On a bird quest: An anaesthetist turns avid bird photographer

On a bird quest: An anaesthetist turns avid bird photographer

On a quiet Sunday morning, Deepthi Cheran sets out on a boat journey far away from her everyday hectic work schedule as an anaesthetist.

Over the next four to five hours, Dr. Deepthi along with local fisherman Logu scans the Pulicat lake, with camera in her hand, to capture the winged visitors — a pursuit that she has taken over the last six years.

An associate professor of anaesthesia in a government hospital in Chennai, Dr. Deepthi is a trained liver transplant anaesthetist and was part of the team that performed the first cadaveric liver transplant at the Government Stanley Medical College Hospital in 2009. Subsequently, she went on to be on the team for 33 liver transplants.

It was in 2017 that she learned the ropes of photography from Rathika Ramasamy, a wildlife photographer. Since then, she has travelled to places in Andhra Pradesh, Karnataka, Uttarakhand, Rajasthan and Tamil Nadu in search of the winged beauties, and in all, has captured 300 to 400 species of birds so far.

“This is definitely a stressbuster. It is a different world altogether. Nature, breath of fresh air and birds keep me going. When I walk through forests and wade across small streams with my camera in hand and looking for birds, I tend to forget the world outside,” she said.

Being an anaesthetist, the hospital is a separate world in itself, she said, adding, “Work hours are hectic both in the operation theatre and post anaesthesia care unit. So, these are worlds apart.” She along with her husband K. Elancheralathan, professor and head, Vascular Surgery, Government Stanley Medical College Hospital has travelled to places such as Kotagiri, Thattekad and Sattal.

At Pulicat lake, on spotting greater and lesser flamingos, Dr. Deepthi gets into the water and waits patiently before clicking the images. “I have a bird bucket list that includes Rufous-necked hornbill and Black Baza found in West Bengal. Among the birds that I have spotted and clicked so far, my prized possessions are Nilgiri Sholakili chick, Great Barbet at Sattal and Oriental Dwarf kingfisher at Thattekad,” she says.

In a recent visit to the Nilgiris, Dr. Deepthi Cheran spotted the Black-and-orange flycatcher.  

In a recent visit to the Nilgiris, Dr. Deepthi Cheran spotted the Black-and-orange flycatcher.  
| Photo Credit:
Deepthi Cheran

Dr. Deepthi Cheran has travelled to places in Andhra Pradesh, Karnataka, Uttarakhand, Rajasthan and Tamil Nadu in search of winged beauties, and in all, has captured 300 to 400 species of birds so far. A photograph of the Nilgiri flycatcher shot by the anaesthetist.

Dr. Deepthi Cheran has travelled to places in Andhra Pradesh, Karnataka, Uttarakhand, Rajasthan and Tamil Nadu in search of winged beauties, and in all, has captured 300 to 400 species of birds so far. A photograph of the Nilgiri flycatcher shot by the anaesthetist.
| Photo Credit:
Deepthi Cheran

In a recent visit to the Nilgiris, she spotted the Black-and-orange flycatcher and Velvet-fronted nuthatch. “Bird photography has helped me in more than one way. Each photograph speaks of a story. We walk for hours and wait patiently for that fraction of a second to capture the image of a bird. I learn from nature, from birds. For instance, the Baya weaver, which is known for its hanging nest, has a lesson to teach — to keep on working relentlessly,” she said.

ArkLaTex Artistry: Debra Roberson; photographer, writer aims to remind people of history

ArkLaTex Artistry: Debra Roberson; photographer, writer aims to remind people of history

SHREVEPORT, La. (Ark-La-Tex Weekend) – Award-winning, critic-approved photographer shares her story and inspirations for her photography.

Debra Roberson is a photographer from Houston, Texas, but spent much of her childhood in Natchitoches, Louisiana, where her family is from. The two worlds were far apart in those days. As a Black girl, she faced racism and oppression.

Overcoming odds and criticism from fellow students and her teachers, who believed she did not deserve better, Roberson was awarded entry into an Ivy League school, Dartmouth College, in New Hampshire. This began her interest in photography. She learned French and eventually stayed in Europe, traveling some and photographing places in Spain, Italy, and Germany during the Carnival season.

After returning to the United States, Roberson ended up settling here in Shreveport, Louisiana. During her time here she had an extensive 30-year career working in information technology (IT) but then decided to make a change. Roberson returned to school at Bossier Parish Community College (BPCC) and there she rediscovered her interest and passion in the art of photography.

An in-depth look at Debra Roberson’s Photography:

Roberson’s subjects in her photography are nature, such as trees, birds, and flowers, but she also photographs historical buildings and places. Some of her most captivating work revolves around these photographs of historical places that have significance to Black history and the struggle Black people endured during the times of slavery.

Roberson’s parents and grandparents lived and worked on plantations growing up, inspiring her to document those places and remind the world of what happened.

An exploration of certain pieces of work by Debra Roberson and the reason why she captured the image.

“Those who forget history are doomed to repeat it,” Roberson says, living by this motto as an artist.

Her art’s raw truth is captured for the world to face. History is laid out in beautiful black-and-white images of these buildings and cotton fields, and the ghosts of the past cannot be avoided. Reminding any who sees her work, where we have been so we can know where we want to be as a society.

When asked what advice she would give someone interested in photography, Debra encourages all, “It’s never too late. If you are interested in photography, take a class, learn the fundamentals.”

To follow Debra Roberson and her photography, visit her site at https://www.debrarobersonartist.com/. See the full interview on News 12 Now app, Roku TV, Fire TV, and Apple TV apps.

Ponchatoula High freshman wins Congressman Scalise’s art competition

Ponchatoula High freshman wins Congressman Scalise’s art competition

PONCHATOULA, La. (WVUE) – JLynne Hamberger’s oil pastel work “Louisiana Natives” was named Friday (June 2) as winner of the 2023 Congressional Art Competition for Louisiana’s First District, Rep. Steve Scalise’s office announced.

The Ponchatoula High School freshman’s artwork depicts animal and plant species native to Louisiana, including the brown pelican and magnolia flower. The painting will be displayed in the U.S. Capitol for one year, alongside the work of other winning artists from across the country.

“JLynne’s artwork truly captures the beauty of Louisiana’s natural landscape and wildlife,” House Majority Leader Scalise (R-Metairie) said in a statement. “The artwork creatively uses the state outline to frame our natural resources and I am proud it will soon be on display for the thousands of Capitol visitors from Louisiana and across the nation to view.”

A post by Ponchatoula High School said Hamberger “will travel to Washington D.C. to view her piece on exhibition in the Cannon Tunnel of the US Capitol building.”

Ponchatoula High School said freshman artist JLynne Hamberger will travel to Washington D.C. to...
Ponchatoula High School said freshman artist JLynne Hamberger will travel to Washington D.C. to see her winning painting displayed in the US Capitol.(Ponchatoula High School)

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Asking for a photo and posing is NOT street photography

Asking for a photo and posing is NOT street photography

There is a trend going across the popular video social media platform TikTok that shows photographers, calling themselves “street photographers” wandering the streets and asking people on the streets for a picture, resulting in taking their portraits on the street.

This is NOT street photography, I’m sure Henri Cartier-Bresson is turning in his grave when he hears these trendy photographers calling themselves street photographers when indeed they are portrait photographers taking images on the street.

It might sound the same, but I can assure you it really isn’t and someone needs to tell them the basis of the trend is flawed!

@iamjeanblack
♬ original sound – Jean Black

While TikTok user iamjeanblack seems like a friendly fellow and was very polite and did take some nice images of the man he stopped, this is not pure street photography capturing candid moments on the street of unexpecting people. 

This is all intent and purpose, it’s a photo shoot or a portrait session in a park… NOT street photography. But it doesn’t stop there, hundred of TikTok users are now calling themselves Street Photographers and using the basis of this trend to take photos out in public.

While I love the idea of more people picking up a camera and getting into photography, I’d like them to understand street photography first and then decide that while it’s not street photography, they are taking great portraits and are therefore portrait photographers.

How to get started in street photography with a simple setup, explains Sebastian Oakley

This is street photography (Image credit: Future)
@ryukstyles
♬ lovely – lovely

Again, amazing photos from ryukstyles, and having the portable printer with him is a nice touch…. But it’s not street photography, where are the dramatic scenes, candid moments within a slit-second of life – this just isn’t street photography.

(Image credit: Sebastian Oakley / Digital Camera World)

While I sound like a boring old fart going on about how this isn’t that and why are they calling it this, in anything, there is a process, a process of learning, striving to be the best in your field and this trend just feels like a gimmick, a gimmick and a punch in the gut to the great street photographer that have been and gone, and to the great that have worked their craft for years.

I am sure this trend will continue, because who wouldn’t follow the crowd to get views, but I just think it is very weird and really does not sit well with me that people and photographers think this is street photography – for the fiftieth time – It’s NOT street photography.

Unveiling the Pacific’s Vibrant Tapestry: Artists Marquita Davis and Patrick McCray Illuminate Connections at the Armory Center for the Arts

Unveiling the Pacific’s Vibrant Tapestry: Artists Marquita Davis and Patrick McCray Illuminate Connections at the Armory Center for the Arts

Experience an illuminating journey into the realms of art, culture, and environmental awareness at the Armory Center for the Arts on Saturday, June 3rd at 3:00 p.m. The Armory will delve into the captivating works of two extraordinary artists and researchers during an event that promises to inspire and enlighten.

The artist Marquita “Micki” Davis will take the stage to share her profound insights into her thought-provoking installation featured in the current exhibition, Exposure: Native Art and Political Ecology. Titled “Pacific Concrete,” Davis’s mesmerizing artwork offers a poignant glimpse into the lives of her family in Guåhan, unveiling the rich tapestry of their experiences. Through her masterful storytelling and artistic prowess, Davis invites viewers to explore the complexities of identity, heritage, and the human connection to the environment.

Following Davis’s talk, enjoy Patrick McCray, a distinguished researcher whose expertise transcends the boundaries of disciplines. In his presentation titled “Waves of Knowing: A Convergence of Nuclear, Oceanographic, and Navigational Knowledge,” McCray will ingeniously weave together the threads of Cold War-era classified research in the Pacific with the profound nuclear and environmental displacements experienced by the resilient Marshallese people. By connecting these seemingly disparate realms, McCray exposes the interplay between scientific exploration, geopolitical dynamics, and the indomitable spirit of humanity.

Admission to the event is free. The Armory requests that you RSVP in advance to secure your place.

The venue for the event is the Armory Center for the Arts, located at 145 N. Raymond Avenue in Pasadena. This presentation is made possible through a collaborative effort between Fulcrum Arts and the Armory Center for the Arts, as part of the larger Energy Fields: Vibrations of the Pacific project. Energy Fields, an exhibition, publication, and public program, is co-presented by Fulcrum Arts and Chapman University, and is set to be a significant component of the upcoming PST ART: Art & Science Collide in 2024.

For more information call (626) 792-5101 or visit www.armoryarts.org.

Love leads to monumental artworks for Vancouver, Washington, metal sculptors

Love leads to monumental artworks for Vancouver, Washington, metal sculptors

Husband-and-wife Jennifer Corio and Dave Frei worked in the high-tech world of Hewlett Packard. A simple smile brought the two together. But it was their love for complex design that drew them out of the office and into the world of public art. Corio and Frei, of Cobalt Designworks, took a trip down memory lane with “Oregon Art Beat.”

THANKS TO OUR SPONSOR:

Jennifer Corio: Our mission with our artwork is to lift spirits and brighten the world.

Dave Frei: I’m Dave Frei.

Corio: And I’m Jennifer Corio and we make up the artists team for Cobalt Designworks.

The world right now is heavy. I feel the heaviness and I think that’s why I’m always striving to design with a lightness.

Frei: Creating a piece of public art, you’re putting out something that’s visual and creates a conversation. It becomes part of the community. And I think people tend to have pride in it, even if it’s a little controversial, it becomes something they can talk about and share with people visiting the community and it becomes important to them.

Metal sculpture entitled

Metal sculpture “Golden Connection” in Ashland, Oregon, created by Cobalt Designworks

Cobalt Designworks / OPB “Golden Connections” by Cobalt Designworks

Corio: The piece in Ashland was all about a work of art that speaks to the transformation that the railroad made. They have a whole railroad district that was created in the late 1800s when the railroad came through. And Ashland was a very important part because it was a final connection between Portland and San Francisco when they finished the rail. It marked the complete circumference of the railroad around the nation. So it was a golden spike moment.

The golden spike became a canvas for some words. Then as I dived into the history, I saw just how pivotal the Chinese were in coming over and building the railroad. And it says in English, ‘In honor of the Chinese men who laid these tracks despite discrimination and without recognition, today we offer our belated gratitude in sadness’.

We met almost 24 years ago now. We were both working at Hewlett Packard at the time and Dave was doing R&D mechanical engineering work and I was in the marketing department. A friend of mine knew him and I thought he had smiling eyes. Um, I thought he was really handsome. He lived out in Battle Ground and he had a shop that he built, that was at least five times —

Frei: — three times.

Corio: Three times bigger than his house. We have all these different cars in there. I thought it was cool but I let him do his thing. I had been working in marketing for about five years. I was doing a lot of project management and more process-oriented stuff and taking these art classes at Clark College. I started exercising my creativity. And so these art classes, I was having a blast!

Frei: And she was coming home from her classes and sharing. I got to use a plasma cutter today. You know what those, yeah, I have one and he said we learned how to TIG [weld] and I go, oh, I have a couple of those. She started realizing she married into a dowry of a fabricator.

Corio: Dave and I started coming together, we would work in the garage and just do it as a hobby.

THANKS TO OUR SPONSOR:

Frei: Jennifer had had some successes with the sculptures and all of a sudden HP had a downsizing and I qualified for early retirement. We took the leap and started Cobalt design works.

Corio: I work in my design studio. I’m the one who is looking for the art opportunities. Once we have secured a commission, the first part for me is the most exhilarating and the most daunting part. It’s playing detective on trying to talk to as many people as I can about what they want this art to represent. Then I’ll also start collecting images. I might take out some of my son’s books, books that I read to him as a kid, right? They’re just a source of so much fun inspiration like this one color. I mean, the stories are fun but just the pictures.

Hand-shaped metal sculpture elements, Cobalt Designworks, Vancouver, Washington

Hand-shaped metal sculpture elements, Cobalt Designworks, Vancouver, Washington

Cobalt Designworks / OPB

Frei: A lot of the work requires hand forming, hand shaping; a new area for me, but it’s been really enjoyable and learning how to shape metal and get the shapes we want to. A lot of people think of metal as quite rigid, but it really is very much like pizza dough. So when you press it out and stretching in certain areas, shrinking in other areas, you end up creating bowl shapes and waves and shapes like that. So the material will take a shape just like bread dough or something soft like that.

Because all our pieces are one-off, everything has to be assembled. The fabrication process takes hundreds of hours. So it’s a matter of breaking it down in different pieces and stepping through and trying to create one step at a time.

Image used in article for Oregon Art Beat, S24, EP7 story on Cobalt Designworks story produced by Lisa Kallem.

Metal sculpture “Tulip Dance” in progress in Cobalt Designworks studio, Vancouver, Washington.

Cobalt Designworks

Corio: I will say we’ve worked with some delicious colors. We work with powder coat mostly. Sometimes we do automotive paint but mostly powder coat because it’s much more environmentally friendly. They electrically charge the sculpture and then they spray the powder and the electrical charge is what attracts the powder to the piece. And after it’s been coated, it will go into an oven and it gets baked on.

Frei: Anything over six feet has to go through an engineering process and has to have a structural engineer look at it.

Corio: Dave and the engineers are always bringing me back down to earth. They’re reminding me that gravity is a thing, you know, and uh and sometimes, you know, they’re like, you gotta thicken this up and I’m like, oh that takes away the sexy look. But we, there’s a back and forth and it ends up being both graceful and structurally sound.

Sculptor Dave Frei and the Blackburn family with

Sculptor Dave Frei and the Blackburn family with “Tulip Dance” in Mt. Vernon, Washington

Cobalt Designworks / OPB

Frei: We’re finishing up a collaborative project with the Vancouver School of the Arts. It’s their design, but we are doing the actual fabrication.

Corio: The visionaries behind this project really want the students to learn; how do you work with the client to get to come up with your concept?

Frei: How do you find funding, apply for grants?

Corio: And they’re just getting to see the whole process. And I think this will really help launch them if they do want to go into public art themselves.

Screen capture of Jennifer Corio and Dave Frei in their studio, Cobalt Designworks, Vancouver, Washington, 2022

Screen capture of Jennifer Corio and Dave Frei in their studio, Cobalt Designworks, Vancouver, Washington, 2022

Darren Higgins / OPB

Frei: We each have our role in this process and it’s the coming together that really builds both our business and our relationship. I’m convinced our relationship has gotten stronger and stronger because of what we’re doing here.

Corio: I love a sense of lightness and a sense of brightness. And if I can lift somebody’s mood through our art that brings me a lot of joy. And so it’s meaningful to know that these things will last for a long time, decades to come and they’ll be out there, hopefully making a lot of people smile.

THANKS TO OUR SPONSOR: