Photography

The 29 best photos of 2023 taken by Boston Globe photographers

The 29 best photos of 2023 taken by Boston Globe photographers

In this edition of our annual feature, The Boston Globe’s staff photographers share the untold stories behind the most unforgettable images from 2023. And what a collection it is: The team takes you from daybreak atop Mount Washington to a special train of revelers headed to the Taylor Swift concert, from moments of joy and celebration to those of loss and crisis. In a series of photographs from the Lewiston area, Globe staff chronicle a community honoring loved ones killed in the deadliest mass shooting in Maine history — and coming together to take its first, difficult steps toward trying to heal.


Erin Clark/Globe Staff

1. OCTOBER 29 / Lewiston, Maine — In the days after the October 25 mass shooting that rocked the Lewiston community, I was in overdrive. I had not taken time to process, or even stop moving — to really comprehend the magnitude of what had taken place. That Sunday, a vigil was organized at the Basilica of Saints Peter and Paul, with a projection screen set up outside for overflow. From the church steps, I watched as the crowd grew, and grew, and grew, spilling into the streets and the surrounding neighborhood. It was then that the absolute enormity of the tragedy hit me. -Erin Clark



Jessica Rinaldi/Globe Staff

2. FEBRUARY 9 / Mount Washington, New Hampshire — When I first arrived at the Mount Washington Observatory for a story about the people who work in this place of brutal winds and punishing cold, there was almost no visibility. But overnight, the skies cleared and, when I stepped outside at dawn the next morning, I could see my surroundings for the first time. It was the kind of beauty that provokes genuine awe. I felt like I was on another planet. -Jessica Rinaldi


Suzanne Kreiter/Globe Staff

3. FEBRUARY 28 / Uxbridge — I’d never seen such a contraption before — a shelter for the snow-blower operator? Makes total sense! As I’m out covering the snowstorm, I see this completely unexpected shape up ahead on the road. As a photographer, I have my own version of the rule of threes: an image holds the viewer’s eye when there are three essential elements in the composition. And here they were, offset by the pale, snowy background: the snow blower, the shelter, and the woman peering out, checking for traffic. -Suzanne Kreiter


Erin Clark/Globe Staff

4. FEBRUARY 20 / Boston — There’s just something about capturing historical figures within the present-day world that is incredibly entertaining for me. I normally like to keep other reporters as far out of my frame as possible to maintain the illusion of being a “fly on the wall,” but the juxtaposition between the journalist with her phone and the reenactor at the JFK library and museum’s Presidents’ Day Festival was just too good to pass up. -Erin Clark



Erin Clark/Globe Staff

5. MAY 19 / Somewhere on the commuter rail — I am by no means a Swiftie, but when I was offered the opportunity to ride the “Swiftie Train” to Gillette Stadium for Taylor Swift’s Eras Tour, I was all in. The train ride was oozing with excitement and glitter. I paced up and down the train aisles, constantly met with cheers and screams when passengers learned I was from The Boston Globe. I was blown away by the inclusiveness and warmth of the fans. They took me in as one of their own. -Erin Clark


Pat Greenhouse/Globe Staff

6. SEPTEMBER 25 / Boston — Driving along Old Colony Avenue, I spotted a pedestrian with an umbrella who was passing by the brightly colored Prime Storage. This singular door, framed by the color blocks, was the perfect backdrop. But the umbrella person had already passed it, so I parked across from it and waited. And waited. The rain turned into a drizzle and there were no more umbrellas. I waited some more. This gentleman, looking like a fashion icon strutting on a runway, first entered from the right. Minutes later, he returned from the left. I was trying to show rain, so I photographed others. But this pastel guy was my favorite. -Pat Greenhouse


Lane Turner/Globe Staff

7. NOVEMBER 9 / Cambridge — I was supposed to be covering a protest at MIT, but I couldn’t find it. I saw the university’s Stata Center as I was searching, and thought I’d shoot a quick picture of it that we could use for some future story. Then I noticed a puddle across the street and knew the building would look cool with a doppelgänger reflection — I just had to wait for somebody to walk into the frame. –Lane Turner


Jessica Rinaldi/Globe Staff

8. AUGUST 15 / New York — Reporter Mike Damiano and I were in New York City to cover the influx of migrants arriving there when we came upon a young couple from Ecuador trying to navigate their way through Midtown to a shelter. It was a quick encounter, over in just a moment or two, but when I see this photo I am reminded of taking in all of Manhattan on that day, noticing the sights and sounds and chaos of the place and thinking about how overwhelming that might feel as a 19-year-old mother with a 7-month-old baby to care for. -Jessica Rinaldi



Jessica Rinaldi/Globe Staff

9. NOVEMBER 13 / Woburn — Stacey and her daughter had been living in hotels for 18 months when I met them. They’d applied for emergency shelter, but were denied because they were over the state’s income limit. They were evicted from one hotel and had moved into another they couldn’t pay for. The process to apply for emergency shelter in Massachusetts is overwhelming and Stacey, who asked that her last name be withheld for privacy, had been on the phone with a nonprofit caseworker guiding her through her second attempt. As she ended the call, she had a moment of despair looking at this seemingly insurmountable stack of forms. It was an image that got to the heart of columnist Yvonne Abraham’s story: how desperate a person’s situation had to get for them to qualify for emergency shelter. And how for some, the application was so daunting that it became its own hardship. -Jessica Rinaldi


John Tlumacki/Globe Staff

10. OCTOBER 27 / Lisbon, Maine — As the sisters stood in the doorway of their home, SWAT teams were taking up sniper positions just across the street, where there had been a report of a gunshot fired. A mile away was the boat launch where Robert Card had abandoned his car after he shot and killed 18 people. Lisbon, Auburn, and Lewiston were put on lockdown as the manhunt continued. Stephanie Desrosier [left] told me that she and her sisters had been sleeping on the floor of their living room and did not go to school. I understood how they felt: Each time I chased the numerous reported sightings of the shooter, I felt vulnerable, exposed, and scared. -John Tlumacki


Craig F. Walker/Globe Staff

11. NOVEMBER 30 / Portland, Maine — As Globe photographers, we get to meet amazing people. Unfortunately, it’s sometimes through tragedy. Such is the case with the Robinson family. John and Jen are navigating autism with their son, Colin, who struggles with speech but finds focus and joy in bowling. Here, Colin practices with his dad at Bayside Bowl in Portland. On October 25, Jen took Colin to his practice at Just-in-Time Recreation in Lewiston. It became one of the sites of the state’s deadliest mass shooting, which claimed 18 lives at the bowling alley and at Schemengees. Jen and Colin managed to hide, but among those killed was Colin’s “Coach Bob.” His parents wonder if he understands. -Craig F. Walker


Erin Clark/Globe Staff

12. NOVEMBER 23 / Lewiston, Maine — I met Keith Tremblay and his 7-year-old daughter, Adaline, on Thanksgiving afternoon. He’d just finished making a pie to take to his family’s dinner. On the couch, Keith talked about being at Schemengees when a shooter opened fire, killing some of his friends and critically injuring others. When he brought up his mental health, Adaline entwined herself in his arms, looking up to reassure her dad that she’s there, that she loves him. I was so moved by their bond. And I was struck by the unfairness of how tragedy pushes children to grow up too fast. –Erin Clark


Erin Clark/Globe Staff

13. NOVEMBER 28 / Auburn, Maine — I am constantly humbled by the kindness and vulnerability people demonstrate when they allow me to see into their life, as Bethany Welch did. In the weeks following the killing of her stepfather, Joseph Walker, who was manager of Schemengees Bar & Grille, Bethany emphasized the importance of allowing his legacy to live on. When people look at this image of Bethany sitting in her parents’ bedroom, I hope they see the photo of Joe displayed on the wall and understand the impact he continues to have on his family’s lives. -Erin Clark


Erin Clark/Globe Staff

14. DECEMBER 14 / Storrs, Connecticut — Bethany Welch holds a framed photo of her stepfather, Joseph Walker, while waiting to receive her nursing degree at the University of Connecticut. The photo she holds was taken before a high school dance and shows Walker wearing a shirt that coordinated with her dress. Walker was killed in the mass shootings in Lewiston, Maine. Welch plans to become a trauma nurse. -Erin Clark


Danielle Parhizkaran/Globe Staff

15. DECEMBER 9 / Foxborough — I honestly got lost as I was trying to navigate from the top of Gillette Stadium to the photo room at field level. As I looked for a path down one of the ramps, I could see the sea of Army cadets walking toward their seats so I ran down a few levels. I had been searching for nice light on a gray day and was excited to find some pockets on the concourse ramps. I like that this scene feels so quiet and removed from the noise and chaos of the Army-Navy football game. -Danielle Parhizkaran


Erin Clark/Globe Staff

16. MARCH 18 / Lowell — I am not a sports photographer — mostly because I don’t typically know what’s going on within the game — but I live for moments that happen on the sidelines. While attending the MIAA Division 3 boys’ basketball championship at Tsongas Center, I knew it was going to end with a scene of jubilation from the winning team, Archbishop Williams High School. When the game was in the final minute, I stationed myself between the court and the winning school’s student section because I knew the team would rush to their peers to celebrate. What I didn’t anticipate was the clearance player Julian Sustache would get when leaping over the chairs. -Erin Clark


Barry Chin/Globe Staff

17. NOVEMBER 5 / Foxborough — The New England Patriots have had trouble scoring this season, so I was happy to get a photograph of tight end Hunter Henry catching a second-quarter touchdown pass against the Washington Commanders at Gillette Stadium. The fact that he made such an acrobatic catch was the icing on the cake. –Barry Chin


Barry Chin/Globe Staff

18. MAY 16 / Boston — I was photographing the Boston City League track and field championships at White Stadium. I had just finished shooting the boys’ long jump when I heard the announcement that the girls’ 100-meter hurdles final was about to start. As I was hurriedly crossing the infield, the starter’s gun went off before I could get in position. When photographing sports, you have to be prepared for anything. I stopped, raised my longest lens, framed, focused, and shot. The runners were in a tight pack before Sophia Barros [far left] of Boston Latin Academy took the lead for good. The moment was over in seconds, but I had my photo. -Barry Chin


Matthew J. Lee/Globe Staff

19. FEBRUARY 7 / Weston — It was a cold day at the Weston Ski Track, where I was covering the Mass Bay West league’s final Nordic ski meet of the season. The exhausted eventual winner in the women’s competition, Emily Appleby of Lincoln-Sudbury, came in first by a large margin. You could tell she’d given it her all. As a sports photographer, you’re always looking for peak action, but the best photos often come from the athletes’ own reactions. -Matthew J. Lee


Stan Grossfeld/Globe Staff

20. DECEMBER 19, 2022 / Green Bay, Wisconsin — Jeff Kahlow, a.k.a. “Frozen Tundra Man,” cheers on the Packers at Lambeau Field. The photo was taken as part of a project published in July called “The Seven Wonders of the Sports World,” which includes the Packers’ home field, as well as Fenway Park and Churchill Downs. -Stan Grossfeld



Jessica Rinaldi/Globe Staff

21. MAY 25 / Lowell — Wildlife biologist David Paulson holds up a pool noodle to keep a mother peregrine falcon at bay while Chalis Bird, a MassWildlife biologist, retrieves two chicks from a nest on top of the Fox Hall dorm at the University of Massachusetts Lowell. The peregrine falcon chicks were getting a health assessment and being fitted with ID bands so they can be tracked after leaving the nest. -Jessica Rinaldi


Lane Turner/Globe Staff

22. OCTOBER 17 / North Adams — This photo of a small stream burbling over the Bernard Farm Trail at the Mount Greylock State Reservation, carrying a fallen maple leaf with it, was taken for a fall foliage package. -Lane Turner



Jessica Rinaldi/Globe Staff

23. JANUARY 22 / Worcester — For Timket, the holiday also known as Ethiopian Epiphany, members of the Ethiopian Orthodox Tewahedo Church in Worcester gather to pray through the night before they process to the basement of their church. There, everyone converges around a small inflated pool. A priest sprays the faithful with holy water as a way of renewing their baptismal vows. It was such a joyful scene, with peals of laughter from everyone as they got soaked with water — myself included. –Jessica Rinaldi


Stan Grossfeld/Globe Staff

24. SEPTEMBER 13 / Boston — This was taken at a luncheon at the State House to honor 11 centenarians. It made me happy that these 100-year-olds still live with their families and are not forgotten in nursing homes. Although they were all given standing ovations and medallions and flowers, I was more interested in the love offered to Fung Ying Chin by her family before her big moment. Born in Dongguan, China, she has six grandchildren and six great-grandchildren. Her loved ones wanted to make sure her tiara was attached perfectly before she accepted her award. -Stan Grossfeld


David L. Ryan/Globe Staff

25. AUGUST 16 / Graves Ledge, Boston Harbor — Reporter Emily Sweeney and I were invited to watch the installation of a refurbished Fresnel lens for Graves Light, a historic lighthouse on an island in Boston Harbor. The two men who had purchased the structure were walking past the lens while it was being finished. A camera was positioned inside the lens, but more interesting to me was the approach to the lighthouse top, which requires a climb up a ladder attached to the side. An interesting climb, but not for those afraid of heights. What caught my eye was the moment they happened to walk past the circular parts of the glass lens. Click. -David L. Ryan


Pat Greenhouse/Globe Staff

26. NOVEMBER 22 / Boston — Members of the Boston Arts Academy’s Spirituals Ensemble, with music director Michael W. Bradley, enter the atrium of the John F. Kennedy Presidential Library and Museum for a ceremony marking the 60th anniversary of the assassination of President Kennedy. -Pat Greenhouse


Jonathan Wiggs/Globe Staff

27. APRIL 18 / Boston — The daughter of Desmond Joseph read a victim impact statement in Suffolk Superior Court during the sentencing of the man convicted of killing her father in 2015. What stood out the most to me when taking this photograph was just how young she was, and how much courage this child had to speak in open court while sitting on her mother’s lap. It’s not something I’d ever seen in covering trials. -Jonathan Wiggs



Jessica Rinaldi/Globe Staff

28. JULY 12 / Johnson, Vermont — I was covering the catastrophic flooding in Vermont, documenting as people whose homes had been inundated with water were cleaning up from the storm. The entire first floor of Jessica Anthony’s apartment had flooded and she and a friend were getting rid of everything that couldn’t be salvaged, tossing items out the window that were beyond redemption. It occurred to me that showing a single hand tossing away a couch cushion might be a way to represent all of the many Vermonters across the state who were in the same situation. -Jessica Rinaldi


Erin Clark/Globe Staff

29. November 20 / Boston — To illustrate the Globe’s investigation into the Carol Stuart shooting in 1989, I photographed a projection of a photo of Charles Stuart’s body being pulled from the water after State Police divers found him below the Tobin Bridge on Jan. 4, 1990. Stuart jumped off the bridge hours after his brother told Boston Police that Stuart had planned and executed the robbery and shooting of his pregnant wife, shot himself to cover it up, and blamed a Black man for the crime. -Erin Clark

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Cause of Chopper Crash That Killed Philadelphia News Veteran Pilot, Photographer Is Under Investigation

Cause of Chopper Crash That Killed Philadelphia News Veteran Pilot, Photographer Is Under Investigation

A Philadelphia TV station says the deaths of its helicopter pilot and photographer are “devastating.”

WPVI-TV reports the pilot was 67-year-old Monroe Smith of Glenside, Pa. and the photographer was 45-year-old Christopher Dougherty of Oreland, Pa.

They died Tuesday night when their helicopter went down around 8 p.m. in a remote area of Wharton State Forest in New Jersey’s Pine Barrens.

The pair had been working with the TV station for years. The station said they “loved what they did.”

Dougherty is survived by his wife and two daughters. Smith was a retired Army pilot with a young grandchild.

“Our hearts are just broken for these men. They’re broken for their families,” reporter Katherine Scott said on air. “We just can’t believe this has happened.”

Pete Kane, who is a retired news photographer knew Smith since high school and they had previously worked together.

“We had the same goals,” Kane told the station. “That was to do the job the best we could do it. And I think we both did that. He did it till the end.”

Reporter Maggie Kent said, “They are described as the best guys that you would want to know, on the job for decades. They are highly skilled in what they do. They loved their craft.”

The chopper was leased by U.S. Helicopters Inc. based in North Carolina.

The company released a statement calling the men “cherished” employees: “We deeply sympathize with their families and share in their grief as a result of this tragic event.”

The National Transportation Safety Board will lead an investigation into the crash.

The crash is the second deadly incident involving a TV news helicopter in a month.

In November, a pilot and a meteorologist who worked for a North Carolina television station died when a news helicopter crashed along a Charlotte-area interstate, the Associated Press reported.

In that incident, police praised the pilot for avoiding crashing into the road as the chopper went down.

In July 2007, two news helicopters collided over Phoenix. Both pilots and two photographers were killed in that crash.

Photographer Lahem scoops Jimei x Arles Discovery Award

Photographer Lahem scoops Jimei x Arles Discovery Award
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Photographer Lahem’s self-portrait [Photo courtesy of the artist]

Photographer Luo Xin, better known by his artistic moniker Lahem, was presented the Discovery Award on Sunday at the 9th Jimei x Arles International Photo Festival in Xiamen, East China’s Fujian province.

“The artist uses pure photography to explore an individual’s strong, intricate ties with their homeland, the city, memory and identity,” said the jury. “His work transcends personal experiences and scrutinizes the inevitable cycles and connections between man and nature, life, and death.”

NASA telescope photographs the cosmic spirit of Christmas in deep space

NASA telescope photographs the cosmic spirit of Christmas in deep space

The holiday season is here, and just in time for Christmas, instruments used to observe the vastness of the cosmos have honed in on a certain astronomical in celebration for the time of year.

image

The specific astronomical object is officially called NGC 2264, which is also known as the Christmas Tree Cluster. This cluster contains a group of stars that astronomers estimate to be anywhere between one and five million years old, which is considered to be extremely young for a star. Notably, the sizes of these stars within the Christmas Tree Cluster vary drastically, with some stars being much larger than our Sun and others being far smaller.

The above image was captured using NASA’s Chandra X-Ray Observatory, along with optical data from the Nation Science Foundation’s WIYN 0.9-meter telescope. The image showcases gas in the color green, which NASA writes “corresponds” to the “pine needles of the tree,” while infrared data from the Two Micron Sky Survey shows foreground and background stars in white.

NASA telescope photographs the cosmic spirit of Christmas in deep space 12541

VIEW GALLERY – 2 IMAGES

In this composite image, the cluster’s resemblance to a Christmas tree has been enhanced through image rotation and color choices. Optical data is represented by wispy green lines and shapes, which creates the boughs and needles of the tree shape. X-rays detected by Chandra are presented as blue and white lights, and resemble glowing dots of light on the tree. Infrared data show foreground and background stars as gleaming specks of white against the blackness of space,” writes NASA

Ian Garrick Mason Will Shock Most Photographers With His Gear

Ian Garrick Mason Will Shock Most Photographers With His Gear

“I don’t post very often, compared to many photographers, and I suspect I may be just pushing my selectivity ‘upstream’ by being very stringent about what I choose to edit and post in the first place,” says photographer Ian Garrick Mason to the Phoblographer, noting our observation about his online presence. “If a picture makes that cut and survives my editing process, it can go on all of my platforms. I do tend to restrict my website by total number of pictures, so I have a tendency to put both my latest and my favorite older pictures there – but I don’t have a carefully worked-out strategy in that regard.” His opinion of what his best work is changes often; and so he tends to switch things out online. This is far different from what most photographers do these days and perhaps it comes from how long Ian has been working as a photographer.

All images by Ian Garrick Mason. Used with permission. For more, please visit his website and Instagram.

How Ian Garrick Mason Got Into Photography

Ian got started around a decade ago by taking photos of buildings while in Toronto. He was fascinated by how the light played off of tower windows. “It looked ‘Liquid’ to me,” he tells us. He then went on to buy a Nikon D3300 — what he calls a proper camera. In 2014, we published our review of that camera, which you can find here. From there, he experimented with casual portrait photography, headshots, etc. Eventually, Ian started working with models and realized he enjoyed fashion photography. “I took photography more seriously from then on, and the more I do it, the more it’s clear to me that a person can spend a lifetime at it, always searching for an ever more perfect balance of light and personality and movement and line and color.”

My general philosophy about gear is that I only allow myself to buy something new if I feel I’ve mastered the possibilities that my current equipment allows; I haven’t reached that level of mastery yet with the D3300 so I’ll stick with it for a couple more years at least. I do have a longer-run notion that I might buy a medium-format camera one day, as I like the cropping flexibility it can provide since the pixel count is so large.

Ian Garrick Mason

After all that time, he’s still shooting with that Nikon D3300 — and he hasn’t switched to mirrorless still. Paired with a 50mm f1.8 and 35mm f1.8 prime, he shoots all the photos that you can see on his website and social media pages. “I’m a strong believer in the idea that fashion photography is about two humans interacting and that the camera lens (and the shooting distances it partly determines) should reflect the reality of the humans involved,” he tells us. “I worry that if I used a longer lens I wouldn’t feel ‘there.‘” This sentiment is reflected through the work of many other photographers — indeed, they want people to feel in the moment with them.

The Creative Vision

When looking at Ian’s photographs, we noticed his use of color. The images we saw look influenced by Polaroids and Fujifilm 100C. This comes not only from the editing, but also with the wardrobe that the models have. Indeed, his color usage is very specific — and we learned that this comes from the way he edits.

“My fundamental approach to editing is to start from an openness to what a given photograph truly is, in its essence — or what it wants to be,” he describes. “As I edit, I often try a wide range of possible color approaches, and then start working with the one that feels most strongly aligned with the photograph and its personality. I might keep the look simple or (more often) I may layer semi-transparent looks on looks to find the right combination of tones and values.” His influences are also many. In fact, he even references Byzantine-era religious icons along with modern paintings.

Other times I’m inspired more by movies I’ve seen – I admire the great directors and cinematographers, and I’ve made short films myself. Sometimes I find the light rather than the colour is the dominant element and I play that up and let it run. Again, it’s about finding out what the picture wants to be and helping it realize its potential.

Ian Garrick Mason

Thoughts on AI Imagery

Ian’s thoughts on AI imagery are fascinating — especially because of his work in the fashion world. He believes that it can be a great visualizer of possible ideas that are yet to be executed. He also believes that it has the potential to vacuum up many of the higher-volume tasks that photography has taken on in the commercial world. But overall, he believes that AI will be limited by the fact that it’s unlimited. “What I mean is that the power of photography comes directly from the reality of the scene and of the subjects captured by the camera: the awareness of the audience that the model and the clothes are real, the awareness of the model that she is being photographed, the awareness of the designer that the clothes must look beautiful on a real human in a real setting,” he explains to us. “AI maximizes the range of what can be depicted (faster though no further than painting does), but at the cost of losing its tether to reality and reality’s constraints. Limits, after all, are what compress the magic of the real into the diamonds we call art.”

“I’ll never forget swimming for my life in pursuit of whale shark photos with my Canon DSLR in a large, heavy housing.”

“I’ll never forget swimming for my life in pursuit of whale shark photos with my Canon DSLR in a large, heavy housing.”

Our underwater world is unique, inspiring and bizarre. With over 30,000 known species of fish and over 6,000 different species of coral, the oceans are awe-inspiring havens for water-based wildlife. However, unlike on dry land, not everyone can access these areas nor get to shoot them without the right specialist equipment, both for the dive and the camera. 

Maria Munn first considered the idea of underwater photography when she was in hospital after sustaining life-threatening injuries in an accident in which she suffered 15 fractures. While in hospital, Maria watched a programme about whale sharks and decided that if she survived and could walk again, she wanted to learn to photograph them.

Once she had recovered, Maria set about her quest, travelling the world and shooting underwater environments. From launching the first underwater compact camera photography courses with Emperor Divers in Egypt to shooting white sharks in Mexico, Maria has seen and done it all. 

“Scuba diving can be enjoyed by anyone, regardless of physical ability,” she says. “If you have a disability, scuba diving offers a unique sense of freedom, transporting you into a world of weightlessness and intrigue.”

Shooting with both compact cameras and DSLRs, Maria was the first person in the UK to gain a distinction from the Royal Photographic Society for her work, before she turned her hand to helping beginners. Now teaching the genre from her studio in Dorset, her students have won awards, been published in National Geographic and worked on programmes such as the BBC’s Blue Planet II.

Interview

Underwater photography
Maria Munn

Maria Munn is an award-winning underwater photographer and a leader in teaching the genre with compact cameras, starting the UK’s first dedicated courses for beginners from her studio in Swanage, Dorset. Her first book, Underwater Photography for Compact Camera Users, is a best-seller, winning Book of the Year in the UK diving industry.

Do you have to go to faraway places to take such breathtaking pictures?

Absolutely not. There is so much beauty beneath the waves around our UK coastline, from snorkelling with friendly seals to incredible encounters with blue sharks and the second-largest fish in the sea, the basking shark. Don’t forget lakes and ponds, these are magical havens for so much underwater life. Remember to check the weather and conditions beforehand and wear adequate protection to stay warm or prevent sunburn.

Mimicking Miracle Octopus, Indonesia
“Using a compact camera, housing and natural light can produce winning images – This was runner-up in the British Photography Awards”
(Image credit: Maria Munn)

You started the first dedicated courses for beginners in underwater photography in the UK. What do your lessons look like and how do you plan a shoot?

I believe that the best way to learn is to have fun, so my sessions are run for individuals or small groups in a relaxed manner. They are tailor-made to each guest’s needs and the particular areas that interest them. I have a studio in Swanage, which is just a few steps away from the sea and is designed to inspire visitors to photograph the beauty both here in the UK and overseas. 

During the lessons, we will go for a snorkel and practice techniques learnt in the shallow, safe waters of Swanage Bay. I also run day trips to locations where my students can photograph and swim with seals. I offer online help and I’m also looking to run overseas trips too. They’re a fabulous way of practicing and developing skills you have learnt, from settings through to composition and lighting.

You work with both DSLR and compact cameras, but predominantly with compacts. What’s the advantage of compacts for underwater shooting?

I love compact cameras for their ability to capture both close-up and wide-angle images during the same underwater shoot. Additional lenses made by Olympus, as well as other manufacturers, can easily be added and are kept safe underwater using a lens caddy system on an arm. You can also add external lights, which helps keep the whole system small and light to travel with.

I’ll never forget swimming for my life in pursuit of whale shark images with my Canon DSLR in a large, heavy housing.

Magical Cave, Raja Ampat 
“Timing is essential to capture sunbeams in the water,” says
Maria. You also need a wide-angle lens to create dramatic images”
(Image credit: Maria Munn)

“I was in hospital recovering from injuries in a life-changing accident when I watched a programme about whale sharks. I decided then that if I survived and was able to walk again, I would learn to photograph sharks”

Blue Shark, Cornwall
“Blue Sharks are migratory animals and often visit south-west Cornwall to feed on the unique nutrient-rich waters”
(Image credit: Maria Munn)

What is your most used camera and the must-have items in your kit?

I love working with my Olympus TG6. I just can’t put it down anymore. I love capturing split-level scenes showcasing the beauty of an area above and underwater in the same image without the need for Photoshop. A wide-angle lens is my perfect companion but it needs to have at least a 100° field of view to achieve the best results.

I also use a Sealife Sport Diver underwater camera housing, which Sealife Cameras kindly lent me to use with my iPhone. I can’t put it down! It makes creating underwater images so easy for a beginner and delivers incredible results. The software is compatible with most makes of both Android and iPhone, meaning there’s no need to upgrade the housing when purchasing a new phone.

What are your underwater equipment tips for budding photographers?

The most important thing to remember is that water reduces sharpness, colour and contrast, so it’s imperative to get as close as you can to your subject. It is just as important, if not more, to remember not to damage reefs or harass creatures. Make sure the camera and housing will give you the results you want. If your passion is seascapes, caves or large subjects, such as whale sharks, then make sure a wide-angle lens will fit on the front of your housing to give you the best results. If your passion is close-up or macro subjects then a strobe or external light are the best accessories to buy. Some housings like the Olympus TG-6 allow the built-in flash to be used for macro subjects – just make sure the part that covers the flash is opaque. 

Green Turtle, Malaysia
“Even lighting using two strobes is essential to bring out the colors and textures of a wide-angle scene”
(Image credit: Maria Munn)

What are the biggest technical challenges of shooting underwater?

Mastering how to expose subjects near the surface using both natural and artificial light is one. It can be tricky to get the exposure right when there is a burst of sunshine overhead. One of the golden rules in underwater photography is ‘always shoot with the sun behind you’. But ignore that rule and you can get some eye-catching images.

Pro advice

Don’t forget to take care of your equipment. Always double and triple-check that your O-ring seal is clean from sand, grit and any lurking hair. One tiny element going wrong could cause a dreaded housing leak.

Essentially, so many things can affect the quality of your image – the operator’s ability to stay still, the clarity of water, distance, available light, where the subject is and how fast it’s moving. Being able to think in a nano-second to change the camera’s controls or position yourself at the best possible angle takes a lot of practice. And whether you’re freediving or going out with scuba gear, you have to remember to keep yourself safe too.

Grey Seal, Lundy Island 
“The richness of marine wildlife is incredible, from vest kelp forests to beautiful cup corals and friendly seals”
(Image credit: Maria Munn)

If there was one thing you wish you had known before getting into underwater photography, what would it have been?

It would be that taking award-winning images was possible with a compact camera. I still can’t believe that, back in 2001, when I started to encourage those with smaller cameras to get into underwater photography, there was no one else doing that. Even the Royal Photographic Society were astounded when they learnt that my portfolio for my distinction comprised both digital compact and DSLR images.

Orange Skunk Clownfish, Malaysia  
I had to get as close as I could whilst keeping motionless in the water to create a sharp image”
(Image credit: Maria Munn)

You have been capturing our beautiful underwater world since 2001, have you noticed any climate-related changes?

I have seen so much change since I started – and it’s incredibly worrying. Organisations such as the Marine Conservation Society say that, whereas there once were just eight species of jellyfish in the UK, they are now regularly finding 11. One of them, the bioluminescent crystal jellyfish (or Aequorea victoria) is normally found in Pacific waters, but rising sea temperatures have damaged coral reefs and displaced some migratory species that usually live in cooler water. 

Then there’s the huge danger to all kinds of marine species from unsustainable fishing practices. It’s an important time to support organizations such as Sea Shepherd and Ghost Diving, which remove illegal fishing nets and protect ocean animals worldwide

Schooling Fish, Malaysia 
“In large numbers, fish create powerful images. Staying calm is key to getting the fish to co-operate”
(Image credit: Maria Munn)

What’s next for you and your work?

I’ve just returned from volunteering with the Ocean Film Festival team – it was incredible to meet so many people passionate about the ocean. I’ve also been asked to be a UK ambassador for the Mares watersports brand, to help encourage newcomers into our blue wilderness through snorkelling. Nothing makes me happier than giving beginners the confidence to develop their skills to explore our oceans safely and create captivating images underwater. I’m also writing my third book, which I’m really excited about.


Get ready for underwater photography:

News Copter Down In New Jersey, Pilot And Photographer Killed

News Copter Down In New Jersey, Pilot And Photographer Killed

The pilot and photographer aboard a television news helicopter were killed when it crashed in a wooded area of southern New Jersey Tuesday night (Dec. 19). The single-engine Eurocopter AS350B2 went down in the Wharton State Forest, about 30 miles from Philadelphia, around 8 pm while returning from an assignment on the New Jersey shore to its home base at Northeast Philadelphia Airport. The helicopter and crew were contracted through U.S. Helicopters and were long-time members of Philadelphia’s 6ABC news team.

New Jersey State Park Police Chief George Fedorczyk told reporters the park police were first notified at 11 pm that the helicopter was missing. The wreckage was found just after midnight. The park police identified the victims as pilot Monroe Smith, 67, of Glenside, Pennsylvania, and photographer Christopher Dougherty, 45, of Oreland, Pennsylvania.

There were no immediate reports of radio transmissions from the helicopter or any indication of what may have caused it to go down. Investigation teams from the Federal Aviation Administration and the National Transportation Safety Board were on site today and will remove the wreckage to a secure area for examination.

Retired photojournalist Pete Kane worked for another area television station and told reporters he was not only a colleague of Smith, but also a classmate from an area high school. “We’re competitors at TV stations,” he said, “but in reality, we’re all friends. We all look out for each other.”

Avatar photo

Mark Phelps is a senior editor at AVweb. He is an instrument rated private pilot and former owner of a Grumman American AA1B and a V-tail Bonanza.

David Yarrow Opens Photo Exhibition at Melissa Morgan Fine Art

David Yarrow Opens Photo Exhibition at Melissa Morgan Fine Art

“Don’t Worry, Darling” (2023) by David Yarrow.

“Don’t Worry, Darling” (2023) by David Yarrow.
PHOTOGRAPHY COURTESY MELISSA MORGAN FINE ART

British photographer David Yarrow has joined Melissa Morgan’s eponymous gallery, which will host a Dec. 1 reception to coincide with the opening of the artist’s monthlong exhibition.

The timing couldn’t be better. Yarrow, known for his collaborations with supermodels Cara Delevingne and Cindy Crawford as well as his like-you’re-there sports and wildlife images, created his latest series of highly stylized, almost cinematic photographs in Palm Springs, Joshua Tree, Amboy, and locations in the Mojave Desert.

Armando’s BarArmando’s Bar

“Roy’s”(2023) by David Yarrow. 

In a view titled “Don’t Worry, Darling,” Yarrow attempted to encapsulate the “hot and beautiful utopia” of Palm Springs in a single frame but said, “There was no room to be earnest. I simply wanted to be long of parody, color, and symbolism.”

The image features Brazilian supermodel Alessandra Ambrosia outfitted in brilliant 1950s resortwear and seated in a vintage Ferrari with her coiffed white standard poodle riding shot- gun. Bunches of towering palm trees frame an incident in the rear distance. “Who knows who is being arrested in the background,” Yarrow said of the scene, “but it doesn’t look like it’s particularly interfering with her morning.”

The photographer explained his deliberate saturation of the color: “to evoke the gauzy, sac- charine pleasures of the town. Is it really paradise or is it a parody of itself?”