Photography

Birth UK Welcomes Director and Photographer Celine Van Heel

Birth UK Welcomes Director and Photographer Celine Van Heel

Celine van Heel stands out as a director and photographer who embraces authenticity and uniqueness.

Celine began her career by capturing images of her 92 year-old grandfather during covid. He was her first muse and inspiration (she called him “the Spanish King”). Celine set up an Instagram account for him, which lead to them designing a global collection and shooting the accompanying stills and film campaign for Zara.

Colour and extravagance are at the core of her work, creating vibrant and dynamic imagery that transports viewers into a bold and vivid universe. Her work pushes the boundaries of artistic conventions, delivering striking and lively images that celebrate inclusivity, fun, and uniqueness. Her skill in capturing these extreme and exaggerated moments has led her to create images that challenge the conventional norms of fashion film and photography as we know it.

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“Celine’s work is so rich in colour, texture and narrative, her characters exuding exceptional, unquestionable naughtiness. Celine is carving out her own unique narrative . Undoubtedly one of the most exciting new talents in the industry.” said Kate Elson, managing director and executive producer.

“I’m very happy to join this family. As a photographer and director, it is brilliant to have the support of both the film and Image division at Birth. My 92 year old grandfather ‘The Spanish King’ is my forever muse and the reason why I started doing this. I love colour, extravagance, diversity and irony. I can’t wait to introduce him and my work to the UK! Let the show begin!” said Celine Van Heel.

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History in a photograph

History in a photograph
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Visitors to Thomas Jefferson’s Poplar Forest on Saturday got a glimpse into photography during Jefferson’s time with a seminar on collodian wet plate processing. 

Thomas Jefferson was fascinated with technology, such as the camera obscurer, which allows the photographer to project a reversed silhouette of an image onto a piece of paper. Visitors learned about the history of the photography form that laid the groundwork for modern photography.

In the studio with Mary McCartney

In the studio with Mary McCartney
© Alice Zoo

The photographer’s influences range from Eve Arnold and Pre-Raphaelite painters to her artist mother. She welcomes us to her West London studio, Leica camera in hand

In the bathroom on the ground floor of Mary McCartney’s studio hangs a framed image of the Queen. Dressed in pink florals, she gazes shrewdly from the front page of The Daily Telegraph, framed by one of her famous red briefing boxes. Over the decades, the Queen was captured in many moods, via many methods. Stately as a painting, soft in black-and-white, snapped at close range with flash – each iteration becoming as much a portrait of the photographer as it is of the monarch herself.

McCartney made the picture in 2015 to celebrate Elizabeth II becoming Britain’s longest reigning monarch. Like much of her work, it has a candid feeling of something caught mid-motion – the Queen glancing over her shoulder at something beyond the lens, reading glasses just visible in one hand.

©Alice Zoo

©Alice Zoo

McCartney’s studio is testament to her varied and visually alert career. Tucked away on a quiet cobbled mews in West London, its three floors combine all of the practical needs of a working environment – office space, shoot backdrops, an extensive range of herbal teas – with the white-washed atmosphere of a gallery.

The space is festooned with McCartney’s images: some in a state of completion, printed at huge scale, others attached to a large silver board with magnets, covered in felt tip notes. A monobrowed Tracey Emin (as Frida Kahlo) stares down from one wall. Mark Rylance dressed as Olivia from Twelfth Night from another. Celebrities face off frogs and white horses, reigning over the neatly arranged piles of contact sheets and books. On the floor, a photo of neon lights has been turned into a rug.


“When I first came here, it was all offices,” McCartney explains. “I just stripped it out… It’s nice to have it quite clean.” We are sitting at a huge round, wooden table that used to belong to McCartney’s mother, Linda. To one side, a bank of windows reveals a bright-ish winter day – all that glass crucial for a photographer who prefers to work with natural light. In the background members of her team drift up and down the stairs.

McCartney has been here for more than two decades, using it as a hub for photographing, post-production, exhibition organisation, ideas generation, and more. For her most recent publication – a plant-based cookbook-cum-portrait project called Feeding Creativity in which she captured figures including the Haim sisters and David Hockney eating her meals – she had two large armchairs installed near the kitchen so that she had somewhere comfortable to sit and write. 

©Alice Zoo

“It became my friend. What I like about film is that when you’re wandering taking pictures, it’s just you and the camera

The table is not the only thing McCartney has inherited from her mother. Also a photographer, Linda McCartney was responsible for providing Mary with her very first camera, a Leica R7. After grappling with the challenges of shutter speeds and light meters, it quickly offered a new window onto the world, travelling everywhere with her. “It became my friend,” McCartney says. “What I like about film is that when you’re wandering taking pictures, it’s just you and the camera.”

In her 1927 essay ‘Street Haunting’, Virginia Woolf dwelled on the pleasures of walking through London. She describes the process of becoming extra-observant, distilled to “a central pearl of perceptiveness, an enormous eye.” For McCartney, the camera crystallised a similar feeling – preserving and making concrete the fleeting details she had been noticing since childhood. “It can be this big scene, but you see one little flower or something within it and it then seems like a photograph.”

©Alice Zoo

©Alice Zoo

©Alice Zoo

As an ambassador, McCartney works frequently with Leica cameras, whether an SL for “all singing, all dancing” projects that might end up on a billboard, or the Q “if you’re out and about, or at a party.” She also has “a little compact Leica” which fits in her bag – another portable eye.

This range of models speaks to the breadth of her work, spanning portraiture, fashion, landscape, and documentary (both static and film), as well as more commercial endeavours. A particular light comes into her eyes when discussing portraiture: the delicacy of creating a rapport, knowing when to speak and when to be silent, the skills both personal and technical that go into reaching something “deeper than surface level.”

©Alice Zoo

If I could do a portrait of someone and just be in their home and take a picture of their unmade bed, that would make me happy

Some of McCartney’s portraits are made here in the studio. “If I’m shooting here… it pares it all back,” she observes. “It’s really about the pose, the connection, how you’re feeling with the person. There’s less space to hide.” Really though, one suspects that she is happiest out and about where her gaze can rove.

“I love going into somebody’s environment,” she confirms, explaining her interest in what people’s possessions and personal clutter betray about them, “like how Pre-Raphaelite painters would have little symbols.” She references a 1996 photo of hers titled ‘Mum’s Side of the Bed’, a patch of sunlight falling across beautifully embroidered duvet and pillows. “If I could do a portrait of someone and just be in their home and take a picture of their unmade bed, that would make me happy.”

This image is currently sitting as a sizable print on the ground floor, resting against the bookshelves. It is magnificent up close, the scale revealing every wrinkle and stitch. It was recently featured in her 2023 Sotheby’s show Can We Have a Moment?, part of a trilogy of solo exhibitions that began at the Château La Coste in France and ended at A Hug From the Art World in New York last November.

Each taking a different theme, this trilogy gave McCartney free reign to revisit her archives from the past three decades, drawing new threads between her intimate, playful images – family portraits, rubbing shoulders with snogging couples, muddy festival-goers, fleshy roses, and performers readying themselves backstage.

©Alice Zoo

©Alice Zoo

The pleasure of a photograph is not just in the taking, but in its continued afterlife. McCartney’s studio points to the ongoing physicality of a photograph, whether it is a question of tweaking colours and rebalancing shadows or drawing out fresh details in the chosen scale and opacity of a print. In an exhibition setting, too, new conversations can be created as disparate images speak to one another across time and genre.

Towards the end of our conversation, McCartney brings up a fortuitous encounter she had with Magnum photographer Eve Arnold in the 1990s while overseeing a show of Linda’s work in a museum in Bradford. Arnold was working on her own in an adjacent gallery. “She was incredible… She looked like the lady in the [Looney Toons] Tweety bird cartoons. But then when you observed her hanging the show, she knew exactly what she wanted. She was very direct, feisty in a really good way.”

©Alice Zoo

Take a moment, observe, and think – what is it that I see here?

The two got to know one another and McCartney learned an important lesson from this woman who had coaxed extraordinary candour from the famous: that the subject should always come first. “She had so much trust with her sitters,” McCartney reflects. Sometimes the perfect image might arrange itself in front of the camera as if conjured – but if it ruptures that sense of trust, it is not worth it. This sort of mutuality seems to define McCartney’s work, which often has a grounded, contemplative edge, full of quiet warmth. Really, it is very simple, she says. When you lift a camera, you “take a moment, observe, and think – what is it that I see here?”


Images taken by Alice Zoo with Leica’s SL2-S, with 35mm, 50mm, and 90mm lenses

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The Fujifilm X100VI gives you an analog photography experience

The Fujifilm X100VI gives you an analog photography experience

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Product Specifications
Colors
Silver, Black
Sensor
23.5 mm x 15.7 mm (APX-C) X-Trans COS 5 HR
Image Processing Engine
X-Processor

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

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Fujifilm X100VI dial-based digital camera gives you a tactile photography experience

Enjoy hands-on photography with the Fujifilm X100VI. This dial-based digital camera creates stunning images.

Enjoy hands-on photography with the Fujifilm X100VI. This dial-based digital camera creates stunning images.

 

Unleash Your Creativity: Whether you prefer composing through the hybrid viewfinder, utilizing the tilting LCD, or trusting your instincts with preset settings, this camera ensures you never miss a moment.

Inspiring Design: Crafted with an aluminum top plate, machined dials, and tactile exterior, the X100VI inspires creativity.

Steady Shots, Stable Videos: The new in-body image stabilization system keeps your images sharp and videos stable in low light conditions.

Intuitive Dial-Based Controls: Echoing classic camera design, the dials on the top plate offer functionality and creative freedom.

Superb Optical Performance: Equipped with a 23mmF2 lens, you get edge-to-edge sharpness across the frame. The 40.2-megapixel sensor ensures stunning image quality.

Film Simulation Modes: Choose from 20 Film Simulation modes to replicate the look of classic photographic film stocks.

 

Enjoy analog operation with the X100VI!

Fujifilm X100VI dial-based digital camera gives you a tactile photography experience
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Gadget Flow Rating 9.2/10

Product by Fujifilm

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Discovered on Feb 21, 2024, 7:00 am EST

Discovered by Lauren Wadowsky

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I love this camera’s classic, analog look!

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What is Gadget Flow?

Gadget Flow is the original product discovery platform that keeps you up to date with the latest tech, gear, and most incredible crowdfunding campaigns. Reaching over 31 million people per month, we also have iOS and Android apps that support AR and VR for next-level product exploration.

Why Use Gadget Flow?

We keep you updated with the latest tech product announcements for everything from the newest drones to obscure gaming gadgets. Our team discovers unique products and covers the latest crowdfunding campaigns. Save gadgets to your private or public wish lists, check out our team’s expert reviews, and purchase products directly from trusted sellers.

Meet the Team

Gadget Flow is headquartered in New York City, and most of our team works remotely from the US and Europe. We are tech enthusiasts who love to learn about new technologies and the latest innovations. Talented individuals who are passionate about the future, we work tirelessly and love to excite you and teach you about advancements in our field.

Join Gadget Flow Today

Explore the world of Gadget Flow so you know when any new tech launches—anywhere. Create your account using your email or any of our supported third-party logins, such as Google, Apple, and Facebook.
1

Create Wish Lists

Sign up to create private and public wish lists that you can share with family and friends. It’s also easy to organize your favorite gadgets into different collections, like gift guides, smart home products you love, and more.
2

Get Product Notifications

What do you do when you find a product that you love but aren’t ready to buy? Simply create a notification! Click the three little dots by the buy now button and select Add Reminder to get notified. Receive a reminder when it’s discounted, Black Friday, the next season, or any date you choose.
3

Discover with Watch

Now you can discover new products through our video feed. With Gadget Flow Watch, browse through your favorite categories and create playlists. Our endless selection of videos will have you discovering gadgets for hours.
See all of our features:

Collections

Create public or private collections

My Feed

Create your custom product feed

AR/VR/3D

Discover our products in VR, AR, and 3D

Exlusive Deals

New Discounts and deals, daily

Watch

Find new products through video

Brand Pages

Follow your favorite brands

Notify Me

Product reminders or sale reminders

Multiple Currencies

Browse using your local currency

Tech News

Stay updated with the latest tech news

Our Mission: Help You Find the Best Gadgets

We simplify product discovery. This means you can find all the greatest gadgets in record time. As a technology company, our mission since 2012 has been to make it easy for you to discover quality products and stay updated with the latest trends.
What Is a Gadget?
It’s the gear you can’t live without: the smartphone you constantly check, the camera that goes on every vacation, and the TV for binge-watching and gaming. All the coolest gadgets owe their existence to a new technology that changed it all.
What Are the Types of Gadgets?
Gadgets include everything from phones like iPhone and VR headsets like Oculus to gaming consoles like PlayStation 5 and robots like Roomba.
What Gadgets Are Trending Today?
Mainstream gadgets include TVs, consoles, smart devices, cameras, headphones, and music devices. However, there are a ton of unique gadgets for fun, learning, and more. Here’s a full list of gadgets that are currently trending on Gadget Flow.
What Are the Top New Tech Trends?
Technology evolves every day, and some of the most popular tech trends include AI, robotic process automation, edge computing, quantum computing, virtual reality, blockchain, IoT, 5G, augmented reality, self-driving, big data, machine learning, and voice search.

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iPhone Photography Basics: How to shoot a 365 project

iPhone Photography Basics: How to shoot a 365 project

What better way to learn the iPhone photography basics than by capturing an image every single day for a whole year? A 365 project might sound like a daunting task, but when you consider the thousands of photos that likely already exist on your iPhone or on iCloud, it’s an entirely doable challenge. In fact, there’s a good chance you use your iPhone camera almost every day anyway. The only difference here is that you’re going to be taking your photography that little bit more seriously so you can develop your skills as an iPhone photographer. 

Embarking on a 365 project will immediately give you a goal to work towards, adding a sense of purpose to the photographs that you capture. And if you plan your days effectively, you’ll be able to throw in your fair share of challenges along the way. This is integral in allowing you to develop your photography skills, just make sure you don’t become too ambitious too quickly. Just like an endurance race, a 365 project is a marathon, not a sprint. Shoot three sunsets and four sunrises in the first week and there’s no way you can keep that level of commitment up. 

So, if you’re thinking about starting a 365 project today, here are a few tips to help you avoid throwing the towel in so you can journey forth and become a better photographer…

Mike Harris, iMore contributor

Mike Harris

I’m Deputy Editor of N-Photo: The Nikon Magazine, but moonlight as iMore’s go-to photography know-it-all. I’ve worked in the photo industry for over six years and have been an avid iPhone photographer since the iPhone 4. I firmly believe that iPhone photography is a great starting point for burgeoning photographers, so I’ve created a series of iPhone photography basics tutorials so you can either firm up your existing iPhone camera skills or embark on a whole new passion.

Brainstorm photography ideas

iPhone notes planning

(Image credit: Future/Apple)

There is quite simply no genre of photography that doesn’t benefit from planning. And a 365 project is no different. If you leave capturing your photo to the last minute every day, you risk running out of ideas and becoming frustrated. You certainly won’t be capturing your best work. 

As soon as you commit to a 365 project, brainstorm your ideas. Your iPhone’s Notes app is a great way of doing this, so you have access to them at all times. Write down the various genres you’d like to try and then get more specific with particular mini projects you’d like to work on. You can then start to plan your time more effectively and shoot more ambitious images.

Avoid unrealistic expectations

landscape red door

(Image credit: Future)

Vowing to capture 365 images in a single year is a huge undertaking and it’s easy to become disillusioned, especially if you set unrealistic expectations. A 365 project is anything you want it to be: a visual diary of your life, an excuse to take photos or a practice regime that allows you to build your skillset. Just don’t expect to capture an award-winning iPhone image every single day. Even the world’s best photographers would struggle to shoot their best work on such a consistent basis. 

Instead, allow yourself to find creative ways to come up with easy wins on days when you’re busy and save more ambitious projects for the days when you’ve got the time. If all you manage to capture is an artistic ray of window light, highlighting the cup on your desk one day, that’s not a problem. And while you should try your best not to miss a day, if you do, simply shoot two photos the next day and move on.

Keep a camera with you at all times

iPhone home screen

(Image credit: Future/Apple)

If you were shooting with a dedicated camera, this would be an extremely important step. But it highlights the real beauty of iPhone photography and why – even as a seasoned photographer – I take my iPhone Camera seriously. It’s the camera that’s always by your side, making it arguably the best camera you could use for a 365 project.

Whether you’re on your way back to the office with your lunch and you spot a fantastic piece of architecture, or you’re walking the dog in the evening and are met with beautiful golden light, or you’re off on a city break, your iPhone is the camera that’s always by your side.

Experiment with genres and iPhone tech

Collage iPhone photography

(Image credit: Future/Apple)

Experimentation is key if you want to use your 365 project to develop your skills, but it’s also a great way to get to know your iPhone camera inside out. I’m willing to bet that most iPhone photographers keep their camera on the main wide-angle lens and don’t deviate further. This is your chance to experiment with different lenses: try shooting a fun portrait with the ultra-wide-angle lens or if you’re lucky enough to have an iPhone 15 Pro Max, put that brand-new 5x telephoto lens through its paces. Explore functions like Pano, Portrait, and Night modes. Apply a filter and shoot in black and white or finally get round to learning how to edit iPhone photos the right way by delving into the Photos app’s editing functions. 

Challenge yourself

Collage iPhone photogrpahy

(Image credit: Future/Apple)

Just as you don’t want to set yourself unrealistic expectations, you also don’t want to go too far the other way. If all you do is take a quick snap every day, with little thought regarding composition, the quality of light, or whether or not you’re using the right lens, you simply will not improve as a photographer. You need to push yourself out of your comfort zone at certain times throughout the year. This might be trying a different genre like street photography or portraiture, it might be learning more about your iPhone camera and using the various features to their fullest. Either way, you have to push yourself to get better.

Share and collate your images

Screenshots of iPhone screen

(Image credit: Future/Apple)

There really is something special about seeing a body of work. In a world where digital photography means we can shoot and move on, and the time-sensitive nature of digital media means articles and images are soon lost to the annals of time, seeing a collection of your images in one place is a really satisfying way to chart progress. It’s one of the main reasons why Instagram became so popular, after all. 

Creating an Instagram account for your 365 project is a fantastic way of collating your work and sharing it with others. It also gives your project an additional purpose and allows you to receive constructive criticism, garner inspiration from other accounts and receive positive comments to motivate you further. And if you don’t want to share your project online, you can create a folder in the Photos app, so you can still collate your work and browse through it in one place.

Find a photography partner

iPhones showing photo on screen

(Image credit: Future/Apple )

Persuading a friend, or even a group of friends, to partake in a 365 project is a great way to stay inspired and motivated, while also introducing a healthy dose of competition. This allows you to really immerse yourself within the project. Encouragement will spur you on and constructive criticism will help you develop. You may even find yourselves heading out together and becoming more ambitious with your efforts. But easily the most valuable by-product of teaming up, is an added sense of accountability. If you ever find yourself disillusioned or lacking the motivation to continue, your photography partner will be there to lift you up and encourage you to push on.

But I’m too busy to take a photo every day… 

Photography should be about having fun. Force yourself to embark on a 365 project and it could have an adverse effect. If your life is simply too busy for a 365 project right now, you can still use almost all of the tips above, but apply them to more manageable, mini projects. This might be taking a photo every time you walk the dog, only capturing black and white photography for a month, or focusing on a street photography project during a city break. Multiple ‘mini projects’ throughout the year may prove just as valuable as a 365 project. You’re on the right track as long as you’re motivated to capture photos regularly.

Stunning Pic Of Solar Flare Clicked By Turkish Man Wins Astronomy Photography Award

Stunning Pic Of Solar Flare Clicked By Turkish Man Wins Astronomy Photography Award
Stunning Pic Of Solar Flare Clicked By Turkish Man Wins Astronomy Photography Award

The picture was taken in Traisen, Germany, on September 4, 2022.

A stunning picture of a large solar flare clicked by a Turkish astrophotographer Mehmet Ergün, has won the Astronomy Photographer of the Year 2023. The picture titled, ”The Great Solar Flare” was photographed using an H-alpha solar telescope, and was taken in Traisen, Germany, on September 4, 2022.

“Here we see our Sun, photographed using an H-alpha solar telescope. The Sun is moving towards its maximum cycle, and in the photo, we can see a large solar flare. Solar flares are sudden bursts of magnetic energy on the surface of the Sun. These eruptions can be very large, as seen in the image. According to our calculation, this solar flare is about 700,000 km long; Earth has a diameter of about 12,700 km,” the photographer explained the image. 

Royal Museums Greenwich, which holds the annual competition featuring the world’s greatest space photography, shared the winning image on its official Instagram account, and wrote, ”Your votes have been counted! “The Great Solar Flare” is the winning image in the Astronomy Photographer of the Year People’s Choice category.”

See the post here:

After winning the prestigious award, Mehmet Ergun expressed gratitude towards the people who voted for his photo and shared a note of appreciation. 

He wrote, ”We did it! Thanks to your incredible support and valuable votes, I actually won. It’s hard to put into words how grateful I am. Every one of you has contributed to making this dream come true. Such recognition for my work means so much to me. About 10 years ago, I could never have imagined this. Knowing that my work excites and inspires you fills me with indescribable joy. Thank you, thank you, thank you.”

Meanwhile, an image of a Full Moon titled, ”A Rocky Rise” secured the second place.

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Photographer Carl Evans explained, ”This is an image of the Full Moon rising over Church Rock in Broadhaven, Pembrokeshire. I stood on the beach at Broadhaven for a couple of hours waiting for the Moon to rise The clouds initially hid the Moon and as I was walking away it appeared among the clouds, adding a nice effect over it. I took two shots for the image: one for the Moon and one with a faster shutter speed to catch a flock of birds flying around the rock.”

Grace Ueng: ‘Slo-mo’ photography better than social media for authentic, happy memories

Grace Ueng: ‘Slo-mo’ photography better than social media for authentic, happy memories

Editor’s Note: Grace Ueng is the founder of Savvy Growth, a noted leadership coaching and management consulting firm, and an expert on wellbeing and performance science. Grace writes a regular column on happiness & leadership for WRAL TechWire.

Spending the weekend with my sister’s family to see Yunchan Lim, the youngest winner ever of the Van Cliburn competition, perform with the Boston Symphony Orchestra, I was reminded of a column which ran nearly a year ago.  I’ve updated this oldie but goodie to share with you today!

Old tech fun for new generation

At dinner before the concert, my nephew was excited to show his sister the champagne colored Olympus Mju II camera he recently purchased in Japan.  We older people at the table laughed as his “new” fun was an old fashioned film camera we had used at his age!

Olympus Mju II camera

Olympus Mju II camera

Giving brings benefits

I enjoy purchasing gifts that I think the receiver will delight in owning.  Researchers have found that performing generous acts activates the part of the brain that increases personal happiness.

Being generous with your time, energy or money creates a “warm glow” and positive affect. This is why the more involved a volunteer becomes with a cause, the more fervently they believe in the mission making them want to contribute more.

For my niece’s birthday last year,  I asked her mom what she would like as a gift. My sister suggested buying her a psychology book.  Very practical, I thought, given my niece, at that time a freshman, was considering majoring in psychology.

I then asked my niece what she would like, and she thought about it and shared an idea – a Fujifilm disposable camera!

Fujifilm disposable camera

Fujifilm disposable camera

Creating memories in ‘slow motion’

I thought it a bit unusual since she has an iPhone that can take amazing pictures instantly…

Ever curious, I decided to research why she might have interest in a disposable camera as a birthday present, and found that it is a trend among her age group to take photos the way we did at their age.  The “slow motion” way, where you have to wait and where one shot has to suffice since the camera and film are in limited quantity given there is a definite cost for each shot.

One thing I really like about this trend is that it goes against the pressure of social media since digital pics are taken in multitude, the best shot selected, then often edited to perfection, and then posted, to make the memory “real!”  A disposable camera captures “rawer” moments.

In the older era of capturing memories, there were usually a few weeks of finishing the roll of film, then dropping the cartridge in the mail, to then wait days for the film to be delivered to the queue for processing at the photo lab, before making the journey back to your mailbox.

I remember the anticipation, as a young girl,  of checking my mailbox to see if my finished photos were in the stack of mail and if indeed there were, eagerly opening up the envelope to shuffle through the stack of photos.

Then going through them many times to oow and awww before selecting which might make the final cut into the memory album, and perhaps even enlarge or get reprints for friends.

When the old way may be better

I was fascinated to learn that young people are now showing an interest in going back in time.  Happy with my findings, I ordered my niece several disposable cameras in hopes that they would help her delight in capturing future college memories.

I believe this trend can help take away anxiety and body-image issues and societal pressures of teenagers and rather capture pictures for her to remember, instead of painting an ideal picture for everyone on the internet.

I have a big concern for the mental health of our young people. In 2021, the U.S. Health & Human Services cited 49.5% of adolescents having had a mental health disorder at some point in their lives.

The National Alliance on Mental Illness reports that nearly 20% of high school students reported serious thoughts about suicide in the past year, and 9% reporting a suicide attempt.  These are troubling statistics.

Psychology at Penn

My niece has an interest in positive psychology and is at perhaps the best place to study this field, the University of Pennsylvania, where the likes of Marty Seligman and Angela Duckworth teach and do research.  Last year, she took Professor Duckworth’s Grit Lab course. I am a big fan of Angela’s and have commented on her work: Grit.

My niece is now in the class The Science of Wellbeing with the father of positive psychology, Marty Seligman. It’s extra cool, because when I wrote this column originally and said:

To my niece – if you are reading this, to make your Mom happy, please pick out a book from Savvy’s Favorite Positive Psychology & Business Resources, and I will send it to you!

She responded with her choice: Flourish, by Martin Seligman.

After seeing my niece, and now my nephew, brighten up over old fashioned cameras, I am starting to study what next to purchase, perhaps a Polaroid.

Playing with these oldies but goodies activates positive memories, thereby improving wellbeing!

About Grace Ueng

A management consultant, leadership coach and human performance expert with Savvy Growth, Grace has been covered in The Wall Street Journal, Inc., and MIT Technology Review.  Leaders call her when seeking a strategic review of their business, when going through a pivot point, or when they’d like to have a thinking partner to hold them accountable to stretch goals.

Her company offers workshops to improve team effectiveness: Savvy’s Seven: What You Will Learn.

Join her Happiness & Leadership community to be more productive leader: click here

Evolution: Ben Toms Photographs Nature’s Shapeshifters

Evolution: Ben Toms Photographs Nature’s Shapeshifters
image

Evolution: Ben Toms Photographs Nature’s Shapeshifters | Atmos

The tadpole becomes a frog, the caterpillar a butterfly, and the snake sheds its skin. In full color, Ben Toms displays the beauty inherent in transformation, a reminder that growth, however scary, makes us who we are.

All animals evolve in one way or another. For this series, shot for The Overview: Meditations on Nature for a World in Transition, photographer Ben Toms zeroes in on the reptiles, amphibians, and insects that exhibit perhaps the most remarkable transformative journeys. 

In one image, two hands are submerged in clear water, guiding along a swimming salamander. This is familiar territory for the once aquatic amphibian, though a cascade of mutations has now transformed it into a mostly terrestrial being—its larval gills and fins now shrunken into lungs and legs. Another photo captures a butterfly resting between two human eyes—crinkled, paper thin wings indicative of the insect’s time folded inside the casings of a brimming chrysalis.

And on a bubblegum pink background lies the translucent exoskeleton of a snake, a quintessential image for evolution—the theme of The Overview’s third chapter—as the reptile is constantly sloughing off its skin to begin anew. 

Some of these creatures have experienced full metamorphosis, completely changing form. Others have gone through partial adaptations, shedding their older sheathings to grow new parts throughout their lives.

Toms, along with stylist Robbie Spencer, set designer Janina Pedan, and makeup artist Crystabel Riley, have framed these ever-evolving species in a way that is interactive with both humans and nature’s elements, showing all facets of evolution within the confines of a studio setting.

“This shoot was an incredible opportunity to focus on the creatures we so admire,” said Pedan. “I’m hoping these photographs will be a way to share the breathtaking beauty of animals that might otherwise be considered creepy.”

Coupling the creatures with their human and nonhuman counterparts in this project works to actualize that hope, along with highlighting a power we all share: the ability to evolve.

visual editor
Robbie Spencer
makeup
Crystabel Riley (Julian Watson Agency)
set & props designer
Janina Pedan (The Magnet Agency)
talent
Christina Lovey (Osmosis Casting), Asa Adams (AMCK), Edwin (Tomorrow is Another Day)
manicurist
Saffron Goddard (CLM)
lighting tech
Jack Symes
lighting assistant
Cameron Williamson
makeup assistant
Temi Adelekan
set assistant
Tetiana Hrabovska
animal handler
Mark Amey
production
Charlie Murphy-Frost (We Folk)
post production
Hand of God

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Photographer Jack Kenyon discovered the spirit of India after missing a camel fair

Photographer Jack Kenyon discovered the spirit of India after missing a camel fair

Jack Kenyon has a knack for seeking out the stranger quirks of everyday English life. We’ve previously looked at how he captured the peculiarity of East London teens renting out luxury cars for prom night, so it makes sense that he would be prepared to fly out to India to document the world’s largest camel fair. Sadly for him, though, this plan didn’t come to pass.

“I’d just finished a series of pictures in the UK about men who grow giant vegetables, and I was eager to experiment by taking the same approach abroad,” Jack tells Creative Boom. “I’d seen that India holds the largest camel festival in the world, at the Pushkar Fair, which was my original reason for visiting. It turned out that they changed the dates of the camel fair without updating their website, so I essentially missed what I travelled 4,000 miles to see.”

He adds: “Arriving at the Pushkar Camel Fair expecting to see 50,000 camels and finding a sparse desert with less than 200 camels remaining was both tragic and darkly comical. But it all worked out in the end, and I made a much broader series of pictures across the country capturing my take on Bharat Mata or Mother India.”

Given that the whole trip was organised around the camel fair in north India, Jack decided to arrive a few weeks beforehand and make his way up through the country. Even though he would eventually be disappointed by the lack of said festival, he made the most of his trip by continuing through the states of Kerala, Tamil Nadu, Rajasthan, Uttar Pradesh, Sikkim and West Bengal.

Yet, despite being far from home, Jack would run into familiar places and situations. “Towards the start of the trip, I visited the Wonderla Water Park near Kochi, one of the country’s biggest amusement parks,” he explains. “I love all the pictures I took there, especially the top-down wave pool photos of the boys splashing around in their European football shirts.

“With so much going on in one frame, I think there’s a lot of depth, and I also love the colours and the raucous fun taking place. It reminds me of how much I enjoyed water parks as a kid.”

As well as being somewhat nostalgic, the trip also proved to be enlightening. The more Jack saw the country, the more he got to know its people and character. “I had no idea how young the population was, but you can really feel it throughout the country,” he adds.

“I learnt that India has the largest youth population in the world (over 808 million people, or about 66% of its total population, are under the age of 35). The country feels full of energy in a way that’s very different to many European countries I’ve visited. I tried to capture this feeling in some of my pictures.”

Every project comes with its share of challenges, though, and Bharat Mata is no exception. “Walking around various cities, the sensory overload was sometimes very intense, with non-stop sounds, smells and sights,” Jack adds. “Having a quiet place to retreat to was vital at many points.”

However, the six-week time span of this series did allow Jack to push himself as a photographer and try new techniques. “Usually, I take pictures in short bursts, a few days here and there, and I often control the lighting using flash and maybe an assistant,” he says.

“To have so much time and complete freedom on this trip was a blessing, but I also felt the danger of not making a cohesive set of pictures. Despite this, I think I managed to maintain my aesthetic – bright, colourful, humorous – throughout the series, which gives me confidence for future trips.”

Explore the full collection of images from Jack’s Bharat Mata series by heading over to his website.

Stunning pic of solar flare wins Turkish man Astronomy Photographer of the Year 2023 award

Stunning pic of solar flare wins Turkish man Astronomy Photographer of the Year 2023 award
Feb 21, 2024 12:53 PM IST

The picture of ‘The Great Solar Flare’ was taken by Mehmet Ergün using an H-alpha solar telescope.

Turkish astrophotographer Mehmet Ergün bagged the Astronomy Photographer of the Year 2023 award for his stunning capture of ‘The Great Solar Flare’. The award was presented to him in the People’s Choice Award category. The picture, clicked using an H-alpha solar telescope, shows a sizable solar flare.

The photograph of the solar flare that won Turkish astrophotographer the Astronomy Photographer of the Year 2023 award. (Instagram/@royalmuseumsgreenwich)
The photograph of the solar flare that won Turkish astrophotographer the Astronomy Photographer of the Year 2023 award. (Instagram/@royalmuseumsgreenwich)

Read| Incredible pic of Whale Bones wins Swedish man the Underwater Photographer of the Year 2024 award

“Your votes have been counted! ‘The Great Solar Flare’ is the winning image in the Astronomy Photographer of the Year People’s Choice,” wrote Royal Museums Greenwich while sharing a picture of the winning photo on Instagram.

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The museum also shared the explanation that the photographer provided for his photograph. It read, “Here we see our Sun, photographed using an H-alpha solar telescope. The Sun is moving towards its maximum cycle, and in the photo, we can see a large solar flare.”

Mehmet Ergün further shared what solar flares are in layman’s language: “Solar flares are sudden bursts of magnetic energy on the surface of the Sun. These eruptions can be very large, as seen in the image. According to our calculation, this solar flare is about 700,000 km long; Earth has a diameter of about 12,700 km.”

Take a look at the picture of The Great Solar Flare here:

Ergün also shared the news on his Instagram account. He expressed gratitude towards the people who voted for his photo, thereby helping him win the award. Ergün wrote, “After almost 15,000 votes online and at the exhibition, the winner of the ‘Astronomy Photographer of the Year’ People’s Choice Award was finally announced! We made it! Your incredible support and valuable votes made me really win.”

“It’s hard to express how thankful I am. Each of you contributed to making this dream come true. Such recognition for my works has endless meaning to me. Almost 10 years ago I would have never imagined this. Knowing that my work excites and inspires you fills me with indescribable joy. Thank you, thank you, thank you!” he further expressed.

What are your thoughts on this picture?

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  • ABOUT THE AUTHOR
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    Arfa Javaid is a journalist working with the Hindustan Times’ Delhi team. She covers trending topics, human interest stories, and viral content online.