Local photographers are already booking for bluebonnets
Photography
Bluebonnet season approaches as Brazos Valley photographers book up
BRYAN, Texas (KBTX) – Local photographers are already filling their books with bluebonnet photoshoots, but now they’re left to wait for the blooms.
Some started booking slots as early as January in preparation for the narrow window of time.
In past years, photographer Jen Gerlich had just a couple of weeks to photograph around 20 families in the bluebonnets. Her company, JG Creatives, has been capturing memories for half a decade.
“It gets a little crazy right around the time the bluebonnets start blooming and yeah, it does get pretty busy because it’s kind of like a rite of passage,” she said.
Her books fill up months in advance with people signing up for a spot on a waitlist. Once the flowers bloom, she schedules all of the photo shoots within a two-to-three-week window. In the meantime, she’s watching the current crop closely.
“Towards the end of February, I’ll start kind of like poking at plants, figuring it out,” she said.
However, timing can still be a challenge, especially after a boiling hot summer followed by a rainy few weeks.
Dr. Mike Arnold, Director of Gardens at Texas A&M University, said the timing depends on the fall rains. After a lot of rain in a short time, he predicts the peak of bluebonnet season could be closer than we think.
“About three to four weeks from now is when we will be into our peak bloom on the bluebonnets. But we’re blessed with a tremendous variety and array of wildflowers,” he said.
Although plants in lower elevation areas might struggle due to the amount of rainfall, blooms on hills and in sandy soils could spell success for the overall season.
“We managed to get a few rains late in the season, so we did get some germination occurring, this crop’s looked pretty good through the winter,” he added.
Dr. Arnold recommends scheduling your Bluebonnet photos toward the end of March.
Copyright 2024 KBTX. All rights reserved.
‘En Forêt’ wildlife photography exhibition opens its doors in Lyon
Acclaimed photographer and filmmaker Vincent Munier presents his latest exhibition at Lyon’s Musée des Confluences, focusing on awe-inspiring wildlife near his home in the Vosges mountains.
ADVERTISEMENTGetting close to nature is the mantra of photographer and filmmaker Vincent Munier.
He has travelled to the world’s most remote regions, from the North and South Poles to Tibet, snapping shots of the wildest animals on the planet.
His new exhibition at Lyon’s Musée des Confluences is a dive into the forests he grew up with in eastern France.
The project was initiated by the Musée des Confluences, which also opened its doors to photography last year. Vincent Munier succeeds the great Marc Riboud.
“The Musée des Confluences team came to see me in the Vosges, and I was delighted, because people sometimes label me an ‘adventurous photographer’, from the far North to the far South, or Tibet, as with ‘La Panthère des neiges’. But in the end, I’ve never stopped photographing around my home, and that’s where I got my bearings, where I learned how to stand back and observe the beasts,” Munier told Euronews.
“I was possessed by this encounter, this desire to bring animals to the forefront. In a way, we have put them aside. That’s what affects me and saddens me the most. It’s the extent to which we’ve ‘gone it alone’, it’s “man is man” and the animals are a bit of a spectacle or an accessory, but not on the same level. It’s a vertical hierarchy that annoys me enormously, this hegemonic position of our species over the others.”
His secret weapon when on a mission is patience. The idea is to lie in wait, for hours or even days, to catch a fleeting glimpse of nature’s wonders.
The results are clear: the wild world is being gnawed away by man, to the detriment of the globe’s flora and fauna.
Vincent Munier wants to show the beauty of this planet, whether it lies on the other side of the world or close to home.
“You can be just as moved by a snow leopard as by a lynx, a wildcat or even a little chickadee. Things often seem ordinary, but if you pay attention and take the time, then it all becomes extraordinary!”
The “En Forêt” exhibition is open to the public until 2025 at the Musée des Confluences in Lyon.
Video. ‘En Forêt’ wildlife photography exhibition opens its doors in Lyon
Updated: 16/02/2024 – 10:28
Acclaimed photographer and filmmaker Vincent Munier presents his latest exhibition at Lyon’s Musée des Confluences, focusing on awe-inspiring wildlife near his home in the Vosges mountains.
CP+ 2024: A Renaissance in Photography with Groundbreaking Announc…
In the heart of winter, the world of photography is set to witness a renaissance at the CP+ 2024 event in Japan, scheduled from February 22-25. As the globe’s premier camera and imaging show, it promises an assembly of groundbreaking announcements and technological showcases from industry giants including Canon, Sony, Nikon, and Fujifilm among others. Preceding the main event, the Fujifilm X Summit Tokyo on February 20 stands as a harbinger of the innovation to come, with Fujifilm teasing a significant camera reveal that’s already creating ripples of excitement across the photography community.
New Horizons in Imaging
With each iteration, CP+ has cemented its reputation as a pivotal platform for not just unveiling the latest in camera technology, but also for setting the tone for the year’s photography trends and market dynamics. This year, the event is poised to introduce a slew of advancements with Canon leading the charge, hinting at the development of the EOS R1—a camera that’s expected to redefine sports photography. Meanwhile, Sony’s anticipated successors to the ZV E10 and A7S III signal a robust emphasis on content creation, from vlogging to professional video production. Not to be outdone, Fujifilm’s compact camera reveal is set to offer a fresh perspective on portability and performance.
Innovation Across the Spectrum
Beyond the heavyweights, other manufacturers like Sigma and Ricoh are also on the brink of unveiling their latest creations. Sigma’s upcoming announcement, shrouded in mystery, is speculated to be a new lens or camera that could potentially set new standards in photographic excellence. On the other hand, Ricoh’s online event promises the introduction of a new GR camera, continuing the legacy of its highly regarded compact series known for exceptional image quality and user experience. These announcements not only reflect the diverse range of products that will be showcased but also highlight the industry’s commitment to innovation, catering to both professionals and enthusiasts alike.
A Glimpse into the Future
The anticipation for CP+ 2024 is not just about the products but also about the vision it represents for the future of photography. As we stand on the cusp of this event, it’s clear that the boundaries between technology and creativity are becoming increasingly blurred. From the development of the EOS R1, indicative of Canon’s push towards perfecting sports photography, to Sony’s focus on enhancing the content creator’s toolkit, and Fujifilm’s compact camera that might just set a new benchmark for portability and performance, CP+ 2024 is shaping up to be a landmark moment in the imaging world.
As we conclude, the story of CP+ 2024 is not just about the cameras and technologies that will be unveiled but about the narratives they enable us to tell. The event promises to be a testament to the industry’s resilience, innovation, and the ever-evolving relationship between humans and the art of photography. With manufacturers pushing the envelope on what’s possible, CP+ 2024 is poised to offer a window into the future of imaging, setting the stage for a year of creativity, exploration, and boundary-pushing achievements in the world of photography.
Photographer Bob Grant to be featured at Main Street Art Gallery
CONWAY — The MWV Arts Association’s Main Street Art Gallery at 16 Norcross Circle in North Conway Village will be highlighting the photography of Bob Grant with a reception on Saturday, Feb. 17, from noon to 4 p.m.
Bob Grant’s photography will be on display at MWV Arts Association’s Main Street Art Gallery. (COURTESY PHOTO)
Grant grew up in the valley and has been photographing New Hampshire scenics since 1975. His favorite time to photograph is during the early morning or late afternoon light.
Tony Mott Releases Iconic 40th Anniversary Music Photography Book
English-born Australian photographer Tony Mott has enjoyed an illustrious career photographing some of music’s all-time greats: from Iggy Pop to Chrissy Amphlett to The Rolling Stones to Bob Dylan to Fleetwood Mac to Silverchair to INXS to Johnny Rotten.
To this day, if you ask anyone who’s worked with Mott – or simply knows his name – he’s still recognised as Australia’s premier rock and roll photographer and remembered as Big Day Out’s official photographer.
Mott has just released his latest book, and it’s one hardcore music fans will want in their collections. Rock N Roll Gallery – A Journey From Sheffield to Sydney 1983 – 2023 is a limited edition book that tells the story of Mott’s life as a spectacular, renowned member of the Australian music industry in just 240 pages.
Rock N Roll Gallery contains the most iconic shots of Mott’s storied career in its sheets of glossy paper. There’s the 1983 photo of Divinyls singer Chrissy Amphlett at Kings Cross that he ended up selling for just $20, Rolling Stones tour photos, Peter Garrett at the Sydney Entertainment Centre in 1985, Tex Perkins commanding the crowd at Big Day Out in 1994, and many more.
Mott’s latest book tells his life story and captures rock and roll history. It starts from his childhood growing up in Sheffield, Yorkshire, before working as a chef on the cruise ship SS Oriana. By the time the 1980s began, Mott was living in Sydney, and his career as a music photographer had begun.
In the book, Mott ranks his top 20 photos he’s ever taken, the top 20 artists he loves musically, and the best artists from A to Z. Mott’s work has been published in 20 countries, with his photos dominating over 9000 record sleeves and magazine covers.
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You can order a copy of Rock N Roll Gallery here or here. However, if you’d like to meet Mott and score a signed copy of the book, head to The Exchange Hotel Hamilton in Newcastle, NSW, for the official book launch on Tuesday, 20 February.
A free event, fans can listen to Mott give a 45-minute talk about the book and more. Register for your place at the event by emailing Tony.
In a recent trip down memory lane, The Music’s Tyler Jenke examined Big Day Out’s legacy ten years after the final edition of the festival took place. Jenke even got Tony Mott to discuss some of his favourite moments.
“The standout moments were The Prodigy converting from the dance stage onto the main stage and it working, and the Black Eyed Peas doing the same thing,” Mott said. “God, there’s so many highlights: Iggy Pop, the Beasts of Bourbon, and Sonic Youth, jamming I Wanna Be Your Dog on that second Big Day Out.
“And of course Nirvana; not so much their playing, but just the whole thing that this was the changing of music,” he added. “Grunge had arrived, and mainstream music was getting hammered by indie music. That was just the vibe of that first Big Day Out, and that’s why the big day out was successful; because they came in at that time.”
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Photographer’s new book illustrates the comings and goings of New York City subway riders
NEW YORK CITY (WABC) — A photographer, who has been riding New York City subway trains for a decade while snapping pictures, has captured the profound parts of the nation’s biggest transportation system through her new book.
The subway system is how millions of people get from point A to point B every day.
Photographer Rita Nannini considers the subway a fascinating, ever-changing place.
“My husband and I would get up and say ‘ok… let’s go to Far Rockaway and we’d get on the train and go to Far Rockaway,'” Nannini said.
Nannini is a visual explorer of sorts. For the past decade, the expansive subway system has been the backdrop for a project she’s now sharing with the world.
Her new, highly acclaimed book, ‘First Stop, Last Stop,’ is filled with captivating images.
The title came from a friend who saw her work and had an idea.
“You know the last stop is really the first stop for many and that just clicked,” Nannini said.
One’s final destination could at the same time be someone else’s starting point.
With that, Nannini was off – snapping pictures underground in all five boroughs.
“It’s so wonderful to know you can go up to Spuyten Duyvil on the A in Inwood and watch it go by,” she said.
Nannini realized that people riding on the trains were so intrinsically linked to the subway — a reflection of communities at each stop.
“People don’t realize how beautiful it is, about New York, how the subway for just one fare ties all of this together,” she said.
Nannini has traveled on every single subway line. There are 22 subway lines, three shuttles and the Staten Island Railway. That’s 665 miles of track.
The book has a metallic cover. The shapes and colors inside are a nod to the subway.
“It belongs to every person in the subway,” she said. “I just wanted everyone to feel that nostalgia for it.”
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Columbia photographer recalls aftermath of Chiefs rally shooting
COLUMBIA — A Columbia award-winning photographer walked along the street with Chiefs players at the Super Bowl parade in Kansas City Wednesday to take photos.
Scott Schaefer runs a photography business with his wife, Shannon, and this was his first time taking pictures of Kansas City Chiefs players.
Travis Kelce during Chiefs Super Bowl parade
“Pretty cool experience. First Super Bowl parade for me and the first time I’ve got to shoot photos of Patrick Mahomes and [Travis] Kelce, and all the other guys on the team,” Schaefer said.
Patrick Mahomes during Chiefs Super Bowl parade
The parade led to Union Station, where thousands of fans were waiting to start a rally. As the rally finished and the crowd started to disperse, shots were fired on the west side of Union Station.
As Schaefer and his partner prepared to leave Kansas City to head back to Columbia, they heard spectators shouting about a shooting incident at Union Station.
“You could already hear sirens and stuff going on, and a couple of the bars had open patios. We were trying to listen in like, ‘Okay I think there’s been shots fired down at Union Station,’ Schaefer said.
Twenty-one people were injured and a woman was killed. Half of those injured were under the age of 16. Three people, including two juveniles, were detained, and guns were recovered.
Kansas City Chiefs Super Bowl parade
Schaefer said he went to text his wife about the shooting, but he didn’t mention his safety right away.
“I texted my wife Shannon as we were walking out like ‘I think there was a shooting,'” Schaefer said. “She didn’t know where my location was. She was worried about me, but I was never in any danger.”
Schaefer said he thought about the possibility of a dangerous situation at the parade the night before, but he didn’t expect a shooting.
“I did even consider, ‘Should I still share these pictures or not?'” Schaefer said. “But I didn’t want all that happiness to be ruined by whoever this person or people were who wanted to cause harm and take away all this fun.”
Editor’s Note: Schaefer previously worked at KOMU 8 as a videographer.
Photographer Michael Hebert is the Saints Hall of Famer most don’t know
NEW ORLEANS (WVUE) – Six years ago, the New Orleans Saints Hall of Fame proudly opened its doors to three distinguished individuals, solidifying their places in the hearts of Saints fans everywhere. Lance Moore and Pierre Thomas, household names among Saints faithful, were among the inductees. The third member, Michael Hebert, may not be as widely known to the public, but his impact on the team is undeniable.
Hebert, a Louisiana native, has been intimately involved with the Saints for decades, chronicling the team’s journey through his lens as its Director of Photography for the past 26 years. His story is one of dedication and passion, rooted in his upbringing in New Orleans and fueled by his love for football.
“Football is my first love,” he said. “And shooting football? Oh, there’s an intimacy to paying attention to all those little things that the players see.”
From his early days attending games with his father at Tulane Stadium to capturing iconic moments like Tracy Porter’s pick-six in Super Bowl 44, Hebert’s work behind the camera has immortalized the highs and lows of Saints history. His keen eye and impeccable timing have allowed him to seize pivotal moments, whether it be on the field during a game or behind closed doors during team meetings.
“You got to be lucky,” he said.
One of his most iconic photos — Tracy Porter’s pick-six of Payton Manning in Super Bowl 44 — happened because Hebert was in the right place at the right time.
“I was sitting in the meeting room by myself and the doors open and the defensive backs came in,” he explained. “They spent about 25 minutes going over the one play, down and distance formation, that Tracy Porter intercepted that ball and ran it back for a touchdown.”
“As soon as I looked up, because every play I’m looking at down and distance first formation, I reach back for the longest lens I had and I locked up on Tracy Porter because he took that little step over and it was like slow motion for me.”
But Hebert’s journey hasn’t been without its challenges. Personal trials, including his daughter’s battle with cancer, have tested his resolve. Yet, through it all, he remains steadfast in his commitment to his family and his craft.
“I had to pick all the photographs for Will Smith’s Memorial at the facility. It wasn’t easy. When I walked in that day, I was just so emotional. I couldn’t stop crying. And for Mr. Benson’s funeral, I had to photograph his funeral,” he recalled.
“[Mr. Benson] treated my like a grandson. I worked for him for a long time and have some unbelievable stories with him. Yet, standing two feet from his casket with a wide angle lens when they pop that American flag… I couldn’t do it anymore.”
For Hebert, football isn’t just a game—it’s a platform for making a difference. Through his photography, he seeks to inspire and uplift others, demonstrating that true impact transcends the boundaries of the gridiron.
“I always wondered, why am I so lucky, there are guys that work their whole lives and never get the opportunities I’ve been given. That’s why when Brittany got sick, it all became crystal clear. It was what I was going to be able to do to help others. And I say that humbly. It’s not about me. And as I’ve told people, you don’t need to wear a jersey to make a difference. I had been given an opportunity to help make a difference in others’ lives. And that’s the thing I’m most proud of,” he said.
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