Florida educator ousted for showing students Michelangelo’s David visits sculpture in Florence
By Admin in Printmaking
Superheroes, their voice actors and the artists who created them will all come together next weekend with the Lodi Comic Con returns to the Lodi Grape Festival Grounds.
“It’s going to be very similar to our past events, but we’ll have a few twists,” StocktonCon Events president Mike Millerick said. “We’ve got a mix of returning individuals artists, and we’ve got some new folks as well.”
By Admin in Photography
HOUSTON – On the next Houston Life, Simone Biles and Jonathan Owens had an epic courthouse wedding. Her wedding photographer joins us live.
Rachel Taylor Raetay Photography, has captured memorable wedding moments for some of Houston A-listers, including Simone Biles, Jonathan Owens, Alex and Reagan Bregman, and Parker McCollum.
LEAVE YOUR COMMENTS BELOW.
RELATED CONTENT:
Simone Biles and Houston Texans’ Jonathan Owens are engaged
By Admin in Photography
GREENSBURG – The Community Photography Art Show at Art on the Square Gallery begins May 1 and local photographers, professional or amateur, are invited to participate.
All ages of photographers may enter their photos of any subject matter, ready to hang.
Event planner and photographer Danny Bowers talked about the show.
“Prints can be framed, printed on stretched canvas or mounted on foam board. If you have the hanging hardware, please bring it,” he said.
Photos prepared for hanging should be at the gallery no later than the last week of April to be hung the first week of May.
The works will be judged by two photographers from outside Decatur County. A People’s Choice Award of $25 and a Critic’s Choice Award of $25 will be presented at a wine and cheese reception for the artists from 4 to 6 p.m. May 5 at the gallery.
Gallery hours are 11 a.m. to 3:30 p.m. Wednesday through Friday and 11 a.m. to 2 p.m.
In summer months during the Farmers’ Market on the south side of the Square, gallery hours are 2 to 6 p.m.
To register for classes, to inquire about using the gallery for small events or meetings, or with other questions, call the gallery at 812-663-8600.
Visit Art on the Square Gallery on the north side of the Greensburg Square or online at www.artonthesquaregallery.com/.
By Admin in Photography
Large telephoto lenses are some of the most powerful and exciting optical tools out there, able to capture faraway action like birds or sports and create dynamic images. Nonetheless, they take some special considerations in order to get the most out of them and to ensure you are not straining yourself physically when using one. This helpful video tutorial discusses five things you should do whenever you buy a large telephoto lens.
Coming to you from Steve Mattheis, this great video tutorial discusses five things you should do when you purchase a large telephoto lens. One thing that is absolutely necessary for using such a lens in a monopod. Not only are these lenses heavy, often pushing 7-8 lbs (3.3-3.6 kgs) or more, often, that weight is extended over a significant length, adding a lot of leverage as well. This can make them very physically taxing to use, and as you tire, your ability to hold the lens steady for a sharp shot also diminishes. Many pros will also opt for gimbal head to ensure quick and easy movement for following the sort of fast action such lenses are frequently used for. Check out the video above for the full rundown from Mattheis.
By Admin in Art World News
All images © Liz Sexton, shared with permission. Photography in collaboration with Ben Toht
If you feel like a fish out of water, the saying goes, then you’re probably feeling a little confused or uncomfortable. St. Paul-based artist Liz Sexton gives the simile new meaning with recent marine-themed additions to her ongoing papier-mâché masks series, highlighting the distinctive faces of familiar creatures like walruses, manatees, and polar bears that find themselves out and about on dry land.
Sexton enjoys papier-mâché for its versatility and accessibility, using additional readily available materials like cloth, wire, and acrylic paint to build up each animal’s unique textures, patterns, and colors. Comprising her upcoming solo exhibition Out of Water at the Minnesota Marine Art Museum, the lifelike wearable sculptures draw attention to a variety of beings that rely on aquatic ecosystems for survival. Barnacles and belugas are photographed in atmospheric settings by the artist’s partner and collaborator Ben Toht, who captures each animal’s unique details and expressions.
Many of Sexton’s sculptures portray species that, in their native habitats, are under threat as they increasingly become entangled in nets and suffer the effects of the climate crisis. The delicate and often awkward balance between the human-made environment and natural ecosystems is highlighted in photographs of the masks in atmospheric settings by the artist’s partner and collaborator Ben Toht. The portraits playfully juxtapose the creatures with unusual locations like a grocery store freezer aisle, a campground, or a laundromat.
Out of Water opens May 6 and continues through September 3 in Winona, and you can find more work on the artist’s website and Instagram.








Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The article Marine Animal Masks by Liz Sexton Spotlight Beloved Species in Lifelike Papier-Mâché appeared first on Colossal.
By Admin in Art World News
Art Love Collective co-founders Hollie Blakeney and Morgan Long felt the Lawrence arts community was lacking something, and they opened Lawrence’s newest gallery with the intention of filling that void.
The collective opened its doors at 646 Vermont St. in mid-March. Blakeney — who based the business model on an arts co-op she founded in Michigan — refers to Art Love as a “hub” where people can gather not only to purchase and create art, but also to host events and attend artist-led classes.
“Our goal is to provide a safe space for artists from all communities, and to be able to help them sell and promote their work,” Blakeney said. “We really want to help artists grow in an inclusive environment with communal support.”
The collective’s business model aims to make art accessible for artists of all backgrounds. Of the 35 members and 13 commissioned artists, Blakeney said about half are people of color or queer.

Local artist and co-chair and community coordinator for the Indigenous Community Center Moniqué Mercurio, of the Ohlone Costanoan Esselen Nation, said that before Art Love opened, she didn’t have any luck with local galleries.
“As an Indigenous artist, I’ve tried very hard to get into shops locally,” Mercurio said. “I wasn’t met in any capacity of support whatsoever … I work with the community in a very large capacity, so, you know, I’m getting a very good feel of genuine people versus performative people.”

Sam Azzaro, who joined the collective as soon as it opened in March, said they enjoy having space to make their art without censorship. Azzaro has worked in a variety of mediums, including photography, drawing, sculpture and metal work. They received a bachelor’s in fine arts from the University of Wisconsin-Whitewater before pursuing a master’s degree in higher education administration at the University of Kansas.
Some of Azzaro’s most recent work deals with the complexities of growing up transgender, and they say the collective allows them to create and show their work unapologetically.
“It’s a space where I don’t have to apologize for who I am,” Azzaro said. “Growing up, it really felt like I had to be closeted and hide that part of myself away. Or I had to tiptoe around varying people in my life. I don’t have to do that anymore. I am here to take up as much space as I want and as I need.”

Blakeney and Long aim to keep money in the artists’ pockets by charging creatives a monthly membership fee and taking a 10% commission. According to Blakeney, traditional galleries charge commissions as high as 70% and prohibit artists from selling their work anywhere else, forcing the creative to raise their prices and cater to a wealthier clientele.
Membership plans at the collective range from $100 to $200 per month and come with access to Art Love’s gallery and 24-hour studios. Additionally, the more expensive options give artists discounts on classroom and event space rentals and online exposure through the collective’s digital art market. There’s also a guest artist option that doesn’t require a membership but takes a 40% commission on sales.
“The main point of this space is just to keep everything in the artists’ pockets — we aren’t here to make money off of them,” Long said. Laughing a bit, she added: “We really just want to pay rent. That’s it.”
By providing an inclusive home base for artists, musicians and writers, Blakeney and Long aim to simultaneously make original artwork accessible and encourage an entire generation of underrepresented artists.
“It’s so empowering for me to see them also take up that space that they need,” Azzaro said. “Being able to support Black artists, Indigenous artists and queer artists in any sort of capacity is something that I really enjoy and love.”
The collective’s Final Friday exhibition, set for 6 to 9 p.m. Friday, April 28, will feature Indigenous artists. On Sunday, it will host the kickoff for Actions for Justice Week, a week dedicated to Missing and Murdered Indigenous Women, Girls, Two-Spirit and Trans (MMIWG2ST) people. Read more about that at this link.
Art Love Collective is open to the public from 11 a.m. to 6 p.m. Wednesdays through Saturdays. Learn more on their website, artlovecollective.org.


If community coverage like this matters to you, please support The Lawrence Times.
Click here to subscribe.







Chloe Anderson (she/her), a contributor to The Lawrence Times, is a freelance photojournalist with work also published in Climbing magazine, Kansas Reflector and Sharp End Publishing. As a recent graduate of the University of Kansas, Chloe hopes to continue her career in photography, rock climbing and writing somewhere out West.
You can view her portfolio, articles and commissioned work here. Check out more of her work for the Times here.
Molly Adams/Lawrence Times Messages of support, lit candles and empowering community love for survivors of sexual assault occupied South Park on Thursday evening. Community members gathered to take action for sexual violence prevention and against attacks on human rights.
Molly Adams/Lawrence Times A weeklong series of events in Lawrence aim to educate the community about the epidemic of missing and murdered Indigenous people, who are often denied justice. All are invited to participate in solidarity.
Molly Adams/Lawrence Times KU scholars invite local Indigenous community members to bring oral histories, newspapers, letters and more to be digitized, either for private use or as part of a collection for academic use.
Lawrence’s public pool wasn’t always welcoming for everyone. A KU grad student will share at a community gathering on Saturday her research on the pool’s integration.
#support::before { content: “Support The Lawrence Times”;
font-family: Helvetica, sans-serif;
text-transform: uppercase;
font-size: 9pt; }
Milwaukee Art Museum announces new Herzfeld Center for Photography show
Wondering what’s the importance of PDF editing software for photographers? Hop inside this guide to find out!
The loon traveled from Los Angeles to its permanent home in the Twin Cities.
A new beetle species has been named to honor a fellow Husker, bridging the worlds of academia and wildlife conservation.
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
Silversea, a premier brand in experiential luxury and expedition travel, recently concluded the inaugural season of its first Nova-class ship, Silver Nova,
The Desert Foothills Land Trust (DFLT) is proud to announce a special presentation event featuring acclaimed botanical photographer Jimmy Fike on Saturday, Oct. 12 at 6:30 p.m. at the Sanderson