Artist Jordan Casteel and More Must-See African and Contemporary Works at the Denver Art Museum

Artist Jordan Casteel and More Must-See African and Contemporary Works at the Denver Art Museum

Curating the newly reinstalled Arts of Africa gallery at the Denver Art Museum—on view to the public for the first time since 2016—Adekunle Adeniji wanted to bring the spirit of Africa to life inside the Colorado-based institution. His goal is to present African art as a “living, dynamic, and relevant process, deeply interwoven with societal practices and values,” he tells EBONY. “It’s how art embodies individual and communal identities, power dynamics and transformational experiences, serving as an adornment of ordinary living and an expressive language that narrates the intricate tapestry of African life.”

DAM-Arts-of-Africa-GalleryDAM-Arts-of-Africa-Gallery
DAM Arts of Africa Gallery. Image: courtesy of Denver Art Museum Photography.

And what a job Adeniji, who received the Anderman Family Fellow for African Art to bring together the installation, and his team has done. The small but mighty space showcases approximately 800 objects from the continent, which includes paintings, sculptures and personal objects, like wooden combs, from the past two centuries.

Anchoring itself around three themes: self, power and transformation, and manifestation, the collection “unveils the richness and diversity of African aesthetics and elicits a deeper appreciation of Africa’s profound influence on the art world,” Adeniji shares. “I hope to illuminate the past while shaping a compelling narrative for the present that extends beyond Africa’s physical boundaries and invites visitors to explore the vast landscape of African artistic creativity and cultural heritage.”

Rain Has No Father.Rain Has No Father.
Rain Has No Father?, El Anatsui, 2008. Image: courtesy of Denver Art Museum Photography.

That sentiment is seen in DAM’s large-scale work Rain Has No Father by El Anatusi. The Ghanaian artist created the piece using found objects like metal bottle caps. “Anatsui creates sculptures that serve as a powerful commentary on colonialism, consumerism and the environment,” Adeniji says. “This piece serves as a testimony to the transcultural nature of contemporary African art, a narrative of a society’s complex relationship with material consumption and a tribute to African ingenuity. Anatsui’s work metaphorically represents the resilience and adaptability of African creativity, culture and spirit, reflecting the transformative nature of African art.”

The renovated gallery is part of a bigger refresh across several areas in the museum, including its contemporary art collection that features works of renowned Black artists like Kerry James Marshall and Denver native Jordan Casteel.

Here are four more must-see pieces by Black and African artists now on display at the Denver Art Museum.

Sylvia’s (Taniedra, Kendra, Dedelia, Crizette, De’Sean), Jordan Casteel

Sylvia’s (Taniedra, Kendra, Bedelia, Crizette, De’Sean), © Jordan Casteel, 2018. Image: courtesy of Denver Art Museum Photography.

Working from a photograph, Denver native Jordan Casteel immortalizes the descendants of famed restaurateur, Sylvia Woods, in their family-owned establishment in Harlem, New York. Casteel aims to create a mesmerizing gaze between the subject, artist and the viewers. “My goal is to capture something that’s only felt when thoughtfully engaging with someone,” she shares with DAM. 

Better Homes, Better Gardens, Kerry James Marshall

Better Homes, Better Gardens by Kerry James Marshall, DAM, Denver.Better Homes, Better Gardens by Kerry James Marshall, DAM, Denver.
Better Homes, Better Gardens, Kerry James Marshall, 1994. Image: courtesy of Denver Art Museum Photography.

Part of a series of paintings that Marshall titled the “Garden Project,” it portrays a scene that suggest the complexity of life in low-income housing projects. “What I wanted to show in those paintings is that whatever you think about the projects, they’re that and more,” he shared with DAM. “If you think they’re full of hopelessness and despair, you’re wrong. There are actually a lot of opportunities to experience pleasure in the projects.”

Aboki, Cornelius Annor

Aboki, © Cornelius Annor,  2022. Image: courtesy of  Denver Art Museum Photography.Aboki, © Cornelius Annor,  2022. Image: courtesy of  Denver Art Museum Photography.
Aboki, © Cornelius Annor, 2022. Image: courtesy of Denver Art Museum Photography.

Ghanaian artist Cornelius Annor draws upon family photographs and uses fabrics sourced from his wife, mother and aunts to create intimate portraits of everyday life in his native Ghana. This piece, acquired by the museum in 2022, is based on a photograph of two childhood friends in 1967. Annor uses rust-colored hues to recall the sepia tones of antique photographs and the passage of time.

Realness, Mark Bradford

Realness by Mark Bradford, horizontal gallery view 1Realness by Mark Bradford, horizontal gallery view 1
Realness, Mark Bradford, 2016. Image: courtesy of Denver Art Museum Photography.

Mark Bradford’s wall-sized collage is made from found objects and home good items. The intricate patterning of swirls across the canvas are in response to impromptu networks—underground economies, marginalized communities and abandoned urban buildings. It’s represents the social unrest of the world, which Bradford explores through his abstract paintings.

For a look behind the lens, VCU photographer Kevin Morley shares ‘Phot

For a look behind the lens, VCU photographer Kevin Morley shares ‘Phot

Adventure and perspective from the field

After college, Morley joined the photography staff at The Times-Dispatch, where he was nominated for a Pulitzer Prize and won numerous state and national awards. His work also appeared in publications such as the New York Times, Washington Post and Newsweek.

“Photojournalism is who I am, what I love very much,” he said. “I am passionate about it.”

Morley started writing “Photoadventures” five years ago, gleaning material from the notebooks he saved during his decades with The Times-Dispatch. “Many of the stories were rough drafts with notes and quotes,” he said. 

Photographers often say their photographs are like their children: all unique in their own right, making it impossible to pick a favorite. Morley is no different, but he does have a few adventures he loves to recall – especially his assignment at White Tail Resort, a family nudist colony in Virginia’s Southampton County, where he had to embrace a clothes-free attitude while working.

“It was a bizarre story,” he said. “It’s a whole other world.”

Memorable for other reasons was a three-week trip to Africa for a story on Baptist mission work. Morley visited two large camps for refugees of the Rwandan civil war; Baptist missionaries were among many nonprofits helping the displaced. One camp was in Tanzania, and the other was in Goma, Zaire (since renamed the Democratic Republic of the Congo). 

Four of a Kind: Starr Sariego discusses the local photography scene

Four of a Kind: Starr Sariego discusses the local photography scene

Editor’s note: This is part of “Four of a Kind,” a new Arts & Culture feature. Each month, four new artists share their takes on the local art scene. In addition to individual online posts, you can find all four features as a single spread in this week’s print edition.

Starr Sariego is an Asheville-based photographer and curator, whose exhibit This Skin I’m In: A Visual Narrative, spotlighting LGBTQIA+ photographers, ran at Revolve gallery last summer.

Xpress: Is there an upcoming photography event happening in Asheville that you’re looking forward to seeing?

Sariego: I’m really looking forward to McNair Evans‘ work opening at Tracey Morgan Gallery on Friday, June 2.  This project combines original photography with first-person, passenger-written accounts to explore contemporary American culture through the status of our passenger rail system and those currently traveling by train. As I have done in my own work, Evans combines narrative and images which present viewers with an intimate and evocative window into the lives of those portrayed.

Outside of photography, what other upcoming local arts happening intrigues you?

I am excited for the opening of an exhibition at Black Mountain College Museum + Arts Center called “Black Mountain College and Mexico,” which also opens on June 2. The show features more than 50 original artworks, supplemented by relevant archival materials. Included are works by prominent contemporary Mexican artists, sound installations and a selection of historical works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space and time.

Related programming, planned in collaboration with Mexican counterparts, includes “Bizarre Sabado,” a series of experiential art events taking place over several Saturdays throughout the course of the exhibition. I love seeing how this small arts college and its cultural legacy continue to influence current-day artists and thinkers.

What current project are you working on that you’re especially excited about?

AVL Watchdog has been the home to my creative efforts as of late. Working with this talented cohort of journalists has given me a “backstage pass” to the lives of Ashevilleans I would never have had otherwise. Being able to photograph those featured in our “Down Town” series has been especially impactful on me personally.

Last but not least, This Skin I’m In lives on. The exhibit has traveled to Virginia and Tennessee, and opens in Kansas City, Kan., this month. It is also slated for a show at the University of Tennessee in Knoxville in early 2024. I’m so gratified that this particular show continues to circulate the Southeastern U.S. at this critical time in our history.

Make an Acoustic Statement Visually With the Tessellate Collection

Make an Acoustic Statement Visually With the Tessellate Collection

The five innovative, cutting-edge acoustic products that make up the Tessellate Collection provide superior sound absorption while making a bold visual statement. Recently launched by Kirei, manufacturer of eco-friendly design materials for interiors, and created by industrial designer Michael DiTullo, Tessellate features a level of design flexibility unmatched in the acoustic market.

“We are seeing a trend across multiple industries of geometric forms that visually feel like fractals as they emerge, warp, and transition around corners,” says DiTullo, independent designer and creative director of the Tessellate Collection. “The Tessellate Collection riffs off of this trend with five products that can become the hero of the space or serve as a part of a larger design concept.”

The collection includes the Tessellate Baffle, Tessellate Pendant, Dash Tile, Texture Tile, and Polygon Cloud, all handcrafted in Southern California. The Tessellate Pendant and Tessellate Baffle are created with a patent-pending design technique.

Tessellate Baffle

The Tessellate Baffle adds a style and sustainability to any space with high ceilings. The innovative design of its PET triangle-shaped planes diffuse and dampen sound for superior acoustic control. Meant to be a focal point rather than recede into the background, the Tessellate Baffle is no afterthought – it’s a key design element.

light green acoustic baffles hanging in a styled space

Tessellate Baffle

purple acoustic baffles hanging in a styled space

Tessellate Baffle

Tessellate Pendant

The Tessellate Pendant is partner to the Tessellate Baffle. Its cylindrical, vertical form is suspended much like a pendant light and is composed of the same triangular planes. The pendant’s small, vertical footprint makes integrating acoustic solutions into lighting and HVAC systems more simple than may be expected. While intended to diffuse and dampen sound, the Tessellate Pendant is also a way for designers to create visual artistry in large spaces, whether in groups or in a grid of straight lines.

Tessellate Pendant

white acoustic wall tiles in a styled space

Dash Tiles

Acoustic wall tile continues to get better and better – both in function and appearance. The Dash Tile features a diagonal design with added surface area, and can be mixed and matched in placement and colors. Make the walls pop or fade into the background, whichever you prefer.

lavender and white acoustic wall tiles in a styled space

Dash Tiles

dark yellow acoustic wall tiles in a styled space

Dash Tiles

turquoise and white acoustic wall tiles in a styled space

Dash Tiles

Dash Tiles

turquoise textured acoustic wall tiles in a styled space

Texture Tiles

Texture Tiles

Texture Tile is one of Kirei’s highest acoustic performances ever. Visually, the wall element offers a dense, angled geometry that diffuse excess sound waves. Handcrafted from PET felt panels, designers can choose from over 30 standard colorways to customize projects.

beige textured acoustic wall tiles in a styled space

Texture Tiles

Texture Tiles

Texture Tiles

group of turquoise and beige polygon-shaped acoustic pendants in a styled space

Polygon Cloud

Acoustic design again becomes art with the Polygon Cloud, bringing new dimension to the collection with both convex and concave options. It can be installed individually or in clusters to create dynamic shapes and patterns.

The Tessellate Collection brings together performance and sustainability in an innovative, visually stunning way, transforming recycled PET felt into unique acoustic solutions. Each Tessellate product is handcrafted from Class A Fire Rated 12mm PET felt panels made from 60% post-consumer recycled PET with numerous environmental certifications, including Declare Label (Red List Free), HPD, and Low-VOC.

group of maroon polygon-shaped acoustic pendants in a styled space

Polygon Cloud

group of lavender polygon-shaped acoustic pendants in a styled space

Polygon Cloud

group of white polygon-shaped acoustic pendants in a styled space

Polygon Cloud

dark yellow polygon-shaped acoustic pendants

Polygon Cloud

For more information on the Tessellate Collection and other acoustic solutions, visit kireiusa.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Shop local to show your Jaguar pride: Escape Outdoors stocks shelves with Augusta University gear

Shop local to show your Jaguar pride: Escape Outdoors stocks shelves with Augusta University gear

One step into the local outdoor gear store Escape Outdoors in Martinez, and Augusta University students, faculty, staff and alumni will immediately notice some exciting new additions.

Escape Outdoors, located at 377 Furys Ferry Road, recently began offering its customers a variety of Augusta University merchandise, including T-shirts, hats, stickers, purse straps and more.

Rafy Bassali, an alumnus of Augusta University and owner of Escape Outdoors and the local boutiques The Swank Company and Posh Tots, said he is honored to partner with Augusta University as a local retailer of its merchandise.

“Having a strong relationship with Augusta University is incredibly important to us,” Bassali said. “We are a local business and being connected with our local community is a mission of our business. We love that collaborations like this allow our community to support us as a local business and AU as a local university.”

Store owners with Augustus, the mascot
Rafy Bassali, an alumnus of Augusta University and owner of Escape Outdoors, poses for a photo with his wife, Hannah, and AU mascot Augustus in front of the new merchandise for sale at the store. [Michael Holahan/Augusta University]

“We are a local business and being connected with our local community is a mission of our business. We love that collaborations like this allow our community to support us as a local business and AU as a local university.”

Rafy Bassali, Augusta University graduate and owner of Escape Outdoors, The Swank Company and Posh Tots

Russell Keen, EdD, executive vice president of administration and chief of staff to the president at Augusta University, said offering the university’s merchandise in a local store owned by an alumnus is a win-win situation for the entire community.

“It’s incredible to see our merchandise in a store like this and it’s even better to have it in a store owned by an alum,” Keen said, as he walked around Escape Outdoors looking at the new Augusta University merchandise. “And Rafy has told us that it is selling and they are already making reorders, so that speaks to our brand, it speaks to the loyalty that we are creating in our alumni and our connection to the community.”

For years, Keen said community members have told the university they would like to see more Augusta University merchandise in local stores.

Alison Rohdy, brand strategist and trademark and licensing coordinator, and Taylor Lamb, director of marketing and creative services for Augusta University Communications & Marketing, initially approached Bassali last year to discuss the possibility of having some Augusta University art students paint a mural on one of his downtown buildings.

Bassali, an alumnus of Augusta University’s James M. Hull College of Business MBA program, owns more than 30 properties in Augusta and the surrounding areas.

One of the buildings he owns on Broad Street in downtown Augusta is home to the Draft Society Taproom.

“It’s incredible to see our merchandise in a store like this, and it’s even better to have it in a store owned by an alum.”

Russell Keen, EdD, executive vice president of administration and chief of staff to the president at Augusta University

Just last year, Augusta University art students from the Department of Art and Design at Pamplin College of Arts Humanities, and Social Sciences finished a large outdoor mural for the Draft Society Taproom courtyard area.

“The art mural was all part of the Jaguar Nation Collaboration Project that we started in 2021,” Rohdy said, explaining the project was created to identify and celebrate the university’s brand and inseparable connection to the city. “We were trying to get more integrated downtown and engaged in the community and have a bigger presence.”

Local companies such as Augusta Candle Company, Freshwater Design Co. and Buona Caffe created unique Augusta University products that were sold at Augusta & Co., 1010 Broad St.

“We reached out to a handful of small, local businesses to partner with us. We asked them to create unique products with their personal, creative touches on our brand,” she said. “Partnering with small, local businesses was always the goal.”

While talking to Bassali about the possibility of an additional mural downtown, Rohdy said he inquired about Augusta University merchandise.

“He asked me, ‘How do you sell the university’s merchandise? Could we potentially sell it out of our stores?’ And I immediately said, ‘We would love that,’” Rohdy said. “Everything just fell into place. We started with merchandise at Escape Outdoors, and we recently added some T-shirts at Swank. If everything goes well there, we plan to add some items at Posh Tots. So, that is how it came to life.”

Bassali said he has been pleased with the high demand for the Augusta University merchandise at Escape Outdoors and has already ordered more items.

“We view this collaboration as another way to reach our community, and draw in students who may not have heard of Escape Outdoors,” he said. “Students attend Augusta University from all over the country, and hopefully this is a way to connect. We do not aim just to have them discover Escape as a place to shop, but hopefully, also a place to find a sense of community. Since our offerings revolve around so many outdoor activities, Escape has become a connection point for people with different interests through things like disc golf, camping, kayaking, running and more.”

Woman wearing a hat
Elizabeth Wilson, a sophomore at Augusta University, is also an employee at Escape Outdoors. [Michael Holahan/Augusta University]

“I am really proud of my school and I love seeing people wear the AU shirts and hats. I feel a connection with them.”

Elizabeth Wilson, Augusta University student and Escape Outdoors employee

Elizabeth Wilson, a sophomore at Augusta University who is majoring in business administration with a concentration in digital marketing, is also an employee at Escape Outdoors.

Wilson said she is proud to have the Augusta University gear available to customers coming in the store.

“It is a good conversation starter when they pick up the merchandise, and I get to say, ‘I go to Augusta University,’” Wilson said. “I am really proud of my school, and I love seeing people wear the AU shirts and hats. I feel a connection with them.”

Seth Prior, a junior at Augusta University who is majoring in graphic design, also works at Escape Outdoors.

Prior said he was excited to see the Augusta University T-shirts at Escape Outdoors because he was able to meet local graphic designer Jason Craig, who designed the new Augustus logo for the merchandise, during one of the artist’s talks at the university.

“It is really cool to see the T-shirts with his design in our store,” Prior said. “And they are selling out quickly. We had to order some new stuff recently, so it is definitely great to see other people enjoying the school and seeing the community’s support of AU.”

man standing with Augustus
Seth Prior is a junior at Augusta University and works at Escape Outdoors. [Michael Holahan/Augusta University]

While looking around Escape Outdoors and talking to the owner and staff, Keen said it is clear this partnership is already a success.

“This creates a sense of pride. It is not only pride in the university, but pride in our community,” Keen said. “And it speaks to our community engagement. If the university does well, the community does well. If the community does well, the university does well. And I think we’re seeing that type of community engagement and partnership right here.”

Bassali said he enjoys seeing his employees and customers so enthusiastic about the new Augusta University merchandise.

“Dozens of our employees over the years have been and are students at AU, as well as many of our customers,” he said. “We were so excited to be able to work on a collaboration like this, and to see this project become a success is an added bonus. We hope to continue this partnership.”

Local businesses interested in a potential partnership with Augusta University to carry the university’s merchandise can contact Alison Rohdy.

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Nihilent’s founder L.C. Singh sees great beauty in the art of photography

Nihilent’s founder L.C. Singh sees great beauty in the art of photography

L.C. Singh, the 74-year-old Founder of global consulting and services company Nihilent, is an avid photographer. “By training I am an engineer but I have always had a lot of respect for the right side of the brain,” he smiles, adding that he got interested in photography nearly 15 years ago. “I am fascinated with nature and how it is able to hide engineering. Sophisticated models covered beautifully. So it is my fascination with nature that led to photography,” he says.

Singh only shoots nature—landscapes, birds and wildlife —with his Nikon Z9. “I don’t like shooting human beings,” he says. The Nihilent Founder has always used Nikon products and currently has lenses from 12mm to 1,200 mm. “I also use nearly 18 different pieces of software to process the pictures. After all, it is said that you don’t take pictures, you make pictures,” says Singh.

“The camera is unbiased. It just clicks pictures, but doesn’t necessarily create emphasis where I want it to. So when you make pictures, the focus is on controlling the eyes of the viewer,” he adds.

Singh who likes to study ontology and epistemology, loves shooting at national parks such as Ranthambore, Pench, Tadoba etc., but his favourite is the Kruger National Park in South Africa and he goes there at least once a year.

While Singh is self-taught, he enjoys sharing his experience with others and conducts photography workshops. “In photography you get totally lost in the act. You don’t know where you are, what you are doing,” says Singh, adding that it has made him more focussed. “When I am shooting a flower I am not thinking about work then. Photography has the same impact on me as meditation. It gives me a connection with a different species. It’s a peaceful experience for me,” he says.

Even while shooting his subjects, Singh follows some principles. He never shoots animals in captivity or a flower from top. “You need to respect your subjects,” he signs off.

@smitabw

Heller Releases Vignelli Outdoor Seating in New Hues

Heller Releases Vignelli Outdoor Seating in New Hues

It’s well-known that color can trigger joy within us. Whether you’re a monochrome lover or a pattern player, or prefer neutrals over saturated brights, the right hue can kick your serotonin into high gear. Heller is known for its wide world of color, which continues to expand to give you more options for your home – inside and out. Two pieces we love that can spark immediate joy are the Vignelli Rocker and Vignelli Bench, designed by the dynamic duo of Lella and Massimo Vignelli.

The iconic Vignelli Rocker is the final chair by the Italian designers. Now, it’s back in production and available in eight matte colors rather than the original three: red, light grey, and white. The additional five options include green, laurel green, blue, Heller red, and charcoal. Whether it’s used in a home or business, indoors or out, the rocker is a pleasant mingling of curves and lines that are cleanly defined in the sculptural shape of an armchair. The Vignelli’s put their architectural knowledge to work when designing the base that allows for a gently soothing motion that will keep you perched for hours. Each Vignelli Rocker comes with an individual NFT identifier, authenticating the rocker and establishing a connection to Heller’s commitment to sustainability.

row of five modern plastic rocker chairs in different colors

Heller Rocker in five new colors

minimal modern white outdoor rocker

minimal modern red outdoor rocker

two minimal modern yellow outdoor benches

What do iconic product designers do when they can’t find what they want for their own home? Design it, of course. Such is the case with the timeless Vignelli Bench, created as multi-purpose, indoor/outdoor furniture for their home in Italy. Choose from three sizes (48”, 60”, 72”) and nine colors: light grey, white, dark grey, pink, orange, yellow, green, blue, and purple. Durable and functional, the hollow bench weighs 40 to 53 pounds, but sand can be added for more wind resistance via a removable plug on the underside. The minimal Vignelli Bench pairs nicely with other furniture – including the Vignelli Rocker! – and works great poolside, in an entryway, or even at a dining table.

three plastic benches in different colors

Vignelli Benches in three sizes

two minimal modern green outdoor benches

minimal modern white outdoor bench on a dock

minimal modern green outdoor bench on a deck

three stacked minimal modern black and yellow outdoor benches

three stacked minimal modern black and green outdoor benches

To learn more about the Vignelli Rocker or the Vignelli Bench and new available colors, visit hellerfurniture.com.

Kelly Beall is senior editor at Design Milk. The Pittsburgh-based graphic designer and writer has had a deep love of art and design for as long as she can remember, and enjoys sharing her finds with others. When undistracted by great art and design, she can be found making a mess in the kitchen, consuming as much information as possible, or on the couch with her three pets. Find her @designcrush on social.

Creatives in the Crowd: Kelly Saunders surrenders to the flow

Creatives in the Crowd: Kelly Saunders surrenders to the flow

Kelly Saunders, a visual artist based in Asheville, hasn’t always identified as such. For most of her adult life, she’s  enjoyed a full and successful career in corporate marketing. But her passion always brought her back to painting. Yet, the life of a working artist felt like something far and out of reach. When she did paint, it was often with her children and viewed as little more than a hobby.

However, amid the COVID-19 lockdown, Saunders’ casual approach took a more serious turn after she painted her first guitar on canvas. A lifelong music lover, the decision proved revelatory.

Today, Saunders regularly works out of a home studio that is slowly taking over the bottom floor of her house. Half-used tubes of acrylic paints and palette knives scatter across her worktable. Meanwhile, a pair of work pants hangs on the door, calling to mind a Pollack painting.

“Messiness is forgiveness,” she says as we walk into her creative space — filled with new and half-finished paintings of drum sets, keyboards and vintage records — to discuss her unconventional journey.

Follow the music

Music has long been a key part of Saunders’ life. She met her husband, Jake — a local musician and her biggest artistic supporter — at a My Morning Jacket concert. The two soon discovered they were both part of a loose fraternity that traveled the country following other live acts such as the Grateful Dead, Phish and the Tedeschi Trucks Band. The couple married in 2020.

It is through live music that Saunders finds much of her inspiration, interpreting the experiences through blue and turquoise and bold strokes of orange — colors that feature predominantly in her work. These shades, she explains, emanate from the songs she hears.

But it is also her use of lyrics, incorporated into many of her paintings, that connects viewers to what the music aims to say. “The lyrics are where the feelings are,” Saunders says, holding up a work that features a row of soft blue and warm brown guitars. “I put so much of my fire inside these paintings. It’s only when I am able to get out these feelings and the words of the songs that I can move on to what is next.”

“Ripple,” a piece from her growing collection, was inspired by the Grateful Dead and commissioned by a woman honoring her late father. The lyrics read: “There is a road, no simple highway, between dawn, and the dark of night.” There is a haunting mood to the way Saunders blends these words. The painting’s color palette paired with the lyrics come across like a whisper, similar to the way music is often conjured unintentionally in our heads as we go through our daily routines. The effect is both present and ethereal.

Not far from the Grateful Dead piece is a painting that features the words from a Phish song. The lyrics in this particular work may hint at Saunders’ own philosophical approach to her creative works. It reads, “The trick is to surrender to the flow.”

Validation

This connection to music has led to a host of commissioned pieces and broader opportunities. “People are coming to me now asking for specific paintings from specific bands,” Saunders says. “Or specific instruments that have meant something to them or the people they love. For me, these pieces are extremely rewarding. I am able to help them express things that only music and art are able to say.”

Her dedication has also led to new opportunities.

Earlier this year, Saunders became a member of the Asheville Gallery of Art. The membership, she notes, was validating. Previously, she says, she felt as if she did not have enough training to be taken seriously as an artist.

Furthermore, her paintings are now featured in places such as Marquee in the River Arts District, coffee shops and breweries. She has also exhibited in cities such as Atlanta.

And more recently, Saunders served on the production team for the Biltmore Lake Imaginative Stroll. During the May 6 event, she and 25 other artists displayed their works in the Biltmore Lake neighborhood. Saunders says the happening was another moment of collaboration that further validated the connection she has made between music and painting.

Focus and intention

Along with sound, Saunders has also begun experimenting with found tools to create new moods among her works. In one painting, she uses a flyswatter to add soft colors and shapes behind a guitar that is bathed in turquoise. Another work features carpet tape to help raise the acrylic from the canvas.

All of this is done with focus and intention. When approaching a painting, Saunders says she already has a clear idea of the image she wants to end up with. Like many visual artists, she is able to see the finished painting before she even begins. The only variable, she points out, is color choice.

Beyond the canvas, Saunders features her art on pillows and playing cards, tote bags, koozies and greeting cards, among other things.

And her creative works continue at a steady pace. Her prolific output is matched by her ever-growing studio space, which continues to take over new corners of her home’s bottom floor.

Meanwhile, she continues to balance family, career and her love for music along with her expanding artistic presence in Asheville and beyond. What started with a spark of creativity during the COVID lockdowns has since turned into a full flame. Saunders — the artist, the painter — it appears, has learned to surrender to the flow.

To learn more, visit avl.mx/cox.

This article is part of our ongoing feature, “Creatives in the Crowd,” which focuses on local artists — both established and new. The feature spotlights unique stories and innovative artistic approaches within our creative community. Unlike much of our Arts & Culture reporting, these stories are not tied to upcoming events, exhibits or releases. The feature strives to represent a diverse range of voices, experiences and artistic mediums. If you’d like to nominate a community member for consideration, please reach out to ae@mountainx.com with the subject line “Creatives in the Crowd.”

Illuminated by Moonlight, Giulia Pintus’ Illustrations Ruminate on Imperfection and Solitude

Illuminated by Moonlight, Giulia Pintus’ Illustrations Ruminate on Imperfection and Solitude

All images © Giulia Pintus, shared with permission

“I think there is a lot of poetry in imperfections,” says Giulia Pintus (previously). Through introspective drawings in shades of blue and pastel tones, the Piacenza-based illustrator interrogates unrealistic beauty standards and the notion of flaws. She focuses on the relationship between physical and emotional well-being and meditates on the intimate, unrefined moments of human existence.

Depicting periods of quiet and solitude, the renderings center on characters with large limbs and shapely bodies and are tinged with whimsy. In one work, the moon is made of yarn that descends for a woman to knit, and another portrays a figure showering underneath a storm cloud. Magical and often illuminated by soft light, the illustrations reflect Pintus’ interest in retreat, silence, and time spent alone.

The illustrator currently has a few books in progress, including one about a child and a dog that will be released in Italy with Logos Edizioni. She’s also working on a series of pieces for a nursing home that considers how we age. You can follow her work on Instagram.

 

A large man sprinkles glittery dust on a moon in a fishbowl

A woman waits for coffee to brew with a cat at her feet

A woman stands in the shower underneath a dark storm cloud

A woman sits on a rooftop and blows a bubble that appears like the moon

Two people eat pizza out of their upper floor windows, grabbing slices from their pie in the sky

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Artist Mark Rothkopf will show his photographs and, new to Frederick audiences, his paintings at upcoming Frederick exhibition

Artist Mark Rothkopf will show his photographs and, new to Frederick audiences, his paintings at upcoming Frederick exhibition
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A few weeks ago, Mark Rothkopf was busy finishing up preparations for his solo exhibition, “Other Realities,” at Eastside Artists’ Gallery in Frederick, which will feature not only his photography, which has been his concentration for decades, but also an art form he rediscovered early in the COVID-19 pandemic: painting.

Rothkopf began drawing and painting when he was 7 years old. He went on to study studio art and art history at the University of Maryland College Park, but a few years after obtaining his B.A., he took a photography workshop in Putney, Vermont. Speaking of the head teacher of the workshop, Rothkopf said, “[Fred Picker was a] very charismatic, inspiring person. When I saw his work and his staff … I was forever changed.”

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