Celebrating its world premiere at the 2024 Sundance Film Festival, Stress Positions is a chaotic film starring John Early and directed by Theda Hammel. Taking place in New York in early 2020, I was immediately taken by the look of the film and how well it captured that specific moment in time. Below, you’ll find a transcribed conversation with Director of Photography Arlene Muller in which we break down her approach to the film. We also discuss music videos, Early as a comedic legend, and the interesting challenge of not only shooting in a New York brownstone, but adding hurdles via shooting through environmental obstacles. Check out the conversation, and be sure to check out Stress Positions! 

Stress Positions premiered at the 2024 Sundance Film Festival in the U.S. Dramatic Competition section, and it will be released by Neon later this year.

Alex Papaioannou: So, again, thank you for taking the time to speak with me. I saw Stress Positions this morning and really liked it. Are you from New York? 

Arlene Muller: I am originally from New York! I grew up in Brooklyn.

AP: So I’m curious, what is it about filming in New York that excites you the most?

AM: So I’m a huge fan of the Safdie brothers and Sean Price Williams, and I think that chaotic, New York energy is what excited me the most about this film. I think you can definitely see it in the visuals, the storytelling, and the editing. Actually, the gaffer on the film was a key grip from Good Time. And so, it was interesting to have that energy in an ensemble comedy. Because this isn’t an action film, but in a way, it has action film energy. The stakes seem so high all the time. Even if it’s just someone coming over, you know, like Theda’s character, Carla coming and seeing the male model. The stakes are just so high and it’s so intense. And John Early’s performance is so high stakes. And that’s New York. It’s a high stakes place. So that kind of energy makes sense for this film.

AP: Definitely. And it being set in early 2020, it captures a very specific… insane, moment in time.

AM: [Laughs] An unhinged moment in time!

AP: [Also laughs]. It hits very hard.

AM: One of my friends saw the film this morning, and when they came back were like, “I loved it. It’s so unhinged.” And I think that’s something that our generation in particular, like the people who are involved in making the film, could really relate to specifically with regards to COVID, but also with regard to millennial culture.

AP: One more thing about New York. I’m always interested in films shot on location there due to such a variety of architecture across the city. And the brownstone in the film is a perfect example of that. It looks like 3 or 4 floors. I’m just curious what the prep was like leading up to shooting?

AM: Yeah, we were able to prep in the brownstone, and Theda was doing rehearsals in there, too. So we were able to do camera rehearsals there, which was great, because that would allow her, as a first time feature director, to see how the shots could be. And then obviously, we also improvised on the day, as well. But it was definitely great to have a sense of what we were getting into. We were there at least a week or two before we started shooting.

AP: Was it already abandoned?

AM: [Exclaims] Yes! It was crazy there. There were plumbing issues and everything. Like, our producers jumped through many physical hoops to get everything together. Even to a point where we could use the restroom during production. Stuff like that. They had the production office upstairs, so my crew was constantly running up and down the stairs, going to charge batteries. There’s obviously no elevator, you know? So everybody got a workout.

AP: I want to go back to having the film take place in 2020. You’re shooting a lot through plastic covers, or people with masks. Even gas masks! So, what was the approach to that as far as the look of it all, and, you know, capturing an image through a cheap plastic cover?

AM: Physical barriers and obstacles are a huge part of the visual language of the film. And that was something that Theda really wanted to come through. The idea was that things were difficult for people. And visually, those obstacles make the sort of tension of the film more apparent. That was definitely part of her plan. That’s a great observation.

AP: [Laughs] Thank you. Keeping with the visuals, there’s a lot of instances where light is just going off the rails. I think of the disco ball rolling down the stairs in the beginning, or when the camera is facing the projector and we just see bright, colorful light. How did you plan that? Did it come about on that day? Is that something you’ve had in your mind working over the years?

AM: I think a lot of that stuff came naturally. We were looking for ways to make the image a little bit jarring. In the beginning of the prep, Theda said that she wanted images that were really truthful to the feelings that the characters were having. She didn’t want to be precious, and that was something that carried through the film. We weren’t looking to create something that was like the perfect, harmonious world, because this isn’t a perfect, harmonious world. So all of that stuff, from the lens flare to the strong and jarring light, plays into that idea of “This is what the characters are feeling.” This is their point of view.

AP: So, I love talking with people who work in film, who have also worked in music videos. I find the world of music videos to be its own little sub-section of film, and it’s always so interesting seeing the jump to shorts and features. I’m curious if you feel what you’ve pulled most from your music video experiences?

AM: Well, I don’t have that much. I’ve mostly stayed in narrative.  But I’m actually actively trying to do more music videos, because it’s such a wonderful way to be creative visually. So I would say that experimenting with angles, using wide angle lenses, really tight shots. That’s some of the stuff I can say I’ve pulled from. And not just from my own music videos, but also just my experience loving music videos.

AP: Do you have any favorites?

AM: You know, I really love Chris Ripley’s work, like I love “Thot Shit” by MeganThee Stallion. I just love music videos that are shot on 16 millimeter. I love stuff that’s really inventive and that pushes the envelope. I love Tyler The Creator’s music videos. I’m really a big fan of hip-hop. A$AP Rocky music videos. [Animatedly] Okay! Favorite would have… What’s the one with the hook that has the flute in it? [Starts whistling].

AP: “Praise the Lord”?

AM: Such a brilliant music video. Yeah. I mean, all his music videos are amazing.

AP: Agreed. Him and Tyler have a very distinct vision.

AM: And, you know, there’s a frenetic energy in music videos that’s really exciting. And I think we have some of that energy. A lot of whip pans and zoom ins and zoom outs.

AP: Definitely! I love it. And speaking with regards to frenetic energy, the film was shot in 24 days, right?

AM: 24 or 25, yeah. We may have had a couple of extra where Theda went out with her own camera.

AP: So, obviously that’s a very tight shoot. And I’m curious, did it feel like that on set? Or was it just freewheeling, and kind of going with the flow?

AM: I have to say, I’ve worked so much in the low budget, indie world. So that’s a pace that I’m very used to. But absolutely, it was very tight. Everybody was giving it their most. There’s 110% of energy on every day that we were shooting. You could feel it.

AP: Did John Early have to do many falls from the hose spraying into the window? [Laughs]

AM: You know what? Honest to God, he’s such a pro that the answer is no! He is a comic goddamn genius. That man is insane. He did not do a lot of takes for it, and he barely rehearsed it either. Maybe like three times. That was actually one thing we were all talking about: he didn’t have to rehearse his falls. He’s so good!

AP: A great pratfall goes a long way. And speaking of John Early, he’s a comedic legend at this point. Was there a lot of improv on set or was it more of sticking to the script? Just curious what it was like working with him.

AM: No, it was very carefully rehearsed. He rehearsed a lot with Theda and with Qaher [Harhash], especially the birthday party scene and scenes like that. It was pretty immaculately rehearsed. I would say that he’d improvise within the confines of the lines, but there wasn’t a lot of wild improvisation of lines and stuff like that.

AP: Gotcha.

AM: Although I have seen him improvise on other stuff that I’ve worked with him on, and he’s a genius.

AP: I can imagine any B-roll with him is a lovely time.

AM: Yeah, he’s a genius.

AP: So, looking forward. You said you wanted to get into music videos, but do you have anything upcoming that you’re excited about?

AM: I have a 16 millimeter short that I’m shooting in Australia, which I’m super excited about. She’s done a short film and this is her second short. It’s sort of a dreamy exploration of a woman who’s experiencing hearing loss. So it’s a very visual, emotive film.

AP: Do you work often with 16 millimeter?

AM: Yeah! I own my own 16 millimeter package, and I just love it so much. I love 35 [millimeter] too, but it’s harder to convince people to shoot on 35 because of the cost. It’s a little easier to go for 16.

Press Release

Photographs by Dave Hanson, a local businessman and award-winning artist, will be on exhibit at Gallery East during the month of February. The exhibit, entitled “Road Trip,” will be on view from Feb. 2 to March 1 in the Central Instruction Building (CIB) on the campus of Utah State University Eastern.

“My photographs are mementos of passion from my ongoing visual autobiographical journey,” he explained. “They are the outcomes of the variations of my thoughts and the evidence and artifacts of my presence in the places that I have been, the things I have seen, and of the people that I have experienced. They tell of the brief moments in my life that have paused me in my steps and have roused me from life’s visual slumber.”

He continued, “The exhibit, ‘Road Trip,’ is an accumulation of those captured moments from the visual odyssey of my travels throughout the western United States. The resulting images are a celebration of my search to discover and capture—with fresh eyes and a unique vision—what I have found beautiful, interesting and unexpected.”

The series of some 30 photographs represents a unique vision of the West, featuring travel spots, weathered structures, and roadside views of the American landscape.

Hanson is an artist with a life-long passion for the medium of photography. He was born in Price, Utah and for over three decades, his photography has encapsulated an eclectic range of subject matter. He’s been intrigued and inspired by everything from the uniqueness of the human face and body to the historic remnants left by man on the land and in the beauty of the landscape itself throughout the United States and around the world.

His photographs represent the outcome of his vision as translated through the passion of his soul. He incorporates digital, film, and multiple historic alternative photographic processes to capture and create his uniquely authentic art. Since 2005, with over 215 gallery shows, his images have been exhibited and collected in galleries throughout the US, Greece, Spain, Italy, Hungary, Canada, England, South Korea and France.

Hanson’s exhibit, “Road Trip,” will be on view from Feb. 2 through March 1. An artist’s reception and talk will be held on Friday, Feb. 9 from 6 p.m. to 8 p.m. Students, faculty and members of the community are welcome to attend.

Gallery East is free and open to the public during the academic year from 9 a.m. to 5 p.m., closed weekends and holidays. Contact Noel Carmack at (435) 613-5241 or email noel.carmack@usu.edu for any questions about the exhibit.

After writer Beatrice Hazlehurst pondered whether hemlines might altogether disappear in 2024, we passed the baton to photographer Alex Frank to manifest the concept. In tandem with stylist Lucy McFadin, the creative duo braved a 20-something-degree evening on New York’s Lower East Side to respectfully poke fun at the city’s confounding fashion sense. Think: ultra micro minis with fluffy snow boots—a girl’s gotta do what a girl’s gotta do. Ahead, we asked Frank and McFadin to recount the onus behind the editorial imagery, detailing everything from where they warmed up to their thoughts on the polarizing trend.

On Dec. 7, the Franklin (Texas) High football team was preparing for a state semifinal game against Edna with a customary send-off pep rally at the school.

The Lions are the biggest show in the town of 1,614 about 65 miles southeast of Waco. The 3A powerhouse entered the season two-time defending state champion and was working on making it back for a fourth straight year. But before the band fired up the fight song, there was an important first order of business: a surprise for a local celebrity.

The football team’s leadership group called Nash Pils, a 17-year-old junior with Down syndrome, to the gym floor. A naturally gifted photographer, Nash has become the documentarian of a small town’s sports programs, and in turn, the football team has become his champion.

Students chanted, “Nash! Nash! Nash!” as Nash waved his arms to encourage them to get louder. Then the football players, holding a sign that said “Thank you, Nash! Our MVP,” presented him with a gift-wrapped box.

Nash opened his gift and found a $2,000 camera lens that would allow him to grow as a photographer. The community came together to crowdfund the new gear — reaching the goal in about 12 hours — just in time for the road trip.

“We decided to show everyone in public at the pep rally, because we wanted people to see how easy it is to be a good friend to anyone,” said Jayden Jackson, Franklin’s star running back. “I hope everyone took something from it. I know he’s enjoying that lens. He’s everywhere with it.”

The fabled Friday Night Lights of Texas encompass entire communities, and in this one, Nash plays his own important role, one that showcases the unique way he sees the world and the moments he is able to capture. Here’s what that journey looks like through Nash’s eyes.

Building brotherhood

When the Lions take the field, Nash is usually right there waiting for them, dating back to Franklin’s 2021 state championship season when his brother, Jensen, was a senior tight end and defensive back.

The players have become a collection of his brothers, too, giving Nash’s parents peace of mind as he tried to navigate high school after Jensen left for college.

“Jensen would see [Snapchat] snaps from people teasing him in the lunchroom, and would say, ‘Don’t do that,'” said Nash’s mom, Honny. “But even when he graduated, the football boys put a stop to it.”

Players would message Honny on social media and let her know when there had been an issue and that they had handled it.

“Some of the kids I knew, and some of them I didn’t,” she said. “But we always had little feelers.”

And when one of the state’s best players comes to your defense, it gets noticed.

“I used to hear people bully Nash, and sometimes I’d see him cry,” Jackson said. “I didn’t like that. I tried to step up and be a good friend because I don’t like bullying.”

Serious business

Nash took a shine to photography early, grabbing his parents’ camera and taking photos as a toddler, which Honny said raised some eyebrows among other parents.

“When he was a little baby, I remember them going, ‘Oh dear, no, give that camera to your parents, you’re gonna break that,'” she said. “And we were like, ‘No he’s not. That’s his job.'”

Nash started taking his job seriously when he tagged along to family sporting events, including his brother’s youth football games. Nash’s father, Doug, said he would often see Nash playing with the camera and wonder what he was up to.

“There was a selfie he took when Jensen was playing flag football. I turned around and looked at him laying in the grass with the light in his face,” Doug said. “When I went back to go edit the photos that he had taken, there was just that one picture, the grass is perfectly lit, with his hair in his face and grass in front. I was just like, ‘OK, yeah, Nash knows what he’s doing.'”

An eye toward joy

Nash’s photographic eye developed naturally, said Hannah White, one of Nash’s mentors. For instance, Nash was 10 years old when — while at the soccer fields for one of sister Ayla’s games on a foggy Saturday morning — he fixated on a spiderweb stretched across a gate with droplets of dew on it. When Ayla came and peeked through the hole in the web, Nash snapped her photo.

It became his first award-winning photo, when it won a summer youth photography contest held by the College Station library in 2017. It was all Nash’s idea, without any guidance.

“He knows what he wants to capture, and he’s not going to let anyone else dictate it to him,” White said. “He is able to capture people’s happiness, laughter and just true human emotion.”

Nash’s eye also earned him a lifelong pal in Tom Fox, a Dallas Morning News photographer and Pils family friend who sold them one of his old cameras to help Nash get more serious. Tom was part of a team that won a Pulitzer Prize in 2006 for coverage of Hurricane Katrina and was a Pulitzer finalist in 2020 for his photos of a courthouse shooter in Dallas. Not a bad resource to have. He offers Nash tips on camera settings and how to hold the camera at chest level instead of looking through the viewfinder on occasion. (“Nash thought that was coooooool,” Honny said.)

“The communication skills aren’t there,” Honny said of Nash. “He says hi and hello and thank you, but that’s pretty much about it. You’re not gonna get a whole conversation from him. … But Tom’s name is easy to say. He says, ‘Tom! Tom!’ Whenever he and Tom are next to each other, Tom grabs that camera and starts pointing out weird stuff. And Nash hangs on every word.

Ability to showcase

Nash shoots all sports year-round, but football has the most downtime during a game. And according to his pro mentors, this is where he excels.

“He’s fearless,” Fox said. “I mean, he goes right after it and he does these candids as well as photos of his friends and the players on the teams. I just love how real and natural his photos are.”

During a timeout in a win over Woodville in Franklin in 2022, Nash took a photo of linebacker Brayden Youree grabbing a drink, with dramatic lighting. It would go on to win Best of Show in the photo contest at the 2023 Robertson County Fair in Hearne, Texas.

“I tell people this all the time. He is the best at capturing what the environment is of sporting events, but especially for football,” White said.

With White’s encouragement and a community of support, the Pils family realized Nash had found his calling. “For the first time, it wasn’t the disability,” Honny said. “It was the ability.”

The character behind the camera

When he’s not capturing prize-winning photos on the field, Nash often turns his camera around on his classmates in the stands, like this one from the 52-14 semifinal win.

At Franklin’s state championship game in December, the die-hards up front at AT&T Stadium in Arlington would cheer whenever Nash would walk by, and he would stop, wave his hands to get them to show some excitement, then start snapping away.

“It’s really hard for someone to photograph their peers, especially someone in high school,” Fox said. “But he doesn’t have that fear or that anxiety. I think that builds his confidence, that somebody else trusted his ability to take their picture.”

It’s a far cry from several years ago, when Honny asked Nash what he wanted for Christmas.

“A friend,” he told her, delivering a gut punch to a parent.

He felt lonely in special education classes. “Nash knows he’s different,” she said. “Nash knows he has Down syndrome.”

But, she said, she thinks the camera has changed how Nash is seen.

“The photography helped him socially,” she said. “You can hide behind that camera and be awkward or be different, but that makes you more socially acceptable in some people’s eyes like, ‘Oh, he can do that.’ He’s a funky dude, and he’s gonna make you smile.”

And he’s not afraid to play to the crowd if that’s what it takes.

“He will do just about anything that he can to have a good time,” White said. “During halftime or during timeouts, they’ll play music, and you’ll just catch Nash dancing. He knows the power that he has. And he’s not shy to use that.”

More than football

White gets emotional talking about Nash, with whom she has bonded while photographing Franklin events. She marvels at his ability to spotlight the culture that surrounds sports while also photographing the game.

“His work just captures the definition of joy,” she said. “He’s able to capture moments for what they are. They’re not staged. Photos from his eye are something that I would never be able to capture, just because he is who he is. His pictures are able to show the good sides or the good parts of human beings to their core.”

And the subjects have grown to appreciate having such an attentive photographer.

“Nash takes pictures of the band, the twirlers, the kids in the stands. He’s always focused on that,” Doug said of photos like this one Nash took of sophomore cheerleader Haidyn Fannin, daughter of Franklin coach Mark Fannin. “They share his photos; they become their profile pics, or they just share them in their [Instagram] stories. That happens a lot. That’s cool that they see his work is worthy of being their profile picture.”

Doug runs Facebook and Instagram accounts devoted to Nash’s photography, and he jokes that he’s going to add “Nash’s social media director” to his LinkedIn profile. But he sees firsthand that Nash is no longer lacking for friends.

“His first non-sports thing was that he got asked to come shoot the eighth-grade graduation party this past year by one of the parents,” Doug said. “That was his sister’s class.”

He said students send Instagram messages to Nash’s account asking him to come shoot events, like when an eighth-grade football player messaged, “Hey, Nash, can you come out and shoot our big game against Lorena this week? It’s a big showdown game and we want to make sure we have some of your photos from the game.”

Honny said some kids have even asked to take him to the kind of parties that parents aren’t supposed to know about, promising they’ll look after him. She’s moved by their consideration, but she’s not quite ready for that.

“Through this process of him being able to get out and be involved with the school and with the community, it’s allowed people to see who Nash is,” White said. “He is so much more than his Down syndrome.”

Professional praise

Fox, one of the best photojournalists in the country, said he once told Doug how lucky Nash is to have a modern camera with a motor drive, meaning you can snap several photos in rapid succession and hope one of them captures the moment.

But Fox was shocked to find out that Nash doesn’t do that. He takes single frames, such as when Jackson stretched the ball across the goal line on a 20-yard touchdown run against Edna, the first night Nash had his new lens.

“I look at some of the photos, and it’s a one-shot wonder kind of thing,” Fox said. “That’s one thing I was floored by. It’s incredible to me that he can just pull them out this way.”

Jackson, who was a junior this year, recently visited Texas and will be a highly recruited player after rushing for 4,655 yards and 65 touchdowns in the past two seasons. He said he sees Nash as one of the team’s stars, too.

“Everyone shows love to Nash,” Jackson said. “Whenever Nash is in our presence, we always give him high-fives and tell him how good of a photographer he is. We try to be positive and just throw good comments at him anytime we can because Nash, that’s a person to love. We know that he doesn’t have to travel to these games and take these photos for us, but he does.

The big stage

Nash is the son of journalists. Doug worked for 15 years at Hearst newspapers, notably for the San Antonio Express-News and Honny, now a nurse, was once a graphic artist at The Dallas Morning News. Jensen is a sophomore at North Texas, and Ayla, a freshman at Franklin High, is a cheerleader, plays basketball, runs cross country, and throws the discus and shot.

Doug said he always appreciated the impact of sports and learning to be part of a team. When they found out they were having another boy after Jensen was born, he and Honny dreamed of brothers who would grow up playing sports together.

“When Nash was born with Down syndrome, we knew that was not going to be the case,” Doug said. But years later, Nash is right in the mix.

“Being able to be on the field with Jensen when they won the [first] state championship was a really big deal,” Doug said. “Then last year, when they won it again with me being able to be on the field with Nash, with Nash being a part of it, was an equally big deal. Could I have imagined Nash being able to take part in a football game at AT&T Stadium? No. That’s an amazing part of this story for me.

Gearing up for more

White was a longtime photography hobbyist whose husband, Jacob, an assistant coach for the Lions, pushed her to pursue her passion, buying her a camera in 2019 and encouraging her to become a professional. That’s right around the same time she moved to Franklin, and eventually became fast friends with Nash. Both White and Nash’s parents think it probably had to do with the snacks she would buy Nash while they were working.

“We share a love of Dr Pepper and Sprite, pepperoni pizza, and sometimes Skittles or a pickle,” she said.

Doug said he and Nash were on the sideline for one of Jensen’s JV games and Nash and White struck up a friendship. Then Nash started to go sit by her during basketball games, where they’d shoot together from the court.

“That’s been going on ever since,” Doug said. “She just took a liking to him, and every time he learned something.”

White said she was immediately moved by Nash, a kindred spirit as someone who loved photography but needed encouragement.

“I think that’s kind of why I gravitated toward Nash, outside of him being a really bright and bubbly and fun individual,” she said. “I think he’s a lot like me in the sense where we have the belief in ourselves but sometimes we just need that extra push to put ourselves out there.”

She knew that for Nash to improve, he needed some new equipment. And as much as the football team appreciated him, she appreciated his impact on the team as well. So she wanted to show it by rallying his fans to buy him his new lens.

She posted on Facebook (without the knowledge of Nash or his parents) asking for contributions for a new lens for Nash’s camera that would allow him to grow even more. It took almost no time to reach the $2,200 goal.

“I was just so thrilled because he’s been wanting for so long to make his pictures better, and you just need a pro lens to make that happen, especially in those small-town settings where there’s not a lot of light,” Fox said. “You need that.”

White teared up talking about how Nash sprinted full-speed to meet the team at the presentation, and she said anytime she’s having a rough day, she watches it. She might have made it happen, but she said he has more than done the same for her.

“When I’m with him, I have such peace and such joy,” she said. “He’s such a gift to me. It fills me with so much joy for people to see who he is, to bring out the best in people.”

Access for change

Nash has become a fixture in Franklin with an all-access pass that would be the envy of any professional journalist.

Fannin, the head coach, has welcomed him into the program, which is how Nash ends up getting a photo of the coach giving a fiery speech after a playoff win.

Doug laughed, thinking about a story he was told during the season. Fannin was laying down the ground rules about how the locker room was all business and was closed to outsiders. No families, no brothers, no cousins.

“Literally the next words out of his mouth were, ‘Oh hey, Nash,'” Doug said. “He was walking around the locker room taking pregame pictures.”

But that’s the way things work in Franklin.

“The boys on our football team, they love him a whole lot. He really, truly is a part of the Franklin Lions football team, really any sports team,” White said. “It’s good to see a little bit of change coming from our Franklin community. They’re changing the tide, and it’s really kind of beautiful.”

More than photos

Nash is still, first and foremost, a Franklin student, classmate and fan. The Lions’ quest for a three-peat ended with a 14-7 loss to Malakoff in the state championship.

Jackson, his friend, was crushed. After the game, he fell to his knees, and stayed there for several minutes while White, holding her son, reached down to console him.

It was the only picture Nash took postgame. Instead, he held his camera while he walked around the field, hugging anyone who looked upset and patting others on the shoulder pads. Nobody said he was missing the moment or should be working.

One-shot Nash got the pic, then he hugged his friends.

Photography, like any creative pursuit, has its highs and lows. Whether you’re a professional or an amateur, there will be times when you lack motivation, perhaps due to repetitive subjects or an uninspiring environment. Overcoming these challenges is crucial for maintaining creative growth and passion in photography.

Coming to you from Justin Mott, this enlightening video offers valuable tips for photographers struggling to find inspiration. Mott emphasizes the importance of looking at photography books and artworks, not just within one’s preferred genre, but across various artistic disciplines, to spark creativity. He suggests assigning oneself weekly tasks or embarking on long-term projects, which can provide a sense of direction and purpose. For those with tight schedules, Mott recommends dedicating at least an hour each week to photography, preferably during optimal lighting conditions, to stay consistent and disciplined in practice.

Mott also advises joining photography clubs for a sense of community and accountability. Engaging with others can bring new perspectives and friendly competition, pushing one’s limits in photography. Setting a personal goal, like organizing an exhibition or publishing a book, can also serve as a powerful motivator. Mott humorously dismisses the idea of buying new equipment as a quick fix for motivation, instead highlighting the importance of internal inspiration. He suggests attending workshops but urges careful selection to ensure quality teaching that aligns with one’s goals.

Lastly, Mott recommends experimenting with different gear setups to refresh one’s approach to photography. Limiting equipment can foster creativity and help focus on composition and subject matter. For professionals experiencing a creative block, Mott suggests focusing on backend tasks like managing archives or updating websites. For amateurs, he underscores the importance of using lulls constructively and not letting them prolong. Consistent practice is key to growth in photography. Check out the video above for the full rundown from Mott.

Bert Hardy is one of the most recognizable names in British photojournalism, and captured moments in time that provide a window into the daily life of our ancestors. This work, along with others from his illustrious career will be displayed in an upcoming exhibition.  

Bert Hardy: Photojournalism in War and Peace will run from February 23 – June 2, 2024,  at The Photographer’s Gallery in London and will ‘shine a fresh light’ on Hardy’s varied photography career. From Hardy’s early career as a news and sports photographer to serving as a combat cameraman and then onto commercial advertising, the exhibition tells the story of not just the incredible journey of a photographer but that of an extremely versatile entrepreneur. It is documented that Hardy was among the first UK professional photographers to adopt a Leica camera for his reportage work, a camera that later went on to become a photojournalist staple.  

• Check out our guide to the best Leica Cameras

Bert Hardy (1913-1995) covered numerous genres of photography throughout his career but is often associated with his work capturing the monochromatic life of mid-century Britain during the 40s and 50s taken for the weekly magazine Picture Post. The retrospective pulls together an archive of work through historical publications showcasing Hardy’s skill as a documenter of life.  

A photojournalist of the highest regard, Hardy traveled extensively, photographing news, social issues, and popular culture stories across the UK and overseas. His work among the working class in post-war Britain produced a truly empathetic view of life at the time, due to being part of the community he was photographing. Hardy had a genuine interest in the lives of others, and this comes through in the tone of his work. Embedded in the scene he captures, his work is engaging and warm-hearted, connecting the subject to the viewer effortlessly. 

Much of his most famous works are taken from documenting the social conditions of the working class in post-war Britain and his social documentary work continued across the UK, capturing life in many cities including, Cardiff, London, Liverpool, and Belfast. 

Hardy’s career took him from daily local newspaper stories to the Army Film and Photographic Unit, where he captured conflict across Europe and war-torn Southeast Asia. Later he would go on to showcase his entrepreneurial side, photographing advertising campaigns in a new chapter of commercial photography, becoming one of the UK’s most successful and highest-paid advertising photographers. 

Much like Bert Hardy’s photography journey, his work documents a period of unfathomable change, and the exhibition will display this through a “rich selection of material from Hardy’s archive, including press passes, correspondence, diaries, and original publications will be displayed, alongside some of his lesser-known color work”. 

Bert Hardy: Photojournalism in War and Peace will be on show at The Photographer’s Gallery from February 23 – June 2, 2024. The exhibition will also provide the opportunity to purchase rare prints from one of the best photographers of all time, with profits going towards The Photographer’s Gallery Charity which showcases work by world-famous photographers and delivers programs that connect photography lovers and promote inclusivity. 

For more information on Leica equipment, see our guides on the best Leica M lenses, and the best Leica SL lenses, or if a Leica may be a tad tight on the budget see our guide to the best Leica camera alternatives

Not even a week ago, Alessia Glaviano – Head of Global PhotoVogue – a guest on our Spigola podcast, reminded us that it no longer matters whether you shoot with a camera or a smartphone. What matters is the intention behind the shot, not the means. We pondered deeply on this statement, and although there was initially some skepticism, we concluded that to take a true stance on the matter, we had to try it ourselves: capturing moments solely with a smartphone, but with the same attitude we would have had with a professional camera. Xiaomi provided us with the opportunity and the means.

Almost by chance, Xiaomi presented us with a challenge: to visit a distant place and attempt to capture its uniqueness using the brand-new Redmi Note 13 Pro+ 5G. And so began our journey, short but very intense, in Bangkok.

All the promises of this new device – which, along with four others, forms the new Redmi Note 13 Series, further enriching the brand’s Redmi Note lineup – were substantial. Starting from the battery, rechargeable to 100% in just 19 minutes with a lasting capacity of days (not hours), and of course, the camera system consisting of 3 cameras, including a main 200 MP camera, an ultra-wide-angle camera, and a macro camera.

We decided to put Xiaomi to the test in every moment spent in the Thai capital. The first stop was at the Royal Palace and the Wat Pho temple, where the goal was to capture the colors of the mosaics and decorations.

Being one of the most touristy places in the city, we encountered many people who, like us, were fascinated by the architecture of these sacred places. The Redmi Note 13 Pro+ 5G came to our aid in this moment as well. The smartphone is equipped with AI-based editing tools that, among other things, allow us to remove people who accidentally end up in our shots. You know those photos you see on Instagram of tourist spots always empty? Now you can have them too, effortlessly!

But a city is not only visited during the day; often, it comes to life at night, illuminated by a myriad of different lights. In our case, the lights were those of the legendary tuk-tuks, indispensable in a trip to Bangkok. In this case, the challenge was formidable: darkness, colored lights, movement. All the ingredients for a challenging shot were present.

Not content with just the shot, we continued to play with AI tools and added a bit more movement, some stars, many stars.

When traveling, we know very well that we are not only captivated by architecture, landscape, and glimpses, but we also focus on the faces we encounter on the streets. However, we often don’t have much time to photograph them, sometimes because they move, other times because we are the ones on the move. That’s exactly what happened to us in the characteristic Thai markets, first and foremost the Floating Market.

Reviewing the photos on the return flight and at home with friends was like reliving the journey once again, leaving no detail behind.

In Bangkok, on the occasion of the launch of the new Redmi Note 13 Series, the brand also introduced the brand-new Redmi Watch 4 and Redmi Buds 5 Pro. Visit Xiaomi’s website to discover all the features of these devices.

Photos shot on Xiaomi Redmi Note 13 Pro+ 5G