Photography

Larry Mayer, The Chronicler: Billings Gazette photographer documents Montana for nearly 50 years

Larry Mayer, The Chronicler: Billings Gazette photographer documents Montana for nearly 50 years

Larry Mayer, a photographer with The Billings Gazette, has been professionally taking photographs and documenting communities across Montana for the Billings publisher for the last 46 years.

“You should become like Larry – y’know, who likes everybody … knows everybody … (is) gentle with everybody … and understands that everyone has value,” said Chris Jorgensen, the managing editor of the Gazette.

Mayer began his career as a sports photographer shortly after high school with his hometown’s local news outlet, The Livingston Enterprise.

“I built a darkroom in my basement when I was in high school … mostly what I did was look at National Geographic magazine,” said Mayer.

He is now known internationally for photographing and identifying the Chinese spy balloon that was flown over Montana last year.

“A lot of times, we overload him and give him way more than he can get to and he always manages to get to everything, somehow,” said Jorgensen.

When he started working for the Gazette, Mayer said he bought his first airplane and sought his pilot’s license after he realized he needed to reach newsworthy locations across Montana more expeditiously.

“(There’s a) school that burned down in Plentywood, there’s a flood on the Musselshell River, there was, y’know, whatever events those were, I would fly there, do an aerial, and then go take pictures and talk to people on the ground,” said Mayer. “It took a lot of experimentation and there was a lot of failure … Failure’s fine because it teaches you.”

Mayer’s work is currently being exhibited at the Western Heritage Center and will be exhibited in his hometown of Livingston.

“His legacy will continue on. He’s gonna continue to do photography and continue to do aviation, and still be an important part of the photojournalism community in Billings and Montana,” said Amy Nelson, a photographer with the Billings Gazette, whom Mayer has mentored during her time with the publisher.

Sony World Awards finalists showcase the best photography on the planet

Sony World Awards finalists showcase the best photography on the planet

The World Photography Organisation has revealed the finalists and shortlisted photographers in the professional competition of the Sony World Photography Awards 2024 (SWPA). 

SWPA has been one of the world’s leading photo competitions for 17 years and has showcased exceptional technical ability and original narratives along the way. This year a record number of 395,000 images from over 220 countries and territories were submitted, and these have been whittled down to three finalists in each of the 10 categories. 

(Image credit: © Eddo Hartmann, Netherlands, Finalist, Professional competition, Landscape, Sony World Photography Awards 2024)

(Image credit: © Karol Pałka, Poland, Finalist, Professional competition, Architecture and Design, Sony World Photography Awards 2024)

The finalists from each category can be seen below:

Architecture and Design

Siobhán Doran, Ireland

Yaser Mohamad Khani, Islamic Republic of Iran

Karol Pałka, Poland

Creative

Mackenzie Calle, United States

Tine Poppe, Norway

Sujata Setia, United Kingdom

Documentary Projects

Davide Monteleone, Italy

Juliette Pavy, France

Brent Stirton, South Africa

Environment

Jean-Marc Caimi & Valentina Piccinni, Italy

Mahé Elipe, France

Maurizio Di Pietro, Italy

Landscape

Jim Fenwick, United Kingdom

Eddo Hartmann, Netherlands

Fan Li, China Mainland

Portfolio

Aly Hazzaa, Egypt

Angelika Kollin, Estonia

Jorge Mónaco, Argentina

Portraiture

Drew Gardner, United Kingdom

Valery Poshtarov, Bulgaria

Adali Schell, United States

Sport

Angelika Jakob, Germany

Thomas Meurot, France

Tommaso Pardini, Italy

Still Life

Peter Franck, Germany

Beth Galton, United States

Federico Scarchilli, Italy

Wildlife and Nature

Eva Berler, Greece

Jasper Doest, Netherlands

Haider Khan, India

(Image credit: © Haider Khan, India, Finalist, Professional competition, Wildlife & Nature, Sony World Photography Awards 2024)

(Image credit: © Jim Fenwick, United Kingdom, Finalist, Professional competition, Landscape, Sony World Photography Awards 2024)

The Photographer of the Year 2024 will be announced from one of the 30 finalists, and be awarded a prize of $25,000 along with a range of Sony digital imaging equipment, and will also receive a solo presentation of their work as part of next year’s Sony World Photography Awards exhibition. The winner will be announced on April 18.

The Sony World Photography Awards never disappoint in showcasing the most exceptional photography talent from around the world, and seeing the work in person is an amazing experience I recommend to all. A selection of images will be showcased as part of the Sony World Photography Awards 2024 exhibition at Somerset House from April 19 – May 6, 2024, and will then travel to additional locations.

A full list of shortlisted and finalist photographers can be found on the SWPA webpage, along with their outstanding images.

The winner will receive a range of Sony equipment which could well be among the best Sony cameras, the best Sony lenses, and the best cameras for video

Synchronicity: Natsuki Itoh x Lewis Harrison Photography Exhibition

Synchronicity: Natsuki Itoh x Lewis Harrison Photography Exhibition

When photographers Natsuki Itoh and Lewis Harrison first met, they used Google Translate to communicate over yakitori. Hailing from Japan and Britain, the pair slowly discovered their many similarities as their language skills improved. Synchronicity is a celebration of this: an exhibition of portraits and landscapes showcasing the similarities and differences of their own practices and perspectives.

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Readers’ Favorite announces the review of the Non-Fiction – Art/Photography book “Aspirations” by Raymond J. Klein

Readers’ Favorite announces the review of the Non-Fiction – Art/Photography book “Aspirations” by Raymond J. Klein
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CHULA VISTA, CA, UNITED STATES, February 28, 2024 /EINPresswire.com/ —

Readers’ Favorite is one of the largest book review and award contest sites on the Internet. They have earned the respect of renowned publishers like Random House, Simon & Schuster, and Harper Collins, and have received the “Best Websites for Authors” and “Honoring Excellence” awards from the Association of Independent Authors. They are also fully accredited by the BBB (A+ rating), which is a rarity among Book Review and Book Award Contest companies.

“Reviewed By Emily-Jane Hills Orford for Readers’ Favorite

I can remember as a child posing for hours while my mother took one picture after another, trying to get the perfect shot. She’d then spend hours in the darkroom processing her collection. The result was countless rolls of film, and countless sheets of printed photographs (mostly black and white) at various degrees of light exposure, until finally, the perfect picture. She claimed that lighting and imagination were two very important tools in becoming a successful and innovative photographer. Other photographers would agree, including Raymond J. Klein who shares his experiences as an experimental and creative photographer in his book Aspirations. As he adamantly points out, to succeed in the highly competitive world of photography, one must “be daring, be dramatic, be dynamic! Experiment, experiment, experiment!” Taking a photograph of a simple bath rug is not enough to sell the product. You must “aspire to be innovative; aspire to be original; aspire to succeed.” And this author/photographer does just that and more.

Raymond J. Klein’s book, Aspirations: Earn Fantastic Income With Your Imaginative Photography, is more than a self-help book on photography. It’s part memoir, as the author/photographer shares not only his insight, but also his years of experience and, best yet, numerous examples of his award-winning photographs. Advertising through the use of photographs may seem a simple task, but the photographer must think beyond the required image and make something truly unique that will stand out as a work of art as well as sell a product. He leads novice photographers through his own experiences, offering key points in creating the best image possible. Most important, he stresses the need to be experimental and not settle for the first shot taken; to manipulate the lighting to its optimal results and create something truly sublime. He does all that and more. This is a thorough look at creative photography and how one can make it into a successful and profitable career as well as an artist. Raymond J. Klein has done both and his spectacular gallery of works is absolutely stunning!”

You can learn more about Raymond J. Klein and “Aspirations” at https://readersfavorite.com/book-review/aspirations where you can read reviews and the author’s biography. Available in paperback, hardback, and e-book formats at www.pageturner.us and other book retailers.

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Photographer, Beekeeper Strive to Protect Coachella Valley Bees

Photographer, Beekeeper Strive to Protect Coachella Valley Bees

A photograph by Krystle Hickman. “This image is really cool because there are three different families of bees all in one photo,” she says. “They all have a symbiotic relationship with the flower they’re on.”

A photograph by Krystle Hickman. “This image is really cool because there are three different families of bees all in one photo,” she says. “They all have a symbiotic relationship with the flower they’re on.”
PHOTO BY KRYSTLE HICKMAN

In the heart of the desert, where life seems to defy the odds, a subtle yet essential symphony buzzes daily. Against the backdrop of the Coachella Valley, a remarkable tale of survival and symbiosis plays out in the world of bees.

With more than 20,000 bee species around the globe and an estimated 4,000 native to the United States, according to the U.S. Geological Survey, the honey-producing type that most often bumbles to mind hails from Europe. These striped, stinging insects that sometimes build unwelcome hives near our homes have been domesticated and bred by apiarists for honey production and pollination for thousands of years, evidenced by ancient Egyptian hieroglyphs and Mesolithic paintings discovered in Spanish caves.

A curiosity about honeybees propelled photographer Krystle Hickman on a spirited journey across California to uncover the secret lives of bees. Armed with a camera and a desire to connect with nature, she embarked in 2016 on a mission to shed light on their world.

“I was taking pictures of honeybees for a while when I ran across a native bee for the first time,” she says. “At the time, I thought all beekeepers were bee experts, so I went to them. I was asking, ‘Hey, what kind of bee is this?’ And none of them knew.”

Turning to social media, she connected with a community of melittologists — a fancy term for bee experts — who opened her eyes to the incredible diversity of native bees.

While the variety of species reported today may impress on the surface, native populations have experienced a sharp decline in recent decades. At least a quarter have vanished since the 1990s, according to a 2021 study published in One Earth. Research shows that habitat loss and fragmentation are among the leading causes of their disappearance. Here in the Coachella Valley, conservation efforts like the Pollinator Pathway projects organized by The Living Desert Zoo and Gardens aim to make a difference by planting gardens, engaging the community, and underscoring the impact of  biodiversity — or the lack thereof.

Armando’s BarArmando’s Bar

Krystle Hickman photographing bees in the Coachella Valley.
PHOTO BY BRANDON HARMAN

Hickman’s journey led her to Crescent Farm at the L.A. Arboretum, where she realized the importance of native plants in supporting native bee populations. This discovery marked the beginning of her deep dive into documenting the creatures and their ecosystems.

“I spent about a year heavily documenting the bees at Crescent Farm,” she says. Over the course of that year, Hickman reports, she photographed 43 native species.

She has documented bees in the Coachella Valley, too. “Spring bees are my favorite bees in the desert,” she says. “They have symbiotic relationships with plants. I spend a lot of time looking for the plants that these bees have relationships with.”

Krystle HickmanKrystle Hickman

Krystle Hickman in the field.
PHOTO BY BRANDON HARMAN

Hickman received a National Geographic Explorer grant last year to fund a book, The A, Bee, C’s of California, in which every letter of the alphabet represents a different species of bee, each with its own story. Still in progress, it’s poised for release sometime next year.

“Some of the bees [documented in the book] are in the mountains, some are in the desert, some are on the Channel Islands — they’re all over the place,” Hickman says. “I’m just trying to include as many ecosystems as possible.”

When the buzzing moves a little too close to home (honeybees are the common culprit), wary residents may seek out pest control services. In lieu of extermination, removal and relocation ensures colonies can carry on their important duties as pollinators, tending to our ecosystem.

Serving the Coachella Valley for almost four decades, Lance Davis of Killer Bee Live Removal in Palm Desert has become one of the most sought-after bee removers in the area, even working on call for Goldenvoice during the Coachella and Stagecoach music festivals. He relocates bees — from sheds, cars, and equally undesirable spaces — to apiaries and other suitable locations.

Notably, Davis forgoes the traditional beekeeper getup and most often interacts with colonies in little more than a T-shirt and jeans. This unconventional approach caught the attention of  Wayne Page, a producer and director who has worked on shows with Steve Irwin and Martha Stewart. Together, Davis and Page developed The Killer Bee Catcher, an EarthxTV docuseries released in 2023. Mixing education and entertainment, Davis brings the fascinating world of bees to life in viewers’ homes.

Armando’s BarArmando’s Bar

Lance Davis responds to a local bee removal call. He uses a bellow smoker to calm the bees before removing and relocating them to a more bee-friendly environment.
PHOTO BY BRANDON HARMAN

His interest traces back to early childhood afternoons on the Davis family’s 20-acre peach orchard in Palisade, Colorado, helping his parents tend to the bees. “I always liked insects,” he shares. “As a kid, I was always catching bees in those little plastic catcher things.”

Davis moved to the Coachella Valley as a teenager, and his passion blossomed. He went all in on beekeeping, learning the trade through practical experience and dedication. “It takes you about seven years to become a beekeeper,” Davis says. “Like anything, if you stick with it, you get good at it.” Working with bees and jarring honey, he kept jobs at restaurants in Palm Springs to pay the bills.

“I was waiting tables at Lyon’s English Grille and Melvyn’s at the Ingleside Inn,” he recalls. “I was 17. I got really good at waiting tables, and everybody who gave me a $100 tip or more, I’d go out to my car and get ’em a jar of honey. One diner I did this for owned a pharmacy across from Desert Hospital [now Desert Regional Medical Center]. He asked if I was a beekeeper, and when I told him I was, he asked if I could help with some bees in his roof.”

Lance Davis removing bees.
PHOTOGRAPHY BY BRANDON HARMAN

Davis relocated them, ultimately launching a new career.

He started his live bee removal business in 1986. With a calm and methodical approach, he begins by using a smoker to relax the bees. “You have to greet them with a little smoke from your bellow smoker to let them know you’re there,” he explains. “It calms them down and confuses the pheromone that they release when they want to attack. This keeps them pretty mellow, and then you just handle them gently and with respect.”

Respect for these little life forms is the common denominator among the various communities of beekeepers, melittologists, and citizen scientists who advocate for the safekeeping of  bees in our area and beyond. Their work not only contributes to the greater understanding of these vital pollinators but also highlights the importance of preserving their habitats for generations to come.

Pentax film photography Instagram launches – is a new camera coming soon?

Pentax film photography Instagram launches – is a new camera coming soon?
Pentax made dozens of different compact camera models in the 20th Century – could one be appearing in 2024? (Pic: Farias Feijo Fotos/Pexels)

A new Pentax film photography Instagram account has been launched by Ricoh Imaging, adding to speculation the new Pentax film compact camera may be unveiled soon.

The new account was launched on Monday (26 February) and links to a page where people can register their interest in the proposed new Pentax film camera.

The account’s first post reads: “We are pleased to announce @pentax.film.photography as the official Instagram account for the Pentax Film Camera Project.

“The team in Japan are working hard to make the dream a reality. Please make sure to follow the account and register your support by signing up for the latest updates.”

The Instagram account’s profile page links through to a sign-up page for a newsletter which promises that subscribers will be “the first to know” about updates.

The new Instagram channel is the latest development since Ricoh Imaging – which owns the Pentax brand – announced that work was beginning on possible new film camera models in December 2022.

Back then, Ricoh Imaging said: “Ricoh Imaging/Pentax will begin research into developing new Pentax-brand film camera products. We will bring together both veteran and younger engineers to take advantage of the film camera expertise and technologies created and retained by Ricoh Imaging/Pentax while also incorporating the latest technologies and concepts.”

Ricoh Imaging outlined its plans after a sur vey of some 3,000 Japanese photographers found more than 20% of them regularly shot with film cameras.

While Ricoh Imaging was initially coy about confirming any particular camera, as 2023 progressed there were more and more clues that the company would be releasing a compact film camera.

In March 2023, it was announced that the intention was to build a manual-winding compact film camera, according to an interview with Pentax product designer Takeo Suzuki by the Japanese magazine Barfout!

Read more: Could the new Pentax film compact camera be a half-frame?

In a video interview in May, designer TKO said: “Our goal is to develop a camera that younger photographers will enjoy – our development effort is focused on this goal. We want to make a camera that makes taking photos a joy and that’s a pleasure to carry around every day.”

Ricoh Imaging denied an initial report from a French representative that two film compacts would be appearing early in 2024 which surfaced late last year, but by the end of the year the project was advanced enough for a prototype to be featured in an interview with the magazine Barfout! and a Japanese influencer – though no pictures of the actual camera have yet been leaked online.

Support Kosmo Foto

I’m Kosmo Foto’s founder and editor.

I’m a New Zealander who has been living in London since the mid-1990s, shooting film seriously since the year 2000. Kosmo Foto was launched in 2012 and has since become a film brand, with the release of my first films Kosmo Foto Mono 35mm (2017) and Kosmo Foto Mono 120 (2019).

I’m doing everything I can to promote film photography in the 21st Century, and help it survive and thrive. If you want to write something for Kosmo Foto, please drop me a line at foto.dowling@gmail.com.

Stephen Dowling
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Pinpoint National Photography | Toronto, ON

Pinpoint National Photography | Toronto, ON
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National Photography for Corporate Clients

Professional headshots of 250 sales agents in 15 locations? Photos of your award galas in 55 cities? A HeadShot Salon at your conference?

Whatever you need to promote or celebrate your business.

With Pinpoint, you have just one contact. We handle all the details & deliver professional photo images.

As our clients say, “We make it easy.”

Lianna Nielson Triumphs with Candid Family Photo at Documentary Fa…

Lianna Nielson Triumphs with Candid Family Photo at Documentary Fa…
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Lianna Nielson, owner of Black Sand Studio, recently clinched first place in an international photography competition, marking a significant milestone in her career as a documentary family photographer. Her winning entry, a candid snapshot capturing the chaotic essence of family life, not only earned her the top spot in the single image category at the Documentary Family Photographers Awards but also saw her being named runner-up for Documentarian of the Year. Alongside these accolades, two of her other photographs received runner-up positions in the same category, cementing her status as a leading figure in this niche field.

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From Speech Therapist to Award-Winning Photographer

Nielson’s journey into the world of photography began in her childhood, but it wasn’t until after taking maternity leave from her career as a speech and language therapist that she decided to turn her passion into a profession. With her husband’s encouragement and a shared love for photography, she embarked on a journey that led her to establish Black Sand Studio. The transition from her former career to focusing on family/lifestyle photography was a pivotal moment, driven by a desire to capture authentic, everyday family interactions.

The Essence of Documentary Family Photography

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Documentary family photography, as Nielson explains, is akin to photojournalism for family life. It’s an unposed, candid genre that captures the full spectrum of family emotions and moments, from joyous celebrations to the trials of daily life. Her approach involves becoming “part of the furniture,” allowing her to document genuine interactions and the raw beauty of familial bonds. This style contrasts sharply with traditional lifestyle photography, providing a more authentic and meaningful portrayal of family life.

A Recognition of Talent and Dedication

Nielson’s achievements in the Documentary Family Photographers Awards serve as a testament to her skill and dedication to her craft. The recognition of her work on an international platform not only highlights the significance of documentary family photography but also underscores the importance of capturing real, unfiltered moments. Nielson’s success is a source of inspiration for aspiring photographers and a reminder of the profound impact that genuine, heartfelt photography can have.

As Nielson continues to document the rich tapestry of family life through her lens, her accomplishments serve as a beacon for the documentary family photography community. Her recognition at the Documentary Family Photographers Awards is not just a personal triumph but a celebration of the authenticity and depth that this genre brings to the world of photography.

Film vs Digital: The Real Debate for Real Photographers

Film vs Digital: The Real Debate for Real Photographers
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Photographers have long debated whether film or digital is better. It’s very well agreed these days that the two can easily coexist. More importantly, if someone doesn’t know any better, they’d think that they’re looking at film when looking at a digital photo. With the right processes in the darkroom and scanning, film photographs can look film digital too. But this post isn’t about gear talk. Instead, it’s about philosophy, thought processes, skill, intuition, and understanding of the self. The truth is that if you’re only a digital photographer, there’s a chance that you’re really not all that good.

I recently watched Walkie Talkie on YouTube, where Paulie speaks to Daniel Arnold. In this video, Daniel says one of the most beautiful quotes I’ve ever heard that goes along the lines of:

“Film is a conversation with failure and digital is a conversation with success.”

Something sort of along the lines of what Daniel Arnold said

This is one of the most honest and pure statements I’ve heard about the medium. It isn’t about megapixels, details, skin tones, or anything technical. Instead, it’s more about the approach. With digital photography, we tend to overshoot because it’s so cheap. But with film, the process is more expensive, less exacting, and much riskier. Often, we shoot one frame a second and then advance the film unless the camera has an automatic advancement setting. Indeed, when shooting film, there is far more risk of failure. And we become better through failure, evaluation of the moment, and careful contemplation.

I’m defining better by being more in touch with getting the image the first time around with little to no need for Photoshop or editing and adjustment later on. These are the skills that only a photographer can have. A photo editor can often shoot a lot of images and then edit later on to get what they want. But a photographer needs to be able to do everything in-camera and understand various nuances about the scene in front of them to get the shot. When you shoot film, you’re far more honest with yourself — and becoming better starts with being more honest in the first place.

In this article, I am not saying film is good and digital is bad. I’m also not saying that digital is good and film is bad. Instead, I’m saying that you, as a photographer, can become far better by acknowledging your failures and realizing that you can’t save yourself later on by getting the shot in a single frame. Many photographers say that they can do everything in the darkroom that Photoshop can, but the difference is that they’re not doing it. They’re probably not even printing in the darkroom and then scanning the print.

Digital photographers often have a conversation with success that’s centered far more around content creation. Film photographers don’t necessarily do the same. They strive to create art, which stands the test of time far more than content creation does.

In the real debate of film vs digital, I think that we need to learn the balance between failure and success. We truly need to realize that to succeed, we need to improve by thinking at a higher level instead of relying on post-production as a crutch.