MSU graduation returns to Davis Wade Stadium with May 12 ceremonies

MSU graduation returns to Davis Wade Stadium with May 12 ceremonies

Contact: James Carskadon

STARKVILLE, Miss.—Mississippi State University graduates at the Starkville campus will have a memorable commencement on May 12 when the traditional ceremonies return to Davis Wade Stadium.

Ongoing construction at Humphrey Coliseum necessitates a departure from the usual ceremony location. Davis Wade Stadium previously has served as a host venue for commencement, most notably when former U.S. President George H.W. Bush spoke to MSU graduates in 1989.

MSU President Mark E. Keenum will serve as the featured speaker for this year’s ceremonies and the university will also present Rodger L. Johnson and Thomas B. “Tommy” Nusz with honorary Doctor of Public Service degrees for their lifetime achievements and longtime support of university programs.

Portrait of Rodger Johnson
Rodger L. Johnson (Photo submitted)

Those who wish to watch the Starkville campus ceremonies remotely can do so via the MSU TV Center’s livestream at https://livestream.com/mstv/live and the MSU Facebook page at www.facebook.com/msstate.

Complete logistical information for visitors planning to attend the ceremonies at Davis Wade Stadium can be found at https://www.registrar.msstate.edu/students/graduation. MSU’s spring 2023 graduation schedule is as follows:

Wednesday, May 10:

11:30 a.m.: Doctor of Veterinary Medicine Commencement, Newell-Grissom Building

3 p.m.: Doctoral Graduation and Hooding Ceremony, Bettersworth Auditorium, Lee Hall (invitation only)

Portrait of Tommy Nusz
Tommy Nusz (Photo courtesy of Al Torres Photography)

Thursday, May 11:

10 a.m.: Meridian Campus, MSU Riley Center

Friday, May 12:

8:30 a.m.: Starkville Campus: Academic Affairs; College of Architecture, Art and Design; College of Arts and Sciences; College of Education; and ACCESS, Davis Wade Stadium

6:30 p.m.: Starkville Campus: Bagley College of Engineering, College of Agriculture and Life Sciences, College of Business, College of Forest Resources, and College of Veterinary Medicine, Davis Wade Stadium.

Johnson, of Atlanta, Georgia, will be presented with his honorary doctorate during the 8:30 a.m. ceremony on May 12. A 1971 MSU civil engineering graduate, he has had a distinguished career in sales, marketing, engineering, operations and human resources with private and public companies. In 2004, he was named the Bagley College of Engineering’s Alumni Fellow based on his notable achievements as a practicing civil engineer. A generous supporter of the university, Johnson is in his third term of service on the MSU Foundation Board of Directors.

Nusz, of Houston, Texas, will be presented with his honorary doctorate during the 6:30 p.m. ceremony on May 12. A 1982 MSU petroleum engineering graduate, he recently retired as chairman and CEO of Oasis Petroleum. He was instrumental in the return of MSU’s petroleum engineering program in 2015. A longtime supporter of the university, his contributions have boosted key facilities such as Nusz Hall, the home of MSU’s G.V. “Sonny” Montgomery for America’s Veterans, and Nusz Park, MSU’s new softball stadium. He is a past president of the Bulldog Club and has served on the MSU Foundation Board of Directors.

Mississippi State University is taking care of what matters. Learn more at www.msstate.edu.

How to Make a Wedding Photo Album Your Clients Will Love

How to Make a Wedding Photo Album Your Clients Will Love

Wedding photography is arguably one of the most important parts of a wedding, of course (though I’m biased being a wedding photographer and all). But at the end of the day when the music stops, the cake is eaten, and the honeymoon begins, the photos are what helps our couples relive the magic of their wedding day. This is why it’s important that you know how to make a wedding photo album your clients will love.

In the first few years of our business, we had wedding albums as an add-on, but now we include them in our packages and treat them as essential. Couples think they just need the digital files and that they’ll do something with their photos eventually. But life gets busy and photos sit on a computer much longer than they should have to.

In this article, I’m going to talk through the strategy behind including wedding albums in your packages. Then, I’ll talk about making the design and ordering process easy. And finally, I’ll walk you through some aspects of my workflow that help me deliver wedding albums my clients love.

Including Wedding Photo Albums in Your Packages

The first and most obvious reason to include wedding photo albums in your packages comes from the business side of things. The more value you build into your photography packages, the more your clients will be willing to pay which positively impacts your bottom line. Truthfully, value is a win-win because it helps you charge more but by definition it also means you’re serving your clients better.

Some photographers are experts at the upsell — they make a ton of profit after the wedding by selling prints, albums, and other products. For me, it works better to have my clients select a bigger all-inclusive package from the beginning. Then, designing a wedding album is simply part of my workflow and I know my couples will have something tangible after the wedding day. They want the wedding album, I just have to make it easy for them to purchase it by having them look at the whole picture and not the dollar signs.

With the state of the wedding industry, couples often pay a pretty penny for wedding photos so it seems silly for all those photos to just live on a hard drive without being seen or appreciated. And as much as we love our screen time, no one wants to come to your house and watch a slideshow of hundreds of images. There’s still something timeless about grabbing a wedding album off a coffee table or special place on the bookshelf, holding it in your hands, and flipping through spreads that show the highlights of such an important day.

Choosing the Wedding Album

The first thing you’ll have to do is narrow down your wedding album vendor. This is an important step because the books you choose will determine how your clients view them. You want something high quality that your couples can’t necessarily do on their own therefore persuading them to trust your expertise.

There are a lot of wedding album companies out there that have different strengths, weaknesses, price points, and styles. You’ll want to find something that fits your overall business strategy and your branding. That might be a weighty leather-bound album or a crisp photo wrap cover — what style of album will showcase your style of work and be appealing to your ideal client?

You’ll want to see a physical example so that you can see it and feel it. Similarly, when at all possible you’ll want your couples to be able to see it and feel it too. You know your wedding album choice is the right one if your couples want one and don’t hesitate to order it.

Wedding Album Design

Many of the wedding album vendors are compatible with album design software. I use SmartAlbums, but there are a ton of other companies out there. This is life-changing to anyone who remembers designing individual spreads on individual Photoshop files. It’s fast and easy to use for both you and your clients making the process quick and painless.

You’ll be able to import the photos into the design software and then design spreads that tell the story of the wedding day. Utilize your eye for timeless design by remembering things like white space, repetition, and symmetry. Then, you’ll be able to share that with your client in an online viewing platform where they can make comments allowing you to easily make changes.

Look for something that’s easy to use on both your side and the client’s side. Templates are a really nice time saver because I find that I love using certain layouts repeatedly anyway so why not make it easier? But customization is also important as you want to have the freedom to do something different.

Wedding Album Workflow

Wedding albums are a lot about design. I can’t emphasize enough the importance of telling a story with your photos. Each image has a story and then as you put them together they tell a bigger story too. Your wedding album workflow starts on the wedding day when you start documenting the story.

It continues when you’re culling and editing photos. You can rank or label your favorite images or the ones that help tell the complete story of the day. Then, when you import the photos into your design software, you can filter them to the most likely candidates to end up in the album and start there with your design. I choose the initial photos for the albums for my couples because they’ll either be paralyzed by all the decisions or want every photo in there when sometimes less is more.

I design a first draft of the album for the couples to see and my goal is that as they flip through it they feel the story. Sometimes they might want to add some of their favorite photos that weren’t on my own list of best photos. However, I use design techniques to both tell a story and highlight the style of photography they hired me for.

My style is photojournalistic but also emphasizes environmental portraits, Big dramatic landscapes that look great as full image spreads. I’ve seen beautiful albums that have a more editorial style and utilize the wedding details to help tell the story. Your couples hired you for your style, make sure that style continues into your album design and the result will be an album they love.

Wedding Photo Albums Your Clients Will Love

In summary, offering wedding albums with your wedding photography is a win-win. You get to add more value to your packages which serves both you and your clients. Be intentional about choosing the wedding album, designing it, and creating a seamless workflow.

Wedding albums are a tangible timeless product. It doesn’t make sense to me to spend thousands on wedding photography and then not print any of the photos. Encourage your couples to print their work by designing albums that they’ll love. Show them samples of what they’ll be getting and then focus on telling a story not only in the album but through your photography.

Another bonus: what about when your clients have their newly engaged friends over for dinner and they fall in love with the album? It’s happened before.


About the author: Brenda Bergreen is a Colorado wedding photographer, videographer, yoga teacher, and writer who works alongside her husband at Bergreen Photography. With their mission and mantra “love. adventurously.” they are dedicated to telling adventurous stories in beautiful places.

Video: St. Louis native Neil Salsich performs the ‘ classic hit ‘Takin’ It to the Streets’ on ‘The Voice’

Video: St. Louis native Neil Salsich performs the ‘ classic hit ‘Takin’ It to the Streets’ on ‘The Voice’

April 25, 2023

Neil Salsich from St. Louis performed on “The Voice” during the Monday, April 24, series and, in a twist of fate, was grabbed to now compete under Team Kelly. 

NBC/Tyler Golden/NBC

St. Louis native Neil Salsich performed during Monday night’s knockout round on “The Voice” and is now competing under Team Kelly Clarkson in a twist of fate. 

During Monday’s premiere, Salsich went head-to-head with Grace West. After the performance, West was declared the winner after she performed Dolly Parton’s song “Here You Come Again.” However, moments later, Kelly Clarkson stepped in and stole Salsich to complete under Team Kelly.

Here is Salsich performing The Doobie Brothers’ classic hit “Takin’ It to the Streets”  during “The Voice” knockout round. 

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Salsich grew up in St. Louis, and while he loved music as a youth, he never dreamed of making it a career, according to NBC. While in college, he majored in English with a minor in Music and ended up failing his minor but continued to pursue his passion.

In 2014, Salsich quit his job and committed to music full-time with his band, The Mighty Pines, and he is still with his band today. Salsich is now trying his luck on “The Voice”  to see if he can make it “big” as a solo artist.

The next episode will include the playoffs to bolster further the competition following the knockout rounds. The ten remaining artists across Team Chance and Team Blake will take the stage, with each team only able to choose two artists to perform live during the season semi-finals.    

“The Voice” airs on NBC on Mondays at 8 EST.

The Secret to Success in Landscape Photography

The Secret to Success in Landscape Photography

Landscape photography is arguably one of the most popular genres of photography while also being one of the hardest to find success in. After working full-time in the profession, I’ve finally found what the secret to success is.

If you’re a landscape photographer and struggle within your own work, you absolutely are not alone. Maybe you’re just a hobbyist on the verge of taking things more seriously, or maybe you’re toying with the idea of monetizing your time. Regardless of where you’re at, you’ve probably struggled with feeling successful in your work. These feelings go hand in hand with being an artist and generally drive many of us to improve on our craft.

Success can be defined in many different ways, and it’s mostly personal to your own journey. Success could be waking up for sunrise and taking a photo, success could be recognition from your peers in the field, or success could be monetizing your time and effort into a profitable way. Within the context of this article and video, I’m defining success as taking pride in your own work. You would be a successful photographer if you looked at your portfolio and could confidently think you take professional photos. 

Here’s the secret: volume. Maybe this is a boring and obvious answer to some of you but hear me out. When I was shooting as a hobby photographer I found that I really only took photos when I went on trips. I even pursued more trips just so I could take more photos, yet at the end of year, I still only had a few sets of images to work through. I would compare my work and my portfolio to a group of photographers I looked up to without accounting for the fact that they were taking images all the time. On top of that, they were being paid to do it! 

Some of them are doing repeated workshops in the same locations every single year, meaning they’ve got decades of images year over year in spots like Iceland, Patagonia, The Pacific Northwest, etc. I went to Iceland for a total of seven days back in 2017 when I was still shooting as a hobbyist, yet I was comparing my work to people going multiple times per year every year. 

When I started doing landscape photography full-time, living on the road eating and breathing photography, that’s when a lightbulb went off. It’s not about taking spectacular photos every time you release your shutter. It’s simply about taking a lot of photos, consistently being out there in case the conditions are good, returning to the same locations over and over. It’s a privilege to earn a living making images. 

The reality is that you just don’t take nearly as many photos as all the people you compare yourself to. The famous quote, “comparison is the thief of joy,” couldn’t be more true in this case.

So, what can you do to change? I know many of you reading this can’t instantly change your life to allow yourself to take more photos, to drop whatever responsibilities you have and just go out to shoot all the time. Something you can absolutely do, though, is continually work on revisiting your idea of what success is within your own work. Stop comparing yourself to people in general, which I realize is easier said than done. Don’t set expectations for yourself based on those around you. Try to direct your energy and enjoyment into finding improvement within your own work. Take the time to look back on your older work and realize just how far you’ve come.

Remind yourself that amazing images don’t come from the best camera, the most skills in Photoshop, or even a specific location. Amazing images come from being able to be at the right place at the right time with your camera ready. 

Take 5: Knotted Fine Jewelry, LEGO Concept We Need + More

Take 5: Knotted Fine Jewelry, LEGO Concept We Need + More

green lounge chair in living room

I love following a home renovation and @thehohaus has been one that always stops me mid-scroll. The homeowner, @martine, has a really dialed-in vision of what she likes and how she wants her home to feel (to occupants and visitors alike). I love seeing her unpackage her treasured vintage finds or, most recently, her custom-designed rug being brought to life. She currently splits her time between Melbourne and Manila so both homes have been slowly coming together. I can’t wait to see a full reveal when the time comes!

LEGO x Eames concept rendering

Charles Eames once said “Toys are not really as innocent as they look. Toys and games are precursors to serious ideas.” Thus, it wouldn’t be a far-fetched idea to see this concept by @vjeko_design (formerly @wrenchbone) come to life one day: LEGO x Eames. We can only hope!

iridescent chair

Photo by @ruy_teixeira

iridescent table

Photo by @ruy_teixeira

iridescent dining table

Photo by @ruy_teixeira

iridescent floor lamps

Photo by @ruy_teixeira

I was extra attached to my phone this week because all the exciting news coming out of Milan. The one that I can’t stop thinking about is the showroom by Objects of Common Interest at Nilufar Depot for Nilufar Gallery, curated by Studio Vedèt. The exhibit highlights the unique visual phenomena of iridescence and features several objects that convey the effect. Depending on where you stand, the time of day, and the angle you’re viewing from, the objects, which range from tables to floor lamps, constantly changes ever so slightly. It’s a very personal experience known only to the viewer, which makes the exhibition so captivating.

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I’ve been watching Jeff Sheldon of Ugmonk share the behind-the-scenes of his Gather collection coming to life, from being funded on Kickstarter to the manufacturing process, and am so impressed by the quality and attention to detail of this product. Every piece is made in Pennsylvania by local craftsman and the materials used – wood, felt, and steel – create a very Scandi-modern vibe for your desk space. The pieces click together with strong magnets and give a dedicated home for all the items involved in your daily workday. Preorders are currently open, and while the entire set will cost you $780, I see it as an investment to make in the name of productivity, which can be priceless for those really long days chained to the desk.

Windy Chien and Cast jewelry woman working in studio

view down onto a work table with two sets of hands making jewelry

view down onto a work table with two sets of hands making jewelry

You heard it here first: one of my favorite artists Windy Chien is collaborating with Cast on a jewelry collection! The collection officially launches May 23rd so mark your calendars. Windy, who’s known for her mastery of knot work, translates her art into fine jewelry. There are eight pieces total, including earrings, rings, and pendants, and I already have my eye on a very Cartier-esque gold knot ring…

As the Lifestyle editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.

First-ever insider trading trial over NFTs set to begin in Manhattan court

First-ever insider trading trial over NFTs set to begin in Manhattan court

The first-ever insider trading trial in the US involving digital assets is getting underway, and the focus is on art, not stocks. A former product manager at OpenSea, the largest NFT (non-fungible token) marketplace, has been accused by the Manhattan District Attorney’s office of violating confidentiality procedures in order to sell his collection at an inflated profit.

The landmark trial, which is undergoing jury selection this week in Manhattan federal court according to Bloomberg, raises big questions about the ethical guardrails in the cryptocurrency world and could permanently shift the popular understanding of “insider trading”.

Nathaniel Chastain was responsible for curating highlighted tokens for OpenSea, which typically led the assets to surge in price. While OpenSea’s company policy held that featured tokens would not be released until their arrival on the marketplace’s homepage, prosecutors say that Chastain bought the designated tokens in bulk and sold them after their identity was made known to the public at up to five times their original value.

Instead of charging Chastain with securities fraud, a transgression that typically involves exploiting clandestine information on stocks or acquisitions, the prosecution alleges that Chastain committed wire fraud. This framework allows prosecutors to sidestep a formal declaration on whether or not an NFT can be considered a security, a much-debated topic in the digital asset realm. Chastain has argued that because NFTs are neither securities nor commodities, they can’t be considered “misappropriated property”; he further insists that his trades do not constitute money laundering because they occurred on a public blockchain.

Chastain’s case arrives in the wake of a watershed lawsuit against Dapper Labs, developer of the NBA Top Shot NFT marketplace where fans can buy, sell and trade non-fungible professional tokens featuring basketball video clips. Dapper Labs was accused of selling unregistered securities, known as “Moments”, in the form of NFTs. US district judge Victor Marrero allowed that case to go forward after finding that the “Moments” were, in fact, securities, despite the defense’s protestations that “common sense” says otherwise. That case has major implications for the definition—both legal and colloquial—of NFTs.

According to the prosecution in the OpenSea case, Chastain bought a total of 45 NFTs in 11 separate transactions; two of his alleged schemes centered on the art pieces Brawl 2 by Arya Mularama and Flipping and spinning by Russ Morland.

“A marketing concept, such as what should essentially be featured in an art gallery window, which has no determinable economic or saleable value and is based on an employee’s unspoken thoughts—regarding the mere selection of an item for prominent display—does not fit this bill,” Chastain’s lawyer, David I. Miller, wrote in a court filing.

Despite a group of more than 300 defense attorneys filing a letter in support of Chastain’s request to throw out the indictment, presiding US district judge Jesse Furman has roundly rejected any exclusion of the phrase “insider trading”, maintaining that the term is “descriptive” of Chastain’s conduct, which court documents describe as “a scheme and artifice to defraud… by means of false and fraudulent pretenses, representations, and promises”. In a letter to judge Furman, Miller stated that the “only victim of the alleged conduct charged in this case is OpenSea”; the government alleges that Chastain made upwards of $57,000 in profit from his activities.

Chastain was asked to resign from his post at OpenSea in September 2021 after coming under fire for these sales. The company thereafter instated new policies preventing employees from buying or selling featured NFTs. Chastain, who was arrested in June 2022, faces up to 20 years in prison on each count if convicted.

In a conversation with Reuters, Philip Moustakis, a former Securities and Exchange Commission enforcement lawyer and partner at Seward & Kissel, said, “Is it insider trading of anything? If this case sticks, there is precedent that insider trading theory can be applied to any asset class.” As the case moves forward, the legal and regulatory standing of NFTs hangs in the balance.

Matika Wilbur’s ‘Project 562’ Achieves The Impossible

Matika Wilbur’s ‘Project 562’ Achieves The Impossible

Of course it’s ridiculous. Even Matika Wilbur acknowledges that.

Now, anyways.

Attempting to photograph people from every federally recognized Native American Tribal Nation. An official from the Seattle Art Museum, where she was living on the ancestral homeland of her Swinomish and Tulalip ancestors, laughed at the idea. Literally.

It’s the sort of pursuit that could only be seriously considered under the influence of youth with all its energy and naïveté. Wilber was in her mid-twenties when embarking on this odyssey. That was 2012. She’s 38 now.

After 10 years, 600,000 miles, the loss of loved ones, heartbreak, a pandemic and the birth of a daughter, “Project 562: Changing the Way We See Native America” hits bookstores April 25, 2023.

In it, Wilbur achieved the impossible: photographing someone from each of the federally recognized tribes in America, all 562 at the time of the project’s inception. The book, a love letter to Indigenous Americans, contains hundreds of stunning portraits and compelling personal narratives making clear Native people are diverse and contemporary, counteracting one-dimensional and archaic stereotypes of Native people in mainstream media.

That’s where the idea came from.

A One Woman Google

Wilbur was teaching at a tribal school on her reservation when the principal, an elder now, asked for her help in developing a curriculum to teach a class in photography and digital literacy. The school wanted its children to learn about themselves, to have a deeper understanding of their identity.

“I started looking and pulling stuff off the internet and at the time, when you Googled ‘Native person, Native American,’ what you found was a leather and feathered person,” Wilbur told Forbes.com of the antiquated images then promoted by the search engine.

She would eventually speak at Google, showing employees there the stereotypical depictions being served to users seeking information on Native people by the search engine. Google subsequently assigned a task force to remedy the problem.

Google was certainly not alone in time-capsuling Indigenous people as relics of the past. A study found 87% of state level history standards as of 2015 failed to cover Native people’s history in a post-1900 context, playing “into a damaging extinction narrative” in Wilbur’s words.

These outdated portrayals feed the ignorance of non-Native people. The negative impacts extend as well to Native people who are presented an unending stream of imagery and information subconsciously telling them they have no future.

Enter “Project 562.”

“I want our children to have the opportunity to celebrate their own identity and to have access to the truth and to have access to these stories,” Wilbur said.

She recognizes, however, her limited ability to change centuries of misinformation.

“It’s just one book, we need so much more Indigenous scholarship; hopefully it inspires more authors, more storytellers, more photographers, more editors to publish Native stories, more producers to produce Native films, more professors to teach American Indian law,” Wilbur said. “The goal is for it to ignite a fire in our collective consciousness that says, ‘I do realize that I don’t know enough about Native people and about whose indigenous land I’m living on. I don’t know what I should be doing to be a good ally to Native America.’ Hopefully it begins opening that door for people and inviting them to be a part of that conversation.”

Becoming a Better Relative

Over the course of producing “Project 562,” Wilbur traveled through all 50 states, from Seminole country now known as the Everglades in South Florida, to Inuit territory now known as the Bering Sea in Alaska. By her estimation, she photographed some 1200 people, personally visiting about 400 different tribes.

At the outset, she intended to finish the book in three years, visiting two or three tribes a week and also attending large intertribal gatherings. She ditched that notion about five years in.

“I learned in the process how to let go of these Western standards of production and learn how to be on Indian time,” she said.

She also went from youth to middle age, undergoing a significant transformation herself.

“When I started the work, I hadn’t critically evaluated myself; how to be a good relative as a journalist, as a storyteller, as a photographer, as a filmmaker; I think my Western training in photography really impacted my approach,” Wilbur said. “My approach to storytelling really changed throughout this process on how to be a better a better relative.”

What does Wilbur mean by being a better relative?

“The work of colonization, the impact on Indigenous people of colonization, the result of Indian boarding schools and assimilation policies instituted by the U.S. government is believing and upholding individualism,” she explains.

Critique of the individual may cause a knee jerk negative reaction by many, so deeply ingrained in the American subconscious is the value of individualism. The do-it-yourself spirit. Romance surrounding the loner, the cowboy, one man against the world. “I did it my way.”

“Very early we encourage our children to be individuals, we test our children individually instead of testing the collective conscious, we grade our children individually instead of grading the entire group. We separate ourselves into insular single-family homes instead of having relationships with the elders in our family and the next generation and our kin and living in relationships where the responsibility of life is balanced between several families,” Wilbur explains. “Instead, we feel isolated and alone. We isolate our bank accounts. We become individuals. That’s what colonization did to us. Prior to colonization, we lived in kinship societies. We lived in longhouses, we lived in societies where there was a constant redistribution of wealth and services for the community, for the betterment of the community as a whole.”

Individualism, as practiced by America, centers upon selfishness, antisocial behavior, exclusion, every man for themselves, dog eat dog, the requirement of many losers to support the few winners.

Personal property. Gun rights. Health care. Deregulation of the financial sector, of corporate responsibility to the environment. Union busting. The widening wealth gap.

Each preferences the individual to the detriment of society.

“The antithesis of being an individual and believing in individualism is living for the seven generations, living in a way that contributes to the greater good for our community, for our society, living in relationship with the generations that came before us, carrying on the work of our ancestors, and doing the work that is going to benefit the next generation which means a complete overhaul in the way that we’re approaching life,” Wilbur said. “Not approaching life for capitalism or for greed or for improving my personal stature or posturing my class or my value over another person, but rather thinking of how I can give back to that community. It’s a service-oriented way of life.”

You Have My Word

Wilbur sold everything in her apartment and launched a Kickstarter campaign to fund “Project 562.” She tried playing it straight by applying for grants, but was repeatedly denied. She couldn’t find an institution willing to support her, either directly, or even to help with her grant requests.

Less than 2% of all philanthropic dollars in America go to Native American causes and only a tiny percentage of that to help Native artists.

“It’s not surprising that I had a hard time finding foundations to support the work and so I had to find alternative funding for the project; turning to Kickstarter was one of my only options,” Wilbur said. “Honestly, I thought if I don’t raise the money, I just won’t do the project.”

But she did raise the money. $35,000 in 2012 and then $250,000 more in a later round.

“Indian Country came through for me,” she said. “The average donation was like $20, so this was really a grassroots effort supported by many, many, many people.”

Naturally, she had her doubts along the way. Numerous times she thought to herself, this is crazy, it’s too big. She wanted to quit.

Stubbornness and her word brought her back from the brink.

“I firmly believe that you should do what you say you’re going to do,” Wilbur said. “I get a lot of nasty emails from Kickstarter contributors from 10 years ago who are like, ‘I want my free book!’ Those things definitely impacted me; there are a lot of people counting on me to do this work. I firmly believe inside of me that I should do what I say I’m going to do. That’s what made me keep doing the work even when I felt like it was an impossible feat.”

Wilbur, who in addition to her writing and photography co-hosts the “All My Relations” podcast highlighting people and topics important across Indian Country, will be undertaking a national tour in support of the “Project 562” book which can be ordered through this link.

This Renter-Friendly Wallpaper Collaboration Is Made for Maximalists

This Renter-Friendly Wallpaper Collaboration Is Made for Maximalists

With designs that excite the senses, the new Otto Studio wallpaper capsule collection designed in collaboration with artist, pattern maker, and designer Zoe Schlacter will turn any home – even rented ones – into an art gallery. Schlacter, known for their maximalist prints as home textiles, home accessories, and fine art prints, was excited to experiment with the process of creating wallpaper and decals. “Often, my home decor pieces feature non-repeating designs, so I was excited to have the opportunity to realize some of my concepts as repeating artwork,” they share. Using Otto Studio’s peel-and-stick wallpaper as a base, Schlacter created a set of designs “inspired by Op Art, Memphis Design, and eccentric forms from the natural world, like funky gemstones and out-of-this-world flowers.”

While the collection is certainly vibrant and bold, Schlacter can still envision the designs working in the homes of those who are perhaps a little color- and pattern-adverse. “I could see our wallpaper used as an interesting border or framing device, perhaps cut into an interesting shape to highlight a particular piece of art or feature of a room,” the designer muses. Alternatively, those who want to channel their inner maximalist can start small with installing the paper to a piece of furniture or lining the back of a bookshelf instead of taking over an entire wall. Wherever you place it and however large of a space it fills up, this wallpaper collection will command the attention of anyone who enters the room.

black and white maximalist wallpaper in living room

blue wallpaper behind framed art

abstract maximalist green wallpaper next to plants

colorful cubist wallpaper in an entry space

green black and white wallpaper next to a sink

black and white wallpaper next to white chair

wallpaper framing a doorway

abstract wallpaper decals above white desk

maximalist floral decal above bed

designer posing against desk in their home office

Zoe Schlacter

For more information about the Zoe Schlacter wallpaper collection, visit thisisottostudio.com.

As the Lifestyle editor, Vy Yang is obsessed with discovering ways to live well + with intention through design. She’s probably sharing what she finds over on Instagram stories. You can also find her at vytranyang.com.

Photographers capture aurora borealis in Colorado

Photographers capture aurora borealis in Colorado

9NEWS viewers in Byers, Eaton, Iliff, and Steamboat Springs were among those to see the light show.

FORT COLLINS, Colo. — Did you see the aurora borealis?

Photographers across Colorado captured images of the northern lights early Monday in multiple towns across Colorado.

The National Weather Service (NWS) said the opportunity early Monday had a favorable window for Coloradans to see the aurora borealis. 

NWS said the best time was 10 p.m. Sunday until 2 p.m. Monday because the sky was mostly clear and the moon was not a factor in hindering viewing.

9NEWS viewers in Byers, Eaton, Iliff, and Steamboat Springs were among those to see the pretty light show.

The last time the northern lights were spotted in Colorado was March 24 and February 27.

Photographing the aurora borealis

Photographers say the aurora borealis looks much dimmer to the naked eye in Colorado than it appears in photographs.

The key is to get a camera that allows you to adjust the length of time the iris is open during the capture. The longer the exposure, the more light there will be in the capture.

You will need a tripod when doing long-exposure photography because any movement of the camera while the iris is open will be recorded in the picture. 

There has been some recent success in capturing the aurora with smartphones. Some have great low light settings or allow you to iris up a few levels manually before taking a picture.

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