Printmaking

Rodney Ewing | University of Nevada, Reno

Rodney Ewing | University of Nevada, Reno
My practice revolves around employing an interdisciplinary approach to explore issues of marginalized histories and diasporic existences. Although I was trained as printmaker, it has now become one of the many tools I draw upon to create art.

SAGE will present “The Arrivals”, works by Brittney Denham

SAGE will present “The Arrivals”, works by Brittney Denham
Brittney Denham – Whisonant’s Solo Exhibition will open on Oct. 17, at SAGE Community Arts.

SAGE Community Arts Executive Director Jill Benson appeared on Sheridan Media’s Public Pulse to announce the opening and told listeners she is proud and honored that SAGE has become the location many loca

Ruth Weisberg’s ‘Touchstones’ Exhibition Reveals a Dialogue with History

Ruth Weisberg’s ‘Touchstones’ Exhibition Reveals a Dialogue with History
The essence of exploration and reflection in contemporary art finds poignant expression in “Ruth Weisberg: Touchstones,” a forthcoming exhibition at Jack Rutberg Fine Arts in Pasadena, opening on October 22, with a reception from 3:00 to 6:00 p.m.  The artist, Ruth Weisberg, will be present to inaugurate this immersion into her artistic dialogue with history (a theme persistent in her works). The exhibition will continue through December 23. Located at 600 South Lake Avenue in Pasadena, Jack Rutberg Fine Arts has curated a space where visitors can traverse through Weisberg’s decades-long investigation into the personal and collective memory, set against the backdrop of art history. Her works, whether they be paintings, drawings or original prints, echo the whispers of past masters like William Blake and Titian, while engaging with the contemporary narrative. A focal point of the exhibition is “The Blessing,” a piece that previously graced the Norton Simon Museum in 2008 when Weisberg was invited to create a series inspired by the museum’s collection. This initiative marked her as the first contemporary artist to hold a solo exhibition at the museum, a precedent she set once more at the Huntington Museum in 1999. Through layers of color and texture, Weisberg creates a conduit between the past and the present. Her pieces such as “La Comedia e Finita” (1977) and the more recent “Brief Encounter” (2023) illustrate the enduring conversation between different art forms and historical epochs. Among the collection is also “Waterbourne” (1973), a symbolic rendering of a personal journey into motherhood and a broader reflection on women’s empowerment. This piece, alongside others, underscores Weisberg’s significant role in advancing the narrative of contemporary women artists. The thematic landscape of Weisberg’s work extends to reflections on diaspora, homecoming, and rites of passage. Her depictions evoke memories of her own