Over 50 years ago, sisters Gail Jones and Jacqueline Hayes had their picture taken by official Black Panther Party photographer Stephen Shames. The sisters don’t recall much about that cold December day in 1970. But Hayes does remember Shames positioning her, Jones, their brother Frederick Hayes, and their two friends, sisters Frances and Eva Phenix, for the photo. “We were down in Dudley [Square ]… on some corner,” Hayes said. “I think we had to sign something because we were all underage.”

Now, that photo is on a wall at the Museum of Fine Arts, Boston. The sisters had no idea the photo had been printed, let alone installed as a part of “Comrade Sisters,” an exhibition of Shames’ photographs highlighting women of the Black Panther Party, on view through June 24.

“We were young,” Jones said as she looked at the photograph on the MFA’s wall for the first time. They were teenagers at the time, volunteering for the Boston chapter of the Black Panther Party. “[My siblings] used to get up in the morning and go to help feed people at the free breakfast program in Jamaica Plain … we used to be down [in] Dudley, selling newspapers.”

Identifying the photo

The journey to identify the photo started before I even met Gail Jones. I first saw the image a week prior while touring “Comrade Sisters” with curator Karen Haas. For years, Shames captured photos of Black Panther Party members across the country — the exhibit highlights women in the Party. When I saw the picture on the gallery wall, it struck me, partially because it was taken in Boston but more so because all five teenagers in it were unnamed. The photo was just titled “Women of the Black Panther Party.” I asked Haas if there was any information on them but there wasn’t. “If anyone recognizes anyone, I’ll be thrilled,” Haas said.

“Many [of the pictures] never saw the light of day or were printed as photographs,” Haas explained. “These are modern prints made from negatives from the 1960s and early 70s.”  Meaning the people in the photo may have no idea the photo itself existed.

Originally, I’d planned to just write a review of the exhibit. But I knew that I had to try to find the people in the photo. So, I did what any good reporter would do — I posted a picture I’d taken of the photo on Facebook. Family and community members quickly responded and identified three of the teenagers as siblings Gail Jones, Jacqueline Hayes and Frederick Hayes.

Before the post on Facebook, Jones and Hayes had never seen the actual photograph. They had no way of knowing that it was up on a museum wall over 50 years after it was taken. “I’m in total shock,” Jones said. “I don’t think I own a picture of me at that age.”

Boston’s Black Panther Party

Jones, Hayes and their brother started volunteering for the party at a time when Boston was becoming increasingly more segregated. Predominantly white neighborhoods became more and more Black over the first half of the 20th century. Dilapidated apartments were sold or rented to Black families and white flight in areas like Roxbury and Dorchester ensued. Businesses and organizations left, leaving the growing Black population without access to important resources.

The original chapter of the Black Panther Party was founded in California in 1966 by Huey P. Newton and Bobby Seale. The Boston chapter opened in 1968 to meet the needs of Black communities in the city. Jacqueline Hayes found herself interacting with the party a few years later when she was a 15-year-old student at Jamaica Plain High School. The Panthers had a new office in Roxbury and members of the party were handing out newspapers. “One of the ladies … said, ‘There’s this cute guy … We need to go hear what he has to say because he looks so good,’” Hayes recalled.

In typical teenage fashion, she went down to see who her friend was talking about. They met the young man and ended up staying and listening to what he had to say. “He was talking all about the Party and then that led to ‘Well, we got an office up the street. You can come and you can volunteer,'” Hayes recalled. “So it started out like that. And once we got in, we were in.”

Jones joined her siblings after a friend died of an overdose. It had a profound impact on her. “That was a very tough time in my life,” Jones said. “I started running with my brother and sister … And when they started going to the Black Panther Party, it was something that gave me hope again … It helped to build me back up from that devastation.”

The siblings did a variety of things as volunteers. Jones handed out Black Panther Party newspapers at what is now called Nubian Square. Hayes and Frederick worked at the local free breakfast program that operated out of Jamaica Plain. “And then within like a week or two weeks, we were running the program. I mean my brother had the keys. We were in charge,” Hayes said. “We were in a big gymnasium or community room and I remember my brother, he would go in there and he had a sound system. He had that music pumping.”

Women like Jones and Hayes were involved in much of the community care work the Panthers provided. Over 65% of the Black Panther Party’s membership was comprised of women. Though they were volunteers and not official members, the siblings found value in the work they did. They also attended political education classes. “We learned so much,” Hayes said. “We’d go to school and say ‘How come you didn’t tell us this? You just said that we were slaves.’”

After the party

After a few years of volunteering, the siblings stopped. Leadership within the party grew tumultuous and members across the country were being arrested or harassed by police. “Things got hot,” Hayes explained. The Boston Black Panther Party shuttered its doors in 1972. At the time, branch offices of the party were ordered to close and members asked to go to Oakland to support Bobby Seale and Elaine Brown’s electoral campaigns.

Though they stopped volunteering for the party, the siblings never forgot the things they learned or experienced. Jones went on to work for the MBTA as a drug and alcohol coordinator and was an associate minister at a local church. Hayes moved down to Florida in 2015 and helped lead a campaign to restore and preserve the Whispering Souls African American Cemetery, where two of the siblings’ grandparents are buried. She is also the president of the board for the nonprofit of the same name. Hayes says that Frederick, who passed away in 2016, was well-known in Boston for the work he did in the community. “He was the one that was always in the news,” she said.

Eva Phenix, another woman in the photograph, is living with dementia. Jones visited her and showed her the picture. “She said, ‘That’s us Gail!’ And I said, ‘I know,’” Jones shared. “I was so happy to show her the picture because she recognized everyone. So that was another happy moment. It was awesome.”

No longer unnamed

There’s no changing the title of the photo, but the MFA has updated the label with the names of those in the image. “I’m just incredibly excited that this story is getting told,” curator Karen Haas said. “I never imagined we’d actually be able to put names with the faces that we’ve all been looking at these last few weeks.”

For Jones and Hayes, seeing the photo has been a full-circle moment of sorts. “I’m glad that I can look back and see the work that we did at such a young age,” said Jones. “We made a difference and that’s good. I’m sure we made our mother proud.”

And it all started with a simple Facebook post. “That picture has just brought up so many memories,” said Hayes. “I’m so glad you did that post.”

So am I.

In a light-hearted moment during spring training, New York Yankees outfielder and five-time All-Star, Aaron Judge, decided to explore his photography skills, capturing the attention of baseball fans and sparking a wave of reactions online. This incident not only showcased Judge’s off-field talents but also added a playful chapter to the Yankees’ spring training narrative.

From Home Runs to Shutter Speeds

During a relaxed day at spring training, Aaron Judge was seen wielding a camera in the dugout, a sight that quickly caught the attention of fans and spectators. A video of Judge’s photography attempt was captured, leading to widespread curiosity about the quality of his shots. The Yankees, perhaps wanting to reassure fans that Judge’s talents firmly remain on the baseball field, released a notably blurry image of three umpires standing on the field. While it remains unclear whether this photo was genuinely taken by Judge or part of a playful jest by the team, the episode provided a humorous glimpse into the team dynamics and Judge’s willingness to engage in lighthearted activities off the field.

Fan Reactions and Speculations

The Yankees’ post, showcasing the blurry image, received mixed reactions from fans. While some appreciated the humor behind the post, others were genuinely curious to see if Judge had captured any high-quality images. This playful interaction between the team and its supporters underscores the importance of maintaining a connection with the fanbase, even through offbeat and fun content. The incident also led to speculation about whether Judge might release more of his photography work in the future, reminiscent of other MLB players like Randy Johnson and Ken Griffey Jr., who have pursued photography professionally.

A Glimpse into Athletes’ Off-Field Interests

Aaron Judge’s foray into photography, whether serious or in jest, highlights the multifaceted interests of athletes beyond their sporting careers. It serves as a reminder that players have diverse hobbies and talents that fans rarely get to see. This incident, while minor in the grand scheme of things, adds depth to Judge’s public persona and offers fans a more rounded view of their favorite athletes. It also prompts a broader conversation about the importance of supporting athletes’ endeavors outside of their professional commitments, recognizing them as individuals with varied interests and talents.

As spring training continues, fans will undoubtedly be on the lookout for more lighthearted moments and glimpses into the personalities of their favorite players. While Aaron Judge’s primary focus will remain on leading the Yankees to success on the baseball field, his brief venture into photography has certainly provided fans with an entertaining story to follow.

Aaron Judge, a renowned five-time All-Star for the New York Yankees, recently made headlines not for his prowess on the field, but for his attempt at photography during a spring training game. The Yankees’ subsequent post of a notably blurry image, allegedly taken by Judge, has fueled both speculation and amusement across the fanbase. This quirky incident not only showcases Judge’s burgeoning interest in photography but also aligns him with a growing list of MLB players, including Hall of Famers Randy Johnson and Ken Griffey Jr., who have explored photography alongside their sports careers.

From Bat to Camera: Aaron Judge’s New Swing

During a recent spring training session, Judge was caught on video swapping his baseball bat for a camera, aiming to capture the game from a different perspective. The curiosity and excitement among fans were palpable, leading many to eagerly anticipate the outcome of Judge’s photographic endeavor. The Yankees played along, releasing an extremely blurry photograph of three umpires on the field, leaving fans in stitches and wondering whether this was Judge’s actual work or a playful jab by the team.

A Trend Among Titans: MLB Players Behind the Lens

The incident sheds light on a lesser-known trend of MLB players taking up photography. Notably, Hall of Famers Randy Johnson and Ken Griffey Jr. have been known to photograph professional sporting events, suggesting a creative outlet beyond the diamond. Judge’s foray into photography, whether serious or in jest, adds a new chapter to this narrative, highlighting the multifaceted talents and interests of these athletes.

Fan Reaction and Future Prospects

The reaction from the Yankees’ fanbase ranged from amusement to admiration, with many appreciating the team’s humor and Judge’s willingness to engage in new activities. While it remains unclear if the blurry image was indeed Judge’s handiwork, the episode has undoubtedly added an interesting layer to his persona. Fans now eagerly await any future releases of Judge’s photography, hopeful for clearer snapshots but equally entertained by the possibility of more lighthearted content from the Yankees’ camp.

The playful incident involving Aaron Judge’s photography attempt has not only provided fans with a good laugh but also reminded us of the importance of hobbies and personal interests in providing a well-rounded life, even for professional athletes. As the lines between sports, art, and entertainment continue to blur, we may see more athletes like Judge sharing their off-field talents, enriching the sports world with their diverse pursuits.

Last night the Melbourne advertising community descended upon Truce HQ for a party to celebrate the occasion and a showcase work. 

Five visionary photographers will head up the roster:

Alex Drewniak 

Astrid Salomon

Benny Capp

Jess Brohier

Nick Dale 

– each exceptional, offering their own diverse sensibilities. 

The event was sponsored by Bodriggy Brewery Company and Gonzo Vino, alongside the Yakiboyz who kept the Hibachis fired up all night long.

“We’re making a Truce between motion and stills,” says Executive Producer Elise Trenorden. “With more and more agencies and clients requiring a stills solution in isolation or as part of a campaign, it felt like a natural progression for us to increase our offering as a production company. We’ve been following these remarkably talented human beings for some time and we’re excited they’ve jumped at the chance to work with us”.

The launch of Truce’s photography collective marks a significant milestone for the company, further solidifying its commitment to fostering creativity.

The global Photography Services market is witnessing unprecedented growth, with projections showing a leap to $68,890 million by 2028, marking a significant increase from $50,760 million in 2021, at a compound annual growth rate (CAGR) of 4.4% during 2022-2028. This surge is largely attributed to the adoption of sophisticated photography equipment and technological advancements that empower photographers to tackle challenges related to weather and lighting, thereby enhancing the quality of their services.

Technological Advancements Reshape the Industry

Among the notable developments, the rise of DSLR cameras, drone cameras, and specialized lenses has been pivotal in overcoming traditional photography challenges. These advancements not only improve the quality of photography but also open up new avenues for photographers to explore and innovate. For instance, the increased use of drone cameras has revolutionized landscape and architectural photography, providing unique perspectives that were previously difficult to capture.

Market Expansion and Freelancer Opportunities

Despite historical undervaluation and market oversaturation, the demand for photography and videography jobs has seen a significant uptick in 2023. Freelancers in the United States are now able to charge up to $300 per hour for photography services. This reflects a broader shift towards visually engaging content in the digital age, with brands increasingly incorporating video into their marketing strategies. The rise of freelance photography as the highest paying segment highlights the evolving landscape of the industry.

International Hotspots for Photography Careers

Identifying the highest paying countries for photographers involves analyzing both demand and compensation. France, for instance, stands out for its rich arts and culture scene, offering ample opportunities for photographers to thrive. Similarly, New Zealand’s stunning landscapes and Norway’s unique natural beauty make them attractive destinations for photographers seeking high-paying roles. These countries, among others in the top 15 list, provide not just competitive salaries but also diverse environments that fuel creativity and professional growth.

In conclusion, the global photography market’s growth trajectory is a testament to the industry’s resilience and adaptability in the face of technological advancements and changing market dynamics. As the demand for visually captivating content continues to rise, photographers now have more opportunities than ever to pursue rewarding careers, both financially and creatively, across the globe. This evolution, underscored by the identified top 15 highest paying countries, marks a promising future for professionals in the field.

Nebraska Through the Lens, a beloved Facebook page showcasing the beauty of Nebraska through photography, was abruptly shut down by Facebook, citing violations of intellectual property rights. Founded by Steve Evans in 2013, the page had grown to a vibrant community of over 465,000 members from around the globe. The unexpected closure has left its creator and contributors seeking answers and debating the nuances of intellectual property on social media platforms.

Community Cornerstone to Controversial Closure

Nebraska Through the Lens became a digital haven for photography enthusiasts and those seeking a visual escape. Its vast collection of images ranged from serene landscapes to dynamic weather shots, all contributed by its members. The page’s strict moderation ensured a focus on quality and respect for intellectual property, with Evans dedicating hours daily to vetting submissions. Despite these precautions, Facebook’s automated systems flagged the page for violating community standards related to intellectual property, leading to its abrupt and permanent deletion. This decision has not only sparked a debate on the platform’s handling of such issues but has also left a void in the hearts of its community members.

The Intellectual Property Quandary

The incident raises critical questions about the management of intellectual property rights on social media. While Evans and his team were vigilant in upholding these rights, the opaque nature of Facebook’s enforcement mechanisms has brought the challenges of digital content management to the forefront. The lack of clarity and the inability to appeal the decision highlight the precarious balance between protecting creators’ rights and fostering online communities. This case serves as a cautionary tale for other digital spaces, prompting a reevaluation of how intellectual property is governed in the era of user-generated content.

Looking Beyond the Lens

As Evans contemplates the future, the loss of Nebraska Through the Lens underscores the broader implications of such closures on digital communities. The incident not only deprives photographers of a platform to share their work but also diminishes the collective cultural and aesthetic value that such communities offer. In the absence of clear guidelines and transparent processes, the fear of unwarranted shutdowns may stifle creativity and participation in online spaces. This event calls for a dialogue between social media companies and their users to establish fair, transparent, and consistent practices that protect both intellectual property rights and the vibrant ecosystems they support.

The closure of Nebraska Through the Lens by Facebook opens up a complex discussion on intellectual property rights, content moderation, and the future of online communities. As digital platforms continue to evolve, finding a harmonious balance that respects creators’ rights while fostering community engagement will be paramount. This incident serves as a reminder of the delicate interplay between technology, law, and human creativity in shaping the digital landscape.

•  The realme 12 Pro+ 5G stands out with a segment’s only 64MP periscope telephoto lens powered by a 1/2″ OV64B sensor with 3x optical zoom, 6x in-sensor zoom and up to 120x digital zoom.
•  The realme 12+ 5G boasts a Sony-LYT600 main shooter, perfect for vlogging. Notably, Malaysia is the first market to launch the realme 12+ 5G.
•  realme steps up its offerings through the partnership with Oscar-winning cinematographer Claudio Miranda and luxury watchmaker Ollivier Saveo.
•  Delivering an immersive audio experience powered by Dolby Atmos, the realme 12 Pro+ 5G and realme 12+ 5G are now available nationwide. Customers can bring home the realme 12 Pro+ 5G at RM1,599 for a limited time.

KUALA LUMPUR, Malaysia, March 1, 2024 /PRNewswire/ — realme, the fastest-growing smartphone brand globally, kickstarts its ‘Year of Imaging’ with the realme 12 Series, which consists of realme 12 Pro+ 5G and realme 12+ 5G. Championing realme’s ‘value-driven premium product’ philosophy, the realme 12 Pro+ 5G brings the segment’s only periscope telephoto lens. Notably, Malaysia is the first market to launch the realme 12+ 5G.

The Strongest Periscope Telephoto in The Segment

The realme 12 Pro+ 5G proudly introduces the only powerful telephoto periscope lens in its category, a feature traditionally exclusive to flagship models due to its high cost and technical complexity. realme 12 Pro+ 5G takes a giant leap forward with its periscope telephoto lens, offering unparalleled 3X optical zoom, 6X in-sensor zoom, and a focal length equivalent to 71mm. The heart of such an innovation lies in the OV64B OmniVision 1/2″ sensor paired with the industry’s highest 64MP resolution for periscope telephoto lens, promising crisp, detailed images with noise control even in low light.

Powering the coveted imaging powerhouse is a groundbreaking Omnifocal Photography System, a singular camera setup offering five lossless zoom levels – 0.6X, 1X, 2X, 3X, and 6X – a first in realme device. The system’s in-sensor zoom technology ensures incredible image quality with clarity far surpassing standard digital zoom, empowering users with the flexibility to select the perfect focal length for precise and vivid shots across various distances. Complementing this, the series also boasts a pioneering 120X SuperZoom, offering an unprecedented ultra long-range zoom capability in its class, setting a new benchmark for photographic versatility.

The SuperOIS technology is a cornerstone of this system, offering exceptional image stabilisation. This, combined with the flagship-grade Sony IMX890 sensor on the main camera, allows the realme 12 Pro+ 5G to excel in various photographic scenarios, particularly in low light and portrait settings.

Elevating Next-gen Imaging with Qualcomm Partnership

In collaboration with Qualcomm, realme introduces the industry-leading RAW domain algorithm with unparalleled imaging capabilities. This innovation ensures lossless data integrity, accurate lighting, shadow details and superior clarity and dynamic range. Meanwhile, realme 12 Pro+ 5G sports a 4nm processor, the Snapdragon 7s Gen 2, for a robust performance.

Meanwhile, as the Best Vlogging Smartphone, realme 12+ 5G is equipped with a 50MP-Sony LYT-600 sensor and Sony OIS, delivering stable, low-noise images across various scenarios. It features a 2X in-sensor zoom that maintains superior image quality while providing users the freedom to choose from various focal lengths, achieving flawless captures at varying distances.

Designed for ease of use, realme 12+ 5G offers the new Snap Portrait System, an innovative system for quick shot capturing that quickly launches the camera in 0.8 seconds and allows up to 208 photos per minute through continuous shooting. Boosted by realme’s exposure algorithms, intelligent subject autofocuses, motion detection, and Sony OIS, the success rate for fast-paced photos is improved by 40%. Further enhancing its versatility, realme 12+ 5G includes a 112° ultra-wide camera, micro camera and a 16MP HD selfie camera, catering to a wide range of photographic needs.

Cinematic Portraits in Collaboration with Oscar-Winning Cinematographer

The realme 12 Pro+ 5G revolutionises smartphone portrait photography with its Cinematic Bokeh Algorithm. It breathes life into full-body action shots by dynamically highlighting the character and subject while blurring the background. The algorithm, coupled with real-time aperture adjustment previews and hairline-level keying effects, makes sure a natural, refined bokeh with a shallow depth of field and precision is presented in every professional-grade photograph.

Meanwhile, realme 12 Pro+ 5G’s Cinematic Portrait Mode brings a cropped focal length equivalent to 80mm, the golden focal length for professional-grade portraits. It brings the subject to the foreground and highlights the facial structure, resulting in a true portrait instead of a loose close-up. The optical level bokeh feature further enhances this by reducing the appearance of the background while also bringing out the natural skin tones.

The quest to deliver cinematic photography does not stop here. With the Cinematic Aspect Ratio of 2.39:1, a hallmark of classic film production, realme 12 Pro+ 5G’s users can freely capture their moments without post-cropping.

In addition, realme has tapped a suitably illustrious name in collaboration for the customised Master Camera Filters: Claudio Miranda, the Oscar-winning cinematographer behind masterpieces like Life of Pi, Top Gun: Maverick, and The Curious Case of Benjamin Button. The filters are available on both smartphones.

Design Masterpiece by International Luxury Watch Designer – Ollivier Savéo

The realme 12 Series thrives in the intersection of luxury and technology with the partnership with Ollivier Savéo, famed for collaborations with prestigious Swiss watch brands like Rolex, Roger Dolby, Piaget, Breitling, and Quinting. The Golden Fluted Bezel, meticulously crafted with 300 triangular grooves, mirrors the intricate designs of high-end timepieces, offering an exquisite play of light. The Polished Sunburst Dial, boasting 500 gradient patterns, emulates the dynamic luminosity of classic luxury watches.

The imaging smartphones further distinguish themselves with the 3D Jubilee Bracelet, a design that imbues a tangible sophistication. Wrapped in premium Vegan Leather, the devices balance elegance and durability, being 30% softer than their predecessors and resistant to various stains. realme 12 Pro+ 5G’s resilience is enhanced by IP65 dust and water resistance while the realme 12+ 5G gets an IP54 protection.

Colour options for the realme 12 Pro+ 5G include Submarine Blue, capturing the deep, vibrant essence often admired in luxury watch dials, and Navigator Beige, a tribute to the spirit of exploration and refined elegance synonymous with the bezels and straps of esteemed Swiss watch brands while the realme 12+ 5G is available in Pioneer Green and Navigator Beige.

Immersive Display and Superior Sound with Long-Lasting Performance

realme 12 Pro+ 5G uses a 6.7 inch 120Hz OLED screen, while the realme 12+ 5G has a 6.67-inch AMOLED screen, providing a rich viewing experience and vivid colours. Under the hood, the VC Cooling System helps maintain peak performance while keeping temperatures at optimal levels. Meanwhile, the Rainwater Smart Touch feature available on realme 12 Series distinguishes between unintentional water touches and actual finger input, improving touch accuracy even in mixed conditions.

For long-lasting usage, both Next-gen imagery smartphones come with a 67W SUPERVOOC charging capability paired with a substantial 5,000mAh battery. With dual certification from Dolby Atmos and Hi-Res, the realme 12 Pro+ 5G provides an exceptional auditory experience.

Ashim Mathur, Vice President, APAC Marketing, Dolby Laboratories, said “We are excited to collaborate with realme to offer more Malaysian consumers an opportunity to experience the immersive sound of Dolby Atmos with the launch of the realme 12 Pro+ 5G. Consumers will now be able to enjoy rich, multidimensional sound that reveals more depth, clarity, and details across all the entertainment they enjoy.”

For powerhouse performance, realme 12 Pro+ 5G offers up to 12GB+12GB Dynamic RAM and up to 512GB storage, catering to all multitasking and storage needs. Meanwhile, realme 12+ 5G enjoys storage of 256GB.

realme UI 5.0: A New Era of Smartphone Interaction

Today realme also unveils the realme UI 5.0 for realme 12 Pro+ 5G, a transformative interface that elevates user convenience and connectivity to new heights. With Flash Capsule, access services like Grab and essential phone functions, including screen recordings and calls, are available with just a single touch. The Smart Image Matting feature allows users to effortlessly isolate subjects in photos and share them, offering support for complex multi-subject recognition. Furthermore, Phonelink seamlessly connects your device to PCs via Microsoft LTW, enabling instant synchronisation for calls, texts, and file transfers without additional downloads.

Grab the realme 12 Pro+ 5G Starting From a Limited-time Price of RM1,599

In conjunction with the 3.3 Festival, interested shoppers can bring home the realme 12 Pro+ 5G (8GB+256GB configuration) with a limited-time price of RM1,599 when they purchase from official Shopee, Lazada and TikTok stores.

In addition, realme Malaysia is offering a 30-day 1-to-1 replacement – a period longer than the industry practice of 7 days – for realme 12 Pro+ 5G and realme 12+ 5G that are bought and activated between 1 March and 31 March 2024.

Kindly find the pricing and availability here:

About realme:

realme is a global consumer technology company disrupting the smartphone market by making cutting-edge technologies more accessible. It provides a range of smartphones and lifestyle technology devices with premium specs, quality, and trend-setting designs to young consumers.

Established by Sky Li in 2018, realme has become one of the top 5 smartphone players in 30 markets globally in just three years, and realme has entered multiple markets worldwide, including China and Southeast Asia, South Asia, Europe, the Middle East, Latin America, and Africa, and has a global user base of over 200 million. 2024 is the year of rebranding for realme with its new slogan, “Make it real.” Under the new brand spirit, realme will focus more on young users than before and bring real, clear, and tangible benefits to their lives.

For more information, please visit https://www.realme.com/my/.

View original content to download multimedia:https://www.prnewswire.com/apac/news-releases/realme-12-series-5g-outclass-peers-with-photography-mastery-at-a-price-lower-than-expected-302076579.html

SOURCE realme

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Disneyland Resort PhotoPass photographers debuted new breathable, ventilated blue and green costumes on Thursday.

New PhotoPass Photographer Costumes

Cast Members modeled the new look for @theneverlandpixel, who shared these photos with us with permission to post. The department has been testing new costumes for about a year — since Walt Disney World PhotoPass photographers debuted their new environmentally-friendly green costumes. The photographers previously wore white shirts, tan vests, and blue pants.

The new vests are white with a light blue chevron panel across the front and back. Green trim features the PhotoPass logo and wordmark. The vests have large front pockets and zip up.

The vests also have small side zippers for those photographers who clip their cameras on their sides.

There are short-sleeve and long-sleeve shirt options. Both feature a blue and green design with a triangular pattern and PhotoPass patch on the sleeves. The shirts are made of a breathable material and have perforated underarms for ventilation. The sleeves have also been adjusted for better mobility, so the shirt doesn’t come untucked when the photographer raises their arm.

The pants, which are a similar dark blue as the previous style, are made of a stretchy material, including spandex. One pair has eight pockets — two in the front, two in the back, and four cargo-style pockets on the sides. The cuffs are also easily adjustable to fit with different footwear.

Do you like the new look for PhotoPass Cast Members? Let us know in the comments!

For more Disneyland Resort news and info, follow Disneyland News Today on Twitter, Facebook, and Instagram. For Disney Parks news worldwide, visit WDWNT.

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}.pp-multiple-authors-boxes-wrapper.box-post-id-857776.pp-multiple-authors-layout-inline.multiple-authors-target-the-content.box-instance-id-1 .ppma-author-category-wrap .ppma-category-group { margin-bottom: px !important; } .pp-multiple-authors-boxes-wrapper.box-post-id-857776.pp-multiple-authors-layout-inline.multiple-authors-target-the-content.box-instance-id-1 .ppma-author-category-wrap .ppma-category-group { margin-right: px !important; } .pp-multiple-authors-boxes-wrapper.box-post-id-857776.pp-multiple-authors-layout-inline.multiple-authors-target-the-content.box-instance-id-1 .ppma-author-category-wrap { font-size: px !important; } .pp-multiple-authors-boxes-wrapper.box-post-id-857776.pp-multiple-authors-layout-inline.multiple-authors-target-the-content.box-instance-id-1 .ppma-author-category-wrap .ppma-category-group-title { font-weight: !important; } .pp-multiple-authors-boxes-wrapper.pp-multiple-authors-wrapper.pp-multiple-authors-layout-inline.multiple-authors-target-the-content.box-post-id-857776.box-instance-id-1.ppma_boxes_857776 ul li > div:nth-child(1) {flex: 1 !important;}