memory

It stands to reason that if you are capturing more tonal data with a RAW file, it’s going to take up more memory on your SD card and this is one of the reasons that many photographers may have steered away from RAW in the past.

However, the photo industry has combated this problem on two fronts; first, memory cards have become more and more affordable and second, many camera brands now offer compressed RAW formats that still capture tonal data but take up far less space on your memory card.

Remember however that once you transfer the files to your computer, this data will switch from your SD card to your desktop, so a better approach is to invest in an external hard drive to stop the RAW data from clogging up space on your computer.

An even better workflow is to have two hard drives just in case one fails as you don’t want to lose all those precious memories due to a hardware failure.

Recover detail and save images

One of the greatest gifts shooting in RAW gives us is the ability to rescue areas of Highlights and Shadows in your scene.

Let’s face it, as photographers, we won’t always get our exposures right and this can lead to skies being overexposed or areas of shadow that are so dark you can’t make out any detail.

Well, RAW gives us a second chance at getting the exposure in our frames correct and the Shadows slider will reveal detail while the Highlights slider will recover colour and tone in the sky.

Of course, both these parameters will have their limits, but newcomers to RAW photography may be surprised by just how much data can be recovered. In essence, this process turns what would be a photo heading for the trash can, into one that can be saved, polished, printed and admired – all thanks to the RAW file format.

The ability to recover details previously hidden in shadows is one of raw’s superpowers. 

Tell a story through colour

Many people use the White Balance options in RAW conversion software programs like  Adobe Camera RAW, Lightroom – or even your brand’s bespoke software such as Digital Photo Professional for RAW, or Nikon’s Capture NX-D –  for correcting the colour temperature in the frame to simulate what the photographer saw with their own eye.

This is because cameras can often introduce subtle colour casts that may add a green or blue hue to the frame.

Using the White balance sliders in Lightroom for example, these casts can be quickly corrected, but simply using them to right the colour temperature means you will be missing a creative opportunity.

The colour temperature of a scene can be used creatively to set a mood, introduce atmosphere into the frame and tell a story through the use of colour.

The RAW file format gives photographers far more tolerance to change the colour temperature of the frame and this in turn enables them to tell a creative story through the use of colour.
The RAW file format gives photographers far more tolerance to change the colour temperature of the frame and this in turn enables them to tell a creative story through the use of colour.

For example, lowering the colour temperature to give the scene a cool, blue hue will increase a feeling of cold melancholy and is perfect for a baron landscape scene.

Alternatively, warming up a scene by increasing the colour temperature will add a happier, sunnier feel to the frame, all thanks to the white balance controls in your RAW conversion software.

Look out for part two next week. 

Photographs Show 3 US Soldiers Killed in Drone Strike in January 2024?

Photographs Show 3 US Soldiers Killed in Drone Strike in January 2024?
Claim:

Photographs shared in January 2024 showed three U.S. soldiers who were killed in the Jan. 28, 2024, drone strike on a U.S. base in northeast Jordan, near the Syrian border.

On Jan. 28, 2024, a collage of three photographs was circulated online that purportedly depicted three U.S. soldiers killed in an attack that day in the Middle East. “These were the 3 US soldiers who were sadly killed in a drone strike in the US base,” one user captioned the collage on X (formerly Twitter).

U.S. Central Command confirmed an attack on a base in northeastern Jordan, near the border with Syria, writing that, “three U.S. service members were killed and 25 injured from a one-way attack UAS.” UAS stands for unmanned aircraft system, or drone. (The number of injured was later updated to at least 34.)

(X user @mrbarnicoat)

The photographs in question actually depict three U.S. service members killed in 2016, not 2024, so we have rated this claim “Miscaptioned.”

The caption used with the collage was shared by numerous X accounts. Google and TinEye reverse image search results showed the same collage of photographs was shared online hundreds of times dating back to 2016.

We found that the photographs were featured in a news release shared by the U.S. Army on Nov. 7, 2016, with the title “5th Special Forces Group casualties identified.” It read:

Three U.S. service members killed in Jordan on November 4 were Special Forces soldiers from 5th Special Forces Group (Airborne) located at Fort Campbell, Kentucky.

They have been identified as Staff Sgt. Matthew C. Lewellen, 27, Staff Sgt. Kevin J. McEnroe, 30, and Staff Sgt. James F. Moriarty, 27. The Green Berets reportedly came under fire as they were entering a Jordanian military base. The incident is under investigation.

The in-question pictures therefore did not show U.S. troops killed in the Jan. 28, 2024, drone strike on a U.S. base in northeast Jordan, but rather three U.S. service members killed in Jordan on Nov. 4, 2016.

Sources

“5th Special Forces Group Casualties Identified.” Www.Army.Mil, https://www.army.mil/article/177916/5th_special_forces_group_casualties_identified. Accessed 29 Jan. 2024.

“Announcement of U.S. Casualties in Northeast Jordan, near Syria Border.” U.S. Central Command, https://www.centcom.mil/MEDIA/PRESS-RELEASES/Press-Release-View/Article/3658484/announcement-of-us-casualties-in-northeast-jordan-near-syria-border/https%3A%2F%2Fwww.centcom.mil%2FMEDIA%2FPRESS-RELEASES%2FPress-Release-View%2FArticle%2F3658484%2Fannouncement-of-us-casualties-in-northeast-jordan-near-syria-border%2F. Accessed 29 Jan. 2024.

“UPDATE: U.S. Casualties in Northeast Jordan, near Syrian Border.” U.S. Central Command, https://www.centcom.mil/MEDIA/PRESS-RELEASES/Press-Release-View/Article/3658552/update-us-casualties-in-northeast-jordan-near-syrian-border/https%3A%2F%2Fwww.centcom.mil%2FMEDIA%2FPRESS-RELEASES%2FPress-Release-View%2FArticle%2F3658552%2Fupdate-us-casualties-in-northeast-jordan-near-syrian-border%2F. Accessed 29 Jan. 2024.

What Is an Unmanned Aircraft System (UAS)? | Federal Aviation Administration. https://www.faa.gov/faq/what-unmanned-aircraft-system-uas. Accessed 29 Jan. 2024.

Kanye West Snatches TMZ Photographer’s Phone Following Question About “Controlling” Bianca Censori

Kanye West Snatches TMZ Photographer’s Phone Following Question About “Controlling” Bianca Censori

Kanye West grabbed a TMZ photographer’s phone out of their hands after being asked about his wife, Bianca Censori. The camera person asked Ye about rumors he’s “controlling” her and has banned her from freely using her social media pages. West was heading to Hollywood Blvd. for Charlie Wilson’s Walk of Fame ceremony on Monday when the incident occurred.

In video of the incident, West smacks the camera away as soon as the reporter brings up Censori. “Don’t come after me with your dumbass sh*t,” West can be heard saying. “I’m a person bro. You’re recording. Don’t come ask me that dumbass sh*t. I’m a person.” When the photographer asks for their phone back, West initially refuses but goes on to offer them a job paying double what they make at TMZ.

Read More: Kanye West & Bianca Censori Yelled And Spat At By Stranger In L.A.: Watch

Kanye West Poses With Charlie Wilson

Charlie Wilson Honored with Star on The Hollywood Walk of Fame

Charlie Wilson and Kanye West at the star ceremony where Charlie Wilson is honored with a star on the Hollywood Walk of Fame on January 29, 2024 in Los Angeles, California. (Photo by Michael Buckner/Variety via Getty Images)

As for the reports about Ye “controlling” his wife, an insider told Page Six: “Bianca has always had social media and she was active on it — until she married Kanye. He doesn’t want her to have it because he thinks that it will hurt her if she had to read the nasty things that people say. He convinced her that, since she is a star now, she has to remain a mystery and it is creepy to those who know her as it feels like another form of control.” Ye had been repeatedly posting photos of Censori wearing little to no clothes on his Instagram. Check out the video of his altercation with the TMZ photographer below.

Kanye West Goes At TMZ Photographer

image

Monday isn’t the first time West and Censori have been involved in an incident with the media as of late. Earlier this month, TMZ published a video in which the two were accosted by a stranger in Los Angeles. The man approached them and repeatedly shouted “You ain’t sh*t, boy!!!” and also called out Playboi Carti. Be on the lookout for further updates on Kanye West on HotNewHipHop.

Read More: Kanye West Posts Bianca Censori Driving Mysterious Car In Latex Outfit, Fans Immediately Make Jokes

[Via]

Are You a Successful Photographer?

Are You a Successful Photographer?

Exploring the essence of photography and what differentiates a true photographer from the casual snapshot taker is a compelling subject for anyone passionate about the art. This distinction is increasingly relevant in an era where nearly everyone has a camera in their pocket.

Coming to you from Roman Fox, this insightful video delves into what makes a successful photographer in today’s world, where photography is ubiquitous. Fox starts by drawing a clear line between someone who takes photos incidentally and a photographer whose primary purpose is to capture images. This distinction, he argues, is akin to the difference between a casual driver and a car enthusiast who drives for the sheer joy of it. For Fox, being a photographer is about the intentional pursuit of photography, whether it’s wandering for miles to get the perfect shot or choosing to use specific lenses to achieve a desired effect. This dedication to the craft, regardless of other attractions or distractions, is what sets a true photographer apart.

Fox further discusses the notion of success in photography, suggesting that it isn’t solely about financial gain or popularity. Instead, he emphasizes the importance of continual improvement and refinement of skills. Success, in his view, is marked by a photographer’s persistent efforts to better their craft, experimenting with different techniques and equipment, and seeing gradual progress over time. This perspective challenges the conventional metrics of success, encouraging photographers to focus on personal development rather than external validation. Check out the video above for the full rundown from Fox.

Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada

Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada

“Ice Hut GRID #6” From the Series ‘Ice Huts’ (2007-2019). All images © Richard Johnson Photography, Inc., shared with permission

Starting in late December and January when the temperatures stay consistently below freezing, bodies of water in the northern United States and Canada begin to freeze. As the ice reaches thicknesses over four inches, it becomes safe to walk on, and at more than five inches, it is usually safe for snowmobiles. Then, in droves, residents take to the lakes. Ontario’s 279-square-mile Lake Simcoe, for example, draws more people for its ice fishing than any other lake in North America, attracting upwards of 4,000 huts each year.

The colorful villages of hand-built structures that populate many popular spots during the coldest months caught the eye of Toronto-based architectural photographer Richard Johnson (1957-2021), who captured hundreds of the structures, from the artistic to the ad-hoc, in a series of bold portraits taken between 2007 and 2019. “I have always been fascinated with small structures,” Johnson said. He continued:

My earliest recollection of shelter was as a 6-year-old growing up in Trinidad. It was a guard house for our neighbour. No more than three walls and a lean to roof, it was a simple solution to shade the harsh sun and protect from tropical rains. These shelters, built by individuals with available materials, inspired me to take notice.

The photos highlight a wide array of materials and design choices that comprise the seasonal communities, from plastic tarps wrapped around poles to one-person sheds to comparatively sophisticated board-and-batten buildings. Johnson captured the individual personality of each hut in a square format, framed by a snowy landscape, with their inhabitants typically out of view. Small enough to be towed onto the ice with a vehicle, some versions boast unique decor and enough space to hold several people, a small stove, and basic provisions.

See more on Richard Johnson Gallery’s website, where prints are available for purchase.

 

“Ice Hut #356” (2010), La Baie Des Ha! Ha!, Saguenay River, Québec

“Ice Village #178” (2016), Péribonka, Lac Saint-Jean, Québec

“Ice Hut GRID #11”

“Ice Hut #220” (2009), Killarney Beach, Lake Simcoe, Ontario

“Ice Hut #137” (2008), Gilford, Lake Simcoe, Ontario

“Ice Hut #998” (2017), New Liskeard, Lake Timiskaming, Ontario

“Ice Village #47” (2013), Renforth, Kennebecasis River, New Brunswick

“Ice Hut #946” (2016), Péribonka, Lac Saint-Jean, Québec

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada appeared first on Colossal.