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ArtSpace/Lima Juried Photography Exhibit Call for Submissions
May 10, 2024, Press Release from ArtSpace/Lima: ArtSpace/Lima is announcing the call for submissions for their annual Juried Photography Exhibit. Copies of the prospectus can be picked up at ArtSpace/Lima, 65 Town Square, or available online at the ArtSpace website www.artspacelima.com.
The exhibit is open to all ages and all types of photography. The exhibition will open on August 3 and continue until September 14, 2024.
For further information about this exhibit or other ArtSpace/Lima programs, please call Sally Windle, Executive Director, ArtSpace/Lima 419-222-1721.
InstaHeadshots.com is redefining professional photography
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For professionals looking to advance their careers, personal brand is the key. The advent of social media and digital networking platforms has intensified the need for individuals to distinguish themselves effectively. That is where InstaHeadshots.com comes in.
InstaHeadshots.com leverages AI to transform personal branding through AI-generated headshots. This innovation is reshaping how professionals across diverse sectors manage their professional image while democratizing access to high-quality headshots. But can these images really stand up against traditional photography?
The short answer: Yes. InstaHeadshots.com prides itself on photorealism. Using advanced AI algorithms, the platform promises meticulous attention to detail and an accurate representation of the nuances of a user’s facial features.
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Additionally, InstaHeadshots.com is known for its versatility, catering to the specific requirements of professionals across industries. Whether you’re a corporate leader, a creative entrepreneur, or a freelancer, the platform offers an array of clothing styles – from formal corporate attire to casual and relaxed looks – and settings – such as real estate properties or Wall Street backgrounds. In this way, InstaHeadshots.com ensures that individuals effortlessly create the ideal image for their brand.
But why not opt for traditional photography? Vinod Bollini, InstaHeadshots.com founder, says, “Traditional headshot photography comes with an often overwhelming amount of challenges, such as exorbitant studio fees and the sheer amount of time lost to coordinating appointments and perfecting your appearance. And, after all is said and done, most professionals receive maybe 2-4 usable headshots.”
“InstaHeadshots.com simplifies the headshots process tremendously,” Vinod continues. “By uploading multiple photos, our users enable the AI to generate personalized models and produce a diverse range of headshots in various styles and settings. Within just 60-90 minutes, users receive between 50-200 high-quality images in various styles.”
Vinod underscores the platform’s simplicity and efficiency, noting that, for professionals whose careers or appearances evolve as years pass, InstaHeadshots.com offers a much easier and more affordable way to represent these evolutions in one’s personal brand.
Moreover, InstaHeadshots.com is committed to democratizing access to premium personal branding, offering an array of styles at a fraction of the cost of traditional headshot sessions. This affordability ensures that professional branding is accessible to individuals across all budget ranges. With its intuitive interface, diverse style options, and unparalleled value, InstaHeadshots.com empowers individuals to seize control of their online persona and stand out in a crowded digital sphere.
In Vinod’s words: “InstaHeadshots.com streamlines the inconvenient process associated with traditional headshot photography, eliminating the need for studio appointments and extensive hours in front of the camera. With a few simple clicks, users can upload their photos and let the AI technology handle the rest. It’s a process that saves time, saves money, and saves stress, letting busy professionals spend their energy elsewhere – without sacrificing quality or professionalism.”
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A Night at the Country Line Dance
“I love a gas station,” Tim Marsella gushes over Zoom. An accomplished photographer, Marsella usually works for brands like Nike, Disney, and Armani. He was born in Yorkshire, UK, but has now officially been living in the U.S. for five years, and the consummate documentarian in him is loving it. “I moved to America, and the world all opened up,” he says. Here, everything is new to him. “I pull up to a gas station, there’s a story in it.” In contrast to glossy shoots for brands like Zara and Fanta, Marsella is here to talk about a very different photographic subject: country line dancing in Canton, Illinois.
Marsella has taken on “hundreds” of personal projects like this since moving to the United States. From car culture to skate parks, rodeos to rappers, he has kept himself busy photographing his favorite subject: “real people.” He tells a story about running into a teen in Nashville, Tennessee who asked him for tips on photography. “Yeah, sure,” Marsella told him. ”Just get 20 of your friends.” Marsella met up with the kid and his friends in a car park, showing him how to photograph and film as his friends messed around. Then, the whole crew went to McDonald’s to eat and drink sodas. Marsella kept shooting—and the result became a worldwide Coca-Cola campaign.
Tim Marsella
Tim Marsella
Driving through the Midwest regularly, Marsella has found a well of inspiration in Americana. “I find still lifes in these places really amazing,” he explains. “I photograph motels; I photograph signage, I like the buildings. Everything’s interesting. Everything’s graphic. Everything’s straight.” On visits to his partner’s hometown of Canton, he’s photographed everything from deer hunts to Christmas decorations to butcher shops. On one recent trip, he stopped for lunch and realized he was dining in a dance hall. That evening, he returned with his cameras and a backdrop and got to work.
He loves how willing the everyday Americans he meets are to be in front of a camera; looking at his line-dancing photos, it’s clear why this is a photographer’s dream. Once Marsella got over his English reserve to match American friendliness, he was never at a loss for photographic subjects. “If I see a guy with a big beard dressed as Elvis, I have no fear now of going up and saying, ‘Hey, can I photograph you?’ And he’ll say, ‘’Course you can. Where do you want me?’ They’re just proud. Very proud.” This combination of pride and openness is evident in Marsella’s pictures. While he laments the small turnout at Country Line Bar & Grill that night due to a prom (“I’m still trying to do a prom!”), the photos are striking.
Tim Marsella
The images also made me appreciate what he was getting at with his love of photographing real people; the combination of poised humility and shy confidence is enchanting. Marsella describes his subjects’ reactions to hearing magazines were interested in the photos—“Wow, really? Us?”—but you wouldn’t guess this from the photos alone. The outfits are stunning, the subjects relaxed and happy, sometimes downright jaunty—and in their element, why wouldn’t they be? Marsella’s photos are a testament to the power of culture, something personal yet communal, mundane yet special, both comforting in its ease and intriguing in its uniqueness. The relaxed self-assuredness he encountered in Canton is immediately recognizable: it’s cultural pride.
When I ask Marsella about the draw of the dance hall, his answer is succinct: “Purely fashion.” He recalls telling friends in England how Americans do actually wear the plaid shirts, cowboy boots, and big belt buckles they see in the movies. Like most fashionistas, the dancers sacrifice foot comfort for sartorial excellence; many carry multiple pairs of cowboy boots in their car and swap them out to rotate their blister points. Marsella and I discuss how the country aesthetic is having a moment in the fashion mainstream, led by artists like Beyoncé and Pharrell—the latter of whom some dancers that night said they had never heard of.
Country Line Bar & Grill owner Morey Denny
Tim Marsella
Marsella was particularly struck by the dancehall owner Morey Denny. Born in 1940, Denny has farmed all his life and worked as a certified welder for the Caterpillar Tractor Company (now Caterpillar Inc.) for 31 years. He started racing stock cars and in 1983, used land on one of the family farms to build a successful race track; it’s still in operation today. Lifelong fans of country music, Denny and his wife opened Country Line Bar and Grill four years ago; it’s since become a local destination for good food, good dancing, and family-friendly fun. As a Johnny Cash man, he dresses all in black. When asked if he likes operating a dance hall, Denny says, “Without a doubt, I do, as you meet so many nice people.” His portrait is undeniably compelling. “If I’d seen him on the street, I would have photographed him anyway,” Marsella says. For anyone ready to dismiss the country aesthetic as a mere fashion trend, Denny is a reminder that this “aesthetic” represents a real culture worth exploring.
Marsella has another somewhat delightful reason for loving photographing American culture: “It’s like I’m in a movie every day.” He describes his surprising reaction to getting pulled over by motorcycle cops: ”I couldn’t stop laughing. They had sunglasses on and walked over, just like in the movies. It was like CHiPs!” Marsella never fails to take the romanticized view of America: “I’m in Atlanta, it’s like a hip-hop video. I go to Canton, I’m in a Burt Reynolds film. I drive through Texas, I’m in a Western.” I tell him how refreshing it is to hear an Englishman describe America with such positivity, so different from the usual culture wars between Europe and the States. Marsella is surprised. “I think everyone aspires to America,” he muses. “You influence us. You’re big characters.” I express my relief that not all of Europe writes us off as stereotypical dumb American tourists. “I don’t think we find you stupid,” Marsella assures me graciously. “You’re just annoying because you’re loud.” Fair. We discuss other tourist stereotypes, but Marsella isn’t into the catty dishing as much as reminiscing about all the wonderful people and amazing places he’s encountered over the years. “We’re all kind of amazing,” he concludes thoughtfully. Spoken like a true photographer.
Live Nation Urban Partners With Polly Irungu’s Black Women Photographers Organization For Summer/Fall Festivals
Live Nation Urban announced this week that it’s teaming up with Polly Irungu’s Black Women Photographers Organization for the third straight year in a collaborative partnership. Black women photographers and videographers can apply now for the chance to shoot LN Urban’s celebrated summer and fall festivals including Philadelphia’s Roots Picnic and Washington, D.C.’s Broccoli City.
The initiative is described as “a paid opportunity for Black creatives to chronicle the most memorable moments at marquee festivals throughout 2024, documenting the culture in motion on the grounds and as it unfolds onstage.” Applications are now open through May 31 at https://blackwomenphotographers.com/live-nation-urban
The partnership between Live Nation Urban and Black Women Photographers began with a contest to shoot just one festival in 2022, giving the photographers a chance to boost their visibility as their work was shared on various prominent social media channels. This week’s announcement notes that the expansion of the partnership to include eight events “reaffirms Live Nation Urban’s commitment to uplifting black women creatives and emphasizing representation as a core value.”
Other participating festivals include Mary J. Blige’s Strength of a Woman Festival in New York, Twogether Land and Kirk Franklin’s Exodus Music Festival in Dallas, One Music Fest in Atlanta BETX in Los Angeles and Lil Weezyana Fest in New Orleans. Check out the full list below.
“In our third year of partnership, we’re grateful for Live Nation Urban’s continued support and leadership in providing more paid opportunities for Black women and non-binary creatives to advance their work and careers in music photography and videography,” Beth Irungu, Executive Director of Black Women Photographers, said in a statement. “The next time you’re at a concert or festival, look at the photo pit and count how many Black Women Photographers you see documenting the event. That’s why this partnership is so impactful. Together, we’re changing the game and landscape of music behind the scenes.”
Live Nation Urban Marketing Manager Jasmine Kelly added, “Live Nation Urban is dedicated to fostering an environment of inclusivity for people of color and women. Through our continued collaboration with BWP, we not only showcase the talent on stage but also honor the invaluable contributions of those behind the scenes, behind the lens, and in the pit. Capturing the authentic essence of Black culture from within the community itself is paramount to the narrative we strive to uphold. As a Black woman immersed in the live space, I intimately understand the challenges of finding representation over the decade. Being part of this mission carries significant personal meaning for me.”
The Live Nation Urban festivals include:
May 10-12: Mary J. Blige’s Strength of a Woman Festival – New York, NY
May 25-26: Twogether Land on May 25-26 – Dallas, TX
May 25-26: Kirk Franklin’s Exodus Music Festival – Dallas, TX
May 25-26: One Music Fest in Atlanta, GA
June 1-2: Roots Picnic – Philadelphia, PA
June 27-29: BETX – Los Angeles, CA
July 27-28: Broccoli City – Washington, D.C.
Fall 2024: Lil Weezyana Fest in New Orleans, LA
Dee Lippingwell, concert-photography trailblazer who lived in Surrey, has died of cancer
Musicians and music fans from across Canada are paying tribute to Dee Lippingwell, a trailblazer in the world of concert photography over the past 50-plus years.
A Surrey resident, Lippingwell died Thursday (May 9) after a Stage 4 cancer diagnosis earlier this year. Family members say she’d been in hospital and then moved to hospice at Laurel Place Care Centre in April.
Lippingwell was 78, according to Peggy Sulivan, friend and business partner.
“She deserves tributes because she was wonderful, and always had a great story to tell,” Sulivan said Friday.
In recent years Lippingwell worked to catalogue images of the estimated 3,500 concerts she’d photographed since her very first, a Pink Floyd gig in Vancouver back in 1973.
The Rolling Stones, Queen, Aerosmith, David Bowie, Black Sabbath, Alice Cooper, Eric Clapton, KISS, Van Halen – Lippingwell photographed them all over the past five decades, for publications around the world.
“When I started, it was really difficult for me to get in because everybody thought I was a groupie,” she said in 2012. “I kept saying, ‘No, I’m a mom and I want to do this for my career.’”
Three years ago, at age 75, with no concerts to photograph during the COVID pandemic, Lippingwell began sorting thousands of images for a third book chronicling the glory days of Merritt Mountain Music Festival, which she photographed with the help of husband Paul Shaw.
STORY CONTINUES BELOW
‘Mountain’ memories: Surrey photog’s book recalls ‘crazy-ass scene’ of Merritt music fest.
Campground C party zone and more remembered in Dee Lippingwell’s third book. https://t.co/c8eRPuWLsq pic.twitter.com/0HBAJ8knYt— Tom Zillich (@TomZillich) July 7, 2021
Goodnight⚡️ (Good morning) #DavidBowie 📸credit: Dee Lippingwell) pic.twitter.com/CHvTT0UMO7
— Spaceboy★🏳️🌈 (@_spBOY) June 5, 2016
“The power of Freddie’s amazing voice combined with his astounding ability to command every second of the audience’s attention was amazing to capture on film. One of the most talented artists whose music will live on forever.” – Dee Lippingwell pic.twitter.com/3wczmNxJfb
— Majik Bus (@MajikBusEnt) June 24, 2019
Lippingwell’s 1987 book, “The Best Seat in the House,” was followed in 2012 by the self-published “First Three Songs… No Flash,” a title that referenced the instructions typically given to concert photographers before a show begins.
“I shot the Rollings Stones seven times, right, and all the times I shot Loverboy and Trooper and all the local bands, it’s thousands of concerts,” Lippingwell said in 2021. “I have a storage locker and it’s full of filing cabinets, negatives and prints, all that. It’s all pretty much organized for when I die – it’ll all be donated somewhere,” she added with a laugh. “Maybe somebody will start a museum.”
Early on, Bob Geldof was an admirer of her work, but didn’t have a chance to hire her at Vancouver’s Georgia Straight before the then-editor/writer bolted back to England to pursue a career on concert stages and, eventually, plan the Live Aid concert. “When he came back with the Boomtown Rats to play the Commodore,” she recalled, “he saw me in the crowd and (mouthed), ‘Ah, you got the job!’”
Very sad to learn the passing of @DeeLippingwell – she was a legend of Photography in BC and a local pioneer in what was really solely a man’s game in the 1970s. Her concert photography will be viewed and appreciated for decades to come. #DeeLippingwellRIP
— Aaron Chapman (@TheAaronChapman) May 10, 2024
On the job, she’d been bruised and even suffered broken ribs. Overzealous fans of the Stones in Buffalo nearly prevented her from getting a decent shot of Mick Jagger in 1981. “I turned around to face this belt buckle of a biker. He was a real angel because he lifted me on his shoulders to get that shot. Those were the fastest shots I ever got — I wanted down from there as soon as possible.”
On Facebook, Lippingwell made a weekly habit of posting concert photos from years gone by, and sold photo-filled books, T-shirts, scarves and other merchandise on the website deelippingwell.ca.
In a 2021 interview, Lippingwell said her bedtime is a lot earlier than it was years ago, but kept active and felt good for a septuagenarian.
“I’m 75 years young,” she boasted. “I’m good, I go to the gym, I bowl when the leagues are back on. Sometimes my husband and I go bowling now on our own, so we stay active. But this book, it’s a pretty massive job I’ve been doing, so that’s taking up a lot of my time. Some of it’s film and some of it’s digital, so going through all that is a job. There aren’t enough hours in the day or days in the week, never is.”
Lippingwell is survived by husband Paul, sons Marc and Chris, grandchildren Shauna and Tyler Lippingwell, and brother David. She died peacefully with Paul at her side, Shauna posted on Facebook.
“We would like to thank all of her friends for the messages over the last few months, we made sure she got each one,” Shauna posted. “In lieu of flowers, please make a donation in memory of Dee to the Happy Liver Society or Vancouver Orphan Kitten Rescue. Celebration of life at a later date. Tributes and stories about Dee can be sent to noflashpublishing@gmail.com and will be passed onto the family.”
Explore the best camera kit in the world! Digital Photographer Magazine Issue 279 is out now
The new issue of Digital Photographer is out now!
Subscribe today to get DP delivered to your door and device.
This month we have another amazing issue for you, featuring professional tips, reviews, and practical how-to guides. Here’s a sneak peek of what’s inside!
Shoot your best Black and White
Don’t miss our 13-page guide to creative black-and-white photography – a classic method of stripping images back to the essentials. From p36, you’ll learn to think in monochrome and balance the contrast in any scene, for maximum impact. From composition to understanding the relationship between tones and the effects of scene colour on your monochrome results, by the time you finish this masterclass, you’ll be set to create timeless black-and-white drama like an expert.
Creative ways to use shutter speed
Digital cameras are extremely powerful pieces of kit and there’s an endless array of images we can capture with them. However, there is always a danger that we forget about the core image elements that people like to see in a photograph. Stripping things back to the basics is often a great way to reset your visual goals. As such, be sure to read our feature on using shutter speed in creative ways. It might seem like a simple camera setting but, if you’re looking to refresh your photo style, exposure duration can be a perfect place to start. Find this feature on p24 of the issue and delve into Jeremy Flint’s top tips for success.
Self Exposed
If you find yourself in an artistic rut, our Shoot Like a Pro feature can help! From p14 of the magazine, self-portrait expert Jake Kehar Gill takes us behind the scenes on one of his conceptual shoots to teach us how to create mesmerising shots without even having to leave our living rooms. Liven up your selfies and learn key portrait lighting skills for use with clients in the process.
Top-tier reviews
Then, in our reviews section, we take the brand-new Fujifilm X100VI for a spin to see if it can live up to the hype of its predecessor. We also take a look at DXO PureRAW 4 to find out how it can breathe new life into your older RAW files and bring them bang up to date. Don’t miss our Kit Leaderboard this month to discover if last month’s top camera has been knocked off the number 1 position and gain a pro snapshot of the photo market.
Our network of professional photographers offers indispensable insight into everything you need to know! In this issue, Leonora Brebner (@lrb_creative) shows you how to tell the world about your photography and how to use marketing to reach the right clients for you. From p72 Claire Gillo (@clairegillophotography) explains how to push yourself out of your comfort zone to create new challenges.
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Plus we’ve got the usual tutorials, interviews, insight and opinion, from a range of experienced pro photographers from across the industry.
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Read more:
Essential exposure technique: settings for seamless backgrounds
Photo therapy: the art of patience – why it’s worth waiting!
Adapt and conquer! Learn to use lens adaptors the right way
Lighthouse photography: learn to compose images of very tall subjects
11 Celebrities Who Are Also Incredible Photographers
Photo (left to right): Jean_Nelson, PopularImages, imagepressagency, all via Depositphotos
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While we’re used to seeing celebrities in front of the camera, there are plenty of celebrities who love going behind the lens. From famous musicians to award-winning actors, these celebrities use photography as a different creative outlet. Many also frequently exhibit their work and have published photography books.
Take a look at 11 famous celebrities who are also accomplished photographers. Some of the names on the list may surprise you.
These are 11 celebrities who also happen to love photography.
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Jessica Lange
Academy Award-winning actor Jessica Lange is also an accomplished photographer who studied the craft at the University of Minnesota. While she focused on other creative outlets after her time there, she took up photography again in the late 1990s when her former partner Sam Shepherd gifted her a Leica camera. She has since published several photography collections and was honored with the George Eastman Honors Award, which is given out by the world’s oldest international museum of photography and film. Her latest book, Dérive, is a collection of street photography taken in New York during the pandemic.
Ben Affleck
Actor and director Ben Affleck has been a photographer since high school and is a self-professed camera geek. He has a large collection of lenses and cameras and showed off his extensive knowledge of the subject in a funny scene from wife Jennifer Lopez’s documentary The Greatest Love Story Never Told. In it, Affleck enthusiastically points out all of the equipment available inside a camera truck on set, which caused Lopez to tease, “Oh, this is your fantasy truck!”
In a 2023 interview, Affleck discussed his love for photography, telling the interviewer, “Man, I get made fun of. It’s a very serious addiction.”
Lenny Kravitz
While he’s best known for his music and acting, Lenny Kravitz also has a strong affinity for photography. This isn’t surprising, considering that his father was a journalist. In fact, he’s collaborated with Leica several times to create limited-edition cameras, and, in 2015, he published Flash. This collection of black and white images captures what it’s like to be on the receiving end of paparazzi attention.
“I love storytelling and I have an interesting life in that I’m all over the place with people of every culture and age and background, rich or poor; I love people and that’s the driver for me, I love humanity,” he told GQ Australia about his love for photography.
Bryan Adams
Rock star Bryan Adams is also well known for his second career as a photographer. He’s shot a wide range of imagery, from fashion photography to album covers to photos that raise awareness for charitable causes. He was selected to photograph Queen Elizabeth II several times, and one of his images of her and Prince Philip is now in the National Portrait Gallery in London. In 2021, he was selected to shoot the acclaimed Pirelli Calendar, and his work is regularly exhibited in museums and galleries worldwide.
Gary Oldman
#WorldPhotographyDay
Gary Oldman working at his home studio pic.twitter.com/dGrhxwY8D8— Gary Oldman Web (@GaryOldmanWeb) August 19, 2023
Actor Gary Oldman often takes photographs on set, and these insider glimpses of filmmaking have been exhibited internationally. He’s also passionate about wet plate photography and has a home studio that allows him to process the imagery using the early 19th-century process. “There’s just a sort of, magic to it […] There’s something very beautiful about the whole process.” he once shared when discussing how he learned it. “I feel like I sort of had my creative purpose back.”
Helena Christensen
Supermodel Helena Christensen certainly knows fashion, and she’s transferred this into a successful career as a photographer. Both her father and grandfather were avid photographers, and she used her time as a model to absorb the lessons of the great photographers she worked with. Her photos have been published in Nylon—which she co-founded—Marie Claire, and Elle, among other publications. Christensen also frequently exhibits her work and, since 2019, has used her role as a goodwill ambassador for the UNHCR to tell the stories of people living in refugee camps.
“It is a big dream of mine to work for a newspaper or for Magnum Photos—I always keep that goal in my mind. Photojournalism is so enriching; I love capturing a split-second of life,” she told Harper’s Bazaar in a 2023 interview.
Viggo Mortensen
Viggo Mortensen’s photography pic.twitter.com/m0nDnCnYV5
— Felix ²² ❤️ (@ragged_reeling) June 13, 2023
Viggo Mortensen may be best known for his role as Aragorn in The Lord of the Rings trilogy, but he is also a painter and photographer. He used part of his earnings from the famous trilogy to start Perceval Press, which specializes in art, critical writing, and poetry. It’s also the home of Mortensen’s personal projects, which include many books of poetry and photography. His latest work, Look, asks readers to take in the imagery without a preconceived notion and celebrates beauty in the ordinary world.
Aaron Eckhart
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Aaron Eckhart likes using his acting skills to tell stories through his photography. “I’m really just a photography geek,” he once declared. “I just love to shoot.” While considering photography a hobby, he’s used his skills to do everything from jewelry campaigns to humanitarian collaborations with organizations like AmeriCares.
Lucy Liu
Lucy Liu is much more than a Charlie’s Angel. Liu is also an accomplished visual artist who incorporates photography into her mixed-media work. Photography is an important part of Liu’s artistic career, and her first solo exhibition, in 1993, was a photographic exhibition in New York City that earned her a grant to study at Beijing Normal University. Liu has continued cultivating her visual arts career alongside her acting and frequently exhibits her work internationally.
Jeff Bridges
For over 30 years, actor Jeff Bridges has used a Widelux F8—a specialized panoramic camera—to capture life on set. Bridges has a whole area of his website dedicated to his photography practice and has published two books, Pictures and Pictures, Volume 2. A photographer since high school, his work has been shown in numerous magazines, and he’s exhibited internationally. In 2013, the International Center of Photography honored him with an Infinity Award.
Nikki Sixx
Motley Crüe bassist Nikki Sixx is a dedicated Leica user who frequently publishes his work on a dedicated Instagram account. The rocker began his journey with photography after he became sober and once declared, “I’m a recovering addict. Cameras are my new drug.” Sixx mainly focuses on street photography and has exhibited his work at the Los Angeles Leica Gallery. His book, This is Gonna Hurt, combines his images with prose to gain a deeper insight into his life.
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Picture-perfect harmony: Artist fuses music and photography
Brian Tremblay is well-known in the local community for his photography, freelance work with CBC Radio and other news agencies, as the creator and host of Borderline Radio’s Rock ‘n’ Roll Heaven, and as a long-time musician.
But that wasn’t always the case.
Back in high school, Tremblay helped manage local bands rather than play in them.
“I’ve been playing since I was 13 or 14,” says Tremblay, noting that there were a lot of stops and starts in his own musical journey.
“Unfortunately, back then I got discouraged a lot because I always compared myself to others, so I felt I wasn’t good enough.”
So instead, he booked shows for friends’ bands and assisted with their promotion.
Band promotion required band photographs, so Tremblay took those as well.
Many years later, it was Tremblay’s wife Lynn Eckroth, a touring musician before she moved to the Sault, who encouraged the artist to challenge himself with music.
The couple were known to perform cover songs as a duo for many years under the moniker of Taste of Honey.
“I asked her what she thought about me trying to write a song,” he says, noting that she has been his biggest fan and toughest critic.
“She encouraged me to go for it.”
So he did and has been actively promoting his original music ever since.
These days, Tremblay’s original music and photography have very much intermingled.
Back in January 2023, Tremblay organized a photo exhibit he called “The Neighbourhood” to be held at The Art Hub.
Tremblay’s photos in the exhibit were of the Steelton neighbourhood where he grew up.
“[I] realized after I had finished hanging the show, that I had songs that were inspired by growing up on Morin Street … that [went] along with these images.”
So the artist decided to perform those songs and tell stories about his memories during the photo exhibition.
The show sold out and was considered a great success.
“Many of my old neighbours, friends and folks who lived in the area came,” says Tremblay.
“I never thought the photos and music had a symbiotic relationship until the idea for this show came along.”
Coming off the success of the exhibit and performance, Tremblay decided to produce an album of those songs.
His first full album of original music, The Neighbourhood: Songs &Stories of a Blue Collar Raising, was born.
The press release for the new album notes that the songs are “a musical journey for the listener” and tell the story of “family, love, life, growing up, riding bikes and playing with friends.”
Tremblay says the first single from the album, “Steel Ponies,” is about the “sheer joy of just riding bicycles around the neighbourhood and having adventures.”
Another track, “A Hole Where You Used to Be,” is a touching tribute to his late sister, Izzy.
The album release event, like the exhibit that inspired its creation, will be a live performance with projected visuals of the photographs he has taken.
The Neighbourhood: Songs & Stories of a Blue Collar Raising will be first released on CD and to all the streaming services, but Tremblay hopes to put out a limited edition of it on vinyl soon.
“I’d love to put out the album on vinyl because it just fits the time period I’m writing about,” he says.
“Maybe I want to do it because I just want to see it on an LP. I do love the warmth of the sound and the fact that you are listening to an entire album and that’s the best way to listen to music, instead of shuffle.”
The release event will be held at the North Branch of the Sault Ste. Marie Library.
“The space kind of found me,” says Tremblay, noting his enjoyment of playing non-traditional performance spaces.
“Libraries are often looking for programming, so I sent some information along to them and they got back to me saying they’d love to do it as part of their Signature Series of events. I was honoured and thrilled.”
The Neighbourhood: Songs & Stories of a Blue Collar Raising
Thursday, May 16, 2024. Doors at 6:00 pm. Performance at 6:30 pm.
North Branch of the Sault Ste. Marie Public Library (232 – C, Northern Ave E);
Tickets are $10 and available at both library locations.
For more information about Brian Tremblay and his music and art, visit his website here.
Photography festival fills Kyoto’s stunning locations—from a kimono factory to a Tadao Ando building
Kyotographie takes place at a time when the sakura (cherry blossoms) are in full bloom, and the beauty of Kyoto, Japan’s ancient imperial capital, is hard to miss when exploring the photography festival’s programme—organised into 13 exhibitions scattered throughout the city. Each venue, from the Kyoto National Museum to a former kimono factory, to a building designed by Tadao Ando, adds to the unique character of the event, which has built a reputation for the emphasis it places on stagecraft and setting.
As the festival’s co-founder Lucille Reyboz points out, this approach is linked to Japanese tradition: “In any Japanese ceremony, from a tea ceremony to a theatrical performance, the journey to reach the moment is as important as the moment itself. It’s the same for the presentation of exhibitions: the way visitors are led to engage with a story is crucial.” Some of the programming occupies heritage sites with numerous restrictions, which has, on several occasions in this edition encouraged creative responses from both artists and scenographers.
The photographer Thierry Ardouin, for example, has collaborated with the designer Shinichiro Ogata to adapt his Seed Stories for display in the former kitchens of Nijō Castle. This long-term project, originally conceived as a book (published by Atelier EXB in 2022), is a celebration of the aesthetics of seeds that also addresses some of the history and the cultural, scientific and ecological questions they raise. Ogata has created scenography around the concepts of yin and yang, showing Ardouin’s works on screen angled in such a way as to put them in conversation with the shadow and natural light in the building.
Installation view of Thierry Ardouin. Seed Stories
Photo by Kenryou Gu
A retrospective of work by Viviane Sassen, held at the Maison Européenne de la Photographie in Paris last autumn, is, meanwhile, re-imagined in a former printing house. This concrete space, without any natural light, offers a stark contrast to the private mansion that hosted the original show—and brings the Dutch photographer’s experimentation and pioneering use of colour to the fore in an entirely different way. According to the curator Clothilde Morette, the Parisian exhibition took a more historical approach, while this latest presentation is more focused on the formal aspects of the artist’s work.
Viviane Sassen, Eudocimus Ruber, from the series Of Mud and Lotus (2017)
© Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam)
Reyboz says that the emphasis on staging and scenography is partly about a desire to address difficult topics in a way that resonates with, and does not come across as too direct for, local audiences. “Everything is possible in Japan, but it all depends on how you package things. Scenographies are essential because they allow us to create a bridge to sensitive subjects. It is thanks to this that the festival was able to function here.”
Among the exhibitions Reyboz picks out with this in mind is Claudia Andujar’s collaboration with the indigenous Yanomami people of Brazil, who have long faced battles against oppression. For Reyboz, their cause resonates with the fate of the Ainu, an indigenous people of Japan’s Hokkaido island. In the show, the visitor weaves between Andujar’s photographs and the testimonies of the Yanomami—expressed through drawings and videos as well as texts from their spokesperson, the shaman Davi Kopenawa—before entering a structure, shaped to reflect Yanomami architecture, where a video installation explores the increasing violence against these people on the part of the Brazilian government.
Claudia Andujar, Susi Korihana thëri au bain, Catrimani, Roraima (1972-74)
© Claudia Andujar
On the other side of Kyoto’s Kamo-gawa River, homage is paid to the struggle of Iranian women for their freedom. Titled You don’t die and conceived by the French newspaper Le Monde, this exhibition recounts, image by image, the events following the death of the student Mahsa Amini in September 2022. Amini died in a hospital after being detained by Iran’s morality police for allegedly not complying with the country’s regulations around hijabs.
At the Kyocera Museum of Art, which is taking part in Kyotographie for the first time, is an exhibition supported by the luxury group Kering’s Women in Motion programme, which each year brings together the work of two Japanese photographers from different generations.
There, two very intimate series by Rinko Kawauchi focused on her family are paired with works by Tokuko Ushioda, in what is the latter’s first major exhibition, at the age of 84. Ushioda’s work on view here—from a series of photographs of refrigerators taken over a 20-year period to snapshots of her home—are as humorous as they are poetic.
Installation view of Tokuko Ushioda’s exhibition ICE BOX＋My Husband: From Our Windows
Photo: Takeshi Asano
Other exhibitions feature artists who have pushed the boundaries of photography to their limits. There is a show of work by the Chinese duo Birdhead, for example—consisting of Song Tao and Ji Weiyu—who explored the formal and spiritual possibilities of the medium to the extent of imagining a “phototheist” religion. And another dedicated to the Irish photographer Eamonn Doyle, whose multi-screen video and sound installation takes viewers on fragmented journey through the streets of his hometown of Dublin.
Installation view of Welcome to Birdhead World Again, Kyoto 2024
Photo by Takeshi Asano
Finally, Lucien Clergue, the founder of the photography festival Rencontres d’Arles, is honoured in an exhibition featuring his works spanning multiple decades— his photographs focused on Romani communities in Arles in the 1950s among them. It is a double tribute, since Rencontres d’Arles was an inspiration behind the establishment of Kyotographie in 2013.
- Kyotographie 2024, various venues across Kyoto, Japan, until 12 May
