Photography

Aerial Photographer Scott Clark Captures Attention Of ESPN With Game Day Images

Aerial Photographer Scott Clark Captures Attention Of ESPN With Game Day Images

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When local aerial photographer Scott Clark started flying drones to capture picturesque scenes in and around the Shenandoah Valley, he never once imagined his pictures would be featured in a local history book, used to announce the completion of a community walking path or shared thousands of times on social media by the world’s leading multi-platform sports entertainment brand — but it’s each of these unexpected successes that gives Clark reason to believe he’s found the right hobby.

Unlike most artist origin stories, however, Clark’s past had nothing to do with taking pictures at all.

Clark has lived in the Shenandoah Valley his entire life. Having been raised in Dayton, he graduated from Turner Ashby High School in 1992 and attended Bluefield College where he played baseball and majored in criminal justice. For the last fifteen years, he has worked full-time for the federal government.

After college, he and a group of friends spent years playing flag football and other games where muscles tend to get strained and bones tend to get broken. After several injuries and a major surgery, Clark was in desperate need of a safer, slower-paced hobby, he admitted.

“Social media must have been reading my mind,” Clark said.

Post after post of aerial photographs being taken with drone technology appeared in Clark’s feed until he couldn’t take it any longer and he had to try it for himself. Clark bought his first drone in 2022 and didn’t waste any time in getting certified to fly a drone commercially by the FAA and opening his own business ClarkOps.

One of the first photographs he ever captured was of the Silver Lake Mill in Dayton. After posting the photos on social media, Clark was contacted by Cheryl Lyon — owner of the mill and author of “Silver Lake: 200 Years of a Shenandoah Valley Mill and Community” — who wanted to use his images in her book.

“That really sparked my interest and desire in aerial photography,” Clark recalled, “and I began to think it was something I’m good at.”

This fall, Clark was asked to photograph and video the completion of Crist Farm Walking Trails at Bridgewater Retirement Community which filled Clark with pride, but what Clark considers the highlight of his budding career came about just a few weeks ago when he decided to get in on some of the College Gameday action on the campus of James Madison University.

According to Clark, photographing ESPN’s College Gameday hadn’t been in his plans for the day, but the gnaw of capturing a once in a lifetime event pulled him to the crowds. Clark flew his drone up, took six pictures and landed again. He went straight home, edited and posted half of the images tagged with JMU sports and ESPN — and not more than an hour later, received a notification that ESPN wanted to share his shots on their page. Between accounts, Clark’s Gameday photographs were shared 3,000 times and liked more than 300,000 times.

“The timing couldn’t have been more perfect,” Clark observed.

ClarkOps also shoots for real estate listings, before and after projects, weddings and other special events and even has a thermal imaging drone he can use to help hunters locate a wounded or missing deer.

“This first year-and-a-half has been very rewarding,” Clark said. “I’ve learned that everything out there is an opportunity.”

To see Clark’s drone work in action, follow ClarkOps on Facebook or find him online at clarkopsva.com.

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Don’t miss the OFC Creatives photography exhibit this weekend

Don’t miss the OFC Creatives photography exhibit this weekend

They are on a mission to empower BIPOC artists by providing a space to showcase creativity and share their stories. Our friend Madelyn Patterson from Gone Mad Productions & Studios is here to introduce us to Corlon Evans and Steven Hatchett from OFC Creatives to share more about their upcoming photography exhibit featuring work by artists in the “Our Art Our World” fellowship program.

Follow us on Instagram and Twitter @WeAreAustin and find us on Facebook at We Are Austin Lifestyle Show.

Artist Tulu Bayar: Shifting from Traditional to Digital Photography

Artist Tulu Bayar: Shifting from Traditional to Digital Photography

Artists are often at the forefront of new ideas, and their work can offer new ways to see the world: where it has been and where it is going. In conjunction with her current solo show at Amos Eno Gallery in Brooklyn, Turkish-born U.S.-based multi-media artist Tulu Bayar speaks about how the shift from traditional film to digital media impacted her artistic process that investigates materiality, medium, and social constructs of religion and gender.

At a time when relations in the Middle East are tense, we revisit one of her works about water shortage in the region. We also speak about her long career as a professor in art and how students approach their work-life balance in new ways that pay more attention to their mental health. 

You were trained in film and photography in the 90s, which means you have experienced great shifts in how to work with the medium — from wet film to digital and the revolution of editing and retouching digitally. How was this shift for you?

Tulu Bayar: The shift from traditional film to digital media in the 90s had a transformative impact on my artistic process. Digital technology provided me with the freedom to experiment in ways that were previously impossible with traditional film. The instant review, editing, and manipulation of images on a computer screen opened up new creative possibilities for me. From digital photography, I moved to video editing and digital sound design. These skills all helped me create multi-sensory installations.

Rather than seeing this transition as a strict shift, I view it as a natural flow in my artistic journey. I consider myself an artist unbound by specific media, positioning myself on the borderline of two languages and cultures. This perspective reflects my sensitivity to flux and transition. My work embodies a hybrid language, allowing for cross-border examination and the incorporation of otherness. It’s characterized by fluidity and multifaceted expressions.

The flexibility gained from working with digital and analog mediums, combined with conceptual approaches, enables me to seamlessly navigate between the two. For example, in my latest work, “Twine,” I employed both analog and digital processes extensively. Source photographs were digitally created and printed from my photographic archive in both Turkey and the USA. Subsequently, inkjet prints were employed to produce Citra Transfer Prints on cotton paper, which is a very hands-on process.

The final touch involved treating the prints with a liquid paste derived from soil, sand, water, and vegetation gathered from various geographical regions of the USA and Turkey. The resulting coloration, such as red, brown, and gray brushstrokes, varied due to the differing ratios and materials used in creating the paste. This entire process represents an environmentally safe hybrid between analog and digital methods.

imageTraces #22: 9” diameter, 1/3” depth, Photographic film, resin, India ink, glass etching medium
” data-medium-file=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.43.07.png?fit=292%2C300&ssl=1″ data-large-file=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.43.07.png?fit=750%2C770&ssl=1″ src=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.43.07.png?resize=292%2C300&ssl=1″ alt class=”wp-image-139903″ srcset=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.43.07.png?resize=292%2C300&ssl=1 292w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.43.07.png?resize=142%2C146&ssl=1 142w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.43.07.png?w=750&ssl=1 750w” sizes=”(max-width: 292px) 100vw, 292px” data-recalc-dims=”1″>
Tulu Bayar. Traces #22: 9” diameter, 1/3” depth, Photographic film, resin, India ink, glass etching medium. Courtesy of Strata Gallery.

In your exhibition “Traces,” the wet film itself becomes the subject installed in circular sculptures. What did it mean to show this material in this way in 2021? 

Tulu Bayar: “Traces” draws upon my decade-long exploration of drawing with photographic film and employs meditative repetition to communicate the idea of oneness: all binary concepts share and are connected to one source. I first started to use photographic film as a sculptural form in the early 2010s.

In contrast to an examination of the physical, my work focuses on the spiritual essence of wholeness and mysticism that is deeply rooted in Rumi’s teachings. “Traces” is composed of several mixed-media works meticulously created from photographic film, ink, and resin. Each exhibits an exploration of calligraphic abstraction, performance, drawing, and ebru. Ebru is a traditional Turkish marbling art that is made with special ink on water.

Many believe there is another major shift in photography and image-making with AI. Software like Midjourney comes to mind, and the actors strike over rights to their images if they should be used to create new content. What are your thoughts? Have you started working with AI, or does that not interest you?

Tulu Bayar: While my work is currently focused on being tactile, multi-sensory, and detail-oriented, with a preference for handmade elements, I acknowledge the pragmatic aspects of digital technology. I find value in what technology offers both in my studio and in general. As of now, I haven’t ventured into using AI, but that doesn’t rule out the possibility in the future. It’s too early for me to make a definitive judgment on incorporating AI into my artistic process.

In today’s rapidly advancing technological landscape, dismissing any technological advancements is inevitable. It’s essential to experiment with technology and find responsible ways to engage with it, taking charge of how it will impact our work. Analog photographers were initially skeptical of digital technologies, but over time, discussions about their legitimacy have faded. Photography, by its nature and history, has always embraced new technological advancements, inheriting and evolving with each wave of innovation.

imageInstallation view. Tulu Bayar: 20 Letters, 2016. Black and white photographic film, resin, maple board
Dimensions: 10” X 10” X 3” each. Courtesy of the artist.
” data-medium-file=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?fit=300%2C83&ssl=1″ data-large-file=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?fit=1024%2C282&ssl=1″ src=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?resize=300%2C83&ssl=1″ alt=”Tulu Bayar” class=”wp-image-139904″ srcset=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?resize=300%2C83&ssl=1 300w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?resize=1024%2C282&ssl=1 1024w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?resize=768%2C211&ssl=1 768w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?resize=260%2C72&ssl=1 260w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.46.30.png?w=1200&ssl=1 1200w” sizes=”(max-width: 300px) 100vw, 300px” data-recalc-dims=”1″>
Installation view. Tulu Bayar: 20 Letters, 2016. Black and white photographic film, resin, maple board. Dimensions: 10” X 10” X 3” each. Courtesy of the artist.

Much of your work advocates for Muslim women in different ways, both by educating audiences to understand that the Muslim faith is not monocultural and varies but also by expressing some of the difficulties individual women face, as with your installation “20 Letters” (2016). You were in the U.S. during the 9/11 attacks, and currently, you live in Pennsylvania. How has islamophobia changed? You have also spent a lot of time in Turkey. How have women as a group fared there, and how do you follow the developments? 

Tulu Bayar: My installation “20 Letters” served as a response to conversations where religion is manipulated as a pragmatic political tool and becomes a focal point of identity politics. This work consists of 20 small mixed-media boards created from photographic film, maple board, and resin, exploring text and calligraphic abstraction.

Each board represents what is interwoven and concealed in the daily lives of Muslim women, offering a visual manifestation of short essays written by 20 women about the hardships they face due to their Muslim identity in the West.

The progressive voices of gay, straight, black, white, and brown Muslim women from the United States contribute to this work. Their stories were first photographed on black and white photographic film, arranged on maple boards in patterns reminiscent of Ebru, the Turkish marbling technique. The scrolled films both hide and reveal these women’s stories, keeping them anonymous and echoing their state of mind between confrontation and silence.

I am not a religious person, but I have found myself consistently categorized as “Muslim” in the United States due to my national origin, especially during and shortly after the 9/11 attacks. This categorization was imposed on me from both the right and the left. Despite living in the U.S., I approach religion similarly to how I did in Turkey. I have never worn a hijab, and I freely wear a bikini to the beach. My stance on religion remains unchanged, and I react when forced into a narrow categorization that promotes monoculturalism.

Turkey has a multifaceted representation of Islam, with a growing number of practicing Muslims. In my upbringing, Turkey was more secular, with religion being more spiritual and less political. However, the landscape has shifted, and religion has become more political and less spiritual over time.

Your video work “Settlement” (2004) features a Jewish and a Muslim woman who both live in the same area in the Middle East, in a place where water is scarce, sharing a jug of water. With the current political climate, it seems apt to revisit it now. Can you tell me more about this work to highlight the complexities in the region further?

Tulu Bayar: “Settlement” is a multi-channel video projection that delves into the intricate dynamics of water scarcity in the Middle East, particularly among Jewish and Muslim communities sharing the same land. It is from the early 2000s. The project features two women, one Jewish and one Muslim, engaging in spiritual cleansing rituals unique to their respective faiths, all while peacefully sharing a jug of water.

The essence of the work lies in its exploration of the profound connection between water, land, and the political complexities of the Middle East. Growing up in an environment where water scarcity was a persistent issue, I aimed to shed light on this often overlooked and under-discussed problem with this work. While acknowledging that water scarcity is not the sole challenge faced by the region, I wanted to emphasize its symbolic and historic significance, making compromise and agreement challenging for both communities.

“Settlement” is meant to serve as a commentary on the silent but impactful role of water in the political landscape of the Middle East. By highlighting the shared spiritual importance of water in both Jewish and Muslim faiths, I intended to shift the focus towards the peaceful coexistence that water could symbolize, rather than being a source of conflict. In doing so, I hope that the work invites viewers to reflect on the broader issues at play and encourages a deeper understanding of the complexities within the region’s socio-political climate.

imageTulu Bayar. “Settlement,” 2-Channel Projection. 8:44 min. Courtesy of the artist.
Date: 2004
” data-medium-file=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?fit=300%2C184&ssl=1″ data-large-file=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?fit=1024%2C628&ssl=1″ src=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?resize=300%2C184&ssl=1″ alt=”Tulu Bayar” class=”wp-image-139905″ srcset=”https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?resize=300%2C184&ssl=1 300w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?resize=768%2C471&ssl=1 768w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?resize=238%2C146&ssl=1 238w, https://i0.wp.com/gritdaily.com/wp-content/uploads/2023/12/Screenshot-2023-12-01-at-11.57.17.png?w=1024&ssl=1 1024w” sizes=”(max-width: 300px) 100vw, 300px” data-recalc-dims=”1″>
Tulu Bayar. “Settlement,” 2-Channel Projection. 8:44 min. Courtesy of the artist. Date: 2004

What do you teach at Bucknell? How has the student body, and their interests changed over the time you have been there?

Tulu Bayar: I teach visual arts at Bucknell, focusing specifically on photography, video, and occasionally installation courses. Additionally, I oversee independent studies with advanced students who pursue individual projects. Teaching provides me with instant gratification, witnessing the significant progress students make from the beginning to the end of the semester.

Since I first started teaching years ago, I have noticed shifts in the student body and their interests. As each generation comes through, their priorities and interests evolve. Currently, there is an observable trend where students prefer spending less time in the studio and more time on self-care and rest. The impact of COVID-19 has brought mental health issues to the forefront, along with heightened awareness of social, political, medical, and monetary injustices. Students now demonstrate increased sensitivity to these issues, and this is reflected in their artwork and their approach to class assignments and readings.

What artists inspire you and how do you build community with other artists?

Tulu Bayar: I draw inspiration from various aspects of life, and my artistic influences come from diverse sources. Notably, my students excite me, and visiting other artists’ studios is a source of inspiration. Attending open studios and participating in well-regarded artist residencies also play a crucial role in shaping my identity as an artist.

In terms of building community with other artists, I am affiliated with several professional organizations. Additionally, due to my academic connections, I often receive invitations to serve on review committees and jury exhibitions. Participating in these panels has not only allowed me to establish lasting relationships with fellow artists and art professionals but has also provided insights into the concerns and interests of other artists. Learning about the materials and media they use is an integral part of this process.

I prioritize forming long-term and genuine connections over engaging with multiple communities that offer transactional relations. My interest lies in fostering deep relationships, and I find fulfillment in being part of small, intimate, and authentic communities.

Congratulations on your solo show in Brooklyn, Twine, at Amos Eno Gallery. What’s next?

Tulu Bayar: Thank you! Following the de-installation of the exhibition at Amos Eno Gallery, my next focus will be on handling the logistics for my upcoming exhibition at Ferda Art Platform in Istanbul, scheduled for winter 2024.

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Alexandra Israel is a contributor to Grit Daily, a freelance arts writer and publicist. A museum aficionado since her introduction to Jean Dominque Ingres’ portraits as a small child, she enjoys spending her free time at museums and finding off-the-beaten-track gallery shows. She is a regular contributor to the art publication Cultbytes. With her finger on the pulse, Alexandra has been working in PR for over seven years, primarily within book publishing and in the art world. She has held positions at Penguin Book Group, Aperture Foundation, and Third Eye. Alexandra graduated from Bates College in 2010.

The best bike photography of the year?

The best bike photography of the year?

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Viewing 8 posts – 1 through 8 (of 8 total)
  • The best bike photography of the year?
  • Love Lorentz Holder’s shot, brilliant!

    If my photography answer is dictated by “which would i put on my wall”..

    Hannes Berger….

    The rest are IMO absolutely bloody awful.

    I am left rather nonplussed by a load of those. They seem rather artificial and contrived.
    Frankly, STW has better photos regularly.

    I am definitely drawn to the more “natural/riding” type of shots than the “arty/farty” end of the scale.
    Have that Jb Liautard shot on my screensaver roll.
    Maybe an STW equivalent to PB Photo of the Year (forum members not paid staff/contributors) might be an interesting idea?

    Love this

    Screenshot_20231205-104555

    Red Bull, so preferably both wheels off the ground, but at least one. Or trials, so a sense of precariousness.
    It’s not for me; I’m also in the ‘STW covers are better’ camp.

    Maybe an STW equivalent to PB Photo of the Year (forum members not paid staff/contributors) might be an interesting idea

    Yes please…

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AP PHOTOS: Photographers in Asia capture the extraordinary, tragic and wonderful in 2023

AP PHOTOS: Photographers in Asia capture the extraordinary, tragic and wonderful in 2023

TOKYO (AP) — Individually, the photographs are the product of a moment, capturing glimpses of joy, grief, rage, hope, and resilience.

As a whole, the work this year of Associated Press photojournalists in Asia forms a visual patchwork quilt, an extraordinary reflection of the varied panoply of human experience in one of the world’s most fascinating regions.

Some of these pictures delight. Some horrify.

Some, even after repeated examination, retain a sense of mystery.

Take an American ballerina, clad in shimmering white, caught in a blur of revolving motion as she rehearses in China. Or a Muslim bride who gazes pensively through a saffron-colored veil during a mass wedding ceremony in Indian-controlled Kashmir.

Or footprints left in a patch of green moss after prayers in New Delhi.

Footprints are seen on the moss ridden roof of Jama Masjid during Eid al-Adha prayers, in New Delhi, India, Thursday, June 29, 2023. (AP Photo/Manish Swarup)

Footprints are seen on the moss ridden roof of Jama Masjid during Eid al-Adha prayers, in New Delhi, India, Thursday, June 29, 2023. (AP Photo/Manish Swarup)

In Malaysia, a base jumper dives from a tower above the sparkling city lights of Kuala Lumpur at night. Blood splatters like raindrops from the tattooed body of a Filipino penitent as he flagellates himself to atone for sins.

There is violence and tragedy here, too.

An enraged young man leaps onto the fallen body of a security officer in Bangladesh. Ethnic Rohingya wade through the surf, their meager belongings clutched in their hands, after being denied refuge in Indonesia.

As with many great news photographs, a single image is often all it takes to illustrate the complex political and social currents that sweep through the region.

A dozen police officers in Hong Kong, for instance, surround a single woman as they march her away on the eve of the 34th anniversary of China’s Tiananmen Square massacre.

A blurred double image shows Russian President Vladimir Putin as he delivers a speech in China.

Russian President Vladimir Putin delivers a speech during the Belt and Road Forum at the Great Hall of the People in Beijing, Wednesday, Oct. 18, 2023. (AP Photo/Louise Delmotte)

Russian President Vladimir Putin delivers a speech during the Belt and Road Forum at the Great Hall of the People in Beijing, Wednesday, Oct. 18, 2023. (AP Photo/Louise Delmotte)

A group of men help support the elderly Dalai Lama after the exiled Tibetan spiritual leader speaks to a group of students, his flowing robes blending into those of the monks around him.

Some of this year’s most powerful photos reveal the beautiful, often deadly power of nature.

A vast ocean of stars glitters in the night sky over traditional sheepskin tents in remote Mongolia. Whales dive in a harbor near Sydney, their tails poised above the water in lovely synchronicity.

A veil of sand and dust seems to envelop a man wearing a green mask as he walks among Beijing’s office buildings.

And in the Philippines, lava flows like red icing down the black slopes of a volcano.

Lava flows down the slopes of Mayon volcano as seen from Legazpi, Albay province, northeastern Philippines, Thursday, June 15, 2023. (AP Photo/Aaron Favila)

Lava flows down the slopes of Mayon volcano as seen from Legazpi, Albay province, northeastern Philippines, Thursday, June 15, 2023. (AP Photo/Aaron Favila)

Tamang community members perform rituals during Temal festival at Boudhanath Stupa in Kathmandu, Nepal, Wednesday, April 5, 2023. Tamangs light butter lamp and perform rituals to pay homage to deceased loved ones on this day. (AP Photo/Niranjan Shrestha)

Tamang community members perform rituals during Temal festival at Boudhanath Stupa in Kathmandu, Nepal, Wednesday, April 5, 2023. Tamangs light butter lamp and perform rituals to pay homage to deceased loved ones on this day. (AP Photo/Niranjan Shrestha)

A woman wearing a face mask walks by an advertisement outside a commercial office building in Beijing, Monday, Feb. 20, 2023. (AP Photo/Andy Wong)

A woman wearing a face mask walks by an advertisement outside a commercial office building in Beijing, Monday, Feb. 20, 2023. (AP Photo/Andy Wong)

Indonesian Muslims perform an evening prayer called 'tarawih' marking the first eve of the holy fasting month of Ramadan, at Istiqlal Mosque in Jakarta, Indonesia, Wednesday, March 22, 2023. (AP Photo/Achmad Ibrahim)

Indonesian Muslims perform an evening prayer called ‘tarawih’ marking the first eve of the holy fasting month of Ramadan, at Istiqlal Mosque in Jakarta, Indonesia, Wednesday, March 22, 2023. (AP Photo/Achmad Ibrahim)

A girl runs as she plays in a fountain at a shopping mall in Beijing, Friday, June 23, 2023. Authorities issued a rare red alert for high temperatures in parts of China's capital on Friday, the highest level of warning, as highs were expected to once again climb to around 40 degrees Celsius (104 degrees Farenheit). (AP Photo/Mark Schiefelbein)

A girl runs as she plays in a fountain at a shopping mall in Beijing, Friday, June 23, 2023. Authorities issued a rare red alert for high temperatures in parts of China’s capital on Friday, the highest level of warning, as highs were expected to once again climb to around 40 degrees Celsius (104 degrees Farenheit). (AP Photo/Mark Schiefelbein)

People dance and throw colors at each other to celebrate Holi, the Hindu festival of colours, in Hyderabad, India, Monday, March 6, 2023. (AP Photo/Mahesh Kumar A.)

People dance and throw colors at each other to celebrate Holi, the Hindu festival of colours, in Hyderabad, India, Monday, March 6, 2023. (AP Photo/Mahesh Kumar A.)

A robot face capable of mimicking human-like expressions is displayed near robotic arms at the annual World Robot Conference at the Beijing Etrong International Exhibition and Convention Center in Beijing, Wednesday, Aug. 16, 2023. (AP Photo/Ng Han Guan)

A robot face capable of mimicking human-like expressions is displayed near robotic arms at the annual World Robot Conference at the Beijing Etrong International Exhibition and Convention Center in Beijing, Wednesday, Aug. 16, 2023. (AP Photo/Ng Han Guan)

Ethnic Rohingya disembark from their boat upon landing in Ulee Madon, North Aceh, Indonesia, Thursday, Nov. 16, 2023. Some 240 Rohingya Muslims, including women and children, are afloat off the coast of Indonesia after two attempts to land were rejected by local residents. The boat left again a few hours later following the rejection. (AP Photo/Rahmat Mirza)

Ethnic Rohingya disembark from their boat upon landing in Ulee Madon, North Aceh, Indonesia, Thursday, Nov. 16, 2023. Some 240 Rohingya Muslims, including women and children, are afloat off the coast of Indonesia after two attempts to land were rejected by local residents. The boat left again a few hours later following the rejection. (AP Photo/Rahmat Mirza)

A man walks by a large screen at a shopping mall showing CCTV broadcasting news of Fukushima Daiichi nuclear power plant began releasing its first batch of treated radioactive water into the Pacific Ocean, in Beijing, Thursday, Aug. 24, 2023. (AP Photo/Andy Wong)

A man walks by a large screen at a shopping mall showing CCTV broadcasting news of Fukushima Daiichi nuclear power plant began releasing its first batch of treated radioactive water into the Pacific Ocean, in Beijing, Thursday, Aug. 24, 2023. (AP Photo/Andy Wong)

Hindu devotees crowd the Sangam, the confluence of the rivers, the Ganges, Yamuna and the mythical Saraswati, to take a holy dip on Mauni Amavasya, or the new moon day which is the most auspicious day during the annual month long Hindu religious fair “Magh Mela” in Prayagraj, India, Saturday, Jan. 21, 2023. (AP Photo/Satya Prakash)

A man holds an umbrella against strong wind and rain as he walks on a street Friday, June 2, 2023, in Tokyo, as a tropical storm was approaching. (AP Photo/Eugene Hoshiko)

A man holds an umbrella against strong wind and rain as he walks on a street Friday, June 2, 2023, in Tokyo, as a tropical storm was approaching. (AP Photo/Eugene Hoshiko)

An Indian Army soldier carries his child and walks past graduating soldiers from the first batch of Agniveer scheme during their graduation ceremony in Bengaluru, India, Friday, Aug. 4, 2023. (AP Photo/Aijaz Rahi)

An Indian Army soldier carries his child and walks past graduating soldiers from the first batch of Agniveer scheme during their graduation ceremony in Bengaluru, India, Friday, Aug. 4, 2023. (AP Photo/Aijaz Rahi)

Elena Rybakina of Kazakhstan plays a backhand return to Victoria Azarenka of Belarus during their semifinal match at the Australian Open tennis championship in Melbourne, Australia, Thursday, Jan. 26, 2023. (AP Photo/Dita Alangkara)

Elena Rybakina of Kazakhstan plays a backhand return to Victoria Azarenka of Belarus during their semifinal match at the Australian Open tennis championship in Melbourne, Australia, Thursday, Jan. 26, 2023. (AP Photo/Dita Alangkara)

Folk artists wait to participate in a procession marking 'Atham', the first day of the ten-day-long Onam festival in Kochi, Kerala state, India, Sunday, Aug.20, 2023. (AP Photo/R S Iyer)

Folk artists wait to participate in a procession marking ‘Atham’, the first day of the ten-day-long Onam festival in Kochi, Kerala state, India, Sunday, Aug.20, 2023. (AP Photo/R S Iyer)

People cremate their relatives who died from heat-related illnesses, as a scorching heat wave overwhelmed hospitals and filled a morgue to capacity in Ballia, in the northern Indian state of Uttar Pradesh, Monday, June 19, 2023. (AP Photo/Rajesh Kumar Singh)

People cremate their relatives who died from heat-related illnesses, as a scorching heat wave overwhelmed hospitals and filled a morgue to capacity in Ballia, in the northern Indian state of Uttar Pradesh, Monday, June 19, 2023. (AP Photo/Rajesh Kumar Singh)

Members of an honor guard march during a ceremony to mark Myanmar's 76th anniversary of Union Day in Naypyitaw, Myanmar, Sunday, Feb. 12, 2023. (AP Photo/Aung Shine Oo)

Members of an honor guard march during a ceremony to mark Myanmar’s 76th anniversary of Union Day in Naypyitaw, Myanmar, Sunday, Feb. 12, 2023. (AP Photo/Aung Shine Oo)

A village girl places flowers on the feet of a wild elephant that succumbed to injuries after being hit by a speeding train at Kurkria village, outskirts of Guwahati, India, Thursday, Aug 10, 2023. (AP Photo/Anupam Nath)

A village girl places flowers on the feet of a wild elephant that succumbed to injuries after being hit by a speeding train at Kurkria village, outskirts of Guwahati, India, Thursday, Aug 10, 2023. (AP Photo/Anupam Nath)

A base jumper dives at night from the Kuala Lumpur Tower during KL Tower International Jump in Kuala Lumpur, Malaysia, Saturday, Feb. 4, 2023. (AP Photo/Vincent Thian)

A base jumper dives at night from the Kuala Lumpur Tower during KL Tower International Jump in Kuala Lumpur, Malaysia, Saturday, Feb. 4, 2023. (AP Photo/Vincent Thian)

A toddler peeks out of a plastic curtain on a cold day in Srinagar, Indian controlled Kashmir, Thursday, Nov 23, 2023. (AP Photo/Mukhtar Khan)

A toddler peeks out of a plastic curtain on a cold day in Srinagar, Indian controlled Kashmir, Thursday, Nov 23, 2023. (AP Photo/Mukhtar Khan)

A woman whose family members are trapped under rubble wails after a landslide washed away houses in Raigad district, western Maharashtra state, India, Thursday, July 20, 2023. (AP Photo/Rafiq Maqbool)

A woman whose family members are trapped under rubble wails after a landslide washed away houses in Raigad district, western Maharashtra state, India, Thursday, July 20, 2023. (AP Photo/Rafiq Maqbool)

Kolkata Knight Riders' cricketer Rahmanullah Gurbaz celebrates after scoring his fifty runs during the Indian Premier League cricket match against Gujarat Titans, in Kolkata, India, Saturday, April 29, 2023. (AP Photo/Bikas Das )

Kolkata Knight Riders’ cricketer Rahmanullah Gurbaz celebrates after scoring his fifty runs during the Indian Premier League cricket match against Gujarat Titans, in Kolkata, India, Saturday, April 29, 2023. (AP Photo/Bikas Das )

Members of Meira Paibis, powerful vigilante group of Hindu majority Meitei women, march toward the site of a gunfight in Kangchup, near Imphal, capital of the northeastern Indian state of Manipur, Thursday, Jun 22, 2023. A deadly conflict in Manipur between two communities since May have left more than 130 people dead. (AP Photo/Altaf Qadri)

Members of Meira Paibis, powerful vigilante group of Hindu majority Meitei women, march toward the site of a gunfight in Kangchup, near Imphal, capital of the northeastern Indian state of Manipur, Thursday, Jun 22, 2023. A deadly conflict in Manipur between two communities since May have left more than 130 people dead. (AP Photo/Altaf Qadri)

Supporters of the Move Forward Party display mobile phones with flash lights on during a protest in Bangkok, Thailand, Sunday, July 23, 2023. The demonstrators are protesting that Thailand's Constitution is undemocratic, because it allowed Parliament to block the winner of May's general election, the Move Forward Party, from naming its leader as the new prime minister, even though he had assembled an eight-part coalition that had won a clear majority of seats in the House of Representatives. (AP Photo/Sakchai Lalit)

Supporters of the Move Forward Party display mobile phones with flash lights on during a protest in Bangkok, Thailand, Sunday, July 23, 2023. The demonstrators are protesting that Thailand’s Constitution is undemocratic, because it allowed Parliament to block the winner of May’s general election, the Move Forward Party, from naming its leader as the new prime minister, even though he had assembled an eight-part coalition that had won a clear majority of seats in the House of Representatives. (AP Photo/Sakchai Lalit)

A man tries to recover a vehicle submerged in mud in the flood-affected area along the Teesta river in Rongpo, east Sikkim, India, Sunday, Oct. 8. 2023. (AP Photo/Anupam Nath)

A man tries to recover a vehicle submerged in mud in the flood-affected area along the Teesta river in Rongpo, east Sikkim, India, Sunday, Oct. 8. 2023. (AP Photo/Anupam Nath)

Villagers gather around a well to draw water in Telamwadi, northeast of Mumbai, India, Saturday, May 6, 2023. Collecting water from outside wells is a common task in this rural area, which has seen increasing protests as more river water from dams is diverted to urban areas. (AP Photo/Dar Yasin)

Villagers gather around a well to draw water in Telamwadi, northeast of Mumbai, India, Saturday, May 6, 2023. Collecting water from outside wells is a common task in this rural area, which has seen increasing protests as more river water from dams is diverted to urban areas. (AP Photo/Dar Yasin)

Police officers take away a member of the public in the Causeway Bay area on the eve 34th anniversary of China's Tiananmen Square massacre in Hong Kong, Saturday, June 3, 2023. (AP Photo/Louise Delmotte)

Police officers take away a member of the public in the Causeway Bay area on the eve 34th anniversary of China’s Tiananmen Square massacre in Hong Kong, Saturday, June 3, 2023. (AP Photo/Louise Delmotte)

Rescuers carry the body of a victim at the site of passenger trains that derailed in Balasore district, in the eastern Indian state of Orissa, Saturday, June 3, 2023. Two passenger trains derailed, killing more than 280 people and injuring hundreds in one of the country's deadliest rail crashes in decades. (AP Photo/Rafiq Maqbool)

Rescuers carry the body of a victim at the site of passenger trains that derailed in Balasore district, in the eastern Indian state of Orissa, Saturday, June 3, 2023. Two passenger trains derailed, killing more than 280 people and injuring hundreds in one of the country’s deadliest rail crashes in decades. (AP Photo/Rafiq Maqbool)

A Filipino penitent flagellates himself as part of Maundy Thursday rituals to atone for sins or fulfill vows for an answered prayer on April 6, 2023 at Mandaluyong city, Philippines. (AP Photo/Aaron Favila)

A Filipino penitent flagellates himself as part of Maundy Thursday rituals to atone for sins or fulfill vows for an answered prayer on April 6, 2023 at Mandaluyong city, Philippines. (AP Photo/Aaron Favila)

Pita Limjaroenrat, wearing white shirt, leader of Move Forward Party, waves to his supporters, in Bangkok, Monday, May 15, 2023. Fresh off a stunning election victory in which they together captured a majority of seats in the House of Representatives, Thailand's top two opposition parties began planning Monday for the next stage in their bid to replace the military-dominated government. (AP Photo/Wason Wanichakorn)

Pita Limjaroenrat, wearing white shirt, leader of Move Forward Party, waves to his supporters, in Bangkok, Monday, May 15, 2023. Fresh off a stunning election victory in which they together captured a majority of seats in the House of Representatives, Thailand’s top two opposition parties began planning Monday for the next stage in their bid to replace the military-dominated government. (AP Photo/Wason Wanichakorn)

A U.S Army CH-47 Chinook helicopter transports a M777 howitzer during a joint military drill between South Korea and the United States at Rodriguez Live Fire Complex in Pocheon, South Korea, Sunday, March 19, 2023. (AP Photo/Ahn Young-joon)

A U.S Army CH-47 Chinook helicopter transports a M777 howitzer during a joint military drill between South Korea and the United States at Rodriguez Live Fire Complex in Pocheon, South Korea, Sunday, March 19, 2023. (AP Photo/Ahn Young-joon)

Tibetan spiritual leader the Dalai Lama is helped by attending monks after he addressed a group of students at the Tsuglakhang temple in Dharamshala, India, Tuesday, Feb. 28, 2023. (AP Photo/Ashwini Bhatia)

Tibetan spiritual leader the Dalai Lama is helped by attending monks after he addressed a group of students at the Tsuglakhang temple in Dharamshala, India, Tuesday, Feb. 28, 2023. (AP Photo/Ashwini Bhatia)

People gather to watch others playing in the mud in a paddy field on Asar Pandra, or paddy planting day, at Bahunbesi, Nuwakot District, 30 miles north of Kathmandu, Nepal, Friday, June 30, 2023. (AP Photo/Niranjan Shrestha)

People gather to watch others playing in the mud in a paddy field on Asar Pandra, or paddy planting day, at Bahunbesi, Nuwakot District, 30 miles north of Kathmandu, Nepal, Friday, June 30, 2023. (AP Photo/Niranjan Shrestha)

A man poses for a photo sitting outside the glass cage of a Bengal tiger at the national zoological garden in Colombo, Sri Lanka, Tuesday, June. 27, 2023. (AP Photo/Eranga Jayawardena)

A man poses for a photo sitting outside the glass cage of a Bengal tiger at the national zoological garden in Colombo, Sri Lanka, Tuesday, June. 27, 2023. (AP Photo/Eranga Jayawardena)

Stars light up the night sky over Lkhaebum's ger, a portable, round tent insulated with sheepskin, in the remote Munkh-Khaan region of the Sukhbaatar district, in southeast Mongolia, Tuesday, May 16, 2023. (AP Photo/Manish Swarup)

Stars light up the night sky over Lkhaebum’s ger, a portable, round tent insulated with sheepskin, in the remote Munkh-Khaan region of the Sukhbaatar district, in southeast Mongolia, Tuesday, May 16, 2023. (AP Photo/Manish Swarup)

A Kashmiri man cools off at a stream on a hot summer day on the outskirts of Srinagar, Indian controlled Kashmir, Tuesday, July 4, 2023. (AP Photo/Mukhtar Khan)

A Kashmiri man cools off at a stream on a hot summer day on the outskirts of Srinagar, Indian controlled Kashmir, Tuesday, July 4, 2023. (AP Photo/Mukhtar Khan)

Dancers wait to perform during the opening of Bali Arts Festival in Bali, Indonesia, Sunday, June 18, 2023. (AP Photo/Firdia Lisnawati)

Dancers wait to perform during the opening of Bali Arts Festival in Bali, Indonesia, Sunday, June 18, 2023. (AP Photo/Firdia Lisnawati)

Whales swim past as a fisherman stands in his boat at Boat Harbour north of Sydney, Australia, Monday, June 12, 2023. More than 40,000 whales make their way along the NSW coast on their northern migration, known as the Humpback Highway, from May to November each year. (AP Photo/Mark Baker)

Whales swim past as a fisherman stands in his boat at Boat Harbour north of Sydney, Australia, Monday, June 12, 2023. More than 40,000 whales make their way along the NSW coast on their northern migration, known as the Humpback Highway, from May to November each year. (AP Photo/Mark Baker)

Cricket fans arrive to watch the ICC Men's Cricket World Cup final match between Australia and India at Narendra Modi stadium in Ahmedabad, India, Sunday, Nov. 19, 2023. (AP Photo/Ajit Solanki)

Cricket fans arrive to watch the ICC Men’s Cricket World Cup final match between Australia and India at Narendra Modi stadium in Ahmedabad, India, Sunday, Nov. 19, 2023. (AP Photo/Ajit Solanki)

A private car warehouse is submerged in water from River Hindon following excessive rains, in Greater Noida, out skirts of New Delhi, India, Wednesday, July 26, 2023. (AP Photo/Piyush Nagpal)

A private car warehouse is submerged in water from River Hindon following excessive rains, in Greater Noida, out skirts of New Delhi, India, Wednesday, July 26, 2023. (AP Photo/Piyush Nagpal)

A washerman washes clothes on the banks of the river Brahmaputra on World Water Day in Guwahati, India, Wednesday, March 22, 2023. (AP Photo/Anupam Nath)

A washerman washes clothes on the banks of the river Brahmaputra on World Water Day in Guwahati, India, Wednesday, March 22, 2023. (AP Photo/Anupam Nath)

China's Qin Haiyang competes during the men's 4x100m medley relay swimming final at the 19th Asian Games in Hangzhou, China, Tuesday, Sept. 26, 2023. (AP Photo/Lee Jin-man)

China’s Qin Haiyang competes during the men’s 4x100m medley relay swimming final at the 19th Asian Games in Hangzhou, China, Tuesday, Sept. 26, 2023. (AP Photo/Lee Jin-man)

Activists of the the opposition Bangladesh Nationalist Party attack security officers during a protest in Dhaka, Bangladesh, Saturday, Oct. 28, 2023. The protestors demanded the resignation of Prime Minister Sheikh Hasina and the transfer of power to a non-partisan caretaker government to oversee general elections next year. (AP Photo/Mahmud Hossain Opu)

Activists of the the opposition Bangladesh Nationalist Party attack security officers during a protest in Dhaka, Bangladesh, Saturday, Oct. 28, 2023. The protestors demanded the resignation of Prime Minister Sheikh Hasina and the transfer of power to a non-partisan caretaker government to oversee general elections next year. (AP Photo/Mahmud Hossain Opu)

A man wearing a face mask walks on an overhead bridge against the office buildings in the central business district as dust and sand storm sweeps through Beijing, Thursday, April 13, 2023. (AP Photo/Andy Wong)

A man wearing a face mask walks on an overhead bridge against the office buildings in the central business district as dust and sand storm sweeps through Beijing, Thursday, April 13, 2023. (AP Photo/Andy Wong)

American Ballet Theater's ballerina Devon Teuscher rehearses for a performance at the Shanghai Grand Theater in Shanghai, Thursday, Nov. 2, 2023. (AP Photo/Ng Han Guan)

American Ballet Theater’s ballerina Devon Teuscher rehearses for a performance at the Shanghai Grand Theater in Shanghai, Thursday, Nov. 2, 2023. (AP Photo/Ng Han Guan)

Mini, a nurse, trims the nails of Saradammal at the Signature Aged Care in Kochi, Kerala state, India, March 6, 2023. In the last 60 years, the percentage of those aged 60 and over in India's Kerala state has shot up from 5.1% to 16.5% — the highest proportion in any state. This makes Kerala an outlier in a country with a rapidly growing population, soon to be the world's most populous at 1.4 billion. (AP Photo/ R S Iyer)

Mini, a nurse, trims the nails of Saradammal at the Signature Aged Care in Kochi, Kerala state, India, March 6, 2023. In the last 60 years, the percentage of those aged 60 and over in India’s Kerala state has shot up from 5.1% to 16.5% — the highest proportion in any state. This makes Kerala an outlier in a country with a rapidly growing population, soon to be the world’s most populous at 1.4 billion. (AP Photo/ R S Iyer)

A participant at the Pride Parade in Bangkok, Thailand, Sunday, June 4, 2023. (AP Photo/Sakchai Lalit)

A participant at the Pride Parade in Bangkok, Thailand, Sunday, June 4, 2023. (AP Photo/Sakchai Lalit)

A man on a motorcycle crosses a suspension bridge over the Bagmati river in Lalitpur, Nepal, Monday, March 27, 2023. (AP Photo/Niranjan Shrestha)

A man on a motorcycle crosses a suspension bridge over the Bagmati river in Lalitpur, Nepal, Monday, March 27, 2023. (AP Photo/Niranjan Shrestha)

Photographs capture young humpback whale’s Seattle visit

Photographs capture young humpback whale’s Seattle visit

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SEATTLE — Pictures released by a conservation group show a young humpback whale breaching in front of the Space Needle as it visited the waters off Seattle last week, capturing a rare display of wildlife next to a major city.

The photos were also used to gauge the general health of the whale and create a serial identification number that will help researchers keep track of the young marine mammal.

This young whale, which is estimated to be about two years old, now has the designation of CRC-20899, according to Cascadia Research Collective.

The photos were taken by Jeff Hogan, co-coordinator of the Seattle-branch of Soundwatch Boater Education Program. Hogan shadowed the whale for most of its time in the bay to alert other vessels to it. Hogan said the whale looked healthy and watched it breach nearly 30 times.

Soundwatch has been operating off the San Juan Islands, where orcas are commonly found, for more than 30 years. The Seattle wing of the program debuted this past August with the aim to protect whales in busy Elliott Bay. Program personnel inform vessels of nearby whales so that enough space is given to the giant creatures. On any given day, car and pedestrian ferries, tugboats, private crafts, container ships and other vessels crisscross the bay.

“It not only was a beautiful day and experience, it was a great opportunity to collaborate with all operators out there,” said Alanna Frayne, a coordinator for Soundwatch. “This humpback provided education.”

Local whale watching groups have identified the young humpback as the calf of an adult female with the identification BCY0995, better known as “Smiley.”

Smiley’s last calf, Chip, was fatally struck by a Washington state ferry in 2020, according to the Canadian group Vancouver Island Whale Watch.

As the whale’s population numbers rebound, visits to the Seattle metropolitan area by orcas that prey on mammals and cetacean whales like humpbacks and grays have been increasing.

Humpback whales visit the waters off Seattle as they migrate along the West Coast. Before the commercial whaling industry nearly drove them to extinction, researchers think the Puget Sound was used as a nursery by humpbacks.

The young calf was seen until Friday morning, Frayne said.

Photographs capture humpback whale’s Seattle visit, breaching in waters in front of Space Needle

Photographs capture humpback whale’s Seattle visit, breaching in waters in front of Space Needle

Seattle (AP) — Pictures released by a conservation group show a young humpback whale breaching in front of the Space Needle as it visited the waters off Seattle last week, capturing a rare display of wildlife next to a major city.

The photos were also used to gauge the general health of the whale and create a serial identification number that will help researchers keep track of the young marine mammal.

This young whale, which is estimated to be about two years old, now has the designation of CRC-20899, according to Cascadia Research Collective.

The photos were taken by Jeff Hogan, co-coordinator of the Seattle-branch of Soundwatch Boater Education Program. Hogan shadowed the whale for most of its time in the bay to alert other vessels to it. Hogan said the whale looked healthy and watched it breach nearly 30 times.

Soundwatch has been operating off the San Juan Islands, where orcas are commonly found, for more than 30 years. The Seattle wing of the program debuted this past August with the aim to protect whales in busy Elliott Bay. Program personnel inform vessels of nearby whales so that enough space is given to the giant creatures. On any given day, car and pedestrian ferries, tugboats, private crafts, container ships and other vessels crisscross the bay.

“It not only was a beautiful day and experience, it was a great opportunity to collaborate with all operators out there,” said Alanna Frayne, a coordinator for Soundwatch. “This humpback provided education.”

Local whale watching groups have identified the young humpback as the calf of an adult female with the identification BCY0995, better known as “Smiley.”

Smiley’s last calf, Chip, was fatally struck by a Washington state ferry in 2020, according to the Canadian group Vancouver Island Whale Watch.

As the whale’s population numbers rebound, visits to the Seattle metropolitan area by orcas that prey on mammals and cetacean whales like humpbacks and grays have been increasing.

Humpback whales visit the waters off Seattle as they migrate along the West Coast. Before the commercial whaling industry nearly drove them to extinction, researchers think the Puget Sound was used as a nursery by humpbacks.

The young calf was seen until Friday morning, Frayne said. Soundwatch boat followed it as the whale headed north and away from the city.

Photographs capture humpback whale’s Seattle visit, breaching in waters in front of Space Needle

Photographs capture humpback whale’s Seattle visit, breaching in waters in front of Space Needle

SEATTLE – Pictures released by a conservation group show a young humpback whale breaching in front of the Space Needle as it visited the waters off Seattle last week, capturing a rare display of wildlife next to a major city.

The photos were also used to gauge the general health of the whale and create a serial identification number that will help researchers keep track of the young marine mammal.

This young whale, which is estimated to be about two years old, now has the designation of CRC-20899, according to Cascadia Research Collective.

The photos were taken by Jeff Hogan, co-coordinator of the Seattle-branch of Soundwatch Boater Education Program. Hogan shadowed the whale for most of its time in the bay to alert other vessels to it. Hogan said the whale looked healthy and watched it breach nearly 30 times.

Soundwatch has been operating off the San Juan Islands, where orcas are commonly found, for more than 30 years. The Seattle wing of the program debuted this past August with the aim to protect whales in busy Elliott Bay. Program personnel inform vessels of nearby whales so that enough space is given to the giant creatures. On any given day, car and pedestrian ferries, tugboats, private crafts, container ships and other vessels crisscross the bay.

“It not only was a beautiful day and experience, it was a great opportunity to collaborate with all operators out there,” said Alanna Frayne, a coordinator for Soundwatch. “This humpback provided education.”

Local whale watching groups have identified the young humpback as the calf of an adult female with the identification BCY0995, better known as “Smiley.”

Smiley’s last calf, Chip, was fatally struck by a Washington state ferry in 2020, according to the Canadian group Vancouver Island Whale Watch.

As the whale’s population numbers rebound, visits to the Seattle metropolitan area by orcas that prey on mammals and cetacean whales like humpbacks and grays have been increasing.

Humpback whales visit the waters off Seattle as they migrate along the West Coast. Before the commercial whaling industry nearly drove them to extinction, researchers think the Puget Sound was used as a nursery by humpbacks.

The young calf was seen until Friday morning, Frayne said. Soundwatch boat followed it as the whale headed north and away from the city.

The Panasonic G9 II Just Got Better for Videographers

The Panasonic G9 II Just Got Better for Videographers

When the Panasonic G9 II was released, we were very hyped. It was a camera that was majorly pitched to us as being forwardly for photographers. With that said, a lot of video features that were in the GH6, for example, weren’t in the G9 II. Firmware 2.0 is being announced today for the camera, and photographers aren’t seeing many benefits from it. Instead, it’s all targeted to the video crowd. So, if you don’t care about video, then you probably wouldn’t necessarily care to proceed. But if you understand that Micro Four Thirds is incredibly good for video, then consider what the G9 II can do for you.

Below are the details that we were given on the new announcement with firmware 2.0:

RAW video output over HDMI to Blackmagic Design external recorder 

[5.7K] / [C4K] / [5.8K(4:3)] / [4.4K(4:3)] 12-bit RAW video data can be output over HDMI to Blackmagic Video Assist 5 “12G HDR and Blackmagic Video Assist 7” 12G HDR, to be recorded as Blackmagic RAW. 

*DaVinci Resolve or DaVinci Resolve Studio is required to playback and DaVinci Resolve Studio to edit Blackmagic RAW data. 

*Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5″ 12G HDR and Blackmagic Video Assist 7″ 12G HDR. 

*All functions may not be available depending on the situation. 

*When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording. 

RAW video output over HDMI to ATOMOS external recorder 

[5.7K] / [C4K] / [5.8K(4:3)] / [4.4K(4:3)] 12-bit RAW video data can be output over HDMI to ATOMOS “Ninja V” “Ninja V+” “Ninja” “Ninja Ultra” “Shogun” “Shogun Ultra” “Shogun Connect” devices, to be recorded as Apple Pro Res RAW. 

Is Anything Else Coming for Photographers?

The new update for the Panasonic G9 II is great and all for the company’s versatility. That’s going to add to sales for sure. But what about photographers? There are things that could be given to the G9 II to make it a better photographic instrument. A few thoughts:

  • In our review, we cited that the high ISO output could be better. Panasonic can do this through processing with the camera. This is one of the hardest things fro Micro Four Thirds to also get well. But Panasonic could embrace the look of high ISO noise a bit more as Fujifilm does with the X Trans sensor. Technically, you could do it here too using Real Time LUT. But that color starts to fall apart very hard with higher ISO settings.
  • It needs autofocus improvements, for sure.
  • Panasonic removed the multiple exposure mode from their cameras, and we’d love it back.
  • We’d like a few Real Time LUT options from Panasonic added to the camera that they’ve made themselves.
  • Micro Four Thirds cameras kill it with computational photography — at least the ones from OM System do. I’d like more of those in Panasonic’s cameras.

These are just a few of the things that we’d like to see. And still, overall, for only $100 more, you can get the Panasonic S5 II. Believe it or not, that’s been one of the best cameras that we’ve used in a long time and it’s only become better with time. While we’re sure it won’t age like a fine whiskey, its nice to see certain cameras mature and become better products.

Review: Nikon Gaston Luga GL X camera bag

Review: Nikon Gaston Luga GL X camera bag

By Mike O’Connor | 5 December 2023

Although ‘collabs’ are nothing new in the photography accessory world (I own a Filson x Magnum satchel bag for example), the GL X Nikon backpack I was sent recently by Nikon Australia is, I believe, the Japanese company’s first camera bag developed in partnership with another brand, in this case Swedish lifestyle brand Gaston Luga.

Image: Mike O'Connor
Image: Mike O’Connor

At launch, the $289 GL X backpack was described as a product that ‘invites creators to embark on a journey to transcend the ordinary and create extraordinary visual narratives that resonate with their unique stories’, and while this may be the most bewildering description of a camera bag I’ve ever heard, when I was offered the opportunity to review the backpack for myself I was suitably intrigued, especially so as I’m a fan of backpacks for lugging my own camera gear.

So, putting aside the PR hyperbole, is the GL X any good? Let’s find out.

The bag

Out of the box, the GL X is a nicely made bag, manufactured from a ‘premium’, water-resistant material, described on the tag as 100% recycled polyester with a a TPU coating. It feels and looks a bit like PU leather. 

Gaston Luga’s website does mention that its bags are not made from animal-based materials, which means no leathers, no adhesives, and no colourings sourced from animals. In addition, the company’s materials meet PETA’s requirements and are approved as PETA-approved vegan materials – all good things. 

Moving to the look of the thing, and as my colleague Tim Levy over at Capture wrote in his write-up of the bag, it doesn’t scream ‘camera bag’, and seems more of a hybrid lifestyle / camera backpack suited to urban environments.

Image: Mike O'Connor
Image: Mike O’Connor

This is further reinforced by the subtle branding – there’s a small Swedish flag on the side, and only very subtle Nikon branding on the front which all help sell the clean aesthetic.

However, while the material the bag is made from is nice to the touch and well sewn, it’s hard to tell how well it will wear over time when exposed to the usual conditions camera backpacks experience – think airport conveyor belts, trains, buses etc.

Image: Mike O'Connor
Image: Mike O’Connor

I’ve always preferred more heavy duty synthetic fabrics such as Nylon as camera bags traditionally have a tough life. That said, this is just my personal choice, and this is clearly a bag designed for a more urban environment. It’s quite likely buyers of it won’t be taking it hiking anytime soon. 

On the rear, the bag fully opens like a suitcase and can fit both a 14′ laptop and tablet alongside a detachable camera holder with adjustable dividers that attaches to the bag with velcro. It’s large enough to hold a couple of camera bodies and a few lenses, with room to spare.

There are also two tripod or bottle holders on each side, and a small compartment on the front of the bag that could be used to hold cards or papers. 

It’s worth noting that the detachable camera holder itself is made of a relatively thin fabric, with much of the protection for your camera coming from the dividers themselves and the padding on the rear of the bag.

Image: Mike O'Connor
Image: Mike O’Connor

The bag is relatively comfortable to wear with decent padding for the shoulders, although the straps are still quite thin, so if you’re carrying a bit of weight you may find it uncomfortable over time, especially as there’s no waist strap to cinch it to your back.

Image: Mike O'Connor
Image: Mike O’Connor

Finally, the bag has a nice and quite hip roll-down top compartment that is secured to the body of the bag via some well-made metal buckles that also carry subtle Nikon/Gaston Luga branding. It all adds up to make for a really premium looking bag. 

In use

Loaded up with gear and with the rolltop secured, the GL X holds its shape well, although if you do have a big telephoto on your camera body you may notice a bit of a bulge on the bag as the bag doesn’t have an internal frame to keep its shape rigid.

Image: Mike O'Connor
Image: Mike O’Connor

Despite this, it comfortably held my laptop, Sony (sacrilege!) A7 IV and 100-400mm lens, a bunch of clothes, a drink bottle, a tripod in the side pocket and a few chargers and small cables – all the kinds of things most photographers find themselves lugging around. 

Although I didn’t get to test the GL X’s waterproofing, which is rated to 16000mm, the zips on the front of the bag are all seam-sealed, which is reassuring, but the zips on the rear don’t appear to be, which is an unusual choice, especially as this is the part of the bag you’re likely to be going in and out of the most.

Image: Mike O'Connor
The zips on the rear of the bag don’t appear to be seam sealed like those on the front. Image: Mike O’Connor

Speaking of which, when it comes time to taking your camera out of the bag, it’s relatively quick, although it likely won’t be as fast as you can take a camera out from a satchel or side-bag. 

Wrap-up

I really enjoyed using the Nikon Gaston Luga GL X, and maybe just because it was nice to use a camera accessory that could double for an everyday non-camera related item as well. It’s nicely made, albeit with some curious design choices like the zips, reasonably priced, has (I think) some decent environmental credentials, and it looks great too. That said, if you’re not a Nikon shooter, you’d probably never look twice at it, which is a bit of a shame.

All-in-all though, the collab in question makes for a camera bag that’s well worth a look if you’re in the market for a bag that can double for other duties too.

You can order yours from nikon.com.au.