The First Look Debate from a Wedding Photographer’s Perspective

The First Look Debate from a Wedding Photographer’s Perspective

Normally when I write articles about photography, I’m not very polemic — I try to stay neutral and give advice that photographers can apply to their own personal wedding photography style even if it differs from my own. I care more about giving people solid advice than worrying about clickbait.

In this case, my flexible and adaptable position gives me insight into both sides of what can be an oddly polarized issue, the “first look” debate.

People like to get heated about whether or not they do a first look on the wedding day. A lot of couples come to us with it already firmly in their minds whether or not they want to see each other before that key moment walking down the aisle. Then, it’s our job to convince them to do it our way.

Luckily for me, there’s no convincing involved because this wedding photographer’s perspective is to let my couples do whatever they want. Therefore, in this article, I can give you the advice I give my couples, the pros and cons of both ways of doing things from over a decade’s worth of weddings. You can use the information to decide how you want to handle the topic as a wedding photographer.

What is a First Look?

Believe it or not, we still get this question a lot, what is a first look? A first look is when a couple sees each other for the first time on the wedding day prior to the wedding ceremony at a time and place other than walking down the aisle. Often it is a staged but private moment to allow for similar anticipatory emotions that one would get during the processional.

First looks are done for a variety of reasons the two most popular being to allow for more time in the wedding day schedule for things like pictures and to allow the couple a private moment together rather than being in front of their guests during a moment of heightened emotion. Since one of the main reasons for doing a first look is the photography timeline, a lot of wedding photographers have a strong opinion about this.

There are a lot of pictures we are expected to capture on a wedding day and yes, a first look makes that schedule significantly easier. However, there are also good reasons for letting your couple stick with tradition as traditions are powerful for a reason. That first look moment can be beautiful if it’s kept private and intimate and it can also be beautiful for the moms, dads, grandmoms, granddads, best friends, and other family members to witness. Couples that do a first look are less likely to cry when they’re walking down the aisle and I have to admit I love a good emotional processional even though it can make my timeline more stressful.

Why Do a First Look?

From a photographer’s perspective, a first look allows us to knock out some pictures before the ceremony which significantly relieves pressure on the timeline. After the ceremony, a couple often wants to greet guests and participate in pictures which can be hard to accomplish if we have to do family, bridal party, and couples’ portraits. Especially if we want to get portraits in a variety of backdrops or even at a location that isn’t on site.

If you do the math of how much time a couple gets with each of their 200 wedding guests during a 4-hour wedding reception it becomes quickly clear why they might not want to miss cocktail hour. As the photographers, we’re expected to capture a wide variety of pictures and it can be a very stressful day. If your couple wants to do a first look, you can create a timeline with breathing room and the ability to accomplish a lot more.

Additionally, some couples might be extremely stressed or nervous on a wedding day. Seeing each other and having more time actually together on their wedding day can be really nice. For some people, it completely reduces their stress and allows them to enjoy their day more even doing things like riding to the ceremony together and just having time to breathe and connect.

If your couple is willing to do a first look you can take them somewhere epic for portraits and you can knock out bridal party pictures ahead of time. Without a first look, the schedule becomes much more compressed as you’ll see in the next section. Part of the reason that we’re not married to either solution is that we almost always do family pictures after the ceremony anyway and we almost always try to do portraits in great golden hour and sunset light.

Why to Not Do a First Look?

Now, on the other side of the argument, I’ve been to weddings as a guest where I don’t spend much if any time with the couple regardless. In some ways, this is to be expected. The couple has to greet all of their guests from all the different areas of their life as well as do things like dance, cut cake, and take family pictures.

In some ways, the expectation that a bride and groom are going to get to spend quality time connecting with everyone on their wedding day is completely unrealistic anyway. Wedding guests come from all over and sure, it’d be nice to spend time together. But everyone is really there to witness the wedding — the wedding is the purpose of the event. Therefore, whatever traditions make the wedding special and meaningful to a particular couple are the traditions I advise them to do.

From a wedding photographer’s perspective, I want my couples to have emotions, memories, and meaning. Therefore, sometimes not doing a first look is the perfect choice because that pre-ceremony anticipation is electric and makes for storytelling gold as they walk down the aisle sobbing or smiling. As a photojournalistic wedding photographer, I want to capture those emotions and moments that make a wedding so meaningful.

Additionally, as I mentioned, I also almost always do family pictures right after the ceremony and some couple portraits during sunset and golden hour anyway. Therefore, while it totally creates more breathing room in my timeline and often results in more portraits and more bridal party pictures for my couples, it’s not a huge sacrifice for me to squeeze in order to give my couple the wedding they want.

Ways to Make the First Look Decision Work for You

If your clients choose to do a first look, you can advise them to tell their loved ones of their decision and to try to let go of their reactions to it. Some family members might be disappointed to miss out on witnessing that moment so the couple can try explaining their reasons to them if they want.

We also still sneak away for portraits at sunset too. We work really hard to balance getting epic photos for our clients while also making sure they have the best experience possible. One of the things that really helps is when we meet the couple ahead of time for an engagement shoot because then working together on the wedding day is more efficient.

As you can imagine, that engagement shoot is really clutch for couples that choose not to do a first look because we often have less time for portraits than when we do a first look. Location scouting and making sure we know where we want to shoot portraits also make us more efficient as does the fact that we’re a husband and wife team so we can work really efficiently to get great portraits in a short amount of time. It becomes about quality over quantity.

To First Look or Not First Look

In summary, I find that there is a different right answer for each of my couples as to whether or not they should do a first look. If you’re just starting out as a wedding photographer it might be worth trying to convince your couples to do a first look in order to relieve timeline stress on yourself. And depending on how you work you might have a strong opinion one way or another.

Regardless of your decision, or your couple’s decision, I laid out some of the pros and cons of doing a first look. And hopefully you gleaned some ways to understand why people choose one over the other. I imagine that certain photographers present a generally traditional or nontraditional style which very likely plays into the types of clients they attract, that seems like a good way to impact and influence the debate.


About the author: Brenda Bergreen is a Colorado wedding photographer, videographer, yoga teacher, and writer who works alongside her husband at Bergreen Photography. With their mission and mantra “love. adventurously.” they are dedicated to telling adventurous stories in beautiful places.

‘The Eye’ Downtown Dallas Transformed to the ‘EYEboretum’ for Art Fair

‘The Eye’ Downtown Dallas Transformed to the ‘EYEboretum’ for Art Fair

On Thursday morning, the final push was on to construct a surreal fantasy land around ‘The Eye’ sculpture in downtown Dallas.

“So this event is called the ‘EYEBORETUM,'” Headington Companies Chief Marketing Officer Jeny Bania said.

In past years, Headington Companies has held the Eye Ball private event to close out the Dallas Art Fair. This year, they’re doing the family friendly EYEBORETUM event for the first time to open the space to the public.

“So it’s closed to the public all of the time. It’s still photographed every single day. Hundreds of people stop by just to get a glimpse,” Bania said. “This is a really special occasion to open the gates and let everyone come in and get up close.”

Eye to eye, so to speak.

The lawn is filled with giant mushrooms, lemons, corn cobs and pineapples. There are solar-powered butterflies and mini eyeballs everywhere.

“It’s nice the eyeball spawned children as well,” Brian Brothers of Planet Productions said laughing at his ‘garden’ of donuts, cheeseburgers, and poppies with eyeball centers. “It’s Candyland, meets Little Shop of Horrors, meets Willy Wonka.”

The EYEBORETUM is built to have a photo opportunity at every turn.

“I think this is going to be the most colorful Instagram spread of Dallas history,” Bania said.

The EYEBORETUM is open Friday, April 21, through Sunday, April 23. Tickets are $10 for adults. Children under 12 years old get in free. Proceeds benefit the Dallas Art Fair Foundation’s programs for children.

Photographer Rejects Prize for His Award-Winning Photo Made w/ AI

Photographer Rejects Prize for His Award-Winning Photo Made w/ AI
“Pseudomnesia | The Electrician” © Boris Eldagsen

“Pseudomnesia | The Electrician” (Photo: Boris Eldagsen)

When the Sony World Photography Awards announced the winners of the Open Competition in March, German photographer Boris Eldagsen was listed as the winner of the Creative Category. His image Pseudomnesia | The Electrician is a black and white portrait of two women from different generations. While Eldagsen was presented with his award at a ceremony in London in April, he’s since declined the prize. Calling himself a “cheeky monkey,” Eldagsen had actually entered an AI-generated image into the contest.

Though he originally did so to spur open dialogue and a conversation about the acceptance of AI images in photography contests, it’s spun into a much bigger story. At the heart of the situation are conflicting stories about how the Word Photography Organisation handled the disclosure and communication. Eldagsen maintains that he disclosed using AI to create the photo before his image was named winner of the category and that this information was purposely withheld from journalists.

When writing about winning photos from the contest, press publications are given a file with information about the image. On My Modern Met, we publish that information in full. Oftentimes, the information includes stories of how the work was created or the meaning behind the image. The statement provided with Eldagsen’s “photo” simply read, “From the series Pseudomnesia,” with no mention of AI.

Eldagsen maintains that he pushed the organizers to state that his image was the result of AI and offered to have a public debate about the merits of AI in a photography contest. While they agreed to publish a Q&A with him about the topic on the official website, after 21 days without receiving questions, Eldagsen decided to decline the prize while onstage at the awards ceremony. He has published his exchange with the organizers on his website.

For their part, the World Photography Organisation issued the following statement: “As a medium photography has always been at the forefront: constantly adapting and evolving, it has a singular ability to transform itself and push boundaries. We are interested in photography as an art form, and within the Sony World Photography Awards we have our Creative categories in the Professional and Open Competitions which welcome photographers to experiment and explore the dynamism of the medium. With technological advancements, a wider audience of creators are engaging with lens-based work and we look forward to seeing how this can expand the reach and impact of photography.”

While Eldagsen certainly feels that there was a missed opportunity on the part of the World Photography Organisation, he hopes that the focus will return to the original matter at hand. How does AI imagery fit into the world of photography? Eldagsen, who started using AI generators after two decades of practicing photography, thinks that the solution is simple.

“Photo contests need to create a new category for AI photography,” he tells My Modern Met. “That’s easy to do. And then, if you have photography competitions, in the end people need to prove that it’s photography. There are RAW files and a multitude of technical possibilities to do that. Just look at the World Press Photo Award.”

While Eldagsen thought that the incident would make waves in the photography community, he was surprised about how much attention the story has received. “It just shows the impact and how important it is to find a new terminology to talk about the situation because in the past, especially in the photo community, everyone just seemed like startled rabbits looking at a fox. Now the debate is on, and I’m very happy about that.”

He says that he owes a debt of gratitude to other photographers who took the time to translate his interviews into other languages, which helped the news travel globally. To find solutions for how to handle future situations with AI, he’s confident that the community can come together to find solutions. And in the meantime, his victory in the contest and subsequent refusal of the award has certainly put photography contests on notice that they cannot continue to turn a blind eye to AI image generators and the impact they are having on the world.

Boris Eldagsen: Website | Instagram | Facebook

My Modern Met granted permission to feature photos by Boris Eldagsen.

Related Articles:

AI-Generated Artwork Wins Contest and Sparks Fierce Online Debate

Art Trend of 2022: How AI Art Emerged and Polarized the Art World

Ordinary Photos of a House Party Are Actually an AI-Generated Event

Popular Instagram Photographer Confesses That His Work is AI-Generated

It’s all about the connections – families, friends, fresh food – for Berry Ridge Farm in Alexandria

It’s all about the connections – families, friends, fresh food – for Berry Ridge Farm in Alexandria

ALEXANDRIA – Berry Ridge Farm, west of Alexandria on Firemans Lodge Road near Lake Latoka, was opened in 1988 by Ron and Ann Branch. Starting its 36th year, the couple grows everything from raspberries, blueberries and strawberries to potatoes, squash, cucumbers, tomatoes, flowers and more.

RonBranch 0368.jpg

Ron Branch

Ron said they use not only the land to plant on, but they also use six high tunnels to grow their crops in. A high tunnel, according to the Department of Agriculture, is a polyethylene covered structure that allows growers to increase production of certain crops, grow some crops that could not otherwise be grown in their area and extend the length of time in the year, or growing season, that the crops may be grown.

The high tunnel, said Ron, doesn’t have a lot of frost protection, but it will help keep out the wind and the rain and hail. He said it keeps his plants semi protected.

Plenty of the produce grown on the farm finds its way to the Alexandria Farmers Market. However, people can go out to the farm to purchase items, as well. Ron said everything is pre-picked, but during blueberry season, customers can go out to the farm and pick their own blueberries.

Biological farming

When it comes to their style of farming, Ron said, “It is better than organic” and called it more biological farming.

ADVERTISEMENT

According to pro-soil.com, “Biological farming should not be confused with organic farming. Biological farming is the use of conventional and organic farming methods side-by-side to cultivate the healthiest possible soil that results in the healthiest possible crops and livestock.

BRF  2.jpg

Tomato plants are grown inside a high tower at Berry Ridge Farm in Alexandria. The farm is owned by Ron and Ann Branch.

Contributed photo / Ron Branch

Biological farming seeks to restore the naturally occurring microorganisms and beneficial macro-organisms to the soil including bacteria, fungi, protozoa and earthworms. Biological farming creates a sustainable soil management system. The microorganisms in a natural ecosystem facilitate soil viability and nutrient availability to crops.”

Ron said they use lots of compost and very little, to almost no, pesticides. If pesticides are used, he said they are organic. He added that it has been a couple of years since he’s really used any organic pesticides at all.

“With the nurturing of the soil and all the little microbes inside it and a lot of compost, the fertility is high,” said Ron, adding that there is also plenty of TLC. “We’ve had tomatoes in the same foot and a half area for the last 15 plus years and they’re better than ever.”

BRF 3.jpg

These are squash plants at Berry Ridge Farm in Alexandria, which is owned by Ron and Ann Branch.

Contributed photo / Ron Branch

Connections

When asked what keeps them growing year and year, Ron quickly said because it is fun and rewarding. He noted that in 2018, they were chosen as the Douglas County Farm Family of the Year.

He also added that they get to create something from the very beginning and that there are plenty of chances for creativity and adaptability and optimism.

“It’s also the people,” Ron said. “After 35 years, you get to know families and they get to know you and there is that connection. It’s fun to see families bring their kids to the market and they pick out fresh produce and then hopefully go home and prepare a meal together.”

ADVERTISEMENT

BRF  2.jpg

Tomato plants are grown inside a high tower at Berry Ridge Farm in Alexandria. The farm is owned by Ron and Ann Branch.

Contributed photo / Ron Branch

Growing their produce and then selling their goods at the Alexandria Farmers Market is not all about the profit. Ron said it is about that connection, the community and the social aspect, along with the promotional aspect of locally grown foods. He shared a saying he had heard about that road trips are for people, not food, which promotes locally grown goods.

Promoting locally grown

As the market manager for the Alexandria Farmers Market, Ron loves to promote locally grown items. He has been involved with the market for many, many years, even before it was actually an organization. Now, the Alexandria Farmers Market is a 501c6 organization. According to the Internal Revenue Service, 501c6 “provides for exemption of business leagues, chambers of commerce, real estate boards, boards of trade, and professional football leagues (whether or not administering a pension fund for football players), which are not organized for profit and no part of the net earnings of which inures to the benefit of any private shareholder or individual.”

He said it is also part of the Minnesota Farmers Market Association. Ron is on the board of directors for the association, which has more than 300 farmers markets across the state of Minnesota.

BRF 1.jpg

Ron and Ann Branch, owners of Berry Ridge Farm in Alexandria, use high towers to grow some of their fruits and vegetables.

Contributed photo / Ron Branch

The association has helped define what a farmers market is and has helped with building rules and regulations. They host seminars and workshops for growers and also help to get new markets established.

This year’s Alexandria Farmers Market is set to open on Saturday, May 13 and is expected to have about 25 vendors, although Ron said they may not all be there at the same time. He loves that the market has grown over the years and that it now also includes the Saturday Art Market for craft vendors. “It’s a community hub of activity down there,” said Ron about the Second Avenue, Big Ole Central Park location of the farmers market and art market.

Over the years, Ron has seen a few changes in the farmers market. Not necessarily with the food itself, he said, but instead with marketing, along with packaging and displays. It’s no longer a farmer selling goods out of the back of his rusty old pickup, he said.

Now there are canopies and coolers and creative displays. He said there has been an upward evolution in the way people display their goods and also some friendly competition.

He also said that on days where the weather isn’t the best, like cold, windy and rainy, nowadays, there are still people at the market. Most people, he said, know they have to dress accordingly as this is Minnesota.

ADVERTISEMENT

BRF 5.jpg

A look at the clean-up process inside one of the high towers at Berry Ridge Farm in Alexandria.

Contributed photo / Ron Branch

He said there have been days he has on his winter bomber hat and is all bundled up and people ask if he’s cold. He isn’t, he said, because he came prepared.

“You need to be prepared for all kinds of weather,” he said.

Despite what the weather will bring this year, the Alexandria Farmers Market will be open May 13 through Oct. 28 on Saturdays, on June 27 through Oct. 31 on Tuesdays and from June 22 through Oct. 26 on Thursdays.

More information can be found on the Alexandria Farmers Market Facebook page, www.facebook.com/alexandriafarmersmkt. For questions about the Alexandria Farmers Market or Berry Ridge Farm, call Ron at 320-460-0135. More information about Berry Ridge Farm can also be found on its Facebook page, www.facebook.com/BerryRidgeFarm.

SXSW Shines a Light on the Art of Possible in Healthcare and Tech

SXSW Shines a Light on the Art of Possible in Healthcare and Tech

IQVIA’s Digital Enablement Center of Excellence joined advertisers, marketers, and innovators at SXSW in Austin, Texas in March. Innovation and inclusivity are the foundation of SXSW and the sessions in 2023 held true to these themes. The Health and MedTech tracks highlighted “how technological and social changes are impacting one of the world’s largest industries.” From the dozens of sessions in these tracks, the Digital Enablement team identified these key themes:

The role of artificial intelligence (AI) and machine learning (ML) in healthcare marketing

AI/ML are helping healthcare advance to new heights with innovative technology, including:

  • Supercomputers and healthcare: Analysis of medical literature by supercomputers is helping shape advancements in disease diagnostics and drug discovery.
  • Existing tech adapting for healthcare: Technologies typically seen in other industries are adapting to meet needs in healthcare, such as audio monitoring and image recognition. Both examples uncover sensory patterns correlated to specific therapeutic categories (e.g., respiratory and oncology) and can enhance diagnostic decision making, recognizing predictive patterns to identify certain diseases earlier.
  • AI chatbots: Despite efficiencies gained from expedited responses from chatbots and similar technologies, a focus remains on the importance of human involvement with AI/ML, with several sessions asserting it as a requirement for future use.

Technology aiding consumers and physicians

How technology (especially technological advances) aid the work done by healthcare providers and ultimately improve consumer experiences and outcomes was also a central tenant of the tracks.

  • Hospital at Home: Going beyond the question of “how will consumers receive care in the future” some sessions focused more specifically on the places where they’ll receive care. The session on Hospital at Home demonstrated the benefits of care received in one’s own space, with early research suggesting reduced readmission rates and improved health outcomes. “Human experience in the wake of illness is optimized,” said Dr. Pavitra Krishnamani, University of Texas MD Anderson Cancer Center.
  • A workforce supported by technology: A common theme throughout the Health and MedTech tracks was the prominence and likelihood of healthcare provider burnout. It was suggested that to scale the system appropriately it needs to have technology be the workforce in ways healthcare providers cannot sustainably support. For example, when advance testing and biometric monitoring area applied to understand one’s health through advancing technology and data capture, it can aid in an improved patient and provider experience resulting in early detection, continuous monitoring, and improved personalized support.
  • Speaking of burnout: Physician burnout, in particular, was an arresting topic. Ahead of our arrival at SXSW, we envisioned topics of discussion leading toward technological advancements in medicine so profound that physicians would not be in regular practice as they are today. Instead, it was not technology offering a relief to providers, but rather current and expected trends towards burnout and mental health burdens having deep influence, from professionals leaving the field completely to increasing suicide rates. One panel in particular struck a chord with the audience, It’s 2032 and All the Doctors Are Gone and panelist Ritu Thamman, MD, FASE, FACC, Clinical Assistant Professor of Medicine at University of Pittsburgh School of Medicine, said it best: “We’re not heroes. We’re human and we still need help.”

Technology: Healthcare’s reality check

Augmented reality (AR) and virtual reality (VR) were two technology stars extending beyond panel discussions to event experiences and exhibit floors. In healthcare, AR/VR technology is utilized to improve and provide new methods for education, training, and patient tranquility.

  • Pharmaceutical companies are exploring AR/VR strategies to engage with medical students, physicians, and sales representatives. From virtual reality, in-office surgical procedure training models, to AR product demo training through smart and mobile devices. These innovations are intended to improve the standard of learning in an efficient manner and change the health landscape as it exists today.
  • Consumer-facing advertisers like Disney are focused on storytelling, creativity, and innovation to continuously improve customer experiences. Now, they are using AR/VR to further drive storytelling immersion beyond the screen. While this tech was not showcased to heighten healthcare advancements, there was a continuous focus on its customers and especially on those with life -threatening illnesses, to celebrate the ability to allow patients to forget they’re patients, even if for a brief moment in time.
  • A new alternative to anesthesia induced sedation using VR as an alternative to putting patients under. There are advancements in digital technology that can immerse patients in virtual worlds, providing enough distraction needed for physicians to perform some surgical procedures without putting someone to sleep.

The future state of healthcare marketing

Healthcare marketers must consider a future-state where their omnichannel marketing strategy is optimized, and several sessions discussed central elements affecting this:

  • Privacy: Increasingly, privacy measures are inhibiting certain areas of advertising – particularly in activation and measurement. While crucial for all industries, and none more so than healthcare, how brands approach privacy and compliantly reach audiences with accuracy remains a conundrum. Predictions show that privacy will require change and adaptation within the Ad Tech industry on how marketers engage with audiences.
  • Budget: In light of controversial times, do not go dark with your advertising campaigns. Maintaining market strength and awareness of your product is critical and reducing spends can be damaging. Rather, be sure to integrate and reflect current reality within your marketing. When there is downtime, use this to become smarter about your audience(s).
  • Are we transitioning from omnichannel to omnidynamic? The way we discuss omnichannel marketing today is overused and not wholly representative of what omnichannel is, and at SXSW that message was front and center. Omnichannel is more than multi-channel amplified, and even still, many marketers who are in an omnichannel mindset and are still executing their strategy as multi-channel, in large part due to challenges outside of their control, whether that’s an absence of alignment on time and resource investments needed, or deficient data and campaign measurement capabilities. Healthcare marketers must consider a future state where their omnichannel marketing strategy is optimized – enter omnidynamic. Omnidynamic represents the interconnected components of marketing strategy converging with the functionality required to deliver and optimize campaigns, resulting in enhanced reach, relevance, and value-driven engagement to audiences in real time. Or, as Andrew Lyle from AstraZeneca shared on the panel Going from Omnichannel to Omnidynamic, “Omnidynamic is predicting where a physician is going next, rather than just getting them to the right message at the right time.”

Final thoughts on SXSW 2023

Innovation in the digital space is key to healthcare marketers and we in IQVIA Digital Enablement left SXSW feeling fueled for the “what’s next” in healthcare advertising. The interconnection of healthcare and tech is top-of-mind more than ever before: from AR/VR in healthcare, to mobile apps for post-surgical orthopedic care, it’s clear that a healthcare evolution is on the horizon. As healthcare adapts, healthcare marketers can and should consider how technology will impact future strategies.

To learn more about these themes and how we can prepare for the future-state of healthcare marketing together, contact Zachary Farrell at zachary.farrell@iqvia.com.

Now open: Black Arts Love ‘amplifying and uplifting’ on Capitol Hill

Now open: Black Arts Love ‘amplifying and uplifting’ on Capitol Hill

The overhaul of Pagliacci’s Pike/Pine pizza headquarters has made new space for black art and community on Capitol Hill.

Black Arts Love — “a welcoming community space that is inclusive to all that support our mission of amplifying and uplifting black artists” — is now open in the 400 block of E Pike neighboring the Seattle pizza maker’s slice bar and “Center for Excellence” that opened in a 2020 overhaul of the company’s Capitol Hill headquarters.

The new venue is a mix of arts, retail, and community gathering from an organization that has grown through prop-up events and the leadership of founder Malika Bennett.

Bennett has said she created Black Arts Love out of a response to police killings of Philando Castile and Alton Sterling in 2016:

It was so traumatizing seeing those videos online. I noticed so many people were feeling like they wanted to do something, but we were feeling hopeless. How do we get this to stop? At the time, I was working in corporate America just figuring things out, and I just had a come to Jesus moment. I asked myself, what can we do to really feel more empowered to get healing into our community? Then, a dream came to me about this big group of really brilliant, excellent, Black leaders that came together and were standing around this table and looking at this blueprint of action.

Bennett said she started Black Arts Love events that summer with the first market held at the Garfield Community Center in the Central District.

Black Arts Love has grown to work with a thousand black artists and prides itself as “a catalyst for community building, healing and social justice.”

The new Capitol Hill venue now gives it a core for its schedule of marketplaces, networking events, and community art classes. Black Arts Love has also grown to provide marketing and small business resources for artists and creators.

The growth of black arts and community spaces around Capitol Hill and the Central District appears to be one of the positive outcomes from the activism, frustration, and trauma born out of the 2020 Black Lives Matter protests and harsh Seattle Police response.

The arrival of Black Arts Love on Capitol Hill follows the debut of Arté Noir at 23rd and Union where the new Central District arts center focused on “Black art, artists, and culture” became a surprising anchor tenant for the new development on the corner after drugstore chain Bartell’s backed out.

And another community and arts organization Heartful Rootz has said it intends to open a space on Capitol Hill though has had difficulty so far securing a lease, its first step in a multi-year plan in the city it says will include community gardens, assistance services for “Black, Indigenous, and people of the global majority” businesses, a restaurant with food from a community farm, an education center and cooperative living spaces.

Black Arts Love, meanwhile, celebrated its grand opening over the past weekend and is now settling in to becoming part of the E Pike mix.

Black Arts Love is opens Wednesday through Sundays at 417 E Pike. For hours and more information, visit blackartslove.com.

WE NEED YOUR HELP —  SUBSCRIBE TO CHS — OUR VOLUNTARY SUBSCRIBER TOTAL HAS FALLEN! BUT THE CHS AUDIENCE HAS GROWN! — HELP US PAY REPORTERS & PHOTOGRAPHERS!
CHS is funded by voluntary subscriptions from paying supporters. If you enjoy CHS, SUBSCRIBE HERE. Become a subscriber at $1/$5/$10 a month to help CHS provide community news.

World Press Photo Contest 2023: Global winners revealed

World Press Photo Contest 2023: Global winners revealed
Iryna Kalinina (32), an injured pregnant woman, is carried from a maternity hospital that was damaged during a Russian airstrike in Mariupol, Ukraine, 09 March 2022.Evgeniy Maloletka/World Press Photo Foundation

Evgeniy Maloletka’s picture, Mariupol Maternity Hospital Airstrike, has been named World Press Photo of the Year.

Taken on assignment for the Associated Press, the image shows Iryna Kalinina, a wounded pregnant woman aged 32, being carried on a stretcher, across debris from a maternity hospital in Mariupol, Ukraine, that was damaged during a Russian airstrike.

Her baby, named Miron after the word for “peace”, was stillborn, and half an hour later Iryna also died.

Ukrainian photographer Evgeniy Maloletka was one of the very few photographers documenting events in Mariupol at that time.

“We came to Mariupol just one hour before the invasion,” says Maloletka.

“For 20 days, we lived with paramedics in the basement of the hospital, and in shelters with ordinary citizens, trying to show the fear Ukrainians were living with.”

The World Press Photo recognises the best photojournalism and documentary photography.

This year’s winners were chosen from more than 60,000 entries by 3,752 photographers from 127 countries.

The Story of the Year, was awarded to Mads Nissen for a series entitled The Price of Peace in Afghanistan.

Khalil Ahmad (15) shows his scar from an operation to remove his kidney

Mads Nissen/World Press Photo Foundation

The series depicts life in Afghanistan under the Taliban and a lack of international aid.

Unable to afford food for the family, the parents of Khalil Ahmad, 15, decided to sell his kidney for US$3,500 (£2,800).

The lack of jobs and the threat of starvation has led to a dramatic increase in the illegal organ trade.

The jury chose Battered Waters by Anush Babajanyan as the winner of the Long-Term Project Award.

Sonunbek Kadyrov pilots his water taxi, serving the village of Kyzyl-Beyit, Kyrgyzstan, on 16 March 2021.

Anush Babajanyan/World Press Photo Foundation

The project, shot for VII Photo and National Geographic Society, explores the impact of water management after the end of the Soviet Union which has been made worse by the climate crisis.

Babajanyan’s work, spanning years, documents the resilience of people living in Central Asia.

“Water intertwines with their lives,” explains the photographer.

“People’s lives are also changing because the climate is changing, and they have to adapt to that, too. I wanted to capture this powerful spirit.”

The Open format award went to Mohamed Mahdy for Here, The Doors Don’t Know Me – a project in collaboration with residents of Al Max in the Egyptian city of Alexandria, to preserve the memory of their fast-disappearing fishing village.

A young boy jumps into water, Alexandria, Egypt - 16 Mar 2021

MOHAMED MAHDY/World Press Photo Foundation

The World Press Photo regional winners were also announced, some of which can be seen below, with captions from the competition.

line

Africa, Singles: The Big Forget by The Lee-Ann Olwage, Bob & Diane Fund, for Der Spiegel

Lee-Ann Olwage/World Press Photo Foundation

Sugri Zenabu, a mangazia or female community leader of the Gambaga “witch camp”, sits encircled by residents in Gambaga, Ghana.

Zenabu shows some signs of confusion and memory loss associated with dementia.

line

Asia Singles: Shireen Abu Akleh’s Funeral by Maya Levin for Associated Press

Israeli police clash with mourners as they carry the coffin of slain Al Jazeera journalist Shireen Abu Akleh during her funeral in east Jerusalem, 13 May 2022.

Maya Levin/World Press Photo Foundation

Israeli police clash with mourners carrying the coffin of slain Al Jazeera journalist Shireen Abu Akleh during her funeral in east Jerusalem, 13 May 2022.

Abu Akleh, a Palestinian-American reporter who covered the Mideast conflict for more than 25 years, was shot dead two days earlier during an Israeli military raid in the West Bank town of Jenin.

line

Europe Singles: Yana and Victor by Alkis Konstantinidis for Reuters

Yana Bachek, consoled by her partner Yevgeniy Vlasenko and her mother Lyubov, cries over the body of her father Victor Gubarev, 79, killed while buying bread during the shelling of Kharkiv, Ukraine on 18 April 2022.

ALKIS KONSTANTINIDIS/WORLD PRESS PHOTO FOUNDATION

Yana Bachek, consoled by her partner Yevgeniy Vlasenko and her mother Lyubov, cries over the body of her father Victor Gubarev, 79, killed while buying bread during the Russian shelling of Kharkiv, Ukraine on 18 April 2022.

Russian forces began advancing towards Kharkiv, Ukraine’s second-largest city, as soon as their full-scale invasion began on 24 February 2022.

line

North and Central America, Singles: The Dying River by Jonas Kakó for Panos Pictures

Alfredo, Ubaldo, and Jose tend beehives near Wenden in the Arizona desert, USA, 11 March 2022

JONAS KAKO/World Press Photo Foundation

Alfredo, Ubaldo, and Jose tend beehives near Wenden in the Arizona desert, USA.

A substantial decrease in rainfall in the area means that the men must now provide water for the bees in troughs.

This image is part of a broader project on how the climate crisis and increasing water demand are affecting the Colorado River.

line

South America, Singles: Oil spill in Lima by Musuk Nolte for the Bertha Foundation

Workers deal with the environmental disaster caused by an oil spill at Repsol's nearby La Pampilla refinery at Playa Cavero, Peru, 21 January 2022

MUSUK NOLTE/WORLD PRESS PHOTO FOUNDATION

Workers deal with the environmental disaster caused by an oil spill at Repsol’s nearby La Pampilla refinery at Playa Cavero, Peru.

On 15 January, nearly 12,000 barrels of crude oil spilled into the sea while a tanker was unloading at the refinery.

Repsol, the Peruvian government and the Italian tanker company each disputed the cause of the spillage, trading accusations of negligence, inadequacy of equipment, and mismanagement.

An exhibition of the winning photographs and stories from the 2023 contest, will open at De Nieuwe Kerk, Amsterdam in the Netherlands on 22 April 2023

All photos subject to copyright

Related Topics

Sue Heatley, “Floating: True to Form”

Sue Heatley, “Floating: True to Form”
Reynolds Gallery is pleased to present “Floating: True to Form”, a solo exhibition of new paintings by Sue Heatley at our Libbie Avenue gallery. The exhibition will open Friday, May 12, 2023 with a public reception with the artist from 5:00–8:00 …