Photography

The Royal Family Celebrates Queen Elizabeth II’s Birthday With a Few Photographs

The Royal Family Celebrates Queen Elizabeth II’s Birthday With a Few Photographs
King Charles and Queen Camilla spent the day in Scotland, but in England’s East Midlands, a crowd of people—and corgis—honored what would have been the late queen’s 98th birthday with the unveiling of a new statue.

April 22, 2024

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Nearly two years after the death of Queen Elizabeth II, her birthday, April 21, is becoming a day when both the royal family—and the rest of the nation—celebrate the legacy of Britain’s longest-serving monarch. This year, King Charles III and Queen Camilla spent the weekend at Balmoral Castle, where the late queen died in September 2022, and on Sunday, which would have been her 98th birthday, the couple were spotted on their way to nearby Crathie Kirk.

According to a former butler for the royals who spoke to Slingo, the family likely continued honoring the queen during the rest of the day. “Privately, I have no doubt they’ll raise a toast to her in the evening,” said Grant Harrold, per People. “I’m sure the day will very much be spent reflecting on the late queen.”

On Instagram, Sarah Ferguson remembered her mother-in-law with a photograph taken on the balcony of Buckingham Palace during 2022’s Platinum Jubilee. “Thank you for all that you have taught us, for being a steadfast leader and dear friend,” she wrote. “You are sorely missed.”

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The Royals Collection Trust, which cares for and curates the royal collections, honored the late queen with an image taken during her teenage years. The photograph by Cecil Beaton will be part of a new palace exhibition called Royal Portraits, which will open next month in the King’s Gallery.

According to The Telegraph, a few corgis were on hand during one tribute to the late queen. On Sunday, the first posthumous statue of Queen Elizabeth was unveiled in the town of Oakham, Rutland, in England’s East Midlands, and the bronze sculpture by artist Hywel Pratley features three life-size corgis climbing on the plinth. To celebrate the unveiling, the Welsh Corgi League brought 46 of the queen’s beloved breed to the event, and they could be heard barking during a speech by Sarah Furness, the Lord-Lieutenant of Rutland who commissioned the statue.

Chinese Cultural Center hosts International Youth Photography Exhibition

Chinese Cultural Center hosts International Youth Photography Exhibition

KUWAIT: Through the eyes of vibrant young talents originating from Kuwait, China, and all around the globe, the opening ceremony of the International Youth Photography Exhibition was hosted by Chinese Cultural Center of Kuwait and co-partnered by Kuwait Society for Photography Arts on Monday. Bearing the theme of “Joint visions, shared future,” the exhibition, which is scheduled to run for one month, paints a canvas of captured moments from the diverse perspectives of photographers from over 50 countries, each eager to reflect the splendid beauty of their own homelands.

Photographers, art enthusiasts, and diplomats are invited from both countries to delve into the rich exchange of cultures and civilizations depicted beyond the photos, fostering mutual understanding across various facets of life. “The Exhibition is a vivid demonstration between China and Kuwait for their strategic partnership after both countries signed such relationship six years ago,” said Xia Jianfeng, director of Chinese Cultural Center in Kuwait.

The purpose of the event aligns with the aim of the center to implement cultural and tourism agreements signed between the governments of both countries, inviting visitors from Kuwait and all walks of life. “A photo can tell rich story about China and other parts of the world. This is why such activities are quite meaningful for us,” Xia told Kuwait Times. He added, “Seeing is believing. After visiting our exhibition today and later exploring China, I am certain you’ll discover that China is even more beautiful than what you see in photos.”

Having visited China multiple times, exploring their homes and lands, Suad Al-Hamar, president of the Kuwait Society for Photography Arts confirmed that what is depicted in the photos is genuine and authentic, referring to them as “spontaneous and realistic shots.” She felt deeply moved by the emotions conveyed through the pictures, from family bonding to happiness, innocence, and unity. “I’ve experienced this life firsthand in China, and life there is more beautiful than what’s shown in the photos,” she concluded.

The exhibition is initiated and organized by the Chinese Ministry of Culture and Tourism and has been undertaken by numerous Chinese cultural centers worldwide. Many of the participating countries, including Kuwait, are part of a joint agreement known as the “Belt and Road Initiative,” an ambitious plan aimed at enhancing communication and coordination, improving infrastructure connectivity, facilitating trade, promoting financial integration, and fostering people-to-people exchanges between China and the rest of the world.

16-year-old Photographer Anthony Schmidt Continues to Amaze

16-year-old Photographer Anthony Schmidt Continues to Amaze

Much has changed since we first learned about the amazing Anthony Schmidt in 2020. He is older now, of course, all of 16. He treasures his driver’s license, owns two classic cars, slicks back his dark hair, enjoys wearing leather jackets and sunglasses, and has seen his fame rise right along with his height. Anthony is no longer just a local celebrity in and around his hometown of Woodinville, Washington; he now has nearly 750,000 followers on Facebook, and 250,000 on Instagram.

The teenager never asked for any of this, but when you have an obsession that runs deep and reveals talent that few others possess, it’s difficult to avoid the limelight. Anthony has autism, a developmental disorder that, in his case, makes him hyper-focused on what interests him. And what interests him most are cars and photography. He’s skillfully meshed the two passions through his use of forced perspective photography, a technique that turns Anthony’s extensive collection of die-cast miniature cars into images that appear real.

The secret behind his realistic optical illusions?

“It’s because of his autism that he’s able to do this,” his mother, Ramona Schmidt, told People magazine. “His visual perception is off the charts whenever it’s tested. People with autism are visual thinkers and very detailed people. It’s an advantage for him. And the photography is such a good boost for his self-esteem.”

Ramona Schmidt also points out that people with autism can be more awkward in social settings, and some (like Anthony) suffer from misophonia—a severe sensitivity to specific soft sounds, like hearing others chew or rustle paper. Anthony sometimes wears headphones to deal with the disorder.

“Imagine what it’s like for him at school,” his mother says on Facebook. “… Imagine eating in the cafeteria, gum chewing. Everything that’s perfectly normal and common in school becomes excruciating. Of all the things he has to cope with, this one is the one I wish I could take away from him.”

Anthony Schmidt portrait
Facebook/Friends of Anthony Schmidt Photography

Anthony has always overcome obstacles, and he continues to do so. Every day he painstakingly modifies his model cars (if he wants them to look like barn finds) and meticulously places them in settings that make them appear life-sized, using only an iPhone for photography. Nothing is photoshopped. 

His hobby has blossomed into a web-based business in which he sells calendars, books, clothing, postcards, and prints at anthonyschmidtphotography.com. You can also follow his work on Facebook and Instagram.

Schmidt scale models drive in
anthonyschmidtphotography.com

Anthony’s photography has become so popular that, in addition to his real-life 1959 Studebaker Silver Hawk, he received a 1957 Ford Custom 300, nicknamed “Betty,” from a gentleman named Greg Wilkinson. Wilkinson, who was also diagnosed with autism at a young age, was so moved by Anthony’s photography that he gifted him the Ford.

Then, last Halloween, Anthony met musician Craig Martin at a Trunk or Treat event where Martin was showing his black 1987 Buick Grand National. Martin’s grandson has autism, so he and Anthony immediately connected. Martin offered to write a song to accompany Anthony’s photography for online posting.

Schmidt scale models herbie
anthonyschmidtphotography.com

“He sent me the first mix of the song, and I nearly fell off my chair,” Ramona Schmidt shared in the video description of “Here I Am … I Am Me” on YouTube. “It was so much more than I ever expected. The quality of the vocals and the music itself are amazing, but the subject matter is so heartfelt and moving and describes Anthony perfectly, even mentioning his ’57 Ford and Silver Hawk. Anthony got a huge kick out of that part.”

Martin called it “probably the hardest song I’ve ever written with a pre-determined subject matter. Especially trying to say something through the eyes of Anthony or my grandson, Peyton. I’m not them and I can only speculate how they might view life around them. At times, when I was recording and mixing this song, I would get choked up.”

Anthony’s amazing story and incredible talent have the same effect on us. You can be sure you haven’t heard the last of this talented automotive photographer.

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Jake Davis Shares The Secrets Behind Epic Wildlife Photography

Jake Davis Shares The Secrets Behind Epic Wildlife Photography
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Wildlife photography and videography are fields that not only require technical skill and patience but also a deep understanding of animal behavior and a commitment to conservation. Professionals use a variety of techniques and technologies to capture stunning images of elusive creatures without disturbing their natural environments.

I spoke with Jake Davis, a sought after wildlife photographer, about his work capturing snow leopards for the BBC special, Planet Earth III. He shared the challenges these photographers face and the innovative solutions they employ to bring the wild into our homes.

Understanding Animal Behavior

Jake told me that one of the primary challenges in wildlife photography is understanding and predicting animal behavior. He described how different species react uniquely to cameras and human presence. For instance, cats, both big and small, exhibit a curious nature that can sometimes be leveraged to get captivating close-ups. However, other animals like wolves or bears may be more challenging to photograph due to their cautious nature.

Jake’s approach involves allowing animals to become accustomed to camera equipment, a technique that requires patience but often results in naturalistic shots that do not betray the presence of the observer.

This methodology underscores a crucial balance: capturing a great shot with minimal impact on the animal’s behavior.

Technological Advancements in the Field

Jake shared that the advancement of camera technology has significantly transformed wildlife photography. Camera traps, for instance, have become a staple in capturing images of particularly elusive animals like snow leopards and mountain lions.

These devices can be left in remote areas to record images when triggered by motion sensors. Jake discussed the logistical challenges of using such equipment, including ensuring they are powered for months in extreme conditions without human intervention, sometimes necessitating the help of local individuals to maintain the equipment.

He explained that a properly tuned system can stay powered on lithium batteries for about three months. Eventually, though, the batteries will need to be replaced, and sometimes he hires someone local to do the swap. “I did have a local herder actually do it on one of the trips, and he did a really good job.”

Jake also stressed, though, that it’s not quite as simple as swapping the batteries in your flashlight. “It sounds simple—it’s just switching batteries out. But, there are so many things that have to be perfectly dialed for the whole system to work. It’s really easy for somebody to come in who doesn’t have all that knowledge and do more harm than good.”

We also discussed the ways that artificial intelligence is poised to revolutionize this field further. Future AI-enhanced cameras could adjust settings automatically based on changing light and weather conditions or even detect animal faces and behaviors, initiating recording without the need for physical triggers. This could dramatically increase the efficiency of capturing high-quality footage, especially in variable environmental conditions.

Technical Challenges and Solutions

The unpredictability of natural light and the need for significant post-processing are other hurdles in wildlife photography. Jake mentioned adjusting camera settings such as white balance and exposure to suit the natural lighting, which often involves a compromise between the desired aesthetic and the practical limitations of the environment.

Post-processing plays a pivotal role in wildlife filmmaking, where raw footage is enhanced to emphasize certain elements without distorting the authenticity of the scene. Techniques such as compositing can be used to manage unpredictable elements like weather or to integrate footage shot in different conditions.

Ethical Considerations and Conservation

Ethics are at the heart of wildlife photography. Jakes emphasized that it is crucial to minimize human impact, ensuring that the presence of cameras does not alter animal behavior or endanger their well-being.

The conservation aspect also comes into play, as many wildlife photographers and filmmakers are driven by a desire to highlight the beauty of nature and the urgent need to preserve it. Through their lenses, they advocate for the protection of natural habitats and endangered species.

Tips for Aspiring Wildlife Photographers

For those looking to enter the field, here are a few tips based on the experiences of professionals like Jake:

  1. Patience is Paramount: Spend time in the field observing and understanding the behaviors of your subjects.
  2. Embrace Technology: Utilize the latest camera technologies and be open to adopting new innovations such as AI.
  3. Ethical Practices: Always prioritize the well-being of wildlife over getting the perfect shot.
  4. Skill Development: Continuously refine your skills in both shooting and post-processing.
  5. Conservation Focus: Use your work to contribute to conservation efforts and raise awareness about environmental issues.

Wildlife photography and videography are not just about capturing stunning images but also about understanding and preserving our world’s natural heritage. Through the lens of dedicated photographers, we gain a glimpse into the intimate lives of creatures around us, fostering a deeper appreciation for our planet’s biodiversity.

Blogging for photographers

Blogging for photographers

I think the benefits of blogging are largely underestimated. Perhaps blogs suffer from the misguided perception that they never evolved from the amateurish prose seen at the dawn of the Internet. Or maybe they just don’t seem as exciting or valuable as other digital or multimedia tactics?

The reality is that blogs can be powerful for your photography business, no matter how big or small. They can help increase your web presence and personal brand, and therefore can help increase your potential customer base and professional opportunities.

How to start

Before you start writing, take a moment to assess your potential topics. What are you an expert in? Is there a niche that doesn’t have a lot of established web content? What are your potential customers looking for? Are there keywords that you want to improve your search ranking for, in order to better reach your customer or make a dent against your competition?

It’s smart to write about a solution you provide for your customer, rather than overly promote yourself. There are more subtle ways to show your value, such as finding topics that can also showcase your work. Potential customers like to think they stumbled upon solutions without the hard sell.

You may not get much interest at first, but over time blogs can only help. In my case, writing blogs helped lead to other opportunities in my areas of expertise. So, while it can be about getting more customer business, it can also be about gaining more opportunities on a larger professional scale.

SEO booster

Blogs can have an awesome impact on your search engine optimization (SEO). This is because they provide more pages on your site that speak to topics relevant to your customer. It will help your site match search intent of potential customers. Google notices this, and soon your site starts to become more of an authority on such topics. There’s also the chance that blogs will create more referring domains and backlinks to your site.

All of this helps your site climb the search engine results page (SERP). The more pages of relevant content you provide around keywords and topics important to your services and customer needs, the better chance of being found in search. So whether you’re a beginning wedding photographer or Nat Geo’s go-to person, this tactic helps pull in more organic traffic.

Ramping up

Once you’re figured out your approach, create a plan for a consistent series of high-quality writings that execute your strategy – slowly working up to a known cadence of articles that have variations on your central theme. Note that high-quality writing doesn’t always mean lengthy. Sure, you don’t want to be overly short with 200 words or less, but you also don’t need to necessarily be 2,000 words or longer. Write enough to remain engaging and impactful.

Play around with your approach. Be sure to include multimedia content (photos, videos, etc) to keep audience engagement and break up long blocks of text. Always have a call to action, and consider if you should throw in some customer testimonials or offers at the end. Do you need a push from your social channels or paid search ads to get your blog known?

Remember to look at the data of your blogs. Analyzing the numbers can help you realize which approaches are working best, or if you are writing too much or too little.

Stand out

Finally, see if there is a way to stand out in a sea of blogs. Sometimes the most successful blogs for your business don’t seem related to your business at first glance. For example, if you love newborn photography, you can write a blog on tips for new parents. There will be a lot of competition in that space, but if you have a fun, interesting, and informative approach, you’ll get people calling you for photos from a blog that really isn’t about photos. Likewise, travel photographers can write a travel blog with tips on hidden gem restaurants to pull in an audience.

Get known for something. Find that niche. And, see the impact on your profession. Do it all with blogs, the often forgotten digital tactic.

The street photography camera no one is talking about

The street photography camera no one is talking about

Tamron – Need lightweight, compact mirrorless lenses? Tamron has you covered, with superior optics perfect for any situation. With weather sealing and advanced image stabilization, you’ll open up your creative possibilities.

Radiant Photo – Radiant Photo superior quality finished photos with perfect color rendition, delivered in record time. Your photos — simply RADIANT. The way they are meant to be.

Mylio Photos – Access your photos from anywhere, without the cloud! Easily showcase your photos on-the-go, resolve duplicates, find faces and look for those stunning locations.

B&H – B&H is a world renowned supplier of all the gear photographers, videographers, and cinematographers need and want to create their very best work.

MPB – Grab used but perfectly working cameras and lenses for less, or turn your old gear into cash by trading and selling them on MPB!

Kesh is the multi-disciplinary artist refusing to be categorised

Kesh is the multi-disciplinary artist refusing to be categorised
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Following her latest performance and showcase at the Ki Smith Gallery in New York, we spoke to the boundary-breaking performer about her latest exhibition, the worst advice she’s ever received, and the time she almost became a ballerina

22April 2024

Kesh is a multifaceted British artist whose creative prowess transcends the realms of visual art, music, and fashion. She first established her artistic voice through acclaimed international solo exhibitions and most recently showcased some of her artwork at the Ki Smith Gallery in New York for their Poetry & Pose: Screen Test by Andy Warhol exhibition.

Beyond fine art, Kesh is a DJ who joined pop star Anitta on her 2022 Summer Tour, an art director and photographer who produced the Good American 2022 campaign with 90s powerhouse group TLC, and so much more.

Her work defies conventions, seamlessly melding creative technology with experimental soundscapes. We spoke to Kesh about her most recent exhibition, an experience that profoundly influenced her artistic perspective, and the worst advice she’s ever received. 

What initially inspired you to combine various artistic practices, such as visual art, music, design, and fashion?

Kesh: It happened very naturally. I’ve always had a creative mind and experimented with multiple mediums. I wanted to do fashion design, but I also had a deep passion and interest in music. The visual art evolved through applying my artworks to clothing, then broke off into its own expression as I gained exposure to Fine Art. My love of music allowed me to build a personal musical archive that spans many genres, which I apply to DJing and later music production, which has been a beautiful journey. Although I was encouraged to choose one path, it wasn’t possible. I explored all mediums and built in each area as I moved forward.

What came first for you: music, visual art, design or fashion?

Kesh: It’s hard to say. All were in flow at the same time. As a young child, I would collect a lot of music and play specific songs on repeat, obsessing over the rhythm and production of a track. But at the same time, I’d make little outfits for my Barbies and put on fashion shows. I studied ballet and gymnastics and wanted to maybe become a ballerina one day. However, once I was told there weren’t many opportunities for ‘Black ballerinas’, it shifted my perspective, and I think since I was already such a hyper-creative, I decided to choose something that wasn’t so front-facing. Now that I think about it, it’s pretty sad that I had to make those kinds of pivots at 14, but ultimately, my passions were spread across many mediums anyway.

My first real step as an independent artist was in design. I was drawing on clothing, creating artwork I would print onto t-shirts and sell online. I would create my own little worlds and continuously expand upon the vision. But simultaneously, I was beginning to DJ, making my artwork, creative directing, and being a fashion editor at an underground magazine, so I’ve always been a jack of all trades. It’s hard to say what my first artistic love was – I think it was just creating in general.

“It’s hard to say what my first artistic love was. I think it was just creating in general” – Kesh

Can you tell us more about exhibiting your work and performing at the Ki Smith Gallery, alongside unique screen tests by Andy Warhol, and what that experience meant to you?

Kesh: Honestly, this was one of the top five moments of my life. It was such an incredible experience to create a world within an Andy Warhol exhibition and move through my many mediums within one show. I created an experience that focuses on my process as an artist, exploring previous series and shows, creating new live works, and performing new unreleased music on stage. We displayed 26 artworks from my previous shows and personal archives, which were also available to collect. It was a huge undertaking and took a large team to execute since there were many moving parts. Still, it unfolded beautifully as everybody’s contribution of time, energy, focus, and passion helped build an incredible experience. 

I say it’s one of the top five moments of my life because I feel that this was the first time I had covered every area of my artistic and creative expression in one show. Usually, it’s compartmentalised in ways – a visual art show, a live music performance, a clothing release, a DJ set, or a live drawing — but that night, it was everything. All together. All at once. And for me, that was healing. I felt complete like all my puzzle pieces had finally been together.

Can you describe a moment or experience that profoundly influenced your artistic perspective or direction?

Kesh: The passing of my friend Ian changed me a lot. He was an incredible producer that went by the name of ‘Napolian’ and we made a lot of work together. Beyond our friendship, we intensely focused on music and spent many hours working on it. I would produce these beats, write these songs, and then collaborate with Ian to evolve them into insane tunes. I can’t count how many hours we were in the studio, fully locked in. I have a pretty solid sound in terms of my production, and so did Ian, so when we combined our worlds, we made beautiful work. But we never released any of it. Not a single track.

I’ve mentioned in previous interviews that music is a really vulnerable place for me. I’m used to expressing myself through imagery, so when it comes to sonic frequencies and sharing my voice and words, I feel slightly nervous about putting them out. It wasn’t about what people thought of me, but it was just that I wasn’t used to being so open. So, I would subconsciously find ways never to finish or put the work out.

Ian would always encourage me to be less afraid and to learn to let go of the music and let it enter the world. But I couldn’t. A few years later, I put out a track or two of my own, ‘Not Gaan Out’ and ‘Jadines Escape’, then we hopped on a call and said let’s work on some new stuff together. I sent him some beats and songs I’d made, and we were excited to lock back in. He died shortly after that.

That changed a lot in my life. Ian was young, in his twenties. His sudden passing had a profound effect on me, especially artistically. I know he had so many goals, dreams, and projects that never came to life, and it was a wake-up call for me not to be so caught up in it all. To let go, like he told me. His positive words and attitude inspire me, and I think of him often. I do this for myself, but I also do this for him and the other friends and artists I have lost who never got to see their dreams come to life fully.

What’s the last text you sent?

Kesh:I just wanna do the eclipse and chill’ – me to my babes, Alexa Demie.

What’s your love language?

Kesh: Physical touch. I’m super affectionate to the people I’m close to, and I love cuddles and snuggles with my friends. If I feel safe with you, I’ll be like a kitty cat.

What fictional character do you most relate to and why?

Kesh: Harry Potter because he was an orphan who grew up feeling unwanted and unloved. He then took risks, faced challenges, conquered darkness, and eventually made a nice life for himself. It’s basically my life but in a slightly different format.

You encounter a hostile alien race and sound is their only mechanism for communication. What song would you play to them to inspire them to spare you and the rest of the human race?

Kesh: It’s either that ‘Somewhere Over The Rainbow’ by Israel Kamakawiwo’ole to chill everyone out and settle down the situation, or I’d pull up some CDs and throw on the heaviest hardcore hardstyle track and getting a rager going because who can deny a big banger? I’d have to read the mood and the vibe of the hostile alien race, but those are my two options.

What’s the worst advice you’ve ever been given?

Kesh: Just choose one thing and do that.

iPhone 16 Pro to elevate mobile photography with Sony sensor

iPhone 16 Pro to elevate mobile photography with Sony sensor

Apple’s upcoming iPhone 16 Pro is predicted to feature Sony’s new sensor technology, significantly improving its imaging performance. Experts foresee this groundbreaking technology enhancing the phone’s low-light photography, contributing to high-quality images and more vivid videos. Consistent rumours are suggesting an upgrade in the smartphone’s optical zoom capacity.

The sensor upgrade is driven by Sony’s stacked sensor technology, making each captured pixel twice as light-sensitive as the current Apple sensors. It mainly benefits low-light photography performance, adds depth to images, accelerates autofocus, and the promise of increased power efficiency puts the iPhone 16 Pro on track to revolutionize mobile photography.

Apple’s vision for the iPhone 16 Pro Max includes stronger low-light performance, revolutionizing its camera capabilities. The intention is to differentiate it from other models, providing an upgraded point-and-shoot experience in dimly lit conditions, making it more appealing to potential buyers.

The iPhone 16 Pro and iPhone 16 Pro Max will also feature a tetraprism lens, operating like a periscope, and LiDAR technology for increased depth sensing.

Enhancing iPhone photography with Sony sensor

The likely introduction of improved computational photography capabilities aims to boost photo quality significantly and benefits areas like night mode and portrait mode functionalities.

These iPhone models will be trailblazers, powered by Apple’s most advanced chip for maximum performance and efficiency. With extended battery life, users will enjoy longer periods of uninterrupted usage. The Retina XDR displays promise vibrant, crisp images and Ceramic Shield protection for four times better drop performance.

Continually pushing the boundaries of smartphone technology, Apple is rumoured to upgrade the optical zoom system, from the x3 of the iPhone 15 Pro to an x5. Potentially, an exciting x25 digital zoom feature will be added. Imaginably, an advanced image sensor and an increase in megapixels, with rumours of a 144-megapixel camera, will place the iPhone 16 series at the forefront of smartphone technology.

Apple’s innovations extend beyond hardware with the anticipated integration of AI-enhanced elements into iPhone 16, proposing optimization in image capture, processing, and editing capabilities. More detailed revelations of these upgrades are expected at Apple’s Worldwide Developer Conference in June.

Own Richard Avedon’s one-of-a-kind Leica M6!

Own Richard Avedon’s one-of-a-kind Leica M6!

The Leica M6 is cemented as one of the greatest cameras in history and was used by some of the most notable photographers of all time. The 35mm analog camera was incredibly popular in documentary, photojournalism, and what is now considered street photography, and was a particular favorite of one of its founding fathers, Henri Cartier-Breeson. 

Bonhams, an auction house in London, has an exceptional piece of photography history going up for auction. Not only is it one of the best Leica cameras of all time, it belonged to a legend of the medium – Richard Avedon. 

(Image credit: Bonhams)

This one-of-a-kind camera is an apple green Leica M6 that was specially commissioned by Sheikh Saud bin Mohammed Al-Thani and gifted to Richard Avedon in 2001. Renowned as a huge photography enthusiast, Al-Thani commissioned six M6 cameras from Leica and gifted them to Irving Penn, Helmut Newton, Henri Cartier-Bresson, Khalifa Al-Obaidly, Richard Avedon, and Sebastião Salgado – 6 of the most eminent photographers of the time.

Avedon’s apple green leather-bodied camera was number 4 of 6 and was presented to him while working in his New York studio in 2001. The camera is inscribed ‘As a gift to Richard Avedon’, and features the signature of Al-Thani. The M6 also comes with a Summilux-M f/1.4 50mm lens, a classic combination.

It is stated that Avedon never in fact used this camera for taking photographs. A lot of Avedon’s work was created with either large or medium format cameras, such as an 8×10 or a Rolleiflex, and with the uniqueness of the piece, this camera was likely kept as a keepsake and most likely has never been exposed to a roll of film (or exposed one!)

Avedon’s Leica M6 with lens is lot number 65 in an upcoming auction at Bonhams on April 24, 2024, and the estimated cost of taking home a piece of photographic history is between £30,000 – £50,000 / $37,000 – $62,000.

See our guides for more information on the best Leica cameras, the best Leica M lenses, and the best Leica alternatives

Peter Hujar’s Delicate, Devastating Portraits of Life and Death

Peter Hujar’s Delicate, Devastating Portraits of Life and Death

April 22, 2024

Lead ImageDivine, 1975© The Peter Hujar Archive/Artists Rights Society (ARS), NY

Do we live on in photographs; can they offer us a kind of immortality? Or do we figuratively die the moment our photograph is taken, after which the image painfully recapitulates death itself? Perhaps the photographed subject occupies a space between the two, not quite alive, not quite dead.

These are just some of the questions that arise in the work of New York photographer Peter Hujar, whose series Portraits in Life and Death is currently showing in Europe for the first time. Walk through the rooms of the exhibition at the 60th Venice Biennale and you’ll run into some familiar faces; John Waters, Susan Sontag, Fran Lebowitz and William Burroughs are among those Hujar photographed in his studio, all of whom were his friends. But the show offers more than a hall of fame. Alongside the portraits of celebrities are those of lesser-known figures from Hujar’s 1970s Lower East Side artistic milieu, captured in intimate states of repose and vulnerability, as well as a haunting set of images taken a decade earlier, in the early 60s, of embalmed bodies in the Capuchin Catacombs in Palermo, Italy.

That these photos of eerie and entombed remains sit alongside the black and white portraits of contemporaries was Hujar’s intention; he placed the two series side by side in his first and only monograph, also titled Portraits in Life and Death, published in 1976. Hujar’s friend, the writer and critic Susan Sontag wrote in the book’s introduction, “Photography … converts the whole world into a cemetery. Photographers, connoisseurs of beauty, are also – wittingly or unwittingly – the recording angels of death. We no longer study the art of dying … but all eyes, at rest, contain that knowledge. The body knows. And the camera shows, inexorably.”

We often think of death as the great equaliser. We all die eventually. One of the most striking images in Hujar’s collection – a masked corpse that appears to be laughing, and the cover image for the monograph – seems to make this point. Yet the reality presents a more complicated picture. Death may be accelerated for those without the means to stave it off through access to the right healthcare, as the untimely death of many of Hujar’s subjects illustrates. There is also the question of who is granted the privilege of remembrance. Take the catacombs where Hujar photographed the mummified bodies, which attest to this uncomfortable fact: the people preserved there were well-known or elite figures who could afford to pay for the embalming process and to be kept on view.

“The catacombs were created for the elite to remain as lifelike as possible, a space for visitation and remembrance,” explains the Venice show’s curator, Grace Deveney. “In those photos, Hujar is drawn to bodies in frames and set up for display. The catacombs were an early way of thinking about photography’s unique possibility to bring life and death together and fix them through these momentary glimpses. When he turns to portraiture he is capturing people with a sense of impending death in life.”

Like the catacomb photos, with their coffins and encasements, in his studio portraits, Hujar’s frame appears to encapsulate and hold his subjects, often as tenderly as they had just died in his arms. Some later did; one image in the show features James Waring, a dancer who died in his fifities, with Hujar taking care of him. Other images Hujar later took (not present in the Venice show) include an image of Warhol superstars Jackie Curtis – after death from a heroin overdose – and Candy Darling, on her deathbed before she passed away from lymphoma at just 29 (an image that later became an album cover for Anohni and The Johnsons).

When Hujar himself was hospitalised in 1987 from Aids-related illness, the artist David Wojnarowicz, Hujar’s former lover, turned the photographer’s camera around, capturing Hujar for posterity, as though not only to complete the Portraits In Life and Death series, but to document the grave tragedy and injustice of the ongoing Aids crisis. Look hard enough at Hujar’s portraits, and you might discern a knowing look in his subjects that seems to foreshadow how Aids would ravage the landscape of the East Village, taking the lives of this network of mostly queer performers and artists that Hujar surrounded himself with.

Although many of Hujar’s subjects are people of note, Deveney suggests “he was not drawn to photographing famous people” but – as Hujar himself put it – “those who push themselves to any extreme […] and people who cling to the freedom to be themselves.” Dancers and people with dynamic practices were a draw, says Deveney, referencing portraits of Kenneth King, a dancer and choreographer, and Larry Reed of the Trocadero dance troupe. “I think he photographed them in these moments of rest, not moments of performance, because he was interested less in performers on stage or as public facing artists but as people who, outside of the image, can do this extraordinary, transformational or transgressive thing.”

Speaking to AnOther, photography critic Vince Aletti (and a friend of Hujar’s), agreed that Hujar was not preoccupied with fame. Besides the fact that many of his subjects were not yet famous at the time their portrait was taken, Aletti remembers Hujar himself as an aloof person, wary of mainstream success, and interested in cultivating authentic relationships – both with those in his personal life and with his sitters, who were often one and the same. “Peter rarely photographed people that he didn’t care about. [He] waited for them to let go, rather than giving him their ‘camera face’,” recalls Aletti.

The irony is, however, that the more famous portraits have in part, contributed to Hujar’s recent recognition in the art world and among those with an interest in queer archives and histories. Ten years ago Hujar may not have been recognisable, despite his distinct good looks (best captured in his own mesmerising self-portrait). Now, with the Venice show, and a reissue of the book Portraits In Life and Death forthcoming in October 2024, things are  changing. Soon, the actor (and two-time Another Man cover star) Ben Whishaw will play Hujar in a film biopic. Little known beyond his immediate circles and barely earning a dime during his lifetime, today – long after his death – Hujar is becoming a photography superstar revered for his formal expertise and distinct ability to see into a subject’s soul.

This brings us back to the question of who is and isn’t remembered, and Hujar’s fascination with how photography can play an intervening role. As Roland Barthes put it: “In an initial period, photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs.”

Portraits in Life And Death by Peter Hujar is on show at Istituto Santa Maria della Pietà in Venice until 24 November 2024.