Sioux Chef Sean Sherman on Revitalizing Native American Cuisine | Arts

Sioux Chef Sean Sherman on Revitalizing Native American Cuisine | Arts

When Chef Sean Sherman reminisces about the progression of his career, he does not brag about prestigious culinary training or upper-echelon European inspirations. When asked about his motivations, the James Beard award-winning chef speaks of the centuries-long oppression of the Native American Community, colonization, and generations of unchecked cultural erasure.

Recently named one of Time’s 100 Most Influential People 2023, Chef Sean Sherman is a revolutionary of the culinary arts. Sherman is the founder and CEO of The Sioux Chef, a team of Native American artists organized around the common goal of decolonizing North American cuisine and reviving Native American culture through food. He is also the founder of The Sioux Chef initiative “NĀTIFS” — an acronym for “North American traditional indigenous food systems”— a nonprofit dedicated to promoting awareness of indigenous foodways and Native American food access.

The project that put Sherman on the map was his creation of the award-winning Minneapolis restaurant “Owamni,” a full-service indigenous restaurant that aims to promote accessibility to Native American cuisine and embody sustainable culinary practices.

Needless to say, Sherman is at the forefront of food-related activism and an innovative powerhouse of culinary excellence. But this was not without struggle — Sherman has fought tooth and nail to get to where he is today. In an interview with The Crimson, Chef Sherman spoke to the roots of his mission and the challenges his team has faced in implementing their vision within the modern restaurant industry.

“For me, from the very beginning, it was more about coming from a very poor area. There’s not a lot of family wealth to tap into for business ventures,” Sherman said. “It’s a lot of privilege to be able to raise enough funds to open up something like a restaurant. That was probably the biggest struggle is navigating through the system that’s set out against us.”

Sherman’s passion for the deconstruction of colonial culinary practices is where his expertise really shines through. In his work, he prioritizes “removing colonial ingredients like dairy, wheat flour, cane sugar, beef, pork, chicken”— redefining the American pantry.

Those unfamiliar with the mission of The Sioux Chef may be surprised by the classification of these ingredients as colonial. However, the overprocessed foods often credited with rising rates of obesity and diabetes in the United States are almost always characterized by their overdependence on ingredients purported by colonial foodways. Overprocessed wheat flour, unnaturally derived sugars (including the American favorite cane sugar), and refined oils are all examples of problematic culinary staples ingrained in American culture from the inception of colonial America.

“For almost all native tribes, losing access to the majority of their food and a lot of the culture and knowledge around their foods affected things a lot,” Sherman said. “We see a lot more health epidemics, things like type two diabetes, obesity, and heart disease.”

The heart of Sherman’s work lies in combating this institutionalized culinary oppression. “It’s a broken system that needs to change,” he said.

The Sioux Chef’s most recent endeavor is “Indigenous Food Lab”— a market space that features curated Native food products. “Our goal is to be a regional support center to help any entrepreneurs or tribal communities develop any kind of food production,” Sherman said.

According to NĀTIFS’s website, the Indigenous Food Lab is currently in its second phase of “creating regional and Indigenous food access.”

“We’re already planting seeds to operate food labs in Anchorage, Bozeman, and Rapid City, Sherman said. “The vision is to have these food labs all over North America and eventually beyond, into other countries.”

A key priority of the “Indigenous Food Lab” initiative is adapting to the native cuisines of diverse tribes. “Just in the US alone, there are 574 different tribes that are federally recognized and even more that have lost that status,” Sherman said.

Since Native culinary traditions rely heavily on the environment of their regions, it would be impossible to capture and represent the intricacies of indigenous cuisine in a single restaurant. That being said, the regional quality of this culinary culture, paired with the ever-deteriorating nature of environmental concerns, provides even more urgency for these acts of culinary preservation.

Sherman hopes to expand knowledge surrounding Native cuisine, whether through the outreach of NĀTIFS or the promotion of other region-centric restaurants like “Owamni.” Sherman mentioned restaurants owned by his friends such as Crystal Wahpepah’s Wahpepah’s Kitchen in Oakland, California, and Ben Jacobs’s Tocabe in Denver, Colorado, but highlighted that there are “not a lot” of Native-owned restaurants nationally. “That’s why we started the nonprofit, to help other people develop,” Sherman said.

The Sioux Chef remains steadfast in its mission as expansion moves underway. If readers wish to assist Sean Sherman’s advocacy, he urges them to keep an eye out, extend support towards indigenous food situations within their region, and/or provide directly to the NĀTIFS nonprofit.

A Gallery For Fine Photography : Josephine Sacabo : Windows – The Eye of Photography Magazine

A Gallery For Fine Photography : Josephine Sacabo : Windows – The Eye of Photography Magazine
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La peinture, servante idéale de la photographie, pour détourner les mots de Charles Beaudelaire, résume ce dont il est question chez les trois artistes : Bertrand Delais, Stéphane Belzère et Virginie Isbell, réunis pour l’exposition “Lisières”. Aucun d’eux ne se considèrent comme photographe, mais tous utilisent la technique du médium, pour creuser les profondeurs de la matière photographique et offrir de nouvelles représentations du réel, plus picturales. Cernes, délinéations, teintes…

Todd Haimes, Artistic Director of Roundabout Theatre Company, Passes Away at 66

Todd Haimes, Artistic Director of Roundabout Theatre Company, Passes Away at 66
Obituaries

Todd Haimes, Artistic Director of Roundabout Theatre Company, Passes Away at 66

Mr. Haimes transformed Roundabout from a 150-seat Off-Broadway company into one of the largest not-for-profit theatres in the United States.


Todd Haimes

Todd Haimes, longtime artistic director and guiding light of Roundabout Theatre Company, passed away April 19 following complications of osteosarcoma. He was 66. The news was confirmed by Roundabout press representative Matt Polk.

Mr. Haimes, known widely for his tireless work transforming Roundabout from a 150-seat Off-Broadway company into one of the largest not-for-profit theatres in the United States, led the company for the last 39 years.

Born May 7, 1956 in New York City, Mr. Haimes joined Roundabout in 1983 when the company was operating in a Chelsea movie house. Initially the managing director, Mr. Haimes took out loans in his own name to keep the company afloat in his first weeks before the board of directors voted to shut down the enterprise. He fought back, and, at 26, was able to convince a board member to donate enough money to buy him the time to implement sweeping expenditure cuts, marketing improvements, and staff changes. Amongst his wide-reaching changes was an adjustment to curtain times to entice earlier theatre goers, discounts for children, and special events for different audience demographics. Remarkably, he turned the company around, growing it into one of the most powerful forces in the American theatre.

In 1989, Mr. Haimes became the producing director of Roundabout, rising to chief executive in 2015. In 1991, Mr. Haimes brought Roundabout to Broadway, where it soon became a bastion of revivals of classic work, as well as a home for new work. Currently, two new plays—Pictures From Home and Fat Ham—are utilizing Roundabout-owned theatres for their Broadway debuts, as well as the Broadway transfer of the Olivier-winning & Juliet. Under Mr. Haimes’ guidance, Roundabout has grown to encompass three Broadway theatres: Studio 54, the American Airlines, and theStephen Sondheim; and Off-Broadway’s Harold and Miriam Steinberg Center for Theatre.

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Todd and Jeanne-Marie Haimes


In total, Mr. Haimes was involved in 141 Broadway productions, in addition to his countless contributions to the Off-Broadway theatre ecosystem. Roundabout is responsible for one of the most expansive theatre education program in the country, which reaches more than 4,000 students annually, alongside extensive technical training programs to help underprivileged students find careers in the backstage aspects of theatre. During the COVID-19 shutdown, Roundabout created remote learning programs for the NYC Department of Education, ensuring that arts education would continue throughout New York City.

During Mr. Haimes’ tenure, Roundabout won 34 Tony, 58 Drama Desk, 73 Outer Critics Circle, 21 Lucille Lortel, and 14 Obie Awards. In 2013, he received a Lifetime Achievement Award from the Lucille Lortel Awards, and in 2021 he received a portrait at Sardi’s Restaurant, an honor which he particularly valued.

Mr. Haimes was the former President of the Board of The Alliance of Resident Theatres/New York, and a member of the Tony Awards Administration Committee and the Broadway League Executive Committee. He has taught Theatre Administration in the graduate program at the Yale School of Drama and the Graduate Theatre Administration program at Brooklyn College. He holds a Bachelor’s Degree from the University of Pennsylvania and a Master’s Degree in Business Administration from the Yale School of Organization and Management.

Since 2002, he fought a private battle with osteosarcoma, a bone cancer. Despite the sickness, he continued to lead the company through the 2022-2023 season, including the currently running Primary Trust, and national tours of 1776 and A Soldier’s Play

A plan had been established with the full support and commitment from the Roundabout Board of Directors to elevate Deputy Artistic Director Scott Ellis to Interim Artistic Director. Ellis, who has worked by Mr. Haimes’ side for more than 30 years, will work alongside Roundabout executive staff members Sydney Beers and Chris Nave until a permanent plan is executed.

He is survived by his wife, Jeanne-Marie; his children, Hilary and Andrew; his step-children, Julia and Kiki; his grandchildren, Corey, Josephine, Aiden, and Alexander; and the countless performers and audience members whose lives he impacted.

As a not-for-profit theatre company, Roundabout survives off of donations and funds raised from subscriptions to their annual season. In honor of Mr. Haimes, donations may be made to A.R.T. New York and the Todd Haimes Fund for Artistic Excellence at Roundabout Theatre Company.

UWSP Honors Native American Burial Ground with Mural Memorial

UWSP Honors Native American Burial Ground with Mural Memorial
The memorial mural and landmark post.
The Pointer Photo/Delila Lyshik

On March 28, UWSP erected a mural painted by Christopher Sweet, an artist, and a member of the Ho-Chunk Nation and White Earth Ojibwe tribes, to commemorate the burial ground beneath the campus. It is titled “The Wake and The Healing.”

Sweet’s mural took about two months to complete, and he worked on the panels individually. The painting stands 24 feet tall by 32 feet across at the Communication Arts Center.

In 2016, Dr. Ray Reser, an alumnus, professor, and archaeologist at UWSP, was given an article about indigenous burials from the 1930s. Soon after, he requested and succeeded in asking the Wisconsin Historical Society to recognize the UWSP campus as an uncatalogued burial ground in 2018.

Dr. Ray Reser
Ray Reser Photo

Reser said, “The first step to the mural was finding out there were Native American burials here on campus.” He contacted Tommy Thompson, the former UW System president, to fund the mural.

Thompson allocated $30,000 to support the endeavor.

“I had spoken to many indigenous tribes and individuals, and they all felt there needed to be some monument to remember their ancestors,” Reser said.

According to Reser, formal funerals for indigenous tribes take over a year by tradition, and after the bodies were buried in the stone quarry that is now on campus, their tribal members never got to perform the proper funeral services for them.

He said, “Around 80 [indigenous] people passed from Scarlet Fever in the Mid-1800s, and Native American bodies were likely put into the old stone quarry that ran from Old Main to the health center.”

Christopher Sweet, far left.
Christopher Sweet Photo

The mural pictures four graduates of the tribes: Menomonee, Ojibwe, Ho-Chunk, and Potawatomi. It has corresponding Native American beading pictured for those tribes represented on each graduation cap.

During his process, Sweet burned sage throughout working on the mural and asked the ancestors to bless him. He hopes the mural will be an awakening for them.

“I want my mural to encourage and inspire indigenous students throughout their careers at UWSP,” Sweet said.

Denise “Dee” Sweet, Christopher Sweet’s cousin, and inspiration for his artwork, wrote a poem for the mural.

Dee’s poem titled “Earth Diver” reads:
“Through chards of pots
And musky tangled roots
We swim the crushed soil
And clumps of clay to wind
our way from the underground.
Our hands reach for the sunlight
Like shimmering arrowheads
Voices emerging, dust to dust.
Still breathing our names
Still singing our songs.”

Karen Ann Hoffman, an alumnus of UWSP, worked with Dr. Ray Reser after her late husband’s passing. Around 2018, she and Reser started advocating for the burial ground to be recognized. She is a beadwork artist of the Haudenosaunee tribe.

Karen Ann Hoffman
Tom Pich Photo

“Most of the artwork from this tribe has been erased, both intentionally and unintentionally. As an advocate for Native American art, that bothers me,” she said. 
“I want to think about opportunities to uplift and bring to light other Native American artists.”

She pushed to have a call for art to the Native American artistic community to select a final piece of artwork for a commission to memorialize the burial ground

“[Sweet’s] paintbrush, his knowledge, and community are what inspired the mural. I hope that everyone, after seeing the mural, acknowledges daily [that] they walk over the grave of so many of our ancestors,” Hoffman said.

Following the debut of the mural, a traditional ghost feast took place on April 13 where the ancestors were brought food and drinks to give them a ceremony that they would have received if their burial was done properly. The formal unveiling of the mural is scheduled for May 5.

Delila Lyshik

News Reporter

dlysh541@uwsp.edu

Bernstein, SooHoo Celebrate 40+ years of photography

Bernstein, SooHoo Celebrate 40+ years of photography

Bernstein, SooHoo Celebrate 40+ years of photography – CBS Los Angeles


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Friends & colleagues Andrew Bernstein and Jon SooHoo took part in a charity celebration & panel at the Ice House in Pasadena, showcasing their LA sports photos from the past 40+ years with legendary athletes Michael Cooper, Byron Scott & Orel Hershiser

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A small idea that led to a mission to ‘Save Our Salmon’

A small idea that led to a mission to ‘Save Our Salmon’

In 2021, I was selected to attend the Innovators Forum – a leadership summit of 28 teens from First Tee chapters across the country. I spent the week in San Jose, California learning about innovation, leadership, and sustainability. Each of us First Tee students were tasked with developing our own innovative service projects to implement in our communities.

Zenfolio releases the 2023 State of the Photography Industry Report

Zenfolio releases the 2023 State of the Photography Industry Report

Menlo Park, CA, April 20, 2023 (GLOBE NEWSWIRE) — Zenfolio, the market leader in creative and business solutions for photographers, is pleased to announce the release of its latest State of the Photography Industry Report. The report provides insights into the photography industry from the perspectives of professional photographers and their businesses, and is the fourth conducted since 2021.

The report is derived from survey participants who primarily specialize in Portrait, Landscape, Wedding, Sports, and Family photography. The survey respondents were mostly part-time or full-time self-employed with more than 10 years of experience. The 2023 report covers a variety of topics, including business trends, marketing, revenue, pricing, technology, and photographers’ sentiments about using artificial intelligence (AI).

Main highlights:

Almost 20% of Photographers surveyed in Q1 2023 reported their business had increased from a year ago. However, many are still grappling with the aftereffects of Covid and the impact of rising inflation. 66.6% of photographers reported that their businesses were either slower or performing as expected.

Photographers making at least $100K saw clear revenue increases over the past year. Across all other brackets, 40% reported that revenue decreased. However, this number marks an improvement from the previous year, when 76.2% of all surveyed photographers had reported a negative impact on their revenue

AI is being embraced by the industry. Almost 50% reported that they have integrated AI into their photography workflows, and only 11% see AI developments as having a negative impact on photographers.

Marketing strategies have shifted. Photographers are relying more on non-paid or organic social media over paid ads for marketing their business.

Mirrorless Cameras continue to gain ground on DSLRs. Mirrorless cameras are shaking up the professional photography industry, challenging traditional DSLRs. While 50% of photographers still prefer DSLRs, mirrorless cameras are rapidly gaining ground, with 41% of photographers now choosing this newer option. This represents a significant increase of 50.7% in mirrorless camera usage compared to the last survey.

Is AI the solution to photographers’ biggest pet peeve? If photographers could choose one thing to spend less time doing, 41% of photographers want to spend less time editing. 34% say they are using AI to help them with this tedious task.

“We are excited to share our findings from the 2023 State of the Photography Industry survey,” said Jason Egnal, CMO of Zenfolio. “The report provides valuable insights into the photography industry and the trends that are shaping it. We created this report to help photographers better understand their industry so they can make informed decisions about their businesses.”

The full 2023 State of the Photography Industry Report and the previous reports, can be viewed at Zenfolio.com/SOPI. Zenfolio is committed to helping aspiring and professional photographers succeed in their businesses and will continue to provide resources and tools to support them.

About Zenfolio

Zenfolio.com is an all-in-one portfolio and website builder with a full suite of advanced business and e-commerce solutions for photographers to showcase their work, manage their business, and build their brand. For almost two decades, Zenfolio has proudly served photographers around the globe.

Zenfolio brands and services include Format.com, a portfolio website solution with marketing and studio management tools for all creative professionals, PhotoRefine.ai, advanced AI technology that takes the work out of grouping, rating and culling images, PhotoBooker.com, a resource to find and book local photographers, and PrintsMarketplace.com, an online gallery that sells museum grade prints from artists and photographers around the world.

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‘Worth protecting’: CCAC to hold Earth Day juried photography show tomorrow

‘Worth protecting’: CCAC to hold Earth Day juried photography show tomorrow

PHOTOS PROVIDED
Artworks, clockwise from left: “Endeavor to Persevere” by Bruce Wallace, “Hyner View” by Dean Marshall and “Becoming” by Pam Dillet are inset against the image of Earth captured by the Apollo 17 crew as they were traveling towards the moon in 1972.

LOCK HAVEN — The Clinton County Arts Council’s juried photography show has become an event that many look forward to every year.

It not only showcases the work of talented photographers in our area; it also provides an opportunity for visitors to Lock Haven’s Station Gallery, 2 E. Bald Eagle St., to view the world in fresh and sometimes surprising ways.

The theme of this year’s photo show is “Worth Protecting.” Since the start of the show corresponds to the CCAC’s annual Earth Day celebration, its highlighting those many things in our lives that are worth protecting from the effects of climate change and environmental damage — with an emphasis on the precious, the fleeting, the precarious and the fragile, as well as the persistent and the tenacious.

This year’s show features close-ups of natural wonders, stunning portraits, meditative reflections and local scenes from a variety of both interesting and inspiring perspectives.

Nature, as seen through the lenses of this year’s photographers, can be magical; it can also be provocative.

“We invite you to think along with us about the natural world and our place in it,” a release from the CCAC said.

The exhibit will officially begin with an opening reception at the Station Gallery on Friday, April 21, at 6 p.m.

This year’s judges will be Steve Getz and Rich Wykoff.

Steve was recently elected as the CCAC Board President. A graduate of Lycoming College, he has been a professional artist and marketer for over 40 years. He has worked with companies including Sesame Street, Universal Studios, Mattel Toys and Marvel Comics in product development, design, licensing, photo styling, corporate branding and advertising. As a fine artist, his primary focus has been oil and digital painting, photography and graphic arts. His work has been shown throughout our region, and he is the recipient of the prestigious PA Wilds Artisan of the Year Award.

Steve has served as a jury or awards judge for many fine art and photography exhibits throughout the region.

These have included the CCAC/Keystone Central Annual Student exhibits, the Northern Tier Student regional art exhibit at the Gmeiner Gallery in Wellsboro, the Hameau Retreat Plein Air exhibit, the CCAC regional photography and art exhibits and the Shutterbugs Annual Photography exhibit at the Taber Museum in Williamsport.

Over the past year, he served as the awards judge for the Art Alliance Figurative Exhibition and was co-judge for the Images 2022 Juried Exhibition, which is part of the Central PA Festival of the Arts in State College.

Rich Wykoff is a retired elementary teacher and has been a CCAC board member for 15 years. He received a B.S. in Elementary Education from Lock Haven State College, an M.Ed. in Curriculum and Instruction from Penn State, and was a PhD candidate in Instructional Systems at Penn State.

Rich has a life-long interest in the arts. In high school it was music and theater. In college he took electives in graphic design and painting and assisted in building the “Cactus Rose” fountain that is in the patio at Raub Hall.

Since the late 1970s, he has been involved with mural projects at Renovo Elementary, Dickey Elementary, Renovo Library, 16th Street Park in Renovo, the Railroad Heritage mural at Lingle’s at 16th Street and the WWII Fly Boys mural that will be unveiled May 28 at Tony’s Hardware in Renovo.

Photography has been an interest since childhood when his mother taught him how to use her box camera. His primary interest is landscape photography and covering events. As a member of the CCAC Education Committee, he coordinates the annual “Shutterflies” summer photo camp for middle school students.

The judges will award the prizes for the show at 7 p.m. at Friday’s opening, after which they will talk about the decisions they made in their judging.

A People’s Choice contest will follow, in which participants will vote for their favorite images. Ribbons for People’s Choice will be given out at the end of the night for those photos that receive the most votes.

This year’s show will be sponsored once again by Robert C. Gleghorn, President and Principal Agent of the Mountain Top Insurance Agency, Inc.

“We are extremely grateful for Mr. Gleghorn’s continuing support for our photo show,” said Carol Cillo, board member and past president of the Arts Council.

The exhibit is free of charge. The public is invited to attend the reception to see the show, have some refreshments, talk with the photographers and vote for the images they like best.

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ASBTDC at the U of A Client Stories: Pyrogenic Arts LLC

ASBTDC at the U of A Client Stories: Pyrogenic Arts LLC

April 20, 2023

Art produced at Pyrogenic Arts

Photo Submitted

Art produced at Pyrogenic Arts

Randi Sparks, the owner of Pyrogenic Arts, has always been a creative person. After attaining a degree in art and spending some time teaching, she decided it was time to begin pursuing her own creative path. She started Pyrogenic Arts as a way to take care of the professional side of creating in a legitimate way. 

Pyrogenic Arts is a creative company that sells colorful, hand-made ceramic objects, fiber art and jewelry inspired by nature, anatomy and horror/sci-fi/fantasy pop culture. Sparks is able to put her own creativity into every object she makes in order to provide the most unique, high-quality product to each customer.

Sparks first came to the Arkansas Small Business and Technology Development Center at the U of A looking for help with the business’ financials. Stephanie Parsons, business consultant for the center, assisted her by running a financial analysis of the business and walking her through the next steps. At first, taxes seemed daunting to Sparks, but Parsons boosted her confidence in being able to run her business and understand them.

“This year, I felt so much more confident about doing [my taxes] and helping other creatives feel better about the process too!”

Since starting her business, Sparks has taken many steps in order to make sure it would be successful. Between consultations from the Small Business and Technology Development Center and Fayetteville Public Library’s “From Maker to Market,” Sparks has learned how to navigate many entrepreneurial challenges such as tracking expenses, filing taxes, starting an LLC, marketing and setting costs for products. 

“Cultivate community,” Sparks said. “Spend more time marketing your work to the people who will get it and appreciate it the most.”  

Sparks states that she feels lucky to have the Arkansas Small Business and Technology Development Center as a free resource in the community, filled with knowledgeable people who are happy to help business owners learn and answer any questions. The consultants with the ASBTDC will always do the research to make sure every business owner is able to find the right information they need, no matter the situation.

Visit the Pyrogenic Arts website.

About the Arkansas Small Business and Technology Development Center at the University of Arkansas: The Arkansas Small Business and Technology Development Center, UAF helps small business in Northwest Arkansas thrive. With offices in Fayetteville and Bentonville, ASBTDC consultants provide one-on-one confidential consulting and guidance to current and prospective business owners in Benton, Boone, Carroll, Madison, Newton, and Washington counties. The center offers in-person and virtual trainings and workshops to help entrepreneurs gain the knowledge and skill necessary for success. The Arkansas Small Business and Technology Development Center at the University of Arkansas, Fayetteville, is funded in part through a cooperative agreement with the U.S. Small Business Administration through a partnership with the University of Arkansas at Little Rock and is a unit of the Division of Economic Development, University of Arkansas, Fayetteville.