Photography

10 Books Every Photographer Should Read Now

10 Books Every Photographer Should Read Now

As a photographer, focusing on improving your craft is one of the most important things to do. Money can buy the latest equipment, but it can’t buy you knowledge of how to use that equipment.

For me, photography is not only about capturing moments but also about conveying a message through those images. A deep understanding of the artistic and philosophical aspects of photography is a must if you want to create images with intent. One way that has helped me deepen my understanding of photography was reading books about it. Here are the top 10 books that I would recommend every photographer read:

This is the most widely recommended book to read for photographers. Published in 1977, this book is a collection of essays that explore the role of photography in modern society. Susan Sontag, being a partner of Annie Leibovitz, had a deep personal involvement with photography. It is likely that the essays that she wrote about photography were inspired by the stories of Leibovitz. In the book, you will find essays on the ethics of taking photographs, the relationship between photography and reality, as well as the power of images to shape popular opinion.

Cartier-Bresson is one of the most celebrated photographers in the world and indeed one of the pioneers of modern photography. In his book, he details the ability to capture a moment where the whole photograph comes together in a perfect storm.

In my own work, I often encourage the subject to move as much as possible and then capture the moment as it’s happening in real life. In this way, I adopt the methods of Cartier-Bresson. He was indeed the master of capturing the perfect moment, and that became a cornerstone of his style. This book is a testament to his skill as a photographer and provides valuable insights into his creative process.

Every time someone asks me where did I learn light, my answer is always the same. This is the book for learning light. Forget everything you knew before reading it. This resource will teach you to light without thinking about setups. It will give you the required knowledge for dealing with almost any lighting scenario and problem. Shooting fashion, I work a lot with mixed surfaces, so being able to find the perfect light that would both show the clothes and the model in the best angle possible is a priority. Light: Science and Magic taught me all the lighting skills I have now, and I am yet to find a better resource to learn lighting.

Being able to select the perfect photograph from a series of images is a vital skill every photographer must have. One of the most significant parts of the photographic process in itself is the selection process. What you pick to be the final image is essentially what your taste is. Magnum is one of the most prestigious photo agencies in the world, and in this book, they offer a fascinating glimpse into the creative process of some of the world’s most renowned photographers such as Robert Capa and Martin Parr.

In his book Camera Lucida, Roland Barthes explores the philosophy behind photography. It is a discussion on how to create meaning with images, which is as significant as being able to light a photograph. Understanding subtexts, implications, and the impact your images can have is a great skill to have which will allow you to take images with intent. Barthes also discusses the emotional impact of images and what makes an image powerful.

Being one of the greatest photographers in the world, Annie Leibovitz offers insight into her creative process in this book. She takes the reader behind the scenes and discusses a wide range of subjects and shooting scenarios. From the emotional impact of photography to the technical aspects of her work, Leibovitz covers it all in her book. In fact, this was one of the first books I bought, and it has helped me a lot to become a better image-maker.

If you are a beginner photographer who needs help with the foundations of photography, this book is perfect for you. It’s a technical guide that covers the basics of exposure, including aperture, shutter speed, and ISO. It provides a clear and concise explanation of each concept, which leaves the reader clear on how to expose images. I strongly encourage every beginner to have this book and save time by reading it instead of searching on YouTube.

Widely regarded as the father of photography, Ansel Adams explains the workings of his equipment and gives a very technical perspective on his work. While some of the concepts may be outdated for the modern photographer, it is still a valuable read for anyone who wants to shoot on film. Another group I would recommend this book to is black and white photographers.

In this book, Geoff Dyer examines the development of photography through a series of essays about iconic photographs and the photographers behind them. To me, this is a book that offers invaluable analysis and provides the reader with tools that enable them to create images rather than take them. It is a fantastic insight into the creative process and development of photography as an art form.

In this book, Steve Simon shares his views on how to improve your photography. I tend to agree with his opinion on what makes a great photographer. It is not only technical skill but also the ability to convey an aesthetic and see the beauty in things. The wonderful thing that I found in this book is the way it is structured: 10 separate steps that will help you develop your aesthetic and find your own authentic creative voice.

Closing Thoughts

I tried to make this list a mix of both technical and non-technical books to give everyone something they like. The list is by no means complete, and I would love to hear your opinion in the comments below. Feel free to share some of your favorites with us!

Why upgrading your photography gear isn’t always the answer

Why upgrading your photography gear isn’t always the answer

Once in a while, photographers get the itch to upgrade their photography gear. Sometimes it’s just a new lens, a new body or a new accessory; others, it can be a complete overhaul. But when is it really time to do an upgrade?

In the video above, UK-based street and travel photographer Roman Fox reminds us that upgrading is not always the answer when we’re no longer happy with our photography, or even our current gear. Sometimes, all we need is a change in our current mindset, or a closer look into how our creative taste or skill level have changed.

Likewise, we don’t always need the top of the line photography gear with all the bells and whistles. Just because some pro photographer or influencer uses it doesn’t mean you have to. In fact, majority of today’s photographers don’t need a super high-end camera or lens. The pros are using these as their workhorses for a reason!

Of course, there are also instances when an upgrade is necessary, so Fox also covered those in his video. A good example is when your current gear causes some serious limitations to the photography that you want to do.

Additional reading: When is the right time to update your photography gear?

So, do you agree with the points Fox mentioned? What do you consider to be valid reasons to upgrade your photography gear? Share your thoughts with us in the comments below, or in our group discussion if you’re already part of the Photofocus Community

How to protect your photography gear

How to protect your photography gear

I had written a post not long ago providing tips for traveling with photography gear. However, a reader brought to my attention an additional aspect of gear protection that I had overlooked in my article. As a result, I have decided to create a follow-up post to address this.

Photography gear is a significant investment for photographers, and protecting it should be a top priority. Whether you are a professional photographer or a hobbyist, your gear is essential to your craft, and it’s important to take measures to ensure its safety. So, let’s look at additional protection for your photography gear.

Take photos of your gear.

One of the easiest ways to protect your photography gear is by taking photos of it. In the event of theft or loss, these photos can be used as evidence to support an insurance claim. Be sure to take photos of each piece of gear separately, as well as any accessories or attachments. You can also take photos of your gear before and after each use will help you keep track of its condition and identify any damage or missing parts. Just a thought?

Record serial numbers.

Recording the serial numbers of your gear is also an important step in protecting it. Serial numbers are unique identifiers that can help authorities track down your stolen gear. Write down the serial numbers of each piece of gear and keep them in a safe place. It’s also a good idea to keep a digital copy of this information, such as in a secure online storage account.

Invest in insurance.

One of the most significant steps you can take to protect your photography gear is to invest in insurance. While it may seem like an unnecessary expense, insurance can provide peace of mind and financial protection in the event of theft, loss or damage. Some insurance policies may also cover the cost of equipment rental in the event that your gear is being repaired or replaced. When shopping for insurance, be sure to read the fine print carefully to understand what is covered and what is not.

Pack your gear securely for travel.

When traveling with your photography gear, it’s essential to pack it securely to protect it from damage. Invest in a sturdy camera bag or backpack with ample padding to protect your gear during transit. If you are flying, carry your gear with you in your carry-on luggage to avoid the risk of loss or damage during checked baggage. If you must check your gear, ensure that it is securely packed and labeled with your contact information.

Protect your gear from the elements.

When shooting outdoors, it’s essential to protect your gear from the elements. You don’t necessarily need to invest in a high-quality camera cover to protect your camera and lenses from rain, snow, and dust. A cheap plastic poncho can do the trick and it can be easily stored in your camera bag. A lens hood can also help protect your lens from scratches and damage. Be sure to keep a cleaning cloth with you to wipe down your gear if it gets wet or dirty.

Maintain your gear.

Regular maintenance of your photography gear can help prolong its life span and prevent damage. Clean your gear regularly with a soft cloth and appropriate cleaning solutions to remove dirt and dust. Check your gear for any signs of wear and tear, such as loose screws or worn-out rubber grips. Address any issues promptly to prevent further damage.

In conclusion, protecting photography gear is essential for any photographer. Taking photos of your gear, recording serial numbers, investing in insurance, packing securely for travel, protecting your gear from the elements and maintaining your gear are all important steps in protecting your investment. By taking these measures, you can ensure that your gear remains in good condition, and that you can continue to create stunning images for years to come.

If you think I’ve left anything further out, just drop me a line, always happy to add to this list.

Interactive tours in Shelby Township draw crowds, photographers to see bald eagles

Interactive tours in Shelby Township draw crowds, photographers to see bald eagles

SHELBY TOWNSHIP, Mich. (CBS DETROIT) – Over the weekend, guided interactive hikes in Shelby Township welcomed and observed some of the newest members of the community – bald eagles.

For Joan Bonin, photography is preservation.

“It was the eagles; it didn’t have anything to do with photography,” says Bonin, who has been documenting eagles through photography for 15 years. “Driving down the road on 28 Mile Road and I saw my first eagle there out on the ice. I was hooked after that. 

Bonin remembers vividly that first eagle encounter and each of the thousands of photos she’s taken since.

Among her latest photos are the eagles that have recently nested in Shelby Township’s Holland Ponds Park.

“Oh, I think it’s amazing, I love eagles,” says Jerry Allen, who stopped by the park with his wife, Michele.

Community members flocked to the park where Shelby Township naturalists, with the assistance of Bonin, held guided hikes so anyone interested could come see the birds and their nest from a safe distance.

“I collect statues of eagles, books of eagles, so when my wife told me about it, I couldn’t resist not coming,” Allen said.

Like many of the sightseers, Bonin says the photos being taken, whether it’s through a quality lens or not, are helping document their lives, mannerisms and if they’re in danger.

“If the eagles get hung up on fishing line, you know, you need to know that and you can only do it through photography. You’ve got it documented and you can send it to whoever needs to see it,” Bonin says.

Thoughts on the Impact of AI on the Photography Industry

Thoughts on the Impact of AI on the Photography Industry

AI has been the talk of the town around the photography industry for a few months now, with opinions ranging from it being a fantastic tool that will significantly reduce and streamline photographers’ workflows to it being the death knell of many parts of the industry. This interesting video essay features an experienced commercial photographer offering some more pragmatic and balanced thoughts on how AI will change the industry. 

Coming to you from Scott Choucino of Tin House Studio, this insightful video essay discusses the issue of AI’s growing presence in photography and what it means for the future. No doubt, AI is going to significantly impact many industries, photography included, but I also think a lot of that impact is going to be positive. For example, I have been using ChatGPT for a lot of the daily tedium I normally deal with, and it has made me wildly more efficient in many areas. The ability to use natural language to pop out Javascript code for a website at the drop of a hat, to find the right wording for something, or even to generate a list of shoot ideas is really fantastic and allows me to focus more on the things that matter. Check out the video above for Choucino’s full thoughts on the subject. 

The 2022 Early Career and Emerging Talent Architectural Photography Award Winners

The 2022 Early Career and Emerging Talent Architectural Photography Award Winners

APA Awards News

It’s time to announce the official winners of the 2022 Early Career and Emerging Talent Award! The Early Career and Emerging Talent category is the APA Award’s most entered and most competitive category. Just like last year, we are blown away by the talent and hard work of all the new architectural photographers out there.

For this award, we asked photographers who have been practicing architectural photography for 5 years or less at the time of the contest deadline to submit 3 images that they felt best represented who they are as a photographer. Up for grabs was an all-expenses paid trip from anywhere in the world to Southern California for a one-on-one workshop, plus our 2022 Emerging Talent trophy. Second place is awarded $500 USD and our runner-up trophy!

Here are the 3 highest scoring entries for the Early Career Award as selected by our panel of judges:

Honorable Mention: Levi Wells

This year we’ve decided to include an honorable mention slot for each category of our awards. The 2022 Early Career and Emerging Talent honorable mention goes to Mexico City based photographer Levi Wells. Levi has been photographing architecture for 5 years. You can check out Levi’s Instagram @leviwellsphoto.

Judge Mario Depicolzuane shares that he feels this entry is “Warm, authentic and technically well-executed. It shows the architecture and also tells the story.”

Congratulations on scoring so highly Levi, and thank you for your submission!

Runner-up: Pekka Lähteenmäki

The 2022 Early Career and Emerging Talent Award runner-up is Pekka Lähteenmäki. Pekka is a photographer from Helsinki who has been photographing architecture for just 1 year. His Instagram is @arcphotopekka.

Pekka will take home the second-place prize of $500 USD and the runner-up APALMANAC Emerging Photographer trophy!

Pekka noted “I’ve always loved architecture and I aim to become a full-time architectural photographer. I’ve done much work to get my portfolio to a state I could show it to my future clients.”

Judge Lucas Blair Simpson says “Very strong POV. I know right away these images are from the same person. Very nice use of composition. The three images are of different subject matter but work together and display strong understanding of composition, light/shadow, and color but each in its distinct way. I want to see more!”

Judge Stewart Hicks shares what he liked about these, stating “Gorgeous colors and compositions. Flatness and depth combine the nature and architecture into surreal relationships.”

Congratulations Pekka! What a stunning submission, especially for being so new to the field.

Winner: Laura Deus

The winner of the 2022 Early Career and Emerging Talent award is Laura Deus! Laura Deus is Lisbon based and works as both an architect and a photographer. She has been photographing architecture for 2 years. Laura’s Instagram is @laura.deus.

Laura says “When simplicity and architecture meet, for me, photography becomes art, expression, feeling. More than documenting, I intend to create pictures that allow the spaces to speak for themselves, throughout composition, lights, scale and colours. I believe human scale is a fundamental piece for the connection between architecture and feeling, so it is quite common for me to include people on my work. Plus, as a female photographer, I tend to prefer female figures that contribute to the feeling of lightness on spaces.”

Judge Lucas Blair Simpson shares “I love the graphic quality of these images. I immediately understand this photographer’s POV and I appreciate the consistency of vision.” Judge Celeste Bolt says, “Beautifully composed shoot. The photographer shows the scale of the project as well as its levels very smoothly, supported by a seemingly genuine owner/occupier participation which sets the series alight.”

Laura’s prize is an all-expenses paid trip to Southern California for a personal one-on-one workshop. She also will receive the 2022 Early Career and Emerging Talent winner’s trophy! Congratulations Laura, well deserved!


We’d like to extend a massive thank you to everyone who entered the 2022 APA Emerging Talent and Early Career Award category. We’re looking forward to what the 2023 Awards will bring!

Fine Arts Student of the Week: Junior follows sister into photography

Fine Arts Student of the Week: Junior follows sister into photography

Peyton Freeman

Grade: Junior.

Age: 16.

Art focus: Photography.

Adviser nomination: “Peyton is a very talented photographer! She sees things that other young photographers do not. Peyton is meticulous in choosing her photos for projects and is willing to ask for feedback and accept it regardless of what that feedback might be,” adviser Andrew Dwyer said.

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Memorable fine arts achievement: Besides this achievement, my most memorable art achievement was in fourth grade when I played Dorothy in my school’s production of “The Wizard of Oz.”

Artist most admired: The artist I admire the most, specifically in the photography field, is my older sister, Parker Freeman.

What got you interested in photography? Not only is she the most admirable photographer to me, my older sister also piqued my interest in the art. She has taught me over the years how to see the beauty in everything and how to properly capture that beauty.

What are your favorite subjects to photograph? I love to photograph common subjects and find a way to make the shot unique. For example, I’ll take a photo of a book but I’ll take it at an angle that makes it look like stairs.

Do you have any projects you’re especially proud of? There are a few photos I am specifically proud of. Those photos being a still shot I got of water from a drinking fountain, a shot I captured of the smoke coiling in the air from a stick of incense, and so on.

What’s the hardest part about taking the perfect photo? For me personally, the hardest part of capturing the perfect photo is getting past my own mind. By this, I mean that I sometimes struggle to accept that a shot is seldom going to replicate my vision and that I need to find ways to compromise with reality and work around obstacles.

Dream job: My dream job is to be an English professor at the college level.

Extracurricular activities: A capella choir and theater.

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Favorite subject: Literature/composition and seminar.

Favorite movie: The Star Wars franchise, specifically “A New Hope” or “Revenge of the Sith.”

Favorite TV show: “Redwall,” which I watched growing up with my family.

Favorite book: “The Name of the Wind” by Patrick Rothfuss and “The Song of Achilles” by Madeline Miller.

Favorite song: “Lover, You Should’ve Come Over” by Jeff Buckley, “Waiting Room” by Phoebe Bridgers and “Just a Boy” by The Backseat Lovers.

Favorite band/singer: The Backseat Lovers, Jeff Buckley and Jimmi Henrix.

Favorite food: Pasta (in any way, shape, or form).

Hobbies: I love to read, listen to music, mountain bike, hang out with my friends and family, work, and pick up random little projects every here and there (such as embroidering, sewing, etc).

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Parents: The source of all that I have accomplished, Katie and Ryan Deblock.

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These Tender Photos Illuminate The Experience Of Pregnancy For Young, Black Women

These Tender Photos Illuminate The Experience Of Pregnancy For Young, Black Women
Photographed by Jade Carr-Daley.
“I was two weeks into my master’s course when I found out I was pregnant,” says 24-year-old photographer Jade Carr-Daley. “At the time, I had already started a body of work focusing on my relationship with being both British and Jamaican but it was moving slowly and, in all honesty, I hadn’t been feeling that strongly towards it.” While searching for a topic that felt more fulfilling, Carr-Daley began taking photos to document her transition into motherhood – just for herself at first, until three months later when she finally decided to acknowledge what was staring her in the face: this documentation should be her major project. “It seemed so natural and free-flowing,” she says, “like this was the project I was meant to make.”
The resulting photo series is entitled Not Ready Not Steady Go! and it’s full of gorgeous, intimate pictures evoking the spectrum of emotions that flood in with impending parenthood. Across the series, we watch as Carr-Daley’s body adapts to accommodate the new life inside her, and as her relationship with her partner evolves. In both black and white and colour images, moments of tenderness between the two of them are fused with a sense of soft anticipation. Of course there are anxieties that come with being pregnant, and Carr-Daley didn’t want to shy away from visualising those, too.
Photographed by Jade Carr-Daley.
Photographed by Jade Carr-Daley.
“The first three months of my pregnancy were the hardest,” she recalls. “At the time, only my partner and I knew and during this time, I experienced some issues with bleeding, spent a lot of time being assessed and was constantly worried something was wrong or that I had done something I shouldn’t have. As a result, I fell into a sort of hole, and found it hard to talk about my feelings. So when I started photographing myself and my environment, it turned into a form of self-therapy for me. Instead of being in that moment and state of mind alone, I was able to photograph it and this made it easier to understand how I was feeling, to see my physical changes and to better articulate how I felt about certain situations to my loved ones and friends.” 
Photographed by Jade Carr-Daley.
Growing up in Bristol, Carr-Daley began life in an area of the city called Easton, which she describes as particularly multicultural, before moving to an area called Henbury when she was still a child. She still lives there today. “This place was very different to Easton,” she says, “mainly because, at the time, the area was predominately white and my family were a minority there. I was subjected to racism a few times – not anything close to the stories my parents or other family members would tell me but more through microaggressions, body language and sly comments made by children in the area or by people on public transport.”
By the time she got to secondary school, Carr-Daley was back with kids from all different backgrounds and that’s when she really started to feel around the edges of her identity. She took photography at GCSE level and then went on to study it at Bath Spa University. “That was probably the most crucial moment in my practice. I was the only Black student on the course and there were countless times I would feel out of place or that the work I was creating didn’t fit in,” she says. “In my second year, I thought about dropping out but a teacher of mine wouldn’t let this happen. He could see my potential and often said, ‘We need more voices like yours’.” And so she felt empowered to apply for her master’s course at UWE, beginning her studies there in 2021.
Alongside making her physical work, researching the project topic became crucial to Carr-Daley’s process – chiefly because she found it very hard to find other projects documenting the experiences of Black pregnant women. This drive also came from her personal experiences in the healthcare system and the exhaustion of having to advocate for herself constantly. “I would have liked to have seen more Black women in healthcare. When attending appointments, sometimes I didn’t feel truly comfortable, understood or listened to, and I constantly felt like I wasn’t always in control of my body,” she says. “I felt as though certain midwives and doctors could only help to a certain degree because the basis of pregnancy and women’s bodies for years has been taught from a white standpoint, and that can make things hard.” Then there was the matter of her age, which meant she often felt talked down to, alongside the difficulties of being a third-generation mother in her family. “I felt judged sometimes with how I wanted to approach my pregnancy – deciding not to cover my stomach in public places, for instance, and wanting to give birth at home or at a midwife-led centre with a water birth,” she says.
Photographed by Jade Carr-Daley.
When asked how it felt to turn the camera on herself and her relationship, Carr-Daley is clear. “To put it bluntly, I hated it,” she says. “I felt very vulnerable and uncomfortable in front of the camera, and in some of the images you can see that I would often use different objects to cover my face. The further I got into the project, though, the less I started to care.” Her partner felt more comfortable in front of her lens because she’d photographed him so often before, although they still had to have a conversation about what he was comfortable with during this new experience. 
Photographed by Jade Carr-Daley.
Photographed by Jade Carr-Daley.
“During pregnancy, a lot of focus is on the woman – and for good reason – but sometimes, from my own experience, the partner’s feelings can be overlooked. Becoming a parent is such a big change for both people involved and sometimes we can forget to check in on them too, so it was really important to ask him what his boundaries were. In this way, I would say it became a collaborative project between the two of us at times, as he would often photograph me too, and whenever we worked together, we would always converse about the reasons behind the images we were making, and then those conversations would turn into deeper ones about our fears as new parents, things we looked forward to, what our baby would look like, and our plans for how we would raise our child together.”
Photographed by Jade Carr-Daley.
Photographed by Jade Carr-Daley.
Carr-Daley gave birth to her son, Knox, in early July 2022; he’s 8 months old now. One of her favourite images from the series is a close-up of Knox’s little feet, framed by her own legs. It’s called “The Big Question?” and you can see a little puddle of dribble on the bedsheets beneath them. “I took this image on my iPhone and it was a happy accident because the dribble looked like a question mark, which made me think of the question: ‘What’s next?’ As in, what’s next for this project, for myself and for my new family? Right now, I’m just taking it one day at a time, learning how to be Knox’s mum and how to balance being a photographer and a parent. I love every day that being a parent brings, even on the days that make me feel like complete shit. I definitely want to create more work around motherhood and our health system, and I would love to start speaking publicly on the themes within this project because they are just so important.”
Photographed by Jade Carr-Daley.
Ultimately, Carr-Daley wants this work to contribute to the conversation around representations of the Black pregnant body. “In social media, pregnant bodies are often manipulated and edited to fit into society’s ideal, perfect pregnancy and then when Black pregnant bodies are introduced, they are edited even more, or portrayed in a way that fits into society’s white beauty standard,” she says. “With this work, I want people who are either going through a similar situation, or have already gone through this, to feel seen, related to and understood, and I want more conversations when it comes to the importance of representation, especially for people from Black or coloured backgrounds. My advice to anyone going through this for the first time is to be patient with yourself, and to learn and understand your rights as a woman going through pregnancy. Always remember you have the right to say no.”

Did you know there’s a photography world cup? There is – Mexico just won it!

Did you know there’s a photography world cup? There is – Mexico just won it!

We’ve been saying for years that there should be some sort of global Olympics for photographers, but little did we know – there has been all along. Clearly, we’ve been living under a rock. But in our defense, the competition doesn’t have the best promotion – with as little as 3,000 followers on Instagram.

The World Photographic Cup (WPC) was founded in 2013 with the singular goal to unite photographers worldwide in the spirit of friendship and cooperation. It does, however, seem to be a little exclusive with only one team per country allowed to enter, which must be created by a national association, and committee-approved. 

• These are the best professional cameras (opens in new tab) worthy of world cup winners

The WPC (opens in new tab) celebrated its tenth anniversary in March, while announcing at an awards ceremony in Singapore that Mexico had won the 2023 Cup for the second year in a row.  

The 2023 winning images (opens in new tab) are truly phenomenal examples of world-class photography, and the results of the overall competition were said to be very close, with only three points separating the podium-finishing teams. 

Team Australia claimed the second-place crystal trophy, followed by Team United States in third place. The rest of the top ten teams, in rank order, were Malaysia, Portugal, Brazil, the United Kingdom, Austria, Costa Rica and finally New Zealand in tenth place.

(Image credit: World Photographic Cup)

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Founded in 2013, it all began when the Federation of European Photographers (opens in new tab) and the Professional Photographers of America (opens in new tab) came together in the creation of the World Photographic Cup as a one-of-a-kind Olympic-style team competition.  

“The quality of images entered from teams around the world gets stronger every year,” said WPC inaugural chief executive officer, Giuseppe Scozzi. “The WPC is the only Olympics-style event in the world for photography.

“Over the past ten years the competition has grown and with it the standard of entries. WPC truly showcases the best in photography from across the world. Those who do succeed can truly claim to have created the best photography in the world and WPC is the vehicle for showcasing this work.” 

Scozzi was overseeing his last Cup, as he will be retiring from the organization to be replaced by Australian photographer Kylie Lyons – who has been a member of the WPC Governing Committee since 2014. 

The tenth edition of the WPC Collection can be viewed in a commemorative book, available to purchase (opens in new tab) for approximately $76 / £61 / AU$114.

Registration for entries (opens in new tab) to the 2024 edition of the World Photographic Cup will be open from July 01 – October 31 2023.

You might also be interested in the best Sony cameras (opens in new tab), as well as the best Canon cameras (opens in new tab) and the best Nikon cameras (opens in new tab) used by professionals. 

An AI-obsessed photographer who tricked Instagram

An AI-obsessed photographer who tricked Instagram
image

PARIS: Jos Avery was given a camera almost four decades ago, sparking a lifelong fascination with photography. But last September he found a new creative outlet, one that led him to deceive thousands of people: the artificial intelligence programme Midjourney, which generates wild and wonderful images from brief text instructions.

“Soon after starting with Midjourney, I became obsessed with the creative possibilities,” Avery said.

Midjourney and rivals like DALL-E 2 and Stable Diffusion generate unique pictures by mashing up a vast back catalogue of images they have been “trained” on. For Avery, a 48-year-old software engineer and lawyer by training from Virginia in the United States, Midjourney was liberating.

He said it allowed him to create beautiful art without needing to tackle his own social anxieties. “Then I started to wonder if I could make AI images that could pass for photographs,” he said.

This led to his fateful experiment: He started an Instagram account to house his Midjourney output, without being entirely upfront about the origins of the images.

‘Misleading’

“At the beginning, I don’t think many people thought the images were photographs,” he said. “The eyes and skin were unrealistic.” He fixed these glitches with a dose of Adobe Photoshop, eventually

populating his Instagram feed with stunning and stark portraits of beautiful — but unreal — people.

More users flocked to his feed, and more of them began to think the images were genuine. “People would ask in the comments about my camera and lens equipment,” he said.

“I’d respond with the equipment I actually use for real photos or equipment I had included as part of the prompt.” He admits his answers were “misleading” since they suggested he had used his gear to create those specific images.

Yet he just got deeper into the deception, spending hours choosing and editing images to boost the realism and deleting earlier efforts that were more obviously AI-generated. His follower count was rising rapidly, so the experiment was a success. But he was struggling to maintain the facade.

Losing sleep

“It grew far beyond my expectations,” Avery said. “The followers and my misleading answers made me feel uneasy, and I had trouble sleeping at night.” He eventually told the specialist website Ars Technica what he had done, added a mention of AI to his Instagram biography and started to give honest answers to his followers.

“I’ve slept a lot better since then,” he said.

Although he did get some abuse — “I had to block about 30 people” — he said the reaction overall was positive, and his Instagram account, now with almost 40,000 followers, is still growing.

These days he populates it with both real photography and clearly labelled images generated from Midjourney. He said the AI tool has been hugely beneficial, helping him discover a love for portrait photography.

But the downside is that once again he isn’t sleeping so well — he stays up all night creating images on Midjourney.

Published in Dawn, April 10th, 2023