Photography

Mulberry at SLOMA showcases a different dynamic of portrait photography

Mulberry at SLOMA showcases a different dynamic of portrait photography

The era of family photo scrapbooks is over.

Barry Goyette knows this, but something about them has always stuck with him, even as the world became digital.

“Back in the day, my friend and I would go into these antique shops in the area and find these little bins full of scattered scrapbook family photos,” the San Luis Obispo-based photographer said. “You would find these photos out of the context of being in a collection—even with not knowing who was in them, they were always fascinating.”

click to enlarge IN THE MOMENT Barry Goyette's Mulberry exhibition at SLOMA aims to capture the feel of old family photos while exploring the emotional dynamics between the photographer and the photographed. - COURTESY PHOTO BY BARRY GOYETTE

  • Courtesy Photo By Barry Goyette
  • IN THE MOMENT Barry Goyette’s Mulberry exhibition at SLOMA aims to capture the feel of old family photos while exploring the emotional dynamics between the photographer and the photographed.

That experience served as a source of inspiration for years, so when the San Luis Obispo Museum of Art (SLOMA) reached out about collaborating on potential exhibits, those old portraits were the first thing that came to his mind.

“I thought it was really interesting to see these stories of things that exist within every family photo, stuff we don’t think about at first glance,” he said. “There are these things that just naturally exist at the moment.”

The Mulberry exhibit is Goyette’s attempt to capture the energy taken for granted in those family photos while highlighting the relationship between photographers and the models they photograph.

The exhibit consists of almost 30 different-sized black-and-white images of models in various portrait poses, using different props and switching up expressions—all shot around the same mulberry tree in SLO.

Goyette said the exhibit aims to inspire the experience he had looking at those scrapbook photos years ago.

“It’s my response and reflection of this vernacular I was seeing when we were looking through these photos at these antique shops,” he said. “I wanted to explore that relationship between the two people interacting in the photo.”

Mulberry opens at SLOMA on Feb. 2 and runs through June 3 as the start of what SLOMA Chief Curator Emma Saperstein said is a new focal point for 2024.

click to enlarge PERSONAL DIRECTION Photographer Barry Goyette said he let the people he photographed for his Mulberry exhibit lead the artistic direction of the shot with their movements and facial expressions. - COURTESY PHOTO BY BARRY GOYETTE

  • Courtesy Photo By Barry Goyette
  • PERSONAL DIRECTION Photographer Barry Goyette said he let the people he photographed for his Mulberry exhibit lead the artistic direction of the shot with their movements and facial expressions.

“This show kick-starts a year at the museum that focuses more on photography in addition to the types of art we have had in the past,” Saperstein said. “I am very proud we have been able to offer it to someone willing to do something unique with the concept.”

Part of the concept is exploring what Saperstein considers to be a known quantity in portrait photography and the models who often work with photographers like Goyette.

“Barry was open about this dynamic from the very beginning,” she said. “As someone who works with [professional] models who are often female, there is a power dynamic that is there—it’s always been there, especially in contemporary discourse.”

But the way Goyette enabled models to have agency and bring ideas, concepts, and even props in is what shatters the idea of conventional photo exhibit.

“They are bringing their own identities, which is not the standard for photographer-model relationship,” Saperstein said. “To not only acknowledge that but explore more of that difference in traditional dynamic is important.”

Exploring the model-photographer interaction wasn’t always on his mind, Goyette said, but as the years passed, he understood that it was important to delve into that idea.

Goyette said putting Mulberry together took more than 15 years—with many of the photos taken in the first four and then sporadically since. He intended to wait a long time after he took them as a part of his artistic reflection.

click to enlarge ACTUAL AGENCY Most models in the portrait photography industry struggle with creative license, so Barry Goyette said the point of his Mulberry project was to allow them to tell a story on their terms. - COURTESY PHOTO BY BARRY GOYETTE

  • Courtesy Photo By Barry Goyette
  • ACTUAL AGENCY Most models in the portrait photography industry struggle with creative license, so Barry Goyette said the point of his Mulberry project was to allow them to tell a story on their terms.

“That’s the unique aspect of this exhibit—that idea of letting time pass naturally and create these memories of the moment I shot these that I hope comes through for the viewer,” he said. “I almost wanted to forget a little about the experience so that when I was going through them, I could pick the ones that stood out as antique.”

Of course, for Goyette, many of these photos are of people he still knows and talks to regularly, which he said helps give the exhibit “family photo” vibes.

“A vast majority of these people I know well, and I have had the opportunity to know them well since I started taking these photos,” he said. “For me as someone who was raised as an only child out in Santa Maria, these people in these photos became my family.”

He hopes that those relationships shine through each photo and allow the viewer to understand a different side of him and the people in the portraits.

“It’s a personal show compared to a lot of the things they would normally show at the museum, but it’s nice to know that there is a place that will explore ideas like this,” Goyette said. “There is a lot of emotion in the photos that highlights exactly how me and the model felt about the shoot, each other, and life in general in that moment.” Δ

Staff Writer Adrian Vincent Rosas has that one Nickleback song stuck in his head. Help him get it out at [email protected].

Hasselblad Launches 907X & CFV 100C: A New Standard in 100MP Medium Format Photography

Hasselblad Launches 907X & CFV 100C: A New Standard in 100MP Medium Format Photography

Hasselblad has introduced the 907X and CFV 100C camera models, combining traditional looks with advanced technology in medium-format photography. These models, serving both nostalgic and forward-thinking photographers, feature a 100-megapixel medium format system.

A notable part is the detachable CFV 100C digital back, allowing photographers to switch between the 907X body and classic film bodies like the 500 and 200 Series. This feature pays homage to Hasselblad’s history while embracing digital advancements. The CFV 100C is not limited to Hasselblad bodies; it can be used with various technical cameras, making it versatile for tasks like architectural and product photography.

Hasselblad 907X 100C medium format camera

The system incorporates a 100-megapixel medium format BSI CMOS sensor with a 15-stop dynamic range and a native ISO of 64, ensuring clarity, detail, and color accuracy for professional and artistic applications. The Natural Colour Solution (HNCS) is integrated for accurate color representation, particularly in natural settings.

The autofocus technology sees a significant improvement with Phase Detection Autofocus (PDAF) and face detection, offering faster and more accurate focusing. The 907X & CFV 100C demonstrates approximately 300% improvement in focusing speed compared to its predecessors, benefiting photographers in fast-paced environments or dealing with moving subjects.

Pricing and Availability

The Hasselblad 907X and CFV 100C can be ordered now at a price of $8,200 and are ready for immediate shipment.

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Hasselblad’s Groundbreaking 907X and CFV 100C: Redefining Medium

Hasselblad’s Groundbreaking 907X and CFV 100C: Redefining Medium

Hasselblad has introduced the 907X and CFV 100C. This innovative system is anchored by the CFV 100C digital back, a 100 MP marvel that transforms three distinct camera platforms, including the 907X, V System, and technical cameras, into high-resolution powerhouses.

The CFV 100C: Photographic Innovation

Sensor and Image Quality

The CFV 100C is the core of this new system. It employs a 44 x 33mm 100 MP BSI CMOS sensor, similar to the one in the X2D camera. This sensor captures a wide 15-stop dynamic range with 16-bit color depth and Hasselblad’s Natural Color Solution, ensuring images full of detail with smooth tones and authentic color transitions.

Speed and Autofocus

The new 100 MP sensor not only improves resolution but also speed. Featuring phase-detection autofocus that covers 94% of the image area, it offers faster, more responsive, and accurate AF performance compared to its 50 MP predecessor. This system is on par with the AF performance of the X2D, including face detection for more precise portraiture.

Storage and Connectivity

Significantly, the CFV 100C incorporates a 1 TB SSD for high-speed, reliable storage (2,370 MB/s write and 2,850 MB/s read speeds). It also features a CFexpress Type B port for additional storage. The USB-C port has been upgraded to 3.1 Gen 2 speeds, and wireless capabilities are enhanced with Wi-Fi 6.

Design and Functionality

Physically, the CFV 100C retains its elegant design with a tilting 3.2″ 2.36m-dot touchscreen, ideal for various shooting angles. Despite these enhancements, the camera body is narrower and lighter than its predecessor. A significant addition is the hot shoe adapter, fulfilling one of the most requested features from previous models.

907X System: Sleek and Versatile

The 907X, when paired with the CFV 100C, becomes an even lighter version of its former self, maintaining its sleek interface. This body acts as a simple yet effective connector between the CFV 100C digital back and various Hasselblad lens systems, including the autofocus XCD lens system.

Key Accessories

The system supports accessories like the updated 907X Optical Viewfinder and the 907X Control Grip. These enhancements provide ease of use and additional controls for an improved shooting experience.

V System Modularity: A Tribute to Hasselblad’s Legacy

One of the CFV 100C’s unique features is its compatibility with Hasselblad’s 500- or 200-series film bodies. The digital back’s design is reminiscent of Hasselblad’s A12 film back, allowing for a seamless integration with vintage models. This compatibility extends to technical and view cameras via a V System interface plate, making it a boon for architecture and product photographers.

A Camera for Every Need

The versatility of the CFV 100C is quite impressive. It can function as a high-end travel camera, a bridge between digital and film with a 500-series body, or a precision tool for technical photography. This flexibility makes the Hasselblad 907X & CFV 100C desirable for a huge range of applications.

Detailed Specs and Features

  • Sensor Resolution: 100 Megapixels
  • Sensor Size: 43.8 x 32.9 mm (Medium Format) CMOS
  • ISO Sensitivity Range: 64 to 25,600
  • Media/Memory Card Slot: Single Slot CFexpress Type B
  • Display Type: Tilting Touchscreen LCD
  • Battery: Rechargeable Lithium-Ion, 7.2 V, 3,400 mAh
  • Shutter Type: Leaf Shutter and Electronic Shutter
  • Image File Format: HEIF, JPEG, Raw
  • Environmental Operating Conditions: 14 to 113°F / -10 to 45°C, 85% humidity
  • Dimensions: 102 x 92 x 84 mm
  • Weight: 620 g

Conclusion

The Hasselblad 907X and CFV 100C medium format camera system look quite exciting. Look for our review of the system soon. 

See Over 30 Photographs By David LaChapelle In His First Solo Miami Beach Exhibit

See Over 30 Photographs By David LaChapelle In His First Solo Miami Beach Exhibit

David LaChapelle is a legend in the world of photography. Having worked with some of the most famous figures in pop culture, his works are distinctive, surrealistic and recognized worldwide. Now, Miamians are finally getting an opportunity to view his works up close at his first-ever solo exhibition in Miami Beach.

The exhibition, titled “DAVID LACHAPELLE: HAPPY TOGETHER”, will take over VISU Contemporary from January 26 to March 2. Curated by gallery owners Bruce Halpryn and Blake Pearson, it will feature over 30 significant photographs from 1985 to the present, in addition to the world premiere of his latest work.

David LaChapelle, This is My House, New York, 1997
©David LaChapelle, This is My House, New York, 1997, Courtesy of VISU Contemporary

Visitors can expect to find his earlier works, such as Archangel Uriel (1985) which displays a stoic cherub resting on the overlook of a great forest, and My Own Marilyn (2002), which presents his muse Amanda Lepore in an homage to Warhol’s Shot Sage Blue (1964).

David LaChapelle, Archangel Uriel, Farmington, 1985, Courtesy of VISU Contemporary
©David LaChapelle, Archangel Uriel, Farmington, 1985, Courtesy of VISU Contemporary

“This curation reveals an exciting range of themes while highlighting the artist’s distinct ability to create thought-provoking narratives,” said Bruce Halpryn, co-owner and co-curator of VISU Contemporary. “Many of the iconic works on view have become a mirror of the time we live in, while also providing a glimpse into the future.”

David LaChapelle, My Own Marilyn, New York, 2002, Courtesy of VISU Contemporary
©David LaChapelle, My Own Marilyn, New York, 2002, Courtesy of VISU Contemporary

Other works on view include After the Deluge: Museum (2007), where LaChapelle reminds us that human survival cannot be separated from nature while precious objects are as temporary as our climate; Behold (2015), representing LaChapelle’s ability to reimagine Old World ideas and aesthetics with painterly effect through photography; and Revelations (2019), inspired by the biblical book of the same name.

David LaChapelle, After the Deluge: Museum, Los Angeles, 2007, Courtesy of VISU Contemporary
©David LaChapelle, After the Deluge: Museum, Los Angeles, 2007, Courtesy of VISU Contemporary

The gallery has revealed that it will also premiere a new work by LaChapelleThree Graces (male) (2023), which is inspired by Raphael’s master painting The Three Graces (1503-1505).

One of the most celebrated photographers today, LaChapelle has worked with figures such as Andy Warhol, Britney Spears, David Beckham, Doja Cat, Elton John, Eminem, Janet Jackson, Kim Kardashian, Lady Gaga, Leonardo DiCaprio, Michael Jackson, Naomi Campbell, Travis Scott and so many others. As Forbes magazine has stated, “David LaChapelle’s work is not inspired by the zeitgeist; it is the zeitgeist.”

©David LaChapelle, Travis Scott/Tears, Los Angeles, 2020, Courtesy of VISU Contemporary
©David LaChapelle, Travis Scott/Tears, Los Angeles, 2020, Courtesy of VISU Contemporary

Look for “DAVID LACHAPELLE: HAPPY TOGETHER” at VISU Contemporary from Friday, January 26, to Saturday, March 2. The gallery is located at 2160 Park Ave. in Miami Beach and opens Wednesday through Sunday from 11 a.m. to 5:30 p.m. by appointment.

Find more information here.

Boudoir photography exhibit in Pilsen aims to empower domestic violence survivors

Boudoir photography exhibit in Pilsen aims to empower domestic violence survivors
January 24, 2024 at 5:51 PM

CHICAGOAn upcoming art exhibit will place boudoir photography on full display at a Pilsen gallery – and it’s all for a good cause.

The purpose behind Purple Boudoir, a fine art boudoir photography studio in the West Loop, is to empower survivors of domestic violence.

This weekend, Purple Boudoir will host its first-ever boudoir art show at NYCH Art Gallery. There, empowerment, safety, and self-expression will be celebrated.

At the same time, the event aims to raise money and awareness for domestic violence survivors. It will be held on Sunday, January 28 from 2 p.m. to 5 p.m.

The goal behind Sunday’s event hits close to home, not only for the featured clients, but also those working behind the scenes.

“The objective is to build a community,” said Jacob Miller, founder of Purple Boudoir. “It feels really good to help people feel good about themselves.”

Behind the lens, each shot that Miller takes serves a purpose.

He founded Purple Boudoir with a social mission in mind – to end domestic violence.

As Miller reveals, it carries deep meaning after growing up with an abusive father.

“I’m still trying to rescue my mom and I from the 1970s, and by inference all women, all moms, so the word ‘safe’ means a lot to someone that’s survived an abusive home,” said Miller.

His clients are no strangers to the cause either.

“We were really excited to do this for ourselves, but we were also really excited to help other women who are in situations that unfortunately we are familiar with,” said Krista Lepore.

Lepore and Alysha Humeniak, who will be featured in the upcoming exhibit, are also survivors.

“It’s very important to me that the WINGS mission gets recognition for what they’re doing for families and for women because we know that it’s very difficult when you’re in that situation to look for help,” said Humeniak. “Ultimately, remember that it’s not your fault. That’s the most important thing.”

Proceeds from Sunday’s event will benefit WINGS Program, Inc. – a local nonprofit and the largest domestic violence service provider in Illinois.

“I think the more people who are willing to talk about what they’ve gone through and get the message out, the more we can make progress toward eliminating or lessening domestic violence,” said Lepore.

A spokesperson for WINGS Program, Inc. shared this statement with FOX 32 Chicago in response to Sunday’s event:

“We are grateful to Purple Boudoir for not only bringing awareness about WINGS Program and domestic violence, but for hosting this generous fundraiser. Empowerment is key to the work we do with survivors. Funds raised can provide housing, counseling, mentoring, and children services to resilient survivors, which ultimately breaks the cycle of violence.”

Last year alone, WINGS served more than 1,200 survivors with a continuum of services.

To secure tickets for Purple Boudoir’s event on Sunday, follow this link.

Anyone experiencing domestic violence can receive help and support by calling WINGS Program’s 24-hour hotline at 847-221-5680. Survivors interested in learning more about WINGS counseling services may call 847-519-7828.

The National Domestic Violence Hotline can be reached at 1-800-799-SAFE (1-800-799-7233).

City Life Org – The Brooklyn Museum Announces Paul McCartney Photographs 1963–64: Eyes of the Storm

City Life Org – The Brooklyn Museum Announces Paul McCartney Photographs 1963–64: Eyes of the Storm
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Paul McCartney. Self-portrait, London, 1963. Pigmented inkjet print. © 1964 Paul McCartney under exclusive license to MPL Archive LLP

Exhibition features hundreds of photographs from Paul McCartney’s personal archives documenting the rise of Beatlemania.

On view May 3–August 18, 2024

As The Beatles captured the hearts of millions, Paul McCartney captured it all on his Pentax film camera. Paul McCartney Photographs 1963–64: Eyes of the Storm takes visitors inside the 1963–64 frenzy of Beatlemania, as the band’s first U.S. tour skyrocketed them to global fame. More than 250 of McCartney’s photographs, recently rediscovered in his archives, reveal his singular vantage point at the center of this whirlwind of attention and adoration—illuminating both the historical, and the personal, moments McCartney and his bandmates experienced together. First on view at the National Portrait Gallery in London, England, the exhibition makes its New York debut at the Brooklyn Museum, opening May 3, 2024, supported by Bloomberg Philanthropies.

“Since first arriving in New York in February 1964, Paul McCartney has built a strong, everlasting connection to the city. His vibrant photographs from The Beatles’ first visit capture the energy of the city, the excitement of the American fans, and the frenzy of the band’s status as celebrities. Yet the images also record The Beatles’ fun and delight with each other. Through McCartney’s lens, we feel the intensity of being at the center of such extraordinary events,” says Catherine Futter, Director of Curatorial Affairs and Senior Curator of Decorative Arts.

In an immersive installation of photography, video clips, and archival material, Eyes of the Storm traces the period when The Beatles played concert halls in Liverpool and London and began to tour internationally, first to Paris and then to the United States.

McCartney’s photographs convey the intensity of the band’s touring schedule in the U.S., as the Fab Four were swept from concerts to hotels to the road with rabid fans and paparazzi at their heels, from New York and Washington, DC, to Miami. The band’s arrival in New York signaled a turning point in popular culture, as their first televised performance on The Ed Sullivan Show was watched by around seventy-three million people and launched The Beatles into superstardom.

McCartney’s explorations in photography reflect his commitment to both the musical and visual arts. The range of work, from portraiture and landscape photos to documentary images, reveals McCartney’s familiarity with the formal styles of early 1960s photography. References to New Wave, documentary filmmaking, and photojournalism can be found across the exhibition.

Eyes of the Storm not only showcases McCartney’s artistic versatility but also serves as a personal and historical archive. In addition to documenting the demands of touring and nonstop media attention, the photographs evoke an affectionate family album, picturing his fellow band members, John Lennon, George Harrison, and Ringo Starr, at a time when their lives were changing irrevocably. The exhibition gives visitors a highly personal glimpse into an extraordinary time period of one of music’s enduring legends.

Born in Liverpool, England, Paul McCartney rose to prominence as a founding member of The Beatles. Throughout his lifetime, McCartney has played a pivotal role in shaping the landscape of popular music and culture more broadly.

Paul McCartney Photographs 1963–64: Eyes of the Storm has been organized by the National Portrait Gallery, London, England, in collaboration with Paul McCartney. It is curated by Paul McCartney with Sarah Brown for MPL Communications and Rosie Broadley for the National Portrait Gallery. The presentation at the Brooklyn Museum is organized by Catherine Futter, Director of Curatorial Affairs and Senior Curator of Decorative Arts, and Jennie Tang, Executive Assistant to the Deputy Director of Art and the Director of Curatorial Affairs.

Lead Sponsor: Bloomberg Philanthropies

About Bloomberg Philanthropies:
Bloomberg Philanthropies invests in 700 cities and 150 countries around the world to ensure better, longer lives for the greatest number of people. The organization focuses on five key areas for creating lasting change: the Arts, Education, Environment, Government Innovation, and Public Health. Bloomberg Philanthropies encompasses all of Michael R. Bloomberg’s giving, including his foundation, corporate, and personal philanthropy as well as Bloomberg Associates, a pro bono consultancy that works in cities around the world. In 2022, Bloomberg Philanthropies distributed $1.7 billion. For more information, please visit bloomberg.org, sign up for our newsletter, or follow us on Facebook, Instagram, YouTube, Twitter, and LinkedIn.

‘Smartphone Photography’ presented by Amy Horn

‘Smartphone Photography’ presented by Amy Horn

Amy Horn (Courtesy/ Sedona Camera Club)

Amy Horn (Courtesy/ Sedona Camera Club)

Join the Sedona Camera Club for a presentation by professional photographer Amy Horn. The meeting starts at 6:30 p.m. on Monday, Jan. 29 at the Mary D. Fisher Theater, 2030 W. State Route 89A, Suite B-2. Doors open at 6 p.m.

Mobile devices are a great solution for on-the-go photographers. This smartphone photography presentation is for mobile phone photographers who want to enhance their camera experience through apps, techniques, and workflow. Using an iPhone, Amy will demonstrate many camera features and apps to improve shooting, editing, and sharing of photos. Although she uses an iPhone the apps and techniques are easily transferred to all mobile phones.

Amy lives in Flagstaff, Arizona, and has enthusiastically shared her knowledge in software and photography-related fields in secondary and post-secondary levels since 1995. With a Master’s Degree in Education, she enjoys demonstrating photographic techniques both in the classroom and out in the field.

She is a teaching professor at Northern Arizona University and taught photo workshops for Arizona Highways PhotoScapes. For her, the joy in photography comes from finding the extraordinary image of the ordinary subject. Her publications include Arizona Highways, Gold Prospectors Association, and her co-authored book, The Art of Macro Photography. She enjoys time with her family, running, and photographing the tiny landscapes around her when she is not teaching.

To see more of Amy’s work, visit HornDesigns.com

Presentations, hosted by the Sedona Camera Club, are free to members. There is a $5 fee for guests. Local photographers are encouraged to join to support bringing high-quality speakers to promote interest in photography and develop photographic skills. Membership costs $35 for the whole year. For more information on the Sedona Camera Club, go to SedonaCamera.Club.

The iPhone 16 Pro Max could boast a big camera sensor upgrade with nighttime photography improvements and more

The iPhone 16 Pro Max could boast a big camera sensor upgrade with nighttime photography improvements and more

Apple might have only made the iPhone 15 Pro Max available a few months ago, but attention has already very much turned towards what will come next — the iPhone 16 Pro Max. We’ve been hearing tidbits about Apple’s plans here and there for the last little while but a new report has added additional information, specifically about where Apple could go in terms of camera upgrades.

According to that report Apple intends to turn the iPhone 16 Pro Max into an “image flagship” and it’ll do that by giving it an upgraded camera sensor. A version of the tetraprism lens used in the iPhone 15 Pro Max will remain, while there is also a hint of a tweak to the new phone’s display, too.

Apple isn’t expected to unveil the new iPhone lineup until September of this year, with the iPhone 16 Pro Max likely to be joined by the iPhone 16 Pro, iPhone 16, and iPhone 16 Plus. We’ll likely see more and more leaks and rumors as we get closer to the fall, but this latest camera leak suggests that the biggest and best iPhone is the one that people will want if photography is a focus for them,

A flagship camera for a flagship phone

The report comes via the normally well-connected Digital Chat Station, an account that posts to the Weibo Chinese social network. Picked up by WCCFTech, the report says (via machine translation) that the new iPhone 16 Pro Max will use a modified version of Sony’s IMX903 sensor. That sensor will be 1/1.14 inches in size compared to the previous model’s 1/1.28-inch sensor. If that proves to be the case buyers of the new iPhone can expect to benefit from brighter images which in turn should also ensure better performance in low-light situations. Digital Chat Station goes on to say that the new sensor will be a multi-layer one and benefit from a 14-bit ADC (analog-to-digital converter) and DCG (digital gain control.) Both of those features should ensure a better overall image including a reduction in the noise created when taking photos in more challenging conditions.

It’s important to note that Digital Chat Station did not mention the iPhone 16 in this report which suggests that the new sensor may be exclusive to the bigger model.

The report also mentioned that the iPhone 16 Pro Max will have a slight curve to it, although it’s difficult to know what that will mean in practice or whether that will apply to other models in the iPhone 16 lineup. 

However, as reliable as Digital Chat Station has proven in the past it’s important to remember that we are still a long way out from any of the new iPhones being made official and plans can and do often change. Even if the information that this leaker has is accurate right now, there is no guarantee that it will still be accurate by the time Apple unveils the new iPhones in early September. However, it would make plenty of sense for Apple to focus on camera upgrades this year, especially at the very top end of its lineup.

The iPhone 16 Pro Max has previously been tipped to get a new 48-megapixel ultrawide camera while a telephoto lens upgrade has also been claimed.

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Popular wedding photography packages

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Capturing the memorable moments of a wedding is a necessity. Hiring a talented photographer is an important component of wedding preparations. The best way to preserve a wedding day for years to come is through photographs and videography.

The Knot 2022 Real Weddings Study indicates 88 percent of survey respondents hired photographers for their weddings, and the average cost for a professional photographer is around $2,600.