About

Posts by :

In Conversation with the Photographer and Stylist Behind Our Rising Hemlines Editorial

In Conversation with the Photographer and Stylist Behind Our Rising Hemlines Editorial

After writer Beatrice Hazlehurst pondered whether hemlines might altogether disappear in 2024, we passed the baton to photographer Alex Frank to manifest the concept. In tandem with stylist Lucy McFadin, the creative duo braved a 20-something-degree evening on New York’s Lower East Side to respectfully poke fun at the city’s confounding fashion sense. Think: ultra micro minis with fluffy snow boots—a girl’s gotta do what a girl’s gotta do. Ahead, we asked Frank and McFadin to recount the onus behind the editorial imagery, detailing everything from where they warmed up to their thoughts on the polarizing trend.

So, just to kick it off, what did the initial creative conversation between the two of you look like when you first started discussing the shoot?

Alex Frank: “When you said miniskirts, I was thinking some Lower East Side Street style, and the makeup artist happened to live down there, so we used her apartment as a home base, and it was perfect.We were right on Orchard Street. It was freezing. The poor model was in a miniskirt in 20-degree weather, but we were pretty quick with our shots and were able to bounce into some bodegas and indoor spaces as well.

“I’ve worked with Lucy before a few times, and I’ve always loved her style so much, so—you were thinking street style and miniskirts—Lucy was the first person that came to mind. She mixes high and low, and her street style is so fun and edgy. This is the first time we’ve worked together as stylist and photographer, and it was perfect because she has such a creative eye. On the shoot, we were bouncing ideas off of each other, which was fun.”

Lucy McFadin: “Piggybacking off of that, I’ve done influencing and modeling, but I’ve been trying to put my creative energy into things that aren’t necessarily connected just to my personal brand. I used a lot of my knowledge from modeling to help make some of my decisions. Given that it was 20 degrees outside that day, I think I wanted to put her in tights for at least one of the looks. Like Alex said, I love to mix high and low pieces to create an anti-fashion sort of vibe, but I feel like my styling process is very much like, ‘Is this ugly, or is this the most insane outfit I’ve ever put together?’ And once I asked myself that question, I knew that I did the job right.”

How did you conceptualize the two looks specifically?

LM: “I pulled a lot of pieces from my personal archive; I was honestly just playing dress up all day in my apartment. I picked the miniskirts first since that was what we were focusing on. For the Fendi look, I wanted to include every piece but not [exactly like it was styled on the runway]—like you can see the collar coming out of the sweater underneath. I went with more of a snowy vibe, so she was warm for that one. I wanted to put things in places that weren’t expected, so the purse was on the ankle. The fur hat and everything kind of looks like it goes together, but is still mismatched.

“For the second look, I wanted to go much more street style and tomboy. I’m really loving hats, so that’s why she was in hats for both of them. But my main inspo was lots of layering, using pieces in a way that you wouldn’t necessarily wear them. The jacket I tied differently instead of actually on her shoulders. I ended up going to a few of my friends’ houses and pulling some pieces from them, showing them my and asking, ‘Do you have a bag like this? Do you have something like this?’ I didn’t want anything too branded or logos or anything like that. I think it came together really well.”

I’m so curious, is that the sweatshirt she was wearing that you have on right now?

LM: ”It is. Literally just a gray hoodie from Amazon.”

Amazing.

LM: “So, we’re really mixing high and low with the Fendi to the Amazon.”

And Alex, in terms of photography, how did you use composition or angles to tell this story, especially since proportion is so much of the concept?

AF: “I knew from the start I wanted to do a fisheye, wide-angle, high-flash shoot. I love flash in daylight. I think it just makes everything pop and seem a little bit more edgy. We shot pretty much everything on that same fisheye lens. I did some film and digital and I can never choose which one I like better, but I think that they give a very different vibe. We were also working in really tight spaces in terms of the bodegas, so the fish eye was important there.

“Discussing hair and makeup, we wanted a night-out look, but in the day. Almost like she slept in it– bare skin with a smudged eye look. We wanted the photography to seem like I was following her out on her bodega run, the morning after a night out with her hoodie and her mini skirt on. I always feel like the mix of a fish eye and high flash gives almost that Project X-type vibe, for lack of a better word–it’s a mix that I love to shoot.”

Tell me about logistics day-of, did anything crazy happen? I know you’re literally shooting in the freezing cold, so you already have quite a challenge.

AF: Nothing crazy happened other than just trying to keep the model comfortable. It was lucky that the makeup artist’s apartment was right there on Orchard. We got there and scouted out a few corners. There were all these amazing hat and coat shops on Orchard Street, and the first look with the fur hat and boots was perfect right in front of that.

“We hopped in the Public hotel to warm up for a second, and then we went to the bodega, and the bodega owner was so nice. We had her standing on the cooler in the back, and we thought we were being sneaky, but when we were exiting and we saw all of the security cameras in a big TV right in front of him with a direct view of the cooler, but he didn’t mind. It was for the sake of art, so he was okay with it.”

LM: “I thought the locations really played off the outfits. For instance, if it was a miniskirt shoot in LA, it would feel much more expected to have miniskirts and crop tops and ballet flats and bows and that sort of vibe, but I think her outfits were honestly so representative of the going-out scene in New York. Even though it is so cold outside, girls are still wearing their miniskirts. They just have coats on top. There’s a much more grungy edge vibe to New York. My friends in LA are like, ‘We don’t even wear sneakers out to the bars or going out. That is not allowed.’ And I was like, ‘That is everyone’s go-to look in New York.’ I really wanted to use that as my inspiration, as well.

This question is twofold, A) What do you guys think of the hemlines-disappearing pendulum swing, right now? And B) Jumping off exactly what you just said, when you had to shoot it in this freezing cold space, did you sense any sort of irony in this trend?

LM: “Totally. But I feel like fashion right now is all about extremes. So, although we’re seeing the ultra-mini-mini skirt through a lot of brands like Miu Miu, we’re also seeing them bring back the teacher-vibe—skirts to the ankles. It’s all about just playing off two very different highs and lows with fashion.

AF: “Mixing a chunky jacket or a sweatshirt with a super mini skirt or vice versa—if you’re in a longer skirt, maybe a tiny top—that’s always my go-to, I’m into it. I’m into the extremes, and I agree with Lucy’s sentiment about New York. I feel like people are just braving the cold and doing whatever for fashion–I’m always for that.”

‘His work just captures the definition of joy’: How a young sports photographer captured the hearts of a small Texas town

‘His work just captures the definition of joy’: How a young sports photographer captured the hearts of a small Texas town

On Dec. 7, the Franklin (Texas) High football team was preparing for a state semifinal game against Edna with a customary send-off pep rally at the school.

The Lions are the biggest show in the town of 1,614 about 65 miles southeast of Waco. The 3A powerhouse entered the season two-time defending state champion and was working on making it back for a fourth straight year. But before the band fired up the fight song, there was an important first order of business: a surprise for a local celebrity.

The football team’s leadership group called Nash Pils, a 17-year-old junior with Down syndrome, to the gym floor. A naturally gifted photographer, Nash has become the documentarian of a small town’s sports programs, and in turn, the football team has become his champion.

Students chanted, “Nash! Nash! Nash!” as Nash waved his arms to encourage them to get louder. Then the football players, holding a sign that said “Thank you, Nash! Our MVP,” presented him with a gift-wrapped box.

Nash opened his gift and found a $2,000 camera lens that would allow him to grow as a photographer. The community came together to crowdfund the new gear — reaching the goal in about 12 hours — just in time for the road trip.

“We decided to show everyone in public at the pep rally, because we wanted people to see how easy it is to be a good friend to anyone,” said Jayden Jackson, Franklin’s star running back. “I hope everyone took something from it. I know he’s enjoying that lens. He’s everywhere with it.”

The fabled Friday Night Lights of Texas encompass entire communities, and in this one, Nash plays his own important role, one that showcases the unique way he sees the world and the moments he is able to capture. Here’s what that journey looks like through Nash’s eyes.

Building brotherhood

When the Lions take the field, Nash is usually right there waiting for them, dating back to Franklin’s 2021 state championship season when his brother, Jensen, was a senior tight end and defensive back.

The players have become a collection of his brothers, too, giving Nash’s parents peace of mind as he tried to navigate high school after Jensen left for college.

“Jensen would see [Snapchat] snaps from people teasing him in the lunchroom, and would say, ‘Don’t do that,'” said Nash’s mom, Honny. “But even when he graduated, the football boys put a stop to it.”

Players would message Honny on social media and let her know when there had been an issue and that they had handled it.

“Some of the kids I knew, and some of them I didn’t,” she said. “But we always had little feelers.”

And when one of the state’s best players comes to your defense, it gets noticed.

“I used to hear people bully Nash, and sometimes I’d see him cry,” Jackson said. “I didn’t like that. I tried to step up and be a good friend because I don’t like bullying.”


Serious business

Nash took a shine to photography early, grabbing his parents’ camera and taking photos as a toddler, which Honny said raised some eyebrows among other parents.

“When he was a little baby, I remember them going, ‘Oh dear, no, give that camera to your parents, you’re gonna break that,'” she said. “And we were like, ‘No he’s not. That’s his job.'”

Nash started taking his job seriously when he tagged along to family sporting events, including his brother’s youth football games. Nash’s father, Doug, said he would often see Nash playing with the camera and wonder what he was up to.

“There was a selfie he took when Jensen was playing flag football. I turned around and looked at him laying in the grass with the light in his face,” Doug said. “When I went back to go edit the photos that he had taken, there was just that one picture, the grass is perfectly lit, with his hair in his face and grass in front. I was just like, ‘OK, yeah, Nash knows what he’s doing.'”


An eye toward joy

Nash’s photographic eye developed naturally, said Hannah White, one of Nash’s mentors. For instance, Nash was 10 years old when — while at the soccer fields for one of sister Ayla’s games on a foggy Saturday morning — he fixated on a spiderweb stretched across a gate with droplets of dew on it. When Ayla came and peeked through the hole in the web, Nash snapped her photo.

It became his first award-winning photo, when it won a summer youth photography contest held by the College Station library in 2017. It was all Nash’s idea, without any guidance.

“He knows what he wants to capture, and he’s not going to let anyone else dictate it to him,” White said. “He is able to capture people’s happiness, laughter and just true human emotion.”

Nash’s eye also earned him a lifelong pal in Tom Fox, a Dallas Morning News photographer and Pils family friend who sold them one of his old cameras to help Nash get more serious. Tom was part of a team that won a Pulitzer Prize in 2006 for coverage of Hurricane Katrina and was a Pulitzer finalist in 2020 for his photos of a courthouse shooter in Dallas. Not a bad resource to have. He offers Nash tips on camera settings and how to hold the camera at chest level instead of looking through the viewfinder on occasion. (“Nash thought that was coooooool,” Honny said.)

“The communication skills aren’t there,” Honny said of Nash. “He says hi and hello and thank you, but that’s pretty much about it. You’re not gonna get a whole conversation from him. … But Tom’s name is easy to say. He says, ‘Tom! Tom!’ Whenever he and Tom are next to each other, Tom grabs that camera and starts pointing out weird stuff. And Nash hangs on every word.


Ability to showcase

Nash shoots all sports year-round, but football has the most downtime during a game. And according to his pro mentors, this is where he excels.

“He’s fearless,” Fox said. “I mean, he goes right after it and he does these candids as well as photos of his friends and the players on the teams. I just love how real and natural his photos are.”

During a timeout in a win over Woodville in Franklin in 2022, Nash took a photo of linebacker Brayden Youree grabbing a drink, with dramatic lighting. It would go on to win Best of Show in the photo contest at the 2023 Robertson County Fair in Hearne, Texas.

“I tell people this all the time. He is the best at capturing what the environment is of sporting events, but especially for football,” White said.

With White’s encouragement and a community of support, the Pils family realized Nash had found his calling. “For the first time, it wasn’t the disability,” Honny said. “It was the ability.”


The character behind the camera

When he’s not capturing prize-winning photos on the field, Nash often turns his camera around on his classmates in the stands, like this one from the 52-14 semifinal win.

At Franklin’s state championship game in December, the die-hards up front at AT&T Stadium in Arlington would cheer whenever Nash would walk by, and he would stop, wave his hands to get them to show some excitement, then start snapping away.

“It’s really hard for someone to photograph their peers, especially someone in high school,” Fox said. “But he doesn’t have that fear or that anxiety. I think that builds his confidence, that somebody else trusted his ability to take their picture.”

It’s a far cry from several years ago, when Honny asked Nash what he wanted for Christmas.

“A friend,” he told her, delivering a gut punch to a parent.

He felt lonely in special education classes. “Nash knows he’s different,” she said. “Nash knows he has Down syndrome.”

But, she said, she thinks the camera has changed how Nash is seen.

“The photography helped him socially,” she said. “You can hide behind that camera and be awkward or be different, but that makes you more socially acceptable in some people’s eyes like, ‘Oh, he can do that.’ He’s a funky dude, and he’s gonna make you smile.”

And he’s not afraid to play to the crowd if that’s what it takes.

“He will do just about anything that he can to have a good time,” White said. “During halftime or during timeouts, they’ll play music, and you’ll just catch Nash dancing. He knows the power that he has. And he’s not shy to use that.”


More than football

White gets emotional talking about Nash, with whom she has bonded while photographing Franklin events. She marvels at his ability to spotlight the culture that surrounds sports while also photographing the game.

“His work just captures the definition of joy,” she said. “He’s able to capture moments for what they are. They’re not staged. Photos from his eye are something that I would never be able to capture, just because he is who he is. His pictures are able to show the good sides or the good parts of human beings to their core.”

And the subjects have grown to appreciate having such an attentive photographer.

“Nash takes pictures of the band, the twirlers, the kids in the stands. He’s always focused on that,” Doug said of photos like this one Nash took of sophomore cheerleader Haidyn Fannin, daughter of Franklin coach Mark Fannin. “They share his photos; they become their profile pics, or they just share them in their [Instagram] stories. That happens a lot. That’s cool that they see his work is worthy of being their profile picture.”

Doug runs Facebook and Instagram accounts devoted to Nash’s photography, and he jokes that he’s going to add “Nash’s social media director” to his LinkedIn profile. But he sees firsthand that Nash is no longer lacking for friends.

“His first non-sports thing was that he got asked to come shoot the eighth-grade graduation party this past year by one of the parents,” Doug said. “That was his sister’s class.”

He said students send Instagram messages to Nash’s account asking him to come shoot events, like when an eighth-grade football player messaged, “Hey, Nash, can you come out and shoot our big game against Lorena this week? It’s a big showdown game and we want to make sure we have some of your photos from the game.”

Honny said some kids have even asked to take him to the kind of parties that parents aren’t supposed to know about, promising they’ll look after him. She’s moved by their consideration, but she’s not quite ready for that.

“Through this process of him being able to get out and be involved with the school and with the community, it’s allowed people to see who Nash is,” White said. “He is so much more than his Down syndrome.”


Professional praise

Fox, one of the best photojournalists in the country, said he once told Doug how lucky Nash is to have a modern camera with a motor drive, meaning you can snap several photos in rapid succession and hope one of them captures the moment.

But Fox was shocked to find out that Nash doesn’t do that. He takes single frames, such as when Jackson stretched the ball across the goal line on a 20-yard touchdown run against Edna, the first night Nash had his new lens.

“I look at some of the photos, and it’s a one-shot wonder kind of thing,” Fox said. “That’s one thing I was floored by. It’s incredible to me that he can just pull them out this way.”

Jackson, who was a junior this year, recently visited Texas and will be a highly recruited player after rushing for 4,655 yards and 65 touchdowns in the past two seasons. He said he sees Nash as one of the team’s stars, too.

“Everyone shows love to Nash,” Jackson said. “Whenever Nash is in our presence, we always give him high-fives and tell him how good of a photographer he is. We try to be positive and just throw good comments at him anytime we can because Nash, that’s a person to love. We know that he doesn’t have to travel to these games and take these photos for us, but he does.


The big stage

Nash is the son of journalists. Doug worked for 15 years at Hearst newspapers, notably for the San Antonio Express-News and Honny, now a nurse, was once a graphic artist at The Dallas Morning News. Jensen is a sophomore at North Texas, and Ayla, a freshman at Franklin High, is a cheerleader, plays basketball, runs cross country, and throws the discus and shot.

Doug said he always appreciated the impact of sports and learning to be part of a team. When they found out they were having another boy after Jensen was born, he and Honny dreamed of brothers who would grow up playing sports together.

“When Nash was born with Down syndrome, we knew that was not going to be the case,” Doug said. But years later, Nash is right in the mix.

“Being able to be on the field with Jensen when they won the [first] state championship was a really big deal,” Doug said. “Then last year, when they won it again with me being able to be on the field with Nash, with Nash being a part of it, was an equally big deal. Could I have imagined Nash being able to take part in a football game at AT&T Stadium? No. That’s an amazing part of this story for me.


Gearing up for more

White was a longtime photography hobbyist whose husband, Jacob, an assistant coach for the Lions, pushed her to pursue her passion, buying her a camera in 2019 and encouraging her to become a professional. That’s right around the same time she moved to Franklin, and eventually became fast friends with Nash. Both White and Nash’s parents think it probably had to do with the snacks she would buy Nash while they were working.

“We share a love of Dr Pepper and Sprite, pepperoni pizza, and sometimes Skittles or a pickle,” she said.

Doug said he and Nash were on the sideline for one of Jensen’s JV games and Nash and White struck up a friendship. Then Nash started to go sit by her during basketball games, where they’d shoot together from the court.

“That’s been going on ever since,” Doug said. “She just took a liking to him, and every time he learned something.”

White said she was immediately moved by Nash, a kindred spirit as someone who loved photography but needed encouragement.

“I think that’s kind of why I gravitated toward Nash, outside of him being a really bright and bubbly and fun individual,” she said. “I think he’s a lot like me in the sense where we have the belief in ourselves but sometimes we just need that extra push to put ourselves out there.”

She knew that for Nash to improve, he needed some new equipment. And as much as the football team appreciated him, she appreciated his impact on the team as well. So she wanted to show it by rallying his fans to buy him his new lens.

She posted on Facebook (without the knowledge of Nash or his parents) asking for contributions for a new lens for Nash’s camera that would allow him to grow even more. It took almost no time to reach the $2,200 goal.

“I was just so thrilled because he’s been wanting for so long to make his pictures better, and you just need a pro lens to make that happen, especially in those small-town settings where there’s not a lot of light,” Fox said. “You need that.”

White teared up talking about how Nash sprinted full-speed to meet the team at the presentation, and she said anytime she’s having a rough day, she watches it. She might have made it happen, but she said he has more than done the same for her.

“When I’m with him, I have such peace and such joy,” she said. “He’s such a gift to me. It fills me with so much joy for people to see who he is, to bring out the best in people.”


Access for change

Nash has become a fixture in Franklin with an all-access pass that would be the envy of any professional journalist.

Fannin, the head coach, has welcomed him into the program, which is how Nash ends up getting a photo of the coach giving a fiery speech after a playoff win.

Doug laughed, thinking about a story he was told during the season. Fannin was laying down the ground rules about how the locker room was all business and was closed to outsiders. No families, no brothers, no cousins.

“Literally the next words out of his mouth were, ‘Oh hey, Nash,'” Doug said. “He was walking around the locker room taking pregame pictures.”

But that’s the way things work in Franklin.

“The boys on our football team, they love him a whole lot. He really, truly is a part of the Franklin Lions football team, really any sports team,” White said. “It’s good to see a little bit of change coming from our Franklin community. They’re changing the tide, and it’s really kind of beautiful.”


More than photos

Nash is still, first and foremost, a Franklin student, classmate and fan. The Lions’ quest for a three-peat ended with a 14-7 loss to Malakoff in the state championship.

Jackson, his friend, was crushed. After the game, he fell to his knees, and stayed there for several minutes while White, holding her son, reached down to console him.

It was the only picture Nash took postgame. Instead, he held his camera while he walked around the field, hugging anyone who looked upset and patting others on the shoulder pads. Nobody said he was missing the moment or should be working.

One-shot Nash got the pic, then he hugged his friends.

Staying Motivated in Photography: Overcoming Creative Ruts

Staying Motivated in Photography: Overcoming Creative Ruts

Photography, like any creative pursuit, has its highs and lows. Whether you’re a professional or an amateur, there will be times when you lack motivation, perhaps due to repetitive subjects or an uninspiring environment. Overcoming these challenges is crucial for maintaining creative growth and passion in photography.

Coming to you from Justin Mott, this enlightening video offers valuable tips for photographers struggling to find inspiration. Mott emphasizes the importance of looking at photography books and artworks, not just within one’s preferred genre, but across various artistic disciplines, to spark creativity. He suggests assigning oneself weekly tasks or embarking on long-term projects, which can provide a sense of direction and purpose. For those with tight schedules, Mott recommends dedicating at least an hour each week to photography, preferably during optimal lighting conditions, to stay consistent and disciplined in practice.

Mott also advises joining photography clubs for a sense of community and accountability. Engaging with others can bring new perspectives and friendly competition, pushing one’s limits in photography. Setting a personal goal, like organizing an exhibition or publishing a book, can also serve as a powerful motivator. Mott humorously dismisses the idea of buying new equipment as a quick fix for motivation, instead highlighting the importance of internal inspiration. He suggests attending workshops but urges careful selection to ensure quality teaching that aligns with one’s goals.

Lastly, Mott recommends experimenting with different gear setups to refresh one’s approach to photography. Limiting equipment can foster creativity and help focus on composition and subject matter. For professionals experiencing a creative block, Mott suggests focusing on backend tasks like managing archives or updating websites. For amateurs, he underscores the importance of using lulls constructively and not letting them prolong. Consistent practice is key to growth in photography. Check out the video above for the full rundown from Mott.

These Artist-Designed Umbrellas Will Brighten Dreary Days

These Artist-Designed Umbrellas Will Brighten Dreary Days

Cold, dreary days are nice to enjoy if you’re planning on cozying up inside but not as much fun if you have to leave the house. Enter: the SHED RAIN Artist Series. The Portland-based company is brightening up those damp days with their capsule collection of umbrellas designed by three favorite artists: Lisa Congdon, Studio Proba, and Katie Merz.

The umbrella shades reflect each artist and their unique signature style. Alex Proba of Studio Proba used her Field Study design to cover her canopy with organic shapes and vibrant colors. This emotive pattern packs a visceral punch to fight gloom often associated with gray skies.

woman standing behind colorful umbrella against a colorful wall

woman holding colorful abstract umbrella in her studio

woman drawing on an ipad next to a yellow umbrella in her artist studio

Lisa Congdon’s umbrella serves as a reminder of brighter days ahead with its bright, taxi yellow lining, a handle of the same hue, and illustration titled Where The Magic Happens. The messaging is transmitted without ever saying a word.

woman holding a yellow umbrella

woman standing behind colorful umbrella in her art studio

woman standing behind colorful umbrella in her art studio

woman holding graphic umbrella in front of graphic wall mural

For those wanting a more neutral option, Katie Merz’ Brooklyn Bank pairs a white lining and handle with hand-drawn illustrations – her signature graphic patterns, which mix graffiti with blueprints – on a black canopy top.

woman holding graphic umbrella in front of graphic wall mural

woman holding graphic umbrella in front of graphic wall mural

woman drawing in front of graphic wall mural

Beyond the artful shades, SHED RAIN might make you want to replace your ordinary umbrella for one of theirs. The 48-inch arc provides more than enough coverage for one or two people and its genius Reverse Close feature means that the water stays away from you when put away, so you don’t have to worry about accidentally brushing up against wet canopies. The frame is made of fiberglass and steel and the canopy is double layered with 100% recycled polyester fabric, ensuring durability for even the most torrential downpour.

umbrella with purple lining and graphic design

umbrella with purple lining and graphic design

umbrella with purple lining and graphic design

umbrella with yellow lining and graphic canopy

umbrella with yellow lining and graphic canopy

umbrella with yellow lining and graphic canopy

umbrella with white lining and graphic canopy

umbrella with white lining and graphic canopy

umbrella with white lining and graphic canopy

Lisa Congdon’s design is currently available here, while Studio Proba’s model launches February 21, with Katie Merz’s version following on March 20.

To buy your new artist-designed umbrella, visit shedrain.com.

As the Senior Contributing Editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.

Incredible images of post-war Britain on show in Bert Hardy retrospective exhibition

Incredible images of post-war Britain on show in Bert Hardy retrospective exhibition

Bert Hardy is one of the most recognizable names in British photojournalism, and captured moments in time that provide a window into the daily life of our ancestors. This work, along with others from his illustrious career will be displayed in an upcoming exhibition.  

Bert Hardy: Photojournalism in War and Peace will run from February 23 – June 2, 2024,  at The Photographer’s Gallery in London and will ‘shine a fresh light’ on Hardy’s varied photography career. From Hardy’s early career as a news and sports photographer to serving as a combat cameraman and then onto commercial advertising, the exhibition tells the story of not just the incredible journey of a photographer but that of an extremely versatile entrepreneur. It is documented that Hardy was among the first UK professional photographers to adopt a Leica camera for his reportage work, a camera that later went on to become a photojournalist staple.  

• Check out our guide to the best Leica Cameras

Two boys in the Gorbals area of Glasgow. Published in Picture Post January 31 1948 (Image credit: Bert Hardy | Gorbals Boys, 1948. Images provided by Getty Images Ar- chive, home of the Picture Post collection, in support of Bert Hardy: Photojournalism in War and Peace.)

Two women chatting on the railings in Blackpool, July 1951. The picture was taken by Bert Hardy using a single-focus box camera. Published in Picture Post July 4 1951 (Image credit: Bert Hardy | Blackpool Railings, 1951. Images provided by Getty Images Archive, home of the Picture Post collection, in support of Bert Hardy: Photojournalism in War and Peace.)

Bert Hardy (1913-1995) covered numerous genres of photography throughout his career but is often associated with his work capturing the monochromatic life of mid-century Britain during the 40s and 50s taken for the weekly magazine Picture Post. The retrospective pulls together an archive of work through historical publications showcasing Hardy’s skill as a documenter of life.  

A photojournalist of the highest regard, Hardy traveled extensively, photographing news, social issues, and popular culture stories across the UK and overseas. His work among the working class in post-war Britain produced a truly empathetic view of life at the time, due to being part of the community he was photographing. Hardy had a genuine interest in the lives of others, and this comes through in the tone of his work. Embedded in the scene he captures, his work is engaging and warm-hearted, connecting the subject to the viewer effortlessly. 

Much of his most famous works are taken from documenting the social conditions of the working class in post-war Britain and his social documentary work continued across the UK, capturing life in many cities including, Cardiff, London, Liverpool, and Belfast. 

Passers-by speak to US boxer Sugar Ray Robinson in his car in Paris. Published in Picture Post on July 7 1951 (Image credit: Bert Hardy | Robinson And Fans, 1951. Images provided by Getty Images Archive, home of the Picture Post collection, in support of Bert Hardy: Photojournalism in War and Peace.)

US Marines in amphibious assault craft moving towards Inchon in the first counter-attack of the Korean War, during a heavy bombardment of coastal defences by warships and aircraft. Published in Picture Post in 1950. (Image credit: Bert Hardy | Assault Craft, 1950. Images provided by Getty Images Ar- chive, home of the Picture Post collection, in support of Bert Hardy: Photojournalism in War and Peace.)

Hardy’s career took him from daily local newspaper stories to the Army Film and Photographic Unit, where he captured conflict across Europe and war-torn Southeast Asia. Later he would go on to showcase his entrepreneurial side, photographing advertising campaigns in a new chapter of commercial photography, becoming one of the UK’s most successful and highest-paid advertising photographers. 

Much like Bert Hardy’s photography journey, his work documents a period of unfathomable change, and the exhibition will display this through a “rich selection of material from Hardy’s archive, including press passes, correspondence, diaries, and original publications will be displayed, alongside some of his lesser-known color work”. 

A Buddhist monk memorizes sacred texts in a temple in Burma (Myanmar), January 1950. Published in Picture Post on January 20 1950 . (Image credit: Bert Hardy | Monk Memorising, 1950. Images provided by Getty Images Archive, home of the Picture Post collection, in support of Bert Hardy: Photojournalism in War and Peace.)

Bert Assirati (on top), 17-stone Free Style Heavyweight Wrestling Champion of the British Empire, in action during a practice work-out with Mike Marino at a gym in Brixton, London, July 1949. Originally publisned in Picture Post July 30 1949 (Image credit: Bert Hardy | Bend Him, 1949. Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images)

Bert Hardy: Photojournalism in War and Peace will be on show at The Photographer’s Gallery from February 23 – June 2, 2024. The exhibition will also provide the opportunity to purchase rare prints from one of the best photographers of all time, with profits going towards The Photographer’s Gallery Charity which showcases work by world-famous photographers and delivers programs that connect photography lovers and promote inclusivity. 

For more information on Leica equipment, see our guides on the best Leica M lenses, and the best Leica SL lenses, or if a Leica may be a tad tight on the budget see our guide to the best Leica camera alternatives

Juergen Teller has no secrets

Juergen Teller has no secrets

Not even a week ago, Alessia Glaviano – Head of Global PhotoVogue – a guest on our Spigola podcast, reminded us that it no longer matters whether you shoot with a camera or a smartphone. What matters is the intention behind the shot, not the means. We pondered deeply on this statement, and although there was initially some skepticism, we concluded that to take a true stance on the matter, we had to try it ourselves: capturing moments solely with a smartphone, but with the same attitude we would have had with a professional camera. Xiaomi provided us with the opportunity and the means.

Almost by chance, Xiaomi presented us with a challenge: to visit a distant place and attempt to capture its uniqueness using the brand-new Redmi Note 13 Pro+ 5G. And so began our journey, short but very intense, in Bangkok.

All the promises of this new device – which, along with four others, forms the new Redmi Note 13 Series, further enriching the brand’s Redmi Note lineup – were substantial. Starting from the battery, rechargeable to 100% in just 19 minutes with a lasting capacity of days (not hours), and of course, the camera system consisting of 3 cameras, including a main 200 MP camera, an ultra-wide-angle camera, and a macro camera.

We decided to put Xiaomi to the test in every moment spent in the Thai capital. The first stop was at the Royal Palace and the Wat Pho temple, where the goal was to capture the colors of the mosaics and decorations.

XiaomiXiaomi

Being one of the most touristy places in the city, we encountered many people who, like us, were fascinated by the architecture of these sacred places. The Redmi Note 13 Pro+ 5G came to our aid in this moment as well. The smartphone is equipped with AI-based editing tools that, among other things, allow us to remove people who accidentally end up in our shots. You know those photos you see on Instagram of tourist spots always empty? Now you can have them too, effortlessly!

But a city is not only visited during the day; often, it comes to life at night, illuminated by a myriad of different lights. In our case, the lights were those of the legendary tuk-tuks, indispensable in a trip to Bangkok. In this case, the challenge was formidable: darkness, colored lights, movement. All the ingredients for a challenging shot were present.

XiaomiXiaomi

Not content with just the shot, we continued to play with AI tools and added a bit more movement, some stars, many stars.

When traveling, we know very well that we are not only captivated by architecture, landscape, and glimpses, but we also focus on the faces we encounter on the streets. However, we often don’t have much time to photograph them, sometimes because they move, other times because we are the ones on the move. That’s exactly what happened to us in the characteristic Thai markets, first and foremost the Floating Market.

Reviewing the photos on the return flight and at home with friends was like reliving the journey once again, leaving no detail behind.

XiaomiXiaomi

In Bangkok, on the occasion of the launch of the new Redmi Note 13 Series, the brand also introduced the brand-new Redmi Watch 4 and Redmi Buds 5 Pro. Visit Xiaomi’s website to discover all the features of these devices.

XiaomiXiaomi

Photos shot on Xiaomi Redmi Note 13 Pro+ 5G